DOCSLIB.ORG

IFPI Global Music Report 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
IFPI Global Music Report 2018 Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people. continues to do so for generations to come. “This is the most fast-paced “When we combine great “For some time now, we’ve and innovative chapter of the music with the continued been looking at artists as music business in decades. investment, passion, global from day one. Our We continue to grow the innovation and support role is to help turn creativity number of opportunities of the women and men at into careers and to convert for artists to reach their music companies, the fans’ access into attention. audience, whilst ensuring results are profound.” So, when our local expertise that the standard of the ignites momentum, a Sir Lucian Grainge, art is equally exciting and connected, agile team around Chairman & Chief challenging.” the world is primed and Executive Officer of ready to amplify instantly.” Rob Stringer, CEO, Universal Music Group Sony Music Entertainment Max Lousada, CEO, Recorded Music, Warner Music Group Untitled-3 1 3/4/18 3:58 PM NIELSEN MUSIC GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY contents · 5 Contents INDUSTRY CURRENCY STATE OF THE INDUSTRY Comprehensive Sales, Streaming & Airplay Data CUSTOM RESEARCH Powered by Music Connect Music Fan Insights to Maximize Commercial Success 6 GLOBAL MUSIC MARKET 2017 IN NUMBERS 7 INTRODUCTION – FRANCES MOORE 8 GLOBAL CHARTS 10 GLOBAL MARKET OVERVIEW 13 2017 FIGURES BY FORMAT AND REGION 16 THE EVOLVING MARKET 26 FIXING THE VALUE GAP 30 TERRITORY FOCUS: LATIN AMERICA 33 CASE STUDY: LUIS FONSI 34 TERRITORY FOCUS: CHINA 38 WORKING IN PARTNERSHIP WITH ARTISTS SPONSORSHIP VALUATION 42 DEFENDING CREATIVITY Artist & Brand Solutions to 44 CASE STUDY: CAMILA CABELLO Build Successful Partnerships 45 CASE STUDY: MORGAN EVANS 46 CASE STUDY: THE REVIVALISTS See www.ifpi.org for details of the full Global Music Report 2017 including a premium 'Data and Analysis' section. THE LEADING SOURCE OF MUSIC CONSUMPTION DATA www.ifpi.org © IFPI 2018 @IFPI_org All data, copy and images are subject to copyright and may not be reproduced, Designed by Studiomade transmitted or made available without permission from IFPI. & FAN INSIGHTS AROUND THE WORLD [email protected] 6 · gloBAL MUSIC MARKET 2017 FIGURES GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY Introduction · 7 GLOBAL MUSIC MARKET Introduction 2017 IN NUMBERS SEEKING FULL AND FAIR VALUE FOR MUSIC IN A CHANGING WORLD 41.1% 54% Growth in Digital share of streaming revenue global revenue What a year for music! From Ed Sheeran’s In pursuit of this mission, the industry incredible album ÷, to the global smash has embraced technology. It is no accident hit Despacito and the broadening appeal that music is driving engagement with new 8.1% of Latin music, to artists such as Camila products and services. Record companies Global revenue Cabello reaching new audiences world- are working with existing and start-up tech- growth wide. Artists across genres, from hip-hop nology companies, licensing their music to to classical, are creating incredible art and create great experiences for fans. This is FRANCES MOORE the soundtrack of fans’ lives. happening with traditional partners, such CHIEF EXECUTIVE, IFPI Music is on an extraordinarily exciting, as audio streaming services, and new ones, albeit complex and challenging, path – artis- such as social media platforms. They are tically, technologically and commercially. taking on complex challenges, building sys- Undergoing its digital transition earlier tems and clearing rights to bring about excit- than others, music initially struggled to find ing, yet easily accessible, music experiences. The music community is seeking a leg- a way to connect artists and their music with In addition, record companies are work- islative solution to secure a level playing fans. Record companies faced the challenge, ing to develop new markets. The virtuous field for all music rights holders and digi- working not only at the forefront of support circle of investment is extending into new tal services. This is not just essential for for artistic creation, but digital and techno- parts of the world, helping to develop local music to thrive in today’s global market, logical innovation as well. artists and enrich local music cultures. The but to create the right environment for it to -20.5% This year’s IFPI Global Music Report music emerging from these markets is sub- do so in the future. Download demonstrates that these efforts are yield- sequently being lifted onto a global stage The global music industry is in a constant revenue ing results. After 15 years of decline, global and connecting with fans around the world. state of change and record companies are recorded music achieved its third consecu- The music world continues to contend with driving it, with energy and purpose. tive year of growth last year, with more fans the evolving challenge of copyright infringe- listening to more music around the globe in ment, with stream ripping the latest and fast- increasingly rich and immersive ways. est growing form. We are coordinating global But much remains to be done. Record content protection to tackle this. We are mak- -5.4% companies are dedicated to ensuring that full ing progress, but more must be done. Physical revenue and fair value is being returned for music as it Ultimately, the music community’s goal is consumed in its many different and changing of realising full and fair value for music is forms. This is crucial to maintaining the virtu- dependent on a fair digital marketplace. For ous circle, in which record companies continue that simple reason, it is united in its cam- to use the revenue from successful projects paign to fix the value gap, the mismatch to invest in discovering and nurturing artists, between the value created by some digital thereby developing and delivering great music platforms from their use of music and what to fans around the world. they pay those creating and investing in it. SAAY photo courtesy of Universal Music Group Coely photo by Jokko Frances Moore photo by Graham Flack Anitta photo by Fernando Tomaz Khalid photo by Kacie Tomita 8 · gloBAL charts GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY GLOBAL MUSIC REPORT 2018 – STATE OF THE INDUSTRY gloBAL charts · 9 Global Charts GLOBAL TOP 10 DIGITAL SINGLES OF 2017 GLOBAL TOP 10 ALBUMS OF 2017 TITLE AND ARTIST GLOBAL TOTAL TITLE AND ARTIST GLOBAL TOTAL CONVERTED ALBUM SALES (M) MOST POPULAR ARTISTS TRACK AND BEST SELLERS OF 2017 EQUIVALENT (M) Shape of You 26.6 ÷ 6.1 1 Ed Sheeran 1 Ed Sheeran TOP 10 GLOBAL RECORDING ARTISTS Despacito 24.3 Reputation 4.5 2 Luis Fonsi 2 Taylor Swift 1 2 3 Something Just Like This 11.5 Beautiful Trauma 1.8 3 The Chainsmokers 3 P!NK and Coldplay Ed Sheeran Drake Taylor Swift That’s What I Like 9.7 Human 1.6 4 Bruno Mars 4 Rag'n'Bone Man 4 5 6 Closer 9.0 The Thrill Of It All 1.4 5 The Chainsmokers 5 Sam Smith Kendrick Lamar Eminem Bruno Mars HUMBLE. 8.3 Songs Of Experience 1.3 6 Kendrick Lamar 6 U2 7 8 9 Attention 8.3 DAMN. 1.3 7 Charlie Puth 7 Kendrick Lamar I’m the One 7.9 Revival 1.1 The Weeknd Imagine Dragons Linkin Park 8 DJ Khaled 8 Eminem 10 2016 TOP 10 LIST: Perfect 7.9 Harry Styles 1.0 9 Ed Sheeran 9 Harry Styles 1 Drake 6 Twenty One Pilots 2 David Bowie 7 Beyoncé 3 Coldplay 8 Rihanna Believer 7.8 24K Magic 1.0 4 Adele 9 Prince The Chainsmokers 10 Imagine Dragons 10 Bruno Mars 5 Justin Bieber 10 The Weeknd Source: IFPI. Units include single-track downloads and track-equivalent ad- supported audio and subscription audio streams. Video streams are excluded. Source: IFPI. The compilation of the IFPI top artist chart has been independently verified through certain agreed procedures by BDO LLP. BDO LLP has verified that IFPI For full top 50 global albums and top 20 digital singles, please see the Data has compiled the chart correctly in line with the outlined procedures.
Load more

Recommended publications
  • Riaa 2018 Year-End Latin Music Revenue Report Latin Music Is Experiencing a Renaissance
    RIAA 2018 YEAR-END LATIN MUSIC REVENUE REPORT LATIN MUSIC IS EXPERIENCING A RENAISSANCE. STREAMING HAS BROKEN DOWN GEOGRAPHIC AND GENRE BARRIERS, RESULTING IN LATIN MUSIC REACHING NEW AUDIENCES AT THE TOUCH OF A FINGER. The story behind this recovery starts with great music: J Balvin, Daddy Yankee, Karol G, Ozuna, Rosalia, Luis Miguel, Bad Bunny, Sofia Reyes, and so many other talented artists who released music in 2018 helped fuel the second year of double-digit growth in the U.S. Latin music market. Any conversation about the Latin music market starts with one word: streaming. Latin music’s transformation from a physical-based business to a streaming- driven one is even faster than the overall U.S. music market’s turnaround. Revenues from streaming now comprise 93% of the total Latin market, with paid subscription services fueling most of the growth. But there are inherent challenges for any market where fans have a heavier reliance on free, ad-supported services – an area that has not yet reached its full potential due to the efforts by some platforms to drive down the value of music. Overall, the Latin music market is showing signs of strength again, and we are excited for the next chapter of this comeback story. -Michele Ballantyne, COO, RIAA FIGURE 1 FIGURE The U.S. Latin music business grew 18% the overall U.S. music market. Latin music in 2018 to $413 million. Streaming formats accounted for 4.2% of the total $9.8 billion made up a remarkable 93% of total Latin U.S. music business, a slight increase music revenues, compared with 75% for versus 4.0% in 2017.
    [Show full text]
  • Simple Life Thursdays Buck15
    WWW.WIREWEEKLY.COM DISTRIBUTED EVERY THURSDAY IN MIAMI, THE BEACHES, AND FORT LAUDERDALE • THE LONGEST-RUNNING WEEKLY ON SOUTH BEACH LIKE US ON FACEBOOK VISIT WWW.FACEBOOK.COM/WIREMAGAZINE ISSUE #34 | 08/25/11 2 | wire magazine | follow wire on facebook & twitter: visit www.wireweekly.com & click on the icons FOR KINGS & QUEENS IT’S VODKA. FROM NEW ZEALAND. 42BELOW.COM ENJOY RESPONSIBLY. NEW ZEALANDERS AGREE: DRINK RESPONSIBLY. ©2010 42 BELOW AND THE 42 BOTTLE DESIGN ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS. 42 BELOW IMPORTING COMPANY, CORAL GABLES, FL. VODKA – 40% ALC. BY VOL. -- 100% NEUTRAL SPIRITS DISTILLED FROM GRAIN. FLAVORED VODKAS - EACH 40% ALC. BY VOL. 34B_WIRED_King&Queen.indd | wire magazine | follow 1 wire on facebook & twitter: visit www.wireweekly.com & click on the icons 9/09/10 9:37 AM ALL WIRED UP BY THOMAS BARKER ELITE BEAT RELIVED! So I have to admit that one of my guilty town, Edison Farrow, to give Miami a new fabu party place pleasing crowd of yummy men, Jennie filled me in on how pleasures is taking the time to go back every Thursday night. excited she is to be hosting a new weekly gay event at her to my original nightlife columns to read hot little venue. about the crazy life I used to – and to Since the event takes place on a weeknight, everything gets a certain degree – still live in South started a bit early… which gives you plenty of time to get a Six years later, the party was still going strong, but unfortu- Florida. good buzz going and still get some much needed rest for the nately Buck15’s time at the Lincoln Lane space was up, leav- long Friday ahead.
    [Show full text]
  • August Troubadour
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news November 2005 www.sandiegotroubadour.com Vol. 5, No. 2 what’s inside Welcome Mat ………3 The Ballad of Mission Statement Contributors Indie Girls Music Fests om rosseau Full Circle.. …………4 Counter Culture Coincidence Recordially, Lou Curtiss Front Porch... ………6 Tristan Prettyman Traditional Jazz Riffs Live Jazz Aaron Bowen Parlor Showcase …8 Tom Brosseau Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Of Note. ……………12 Crash Carter D’vora Amelia Browning Peter Sprague Precious Bryant Aaron Bowen Blindspot The Storrow Band See Spot Run Tom Brosseau ‘Round About ....... …14 November Music Calendar The Local Seen ……15 Photo Page NOVEMBER 2005 SAN DIEGO TROUBADOUR welcome mat In Greek mythology Demeter was the most generous of the great Olympian goddesses, beloved for her service to mankind with the gift of the harvest, the reward for cultivating the soil. Also known as Ceres in Roman mythology, Demeter was credited with teaching humans how to grow, preserve, and prepare grain. Demeter was thought to be responsible for the fertility of the land. She was the only Greek SAN DIEGO goddess involved in the lives of the common folk on a day-to-day basis. While others occasionally “dabbled” in human affairs when it ROUBADOUR suited their personal interests, or came to the aid of “special” mortals they favored, Demeter was truly the nurturer of mankind. She was Alternative country, Americana, roots, folk, also the only Greek goddess who could truly empathize with human suffering and grief, having fully experienced it herself.
    [Show full text]
  • Revivalists American Pale Ale
    The Revivalists & NOLA Brewing Company Announce Revivalists American Pale Ale The Beer Will Debut at the Band’s Annual New Year’s Eve Residency December 29-31st at The Orpheum Theater in New Orleans A Portion of the Proceeds to Benefit The Roots of Music Foundation (Photo credit: Brantley Gutierrez) Today, chart-topping rock band The Revivalists have announced a partnership with NOLA Brewing Company to release Revivalists American Pale Ale. Debuting during the band’s annual New Year’s Eve residency at The Orpheum Theater in their hometown of New Orleans, the initial launch will be exclusive to the New Orleans metropolitan area and will grow to NOLA Brewing's entire distribution network. The beer is a slightly bitter, yet juicy American Pale Ale that is heavily dry-hopped with Citra and Simcoe hops coming in at 5% ABV. A portion of the proceeds earned will benefit The Roots of Music Foundation. A cause extremely close to the hearts of The Revivalists as well as NOLA Brewing Company, the foundation is an after-school organization that teaches children from low income neighborhoods how to play music and gives them a hot meal each day. “We are proud to partner with NOLA Brewing Company on this project to give something back to a city that has given us so much. The Roots of Music is a cause that we believe strongly in – to empower children with the music and culture that makes this city so unique. Plus the beer tastes awesome!” says Ed Williams, The Revivalists’ pedal steel guitar player.
    [Show full text]
  • Following Is a List of All 2019 Festival Jurors and Their Respective Categories
    Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2013 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (212) 275-2000 (Registrant’s telephone number, including area code) Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ¨ No x Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the Registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company.
    [Show full text]
  • Ben Cook Appoints Magnus Ribbeklint As General Manager, Atlantic Records Uk
    2017-10-24 16:06 CEST BEN COOK APPOINTS MAGNUS RIBBEKLINT AS GENERAL MANAGER, ATLANTIC RECORDS UK Ribbeklint joins Atlantic UK having worked as General Manager of Warner Music Sweden, as well as Vice President, Marketing, Warner Music Nordics. A widely-respected leader in his field, Ribbeklint has been instrumental in guiding the company through the evolving digital landscape, with an innate understanding of the streaming era. Ben Cook - “Magnus is a brilliant creative and digital strategist. He shares our love of great music, our passion for artist development and our resolute focus on the future. Throughout the Nordic transition to streaming his foresight and expertise helped transform Warner Music Sweden into a global leader in social media, content and digital marketing. He joins us at a pivotal time for the UK industry. I’m confident he’ll help keep Atlantic at the leading edge of music’s on- going evolution - as we continue to find innovative new ways to release and campaign our amazing artists. I look forward to him being a key player in the already impressive force that makes up Atlantic UK.” Magnus Ribbeklint - “Jag vill tackaJonas Siljemark och hela det nordiska Warner- teamet för deras support. Det har varit ett stort privilegium att arbeta med dem de senaste fem åren. Jag har haft nöjet att få arbeta med några av de största artisterna I en tid när Norden har varit pionjärer i en grundläggande förvandling av musikindustrin. Jag har haft äran att jobba med svenska artister som Håkan Hellström, Laleh, Little Jinder, Lykke Li, Miriam Bryant, Måns Zelmerlöw, Nause, Otto Knows, Rhys och Sabina Ddumba, liksom nordiska stjärnor som Alma, Christopher och Julie Bergan.
    [Show full text]
  • Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No.
    [Show full text]
  • Global Music Report 2018 ANNUAL STATE of the INDUSTRY
    Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people.
    [Show full text]
  • RACE and the NEWS Coverage of Martin Luther King Day and Dia De Los Muertos in Two California Dailies
    RACE AND THE NEWS Coverage of Martin Luther King Day and Dia de los Muertos in two California dailies Regina M. Marchi News coverage of multicultural celebrations has been categorized as stereotypical and apolitical*portraying racial minorities in festive, non-threatening ways that appeal to Anglo audiences without challenging the political system that oppresses people of color. Analyzing 10 years of Martin Luther King Day and Day of the Dead celebration coverage in the Los Angeles Times and the San Francisco Chronicle, this paper concludes that a significant number of celebration stories discuss serious political issues affecting people of color in ways that contradict the assumptions of racial equality and peaceful coexistence generally associated with multi- cultural projects. Because of the ‘‘sphere of consensus’’ status of these ‘‘soft’’ news stories, non-elite sources and oppositional perspectives are prominent in ways that are not typical of ‘‘hard’’ political news. KEYWORDS multiculturalism; non-elite sources; public rituals; race in the news; racial stereotypes; soft news; sphere of consensus Introduction News coverage of multicultural celebrations is widely considered to be apolitical because of its focus on children, family entertainment, and ‘‘exotic’’ cultural performances that stand out from the everyday conventions of mainstream Anglo Americans. Such news falls within the journalistic realm of the ‘‘sphere of consensus,’’ which Dan Hallin defines as ‘‘the region of motherhood and apple pie: in its bounds lie those social objects not regarded by journalists and by most of the society as controversial’’ (1994, p. 53). Typically accompanied by photos, news on ethnic festivals such as Chinese New Year, Native American pow-wows, or Cinco de Mayo has evolved from relatively rare (pre-1980s)1 to routine fare at newspapers across the United States.
    [Show full text]
  • Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
    CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
    [Show full text]
  • 'Despacito' with Outstanding Achievement Award at Music Biz 2018
    Music Business Association to Honor Record-Breaking Hit ‘Despacito’ with Outstanding Achievement Award at Music Biz 2018 February 13, 2018 – The Music Business Association (Music Biz) will present its Outstanding Achievement Award to record-breaking hit “Despacito” — by Luis Fonsi featuring Daddy Yankee along with Justin Bieber on its remix — at the Music Biz 2018 Awards Luncheon during its 60th annual conference on May 17 at the Omni Nashville Hotel. Released on January 13, 2017, “Despacito” — which is primarily sung in Spanish — quickly became a dominant Latin smash, debuting at #2 on Billboard’s Hot Latin Songs chart and reaching #1 a month later, where it has remained for 42 non-consecutive weeks, breaking the record set by Enrique Iglesias’ “Bailando” featuring Descemer Bueno and Gente de Zona. A remix featuring Justin Bieber was released the following April, jolting “Despacito” to #1 on the all-genre Billboard Hot 100 chart, the first primarily Spanish song to do so since “Macarena (Bayside Boys Mix)” in 1996. The track held the top spot for 16 consecutive weeks, tying the record previously set by Mariah Carey and Boyz II Men’s “One Sweet Day.” “Despacito” has since become the first-ever Latin single to be certified Diamond by the Recording Industry Association of America (RIAA) — with over 10 million sales and track-equivalent streams — and currently reigns as the most-watched video in YouTube history, with over 4.7 billion views. It was also the first primarily Spanish song to top 1 billion streams on Spotify. The track was recognized with four Latin GRAMMY Awards, including Record of the Year and Song of the Year, as well as two American Music Awards for Collaboration of the Year and Favorite Pop/Rock Song.
    [Show full text]