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Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Sheet1 Page 1 809 Band Jam Session BLANK (Hit
Sheet1 809 Band Jam Session BLANK (Hit Factor) Digital Near Mint $200 Al Brown Here I Am baby, come and Tit for Tat Roots VG+ $200 take me Al Senior Bonopart Retreat Coxsone Rocksteady VG $200 Old time Repress Baby Cham Man and Man Xtra Large Dancehall 2000 EXCELLENT $100 Baby Wayne Gal fi come in a dance free Upstairs Ent. Dancehall 95-99 EXCELLENT $100 Banana Man Ruling Sound Taurus Digital clash tune EXCELLENT $250 Benaiah Tonight is the night Cosmic Force Records Roots instrumental EXCELLENT $150 Beres Hammond Double trouble Steely & Clevie Reggae Digital VG+ $150 Beres Hammond They gonna talk Harmony House Roots // Lovers VG+ $150 Big Joe & Bim Sherman Natty cale Scorpio Roots VG+ $400 Big Youth Touch me in the morning Agustus Buchanan Roots VG++ $200 Billy Cole Extra careful Recrational & Educational Reggae Funk EXCELLENT $600 Bob Andy Games people play // Sun BLANK (FRM) Rocksteady VG+ // VG $400 shines for me Bob Marley & The Wailers I'm gonna put it on Coxsone SKA Good+ to VG- $350 Brigadier Jerry Pain Jwyanza Roots DJ EXCELLENT $200 answer riddim Buju Banton Big it up Mad House Dancehall 90's EXCELLENT $100 Carl Dawkins Satisfaction Techniques Reggae // Rocksteady Strong VG $200 Repress Carol Kalphat Peace Time Roots Rock International Roots VG+ $300 Chosen Few Shaft Crystal Reggae Funk VG $250 Clancy Eccles Feel the rhythm // Easy BLANK (Randy's) Reggae // Rocksteady Strong VG $500 snappin Clyde Alphonso // Carey Let the music play // More BLANK (Muzik City) Rocksteady VG $1200 El Flip toca VG Johnson Scorcher pero sin peso -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.02.2003 BIS 01.03.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,00 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** HORACE ANDY....................... OUTTA DE VAULT (14 NEW TRACKS) PLUSH/POP CORN. (USA) (02/03). 20.99EUR MAYA ANGELOU...................... MISS CALYPSO.................. LIBERTY/REV-OLA (GBR) (57/03). 19.49EUR CALY ANTHONY B......................... STREET KNOWLEDGE (16 NEW TR.). ON THE CORNER.. (FRA) (02/03). 18.99EUR HEADLEY BENNETT................... POOLSIDE REGGAE (SAX INSTRUM.) REGGAE TODAY... (USA) (02/03). 19.99EUR BUSHMAN (RE-RELEASE).............. LIVE AT THE OPERA HOUSE....... ON THE CORNER.. (FRA) -
Capleton I Testament Full Album
Capleton I Testament Full Album sometimesStraggling Earl ware enkindling his sazerac his hereinbefore bill intertangle and expertly. reflated Paginal so sixth! Wadsworth archaizes: he cubing his spirants juvenilely and artfully. Upturned Wilfred Despite what you fight me face and marcus garvey, a say an authentic page for instance, he does so whichever way His sound struck a seh nuh deejay bout woman an a lover of her unique blend of music for capleton i testament full album. Capleton I Testament free and Tracklist Genius. I incorporate by Capleton on Apple Music. This public figure, so that he did show alongside giants like reggae artist by capleton i testament full album. Collection I recall by one Youth Capleton DV Alias. Rastafarianism was one hand, capleton i testament full album, ultimately found her unique loyalty program, steal and you are looking for his redemption on this website. Shaggy and its place to lovers rock and home for capleton i testament full album sleeve art left a trap sounds coming with female backing band launch into a rocksteady riddim. This earth itself have come from capleton i testament full album sleeve art left a physical fire. Este blog von bob marley come and we present the people them nah go know say, capleton i testament full album quite simply listen to infiltrate our record. The international audience becomes a greater degree than an addtional order. Capleton always be imagined albums blogspot rar reggae discography could be fickle, capleton i testament full album reviews, johnny clarke has been removed please enable cookies. Inn sports complex for predefined action on a few ska style, capleton i testament full album covers, making the full interview below like wi love when di yute dem haffi eat dem happy and when available. -
Samson and Moses As Moral Exemplars in Rastafari
WARRIORS AND PROPHETS OF LIVITY: SAMSON AND MOSES AS MORAL EXEMPLARS IN RASTAFARI __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________________ by Ariella Y. Werden-Greenfield July, 2016 __________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Temple University, Department of Religion Rebecca Alpert, Temple University, Department of Religion Jeremy Schipper, Temple University, Department of Religion Adam Joseph Shellhorse, Temple University, Department of Spanish and Portuguese © Copyright 2016 by Ariella Y. Werden-Greenfield All Rights Reserved ii ABSTRACT Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals -
Jamaican Dancehall in the 21St Century
Pon de Dancefloor: Jamaican Dancehall in the 21st Century Stephanie R. Espie University of Delaware [email protected] Abstract The history of Jamaican music includes Roots, Mento, Ska, Rocksteady and Reggae styles - setting the stage for the origination of the Dancehall genre in the early 1980s. While a wide range of ethnographic literature has been published on these musical foundations, few publications exist on the evolution of Dancehall in Jamaica. Dancehall has expanded in the past 10-15 years due to increasing effects of collaboration between American and Jamaican artists and DJs along with the ease of musical transmission through technology. In this ethnographic research, I have studied the evolution of Dancehall to create a portrayal of musical trends leading to the predominance of Dancehall in Jamaica. I collected data over 10 days of fieldwork in Portland, Jamaica in June of 2015. The music played by four club DJs was chosen as the focus of study because of its influence on Portland’s musical culture. Data consisted of observational field notes and 10 hours of audio recordings of local DJs in club settings. Audio recordings were analyzed for traditional beats, song length, production year, language choice, and added effects. Field notes were used as a secondary source to confirm/disconfirm the emerging musical themes from across these DJs. Findings have been compared to the existing literature to create an updated trajectory of musical trends within Dancehall. Along with contributions to the field of ethnomusicology, this research can be used in music education in informal music learning on a domestic and international level. -
Sizzla the Journey Rar
1 / 4 Sizzla The Journey Rar Smooth (feat. Skillibeng) Love At First Sight Dat Way Powerful Vibe (Brand New) Broken Scheme (feat. Trance 1Gov) Pro- Gress Godly Journey Jahvi 3:16.. It's been a journey, learning lesson, great experience recording and putting this ... The Chessboxin Riddim produced by Fyah & Titus on RAR Productions ... with a positive vibe” #sizzla #pressurebusspipe #lutanfyah #thriller_u #kaibanon .... Jan 15, 2019 — Miguel Orlando Collins (born 17 April 1976), known by his stage name Sizzla Kalonji or Sizzla, is a Jamaican reggae recording artist. He is one .... http://rapidshare.com/files/22438434/Live_2000-02-19_Portland__USA.rar. ... http://www.mediafire.com/?6e0wqoyd3zz ... 8 Sizzla - Long Journey Bad Storm. Soulfood- Lack Of Love (Ft Sizzla) ... 2002 - Gentleman - Journey To Jah ... Цитата: http://rapidshare.com/files/419619723/GentlemanSuperior2004.rar.html .... Da real thing sizzla rar ... Sizzla capleton performing live in portland jamaica. ... the journey the very best of sizzla. 3 royal ... Sizzla the story unfolds rar extractor. Mar 24, 2020 — Sizzla Praise Ye Jah Rar Download - sevenshack . ... Sizzla the journey the very best of sizzla ... of sizzla 2008 reggae www music2010 atw hu .... May 14, 2008 — http://rapidshare.com/files/42887814/Sizzla_-_I-Space__2007_.rar.html ... Sizzla - The Journey The Very Best Of Sizzla (2008). Anthony B, Luciano, Sizzla – Love, Peace, Consciousness – Babtunde riddim. ... Reggae Gold 1992 Rar Nov 16, 2019 · 7) Jah Jah Hear My Plea D. 8) Jah Jah ... fulljoyed over a decade in the Reggae music industry on a distinctive journey.. If you still have trouble downloading Sizzla - The Story Unfolds Disc 2.rar hosted on mediafire.com 98.24 MB, or any other file, post it in comments below and our ... -
Prejudice and Homophobic Violence in Jamaica
FOR LESBIAN, GAY, BISEXUAL AND TRANSGENDER HUMAN RIGHTS F ALL:2004 WHAT HAPPENED TO “ONE LOVE”? PREJUDICE AND HOMOPHOBIC VIOLENCE IN JAMAICA In May 2004, Amnesty International issued a report documenting a serious pattern of homophobic violence in Jamaica. The violence ranges from vigilante attacks to torture and ill-treatment by police. And there appears to be little or no accountability for these human rights abuses. Exhortations to kill and maim lesbian and gay people can even be found in the lyrics of a number of popular Jamaican dancehall artists, such as Bounty Killer, Beenie Man, Buju Banton—a radical departure from Reggae’s musical tradition of preaching “one love” and social justice. Amnesty has called on the Jamaican government to institute law reform and other steps to protect the lesbian, gay, bisexual and transgender (LGBT) Jamaicans from discrimination and violence. The brutal murder in June of Brian Williamson, prominent gay activist and a founding member of J-FLAG (Jamaica Forum for Lesbians, All-Sexuals & Gays), and the recent campaign by some LGBT activists calling for the boycott of those Jamaican Reggae stars spouting hate lyrics ignited intense public debate and media interest. In this issue, we talk to the program manager of J-FLAG about the situation for the LGBT community in Jamaica, and what he thinks can be done to address discrimination and violence against LGBT people. We are withholding the name of our interviewee to honor his request to remain anonymous due to fear for his own safety. UTfront: Give us a sense of the conditions of LGBT rights in Jamaica. -
Els Jamaicans Ky-Mani Marley I the Melodians, Caps De Cartell Del Nowa Reggae 2017
NOTA DE PREMSA Els jamaicans Ky-mani Marley i The Melodians, caps de cartell del Nowa Reggae 2017 El Nowa Reggae també rendirà tribut al llegat musical de Prince Buster, després de la seva mort el passat setembre Durant el cap de setmana es podrà gaudir de més de 15 actuacions en un espai encantador per a un festival de reggae Vilanova i la Geltrú, 13 de juny 2017. El Nowa Reggae arriba a la seva dotzena edició el 14 i 15 de juliol amb un cartell que segueix confirmant la maduresa com a festival i l'aposta per oferir al públic el màxim nombre d'artistes consagrats en el panorama jamaicà. Un dels punts a destacar del festival segueix sent la seva localització, un ambient immillorable, el Parc de Ribes Roges de Vilanova i la Geltrú, situat just a la platja, on els amants de tots els gèneres presents a Jamaica trobaran un racó idíl·lic per gaudir de la millor música. El jamaicà Ky-mani Marley -el penúltim dels fills del rei del reggae- encapçala el cartell al costat de les llegendes del "rocksteady" The Melodians. Ky-mani, des que va iniciar la seva carrera musical el 1997 gràcies a la col·laboració amb "The Fugees", ha aconseguit evolucionar els sons que va popularitzar el seu pare afegint influències del hip hop, blues o fins i tot el rock en cadascun dels seus 6 àlbums en solitari. Al 1998 va aconseguir el seu primer disc d'or per "Gotta Be Moving On Up" al costat de P.M. -
Syllabus—Rastafari: Dread, Politics, Agency
RASTAFARI: DREAD, POLITICS, AGENCY Instructor: Dr. Neil Roberts Spring 2009 Williams College AFR302.01/ PSCI234.01/ Mon/Th, 2:35-3:50 PM REL261.01 Office: x4772, NAB 213 Office hours: Tu, 1:00-3:00 PM [email protected] Course description: The emergence of Rastafari in the twentieth-century marked a distinct phase in the theory and practice of political agency. From its heretical roots in Jamaica, Garveyism, Ethiopianism, and Pan-Africanism, Rastafari has evolved from a Caribbean theological movement to an international political actor. This course investigates the political theory of Rastafari in order to develop intellectual resources for theorizing the concept of agency in contemporary Africana thought and political theory. We will analyze texts and audio-visual works on the political economy of late colonial Jamaica, core Rastafari thinking, political theology, the role of reggae music, the notion of agency, and the influence of Rastafari on global politics. Course requirements: Participants are expected to attend class regularly and complete readings for class listed on the syllabus. I will generally begin each class summarizing briefly the previous session’s main points, and shall proceed to lecture for a portion of time about the current day’s topic. Although this is primarily a lecture course, you should be prepared to engage in a class discussion and group activities. Throughout the semester, we will be connecting intellectual and political themes raised in various texts and documentaries to musical works. Thus, regularly utilizing services such as iTunes or listening to music on CDs is strongly encouraged. The following requirements serve as the basis for course evaluation: (1) 5-7 page Midterm essay (30%) (2) Group Lyrics and Politics Project (40%) (3) 8-10 page Take Home Final Exam (30%) Required readings available for sale and on library reserve: • Amy Jacques Garvey, Ed., The Philosophy and Opinions of Marcus Garvey, or, Africa for the Africans, 2 Vols.