DOCSLIB.ORG

Grateful Dead Records: Back Stage Passes, Tickets and Laminates MS.332.Ser

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/c8m61hn8 Online items available Grateful Dead Records: Back Stage Passes, Tickets and Laminates MS.332.Ser. 12 Special Collections and Archives Processing Unit University of California, Santa Cruz 2011 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018 Grateful Dead Records: Back MS.332.Ser.12 1 Stage Passes, Tickets and Laminates MS.332.Ser. 12 Language of Material: English https://www.gdao.org/ Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Back Stage Passes, Tickets and Laminates creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.12 Physical Description: 6.8 Linear Feet10 boxes Date: 1965-2009 Abstract: This series includes backstage passes, tickets, and laminates from Grateful Dead concerts and tours. Only some of the band's 2,300+ concerts are represented. Stored in Special Collections and Archives. Access Collection is open for research. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication. Preferred Citation Grateful Dead Records: Back Stage Passes, Tickets and; Laminates. MS 332 Ser. 12. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Alternative Forms Available Selected images may be viewed at the Grateful Dead Archive Online (GDAO) Accruals The first accrual of materials from the band was received in 2008. Additional materials for this series were added by a second accrual in June 2012. History The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. Although their only Top 10 hit, "Touch of Grey," charted in 1987, their popularity was based on concerts, and in their last decade they consistently placed in the top five tours every year. Known for the range of their repertoire and the caliber of their compositions, the Dead's songbook has been covered by a wide range of other musicians, from Bob Dylan to Jane's Addiction. They released thirteen studio albums and nine contemporary live albums during their career, and more than 100 live releases since then. They were inducted into the Rock and Roll Hall of Fame in 1994. Scope and Content of Collection This series contains back stage passes, tickets, and laminates to Grateful Dead concerts and tours. Backstage passes are usually printed fabric stickers about the size of a playing card that allowed access to a restricted area of a venue, where journalists and guests would be entertained during a performance. Designed to be used in conjunction with a ticket, backstage passes could be simple, abstract designs or images derived from mass media, popular culture, or even band members' children's doodles. Unlike laminates, which tended to feature artwork commissioned specifically for that purpose, backstage passes tended to be simpler and more casual, often more whimsical, and generally disposable. Over time, the standard rectangular shape was augmented by a variety of sizes and shapes, from circles to triangles. Grateful Dead tickets can be grouped into several categories, roughly corresponding to era. In the 1960s, rock promoter Bill Graham quickly recognized the utility of reproducing concert poster images in business card-sized tickets in an effort to impede counterfeits, usually stamped along the bottom or back with the day of the show. These tickets are the most highly prized, collected along with handbills and posters for the concerts. In the 1980s, the band pioneered the direct sale of tickets to fans via mail order, creating tickets that often featured graphics incorporating band logos and motifs. Tickets for Grateful Dead Records: Back MS.332.Ser.12 2 Stage Passes, Tickets and Laminates MS.332.Ser. 12 special events such as New Year's Eve were often works of art in their own right. By contrast, tickets printed at outlets such as BASS (Bay Area Seating Service) and Ticketmaster were created with a strictly information-only template using a thermal ink printing process that did not hold up well over time, with the lettering often fading quickly. Laminates are small, playing-card-sized badges made of either printed cardboard sealed in plastic or printed plastic, usually designating an entire tour but sometimes only a single show or run of shows at a single venue. Worn on a lanyard or clipped to outer clothing, laminates serve as identification for band, band family, crew, or touring staff, providing access to secure areas, including backstage and performer areas. Over time, increasingly sophisticated designs intended to thwart counterfeit efforts (nicknamed "scaminates" by enterprising fans) supplanted the simple identification badge style common in the 1970s, giving rise to beautifully rendered artistic efforts by artists such as Timothy Truman, featured in the book Access All Areas: Backstage with the Grateful Dead (Grateful Dead Books, 1998). The interplay between art and security produced striking designs that incorporated cutting-edge production techniques that made successful unauthorized duplication all but impossible. Laminate holders did not require a ticket for access to the show and allowed free access to backstage and other secure areas of the venue. Arrangement The material is arranged chronologically into three sub-series: Back Stage Passes, Tickets, and Laminates. 1. Series 1: History 2. Series 2: Business 3. Series 3: Show Files 4. Series 4: Press 5. Series 5: Correspondence 6. Series 6: Photographs 7. Series 7: Media 8. Series 8: Posters 9. Series 9: Artwork 10. Series 10: Realia 11. Series 11: Decorated Envelopes Subjects and Indexing Terms Deadheads (Music Fans) Concert tours Grateful Dead (Musical group) Grateful Dead Productions box 1-3 Back Stage Passes 1971-1998 Physical Description: Approx. 1500 Back Stage Passes Scope and Content Summary Backstage passes are usually printed fabric stickers about the size of a playing card that allowed access to a restricted area of a venue, where journalists and guests would be entertained during a performance. Designed to be used in conjunction with a ticket, backstage passes could be simple abstract designs or images derived from mass media, popular culture, or even band members' children's doodles. Unlike laminates, which tended to feature artwork commissioned specifically for that purpose, backstage passes tended to be simpler and more casual, often more whimsical, and generally disposable. Over time, the standard rectangular shape was augmented with passes featuring a wide variety of sizes and shapes, from circles to triangles. Online images of some items from this series may be viewed at the Grateful Dead Archive Online (www.gdao.org). Arrangement note This material is arranged chronologically by venue. 1970-1979 box 1 The Palestra, Rochester, NY - Grateful Dead and New Riders of the Purple Sage 10/26/1971 Grateful Dead Records: Back MS.332.Ser.12 3 Stage Passes, Tickets and Laminates MS.332.Ser. 12 Back Stage Passes 1971-1998 box 1 Onondaga County War Memorial, Syracuse, NY - Grateful Dead and; New Riders of the Purple Sage 10/27/1971 box 1 Boston Garden, Boston, MA - Grateful Dead 6/28/1974 box 1 Springfield Civic Center Arena, Springfield, MA 6/30/1974 box 1 Palais des Sports, Paris, France - KCP 74 Grateful Dead 9/20/1974 box 1 Giants Stadium, East Rutherford, NJ 9/2/1978 box 1 Giza Sound and Light Theatre, Cairo, Egypt 9/14-16/1978 1980-1984 box 1 Oakland Coliseum Arena, Oakland, CA - BGP Grateful Dead 1/12/1980 box 1 The Palladium, New York, NY - Jerry Garcia Band 2/11/1981 box 1 Capitol Theatre, Passaic, NJ - Jerry Garcia Band and; Dr. John - Backstage 2/13/1981 box 1 Greek Theatre, University of California, Berkeley, Berkeley, CA 9/11/1981 box 1 Comptom Terrace Amphitheatre, Tempe, AZ - Grateful Dead Spring Tour 1983 3/25/1983 box 1 Greek Theatre, University of California, Berkeley, Berkeley, CA 5/13-15/1983 box 1 Santa Cruz County Fairgrounds, Watsonville, CA 9/24/1983 box 1 Cumberland County Civic Center, Portland, ME - Grateful Dead - Fall Tour 1983 10/19/1983 box 1 Marin County Veterans Auditorium, San Rafael, CA - Good Ol' Grateful Dead 10/30/1983 General note "David Crosby" written on back box 1 San Francisco Civic Auditorium, San Francisco, CA 12/27/1983 box 1 Silva Hall, Hult Center, Eugene, OR 5/8/1984 box 1 Greek Theatre, University of California, Berkeley, Berkeley, CA box 1 Good Ol' Grateful Dead - Back Stage 7/13/1984 box 1 BGP Bill Graham Presents Grateful Dead 7/24/1984 box 1 Berkeley Community Theatre, Berkeley, CA 10/24/1984 10/30/1984 box 1 San Fancisco Civic Auditorium, San Francisco, CA 12/28/1984 12/29/1984 12/31/1984 box 1 1985-1989 box 1 Henry J. Kaiser Convention Center, Oakland, CA 2/18/1985 2/19/1985 2/20/1985 box 1 Berkeley community Theatre, Berkeley, CA 3/9/1985 3/10/1985 3/12/1985 3/13/1985 box 1 Nassau Veterans Memorial Coliseum, Uniondale, NY - East Coast Tour 1985 3/27/1985 box 1 Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/1985 4/28/1985 box 1 Greek Theatre, University of California, Berkeley, Berkeley, CA 6/14/1985 6/15/1985 6/16/1985 box 1 Ventura County Fairgrounds, Ventura, CA 7/13/1985 7/14/1985 Grateful Dead Records: Back MS.332.Ser.12 4 Stage Passes, Tickets and Laminates MS.332.Ser.
Recommended publications
  • "An Inside Look at Top Ten of '90"

    "An Inside Look at Top Ten of '90"

    student newspaper IOL. 77 - No. 10 SALEM SENIOR HIGH SCHOOL - SALEM, OHIO FRIDAY, JUNE l, 1990 "An Inside Look At Top Ten of '90" by Michele Kaminski Shawn D. Scharf MOTHER Lisa Herron Lois A. Scharf PARENTS 662 S. Lundy Avenue Gail and. Judy Herron Jennifer Lynn Bedell Salem, Ohio. 1125 Highland E. PARENTS Charles Edward Honeywell FATHER Salem, Ohio. David and Rose Bedell J. David Scharf PLANS AFTER GRADUATION MOTHER 1390 N. Ellsworth Judith Honeywell Jennifer Garrison 27530 Weaver Road Attend Cornell University in New Salem, Ohio. East Rochester, Ohio. York to study Biological Science. 1138 E. 9th St. PARENTS PLANS AFTER GRADUATION Salem, Ohio. Cheryl and Richard Garrison PLANS AFTER GRADUATION GRADE POINT AVERAGE Attend Miami University in Attend Miami University and 3.9. FATHER 2050 Allen Road Oxford, Ohio to major in Lowell M. Honeywell Salem, Ohio. major in Political Science. CLASS RANK - 2 Chemistry. GRADE POINT AVERAGE IN SCHOOL ACTIVITIES 339 Rea Drive PLANS AFTER GRADUATION GRADE POINT AVERAGE Salem, Ohio. Attend University of 4.0. Varsity Volleyball, Softball, 3.8. CLASS RANK - 1 Class Treasurer, Student Council, PLANS AFTER GRADUATION Massachusetts at Amherst to CLASS RANK - 3 Attend Miami University in Ohio major in Environmental Science. IN SCHOOL ACTIVITIES TACT, Yearbook Staff IN SCHOOL ACTIVITIES Spanish Club, Math Photography Editor, Band, Pep to major in Computer Science. GRADE POINT AVERAGE Band, Jazz Band, Choir, Chamber GRADE POINT AVERAGE 3.8. Club, Academic Challenge, and Club, Math Club, and National Choir, Academic Challenge, National Honor Society. Honor Society. 3.8. CLASS RANK - 5 National Art Honor Society, CLASS RANK - 4 IN SCHOOL ACTIVITIES OUT OF SCHOOL ACTIVITIES OUT OF SCHOOL ACTIVITIES Science Olympiad Team and American Cancer Society Medical Explorers.
  • Attendance and Sites

    Attendance and Sites

    ATTENDANCE AND SITES Attendance History 174 All-Time Site and Arena History 177 Future Dates and Sites 195 Amalie Arena, site of the 2019 Women’s Final Four 173 ATTENDANCE HISTORY 1982-2019 First/Second Round Regionals Finals Totals Year Sessions Total Avg. Sessions Total Avg. Sessions Total Avg. Sessions Total Avg. *Attend. Session *Attend. Session *Attend. Session *Attend. Session 1982 16 32,737 2,046 8 18,656 2,332 2 15,531 7,766 26 66,924 2,574 1983 20 32,876 1,644 8 24,558 3,070 2 16,253 8,127 30 73,687 2,456 1984 15 36,678 2,445 8 36,943 4,618 2 11,537 5,769 25 85,158 3,406 1985 16 44,517 2,782 8 39,042 4,880 2 15,245 7,623 26 98,804 3,800 1986 24 50,780 2,116 8 30,486 3,811 2 15,556 7,778 34 96,822 2,848 1987 24 61,740 2,573 8 28,942 3,618 2 31,230 15,615 34 121,912 3,586 1988 24 82,068 3,420 8 34,507 4,313 2 17,167 8,584 34 133,742 3,934 1989 32 101,848 3,183 8 46,949 5,869 2 18,788 9,394 42 167,585 3,990 1990 32 102,621 3,207 8 49,408 6,176 2 39,490 19,745 42 191,519 4,560 1991 32 109,553 3,424 8 28,590 3,574 2 15,796 7,898 42 153,939 3,665 1992 32 131,097 4,097 8 42,074 5,259 2 24,493 12,247 42 197,664 4,706 1993 32 135,198 4,225 8 63,887 7,986 2 32,282 16,141 42 231,367 5,509 1994 48 212,812 4,434 8 43,750 5,469 2 23,932 11,966 58 280,494 4,836 1995 32 152,968 4,780 8 59,490 7,436 2 36,076 18,038 42 248,534 5,917 1996 32 173,284 5,415 8 54,510 6,814 2 46,582 23,291 42 274,376 6,533 1997 32 158,476 4,952 8 34,019 4,252 2 33,428 16,714 42 225,923 5,379 1998 32 177,423 5,544 8 72,053 9,007 2 35,952 17,976 42 285,428 6,796 1999
  • VENUECONNECT 2013 ATTENDEES As of 11/12/2013

    VENUECONNECT 2013 ATTENDEES As of 11/12/2013

    VENUECONNECT 2013 ATTENDEES as of 11/12/2013 FULL_NAME COMPANY CITY STATE/ PROVINCE COUNTRY Aaron Hurt Howard L. Schrott Arts Center Indianapolis IN Abbie Jo Vander Bol Show Me Center Cape Girardeau MO Adam Cook Rexall Place & Edmonton Expo Centre Edmonton AB Canada Adam Saunders Robert A. (Bob) Bowers Civic Center Port Arthur TX Adam Sinclair American Airlines Center Dallas TX Adam Straight Georgia Dome Atlanta GA Adina Alford Erwin The Fox Theatre - Atlanta Atlanta GA Adonis Jeralds Charlotte Coliseum Charlotte NC Adrian Collier University Center Mercer University Macon GA Adrian Moreno West Cal Arena Sulphur LA AJ Boleski INTRUST Bank Arena/SMG Wichita KS AJ Holzherr Birmingham CrossPlex Birmingham AL Al Diaz McAllen Auditorium & Convention Center McAllen TX Al Karosas Bryce Jordan Center Penn State University University Park PA Al Rojas Kay Bailey Hutchison Convention Center Dallas TX Alan Freeman Louisiana Superdome & New Orleans Arena New Orleans LA Albert Driscoll Halifax Forum Community Association Halifax NS Albert Milano Strategic Philanthropy, LLC Dallas TX Alberto Galarza Humacao Arena & PAC Humacao PR Alexander Diaz Madison Square Garden New York NY Alexis Berggren Dolby Theatre Hollywood CA Allen Johnson Orlando Venues/Amway Center Orlando FL Andrea Gates-Ehlers UIC Forum Chicago IL Andrew McQueen Leflore County Civic Center/ Argi-Center Greenwood MS Andrew Thompson Harborside Event Center Fort Myers FL Andy Gillentine University of South Carolina Columbia SC Angel Mitchell Ardmore Convention Center Ardmore OK Angie Teel
  • Passive Participation: the Selling of Spectacle and the Construction of Maple Leaf Gardens, 1931

    Passive Participation: the Selling of Spectacle and the Construction of Maple Leaf Gardens, 1931

    Sport History Review, 2002, 33, 35-50 PASSIVE PARTICIPATION 35 © 2002 Human Kinetics Publishers, Inc. Passive Participation: The Selling of Spectacle and the Construction of Maple Leaf Gardens, 1931 Russell Field In 1927, Conn Smythe, a Toronto businessman and hockey enthusi- ast, organized a group to purchase Toronto’s entry in the National Hockey League (NHL). Operating out of the fifteen-year-old Arena Gardens, the St. Patricks (who Smythe renamed Maple Leafs) had for years been only moderately successful both on the ice and at the cashbox. Compounding Smythe’s local and competitive circumstances was the changing nature of the NHL in the mid 1920s. Beginning in 1924, the Canadian-based NHL clubs reaped the short-term benefits of expansion fees paid by the new American teams, but the latter’s greater capital resources and newer, larger playing facilities soon shifted the economic balance of power within the “cartel” south of the border.1 As Thompson and Seager note of this period: “Canadian hockey was revolutionized by American money.”2· Despite the Maple Leafs’ bleak economic circumstances, Smythe had big dreams for himself and his hockey team. In attempting to realize his vision, he built Canada’s best-known sports facility, Maple Leaf Gardens, managed the Maple Leafs into one of the NHL’s wealthiest clubs, and assumed majority ownership of the team. The economic and cultural impact of the major NHL-inspired arena projects of the 1920s and early 1930s—the Montreal Forum, New York’s Madison Square Garden, Boston Garden, Chicago Stadium, the Detroit Olympia, as well as Maple Leaf Gardens—has received little attention among scholarly contributions to the study of sport.3 However, there has been greater interest in the politics of arena and stadium construction, and work by scholars such as John Bale and Karl Raitz has helped to define and explore the notion of arenas and stadiums as sport spaces.4 Adding a fur- ther temporal context to these issues then, allows changes over time to be meaningfully explored.
  • Metrorail/Coconut Grove Connection Study Phase II Technical

    Metrorail/Coconut Grove Connection Study Phase II Technical

    METRORAILICOCONUT GROVE CONNECTION STUDY DRAFT BACKGROUND RESEARCH Technical Memorandum Number 2 & TECHNICAL DATA DEVELOPMENT Technical Memorandum Number 3 Prepared for Prepared by IIStB Reynolds, Smith and Hills, Inc. 6161 Blue Lagoon Drive, Suite 200 Miami, Florida 33126 December 2004 METRORAIUCOCONUT GROVE CONNECTION STUDY DRAFT BACKGROUND RESEARCH Technical Memorandum Number 2 Prepared for Prepared by BS'R Reynolds, Smith and Hills, Inc. 6161 Blue Lagoon Drive, Suite 200 Miami, Florida 33126 December 2004 TABLE OF CONTENTS 1.0 INTRODUCTION .................................................................................................. 1 2.0 STUDY DESCRiPTION ........................................................................................ 1 3.0 TRANSIT MODES DESCRIPTION ...................................................................... 4 3.1 ENHANCED BUS SERViCES ................................................................... 4 3.2 BUS RAPID TRANSIT .............................................................................. 5 3.3 TROLLEY BUS SERVICES ...................................................................... 6 3.4 SUSPENDED/CABLEWAY TRANSIT ...................................................... 7 3.5 AUTOMATED GUIDEWAY TRANSiT ....................................................... 7 3.6 LIGHT RAIL TRANSIT .............................................................................. 8 3.7 HEAVY RAIL ............................................................................................. 8 3.8 MONORAIL
  • Rock Art Program.Indd

    Rock Art Program.Indd

    CLE Temporary Art Exhibition Program The Rock and Roll Hall of Fame and Museum presents: “Live from Cleveland, Ohio” Featuring rock photographer Janet Macoska September10 MarchMarch 5, 20 16, 2013–January 31, 2014 CLE’s Temporary Art Exhibition Program is a free initiative available to artists. The purpose of this program is to showcase the diversity of arts and culture of the Cleveland Plus Region. Cultural institutions, arts organizations, museums, as well as individual artists, are afforded opportunities to exhibit their collections of original artwork and photography in the airport. Submissions are reviewed by an Art Review Panel. Each approved proposal is assigned an exhibit start date based on the exhibition calendar. The duration of exhibits is up to six months depending on the nature of the exhibit. Curatorial and installation support are provided to selected exhibitors. Artists are featured at the art site as well as on the airport’s website at www.clevelandairport.com. Dear Friends, It is with great pleasure that CLE features an exhibit from one of Cleveland’s iconic museums - The Rock and Roll Hall of Fame and Museum. The Rock and Roll Hall of Fame and Museum exists to collect, preserve and interpret the impact rock has made on our world. 10 March 5, 20 This exhibit features work by photographer, Janet Macoska. For nearly four decades, Ms. Macoska has been capturing some of rock and roll’s most notable performers in her photos. The exhibit, en tled “Live from Cleveland, Ohio,” showcases some of her favorite images of rock’s greatest moments in Cleveland - including those of many Rock and Roll Hall of Fame Inductees.
  • Sport-Led Urban Development Strategies: an Analysis of Changes in Built Area, Land Use Patterns, and Assessed Values Around 15 Major League Arenas

    Sport-Led Urban Development Strategies: an Analysis of Changes in Built Area, Land Use Patterns, and Assessed Values Around 15 Major League Arenas

    Sport-led Urban Development Strategies: An Analysis of Changes in Built Area, Land Use Patterns, and Assessed Values Around 15 Major League Arenas By Stephanie F. Gerretsen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sport Management) in the University of Michigan 2018 Doctoral Committee: Professor Mark Rosentraub, Chair Professor Rodney Fort Assistant Professor Ana Paula Pimentel-Walker Associate Professor David Swindell, Arizona State University Stephanie F. Gerretsen [email protected] ORCID iD: 0000-0002-4934-0386 © Stephanie F. Gerretsen 2018 Table of Contents List of Tables ................................................................................................................................. xi List of Figures ............................................................................................................................. xvii List of Appendices ..................................................................................................................... xxiv Abstract ....................................................................................................................................... xxv CHAPTER 1. INTRODUCTION ................................................................................................... 1 1.1 CITIES, ARENAS, AND URBAN DEVELOPMENT ........................................................................ 1 1.1.1 The Cost of Arena-led Strategies: Public Subsidies for Major League Arenas ............
  • Boston Guide

    Boston Guide

    what to do U wherewher e to go U what to see July 13–26, 2009 Boston FOR KIDS INCLUDING: New England Aquarium Boston Children’s Museum Museum of Science NEW WEB bostonguide.com now iPhone and Windows® smartphone compatible! oyster perpetual gmt-master ii The moon landing 40th anniversary. See how it Media Sponsors: OFFICIALROLEXJEWELER JFK ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. began at the JFK Presidential Library and Museum. Columbia Point, Boston. jfklibrary.org StunningCollection of Murano Glass N_Xc\ NXkZ_ E\n <e^cXe[ 8hlXi`ld J`dfej @D8O K_\Xki\ Pfli e\ok Furnishings, Murano Glass, Sculptures, Paintings, X[m\ekli\ Tuscan Leather, Chess Sets, Capodimonte Porcelain Central Wharf, Boston, MA www.neaq.org | 617-973-5206 H:K:CIN C>C: C:L7JGN HIG::I s 7DHIDC B6HH68=JH:IIH XnX`kj telephone s LLL <6AA:G>6;ADG:CI>6 8DB DAVID YURMAN JOHN HARDY MIKIMOTO PATEK PHILIPPE STEUBEN PANERAI TOBY POMEROY CARTIER IPPOLITA ALEX SEPKUS BUCCELLAITI BAUME & MERCIER HERMES MIKIMOTO contents l Jew icia e ff le O r COVER STORY 14 Boston for Kids The Hub’s top spots for the younger set DEPARTMENTS 10 hubbub Sand Sculpting Festival and great museum deals 18 calendar of events 20 exploring boston 20 SIGHTSEEING 30 FREEDOM TRAIL 32 NEIGHBORHOODS 47 MAPS 54 around the hub 54 CURRENT EVENTS 62 ON EXHIBIT 67 SHOPPING 73 NIGHTLIFE 76 DINING on the cover: JUMPING FOR JOY: Kelly and Patrick of Model Kelly and Patrick enjoy the Club Inc. take a break in interactive dance floor in the front of a colorful display Boston Children’s Museum’s during their day of fun at the Kid Power exhibit area.
  • Annual Meeting & Exposition Annual

    Annual Meeting & Exposition Annual

    Vol. 9, No. 6 June 1999 GSA TODAY A Publication of the Geological Society of America 1999 Annual Meeting & Exposition Colorado ConvenConventiontion CenterCenter HyattHyatt RegencyRegency HotelHotel MarriottMarriott CityCity CenterCenter HotelHotel OctoberOctober 25–28,25–28, 19991999 Denver,Denver, ColoradoColorado Table of Contents Crossing Divides Abstracts with Programs . 32 Convenience Information . 26 Employment Service . 22 World Wide Web Exhibits . 20 Visit the GSA Web site to obtain more details and to get the latest information on the Annual Meeting. Field Trips . 13 www.geosociety.org Graduate School Information Forum . 23 Guest Activities . 24 Deadlines Hot Topics at Noon . 9 Abstracts due July 12 Housing . 28 Preregistration and Housing due September 17 (forms(forms enclosed)enclosed) How to Submit Your Abstract . 12 Institute for Earth Science and the Environment . 22 For More Information Call: (303) 447-2020 or 1-800-472-1988 International Program . 6 Call: (303) 447-2020 or 1-800-472-1988 Fax: 303-447-0648 K–16 Education Program . 18 E-mail: [email protected] Membership . 30 Web: www.geosociety.org Registration . 30 Short Courses . 16 Cover photos by John A. Karachewski: Large photo shows the Special Events . 23 Continental Divide—Sawatch Range, Collegiate Peaks Wilderness, Special Programs . 22 Colorado; small photo taken near James Peak, Colorado Technical Program . 3 Travel . 25 Crossing Divides Annual Meeting Committee General Co-Chairs: Mary Kraus, David Budd, University of Colorado Technical Program Co-Chairs:
  • TD GARDEN LEGENDARY TRANSFORMATION UPDATES Details of the More Than $100 Million Investment & Arena Expansion Announced for Start of 2019-20 Season

    TD GARDEN LEGENDARY TRANSFORMATION UPDATES Details of the More Than $100 Million Investment & Arena Expansion Announced for Start of 2019-20 Season

    TD GARDEN LEGENDARY TRANSFORMATION UPDATES Details of the More than $100 Million Investment & Arena Expansion Announced for Start of 2019-20 Season BOSTON (September 17, 2019) – Delaware North, a global leader in hospitality and the owner and operator of TD Garden, announced last November that a massive, 50,000 square foot and more than $100 million expansion of the 23-year-old arena would be taking place over the next two years. Now, nearly a year later, there are many exciting updates to share with fans as TD Garden readies itself for the 2019-20 season. “Through tremendous teamwork and round the clock efforts, our project teams are in the final stages of TD Garden’s ‘Legendary Transformation’, successfully bringing a whole new level of fan experience to life this season,” said Amy Latimer, president of TD Garden. “We are so excited for the Bruins and Celtics seasons to kick off, and for our guests to enjoy all-new seats, game presentation enhancements, expanded concourses, thoughtfully designed gathering areas and clubs, delicious food and beverage options, and a new level of Rafters seating for fans.” ✓ NORTH STATION GARAGE EXPANSION: The North Station Garage, located beneath TD Garden with entrances on 121 Nashua Street and 140 Causeway Street, has expanded by nearly 500 additional parking spots. Two new elevators have been added to the expanded parking garage levels (P1-P4) and provide convenient access to The Hub on Causeway, North Station concourse, and TD Garden entrance. Status: Complete ✓ TD GARDEN ENTRANCE: TD Garden now has an official front door with a fitting grand entrance directly from Causeway Street through The Hub on Causeway.
  • Mahogany Rush, Seattle Center Coliseum

    Mahogany Rush, Seattle Center Coliseum

    CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle
  • An Examination of the Effects of Financing Structure on Football Facility Design and Surrounding Real Estate Development

    An Examination of the Effects of Financing Structure on Football Facility Design and Surrounding Real Estate Development

    Field$ of Dream$: An Examination of the Effects of Financing Structure on Football Facility Design and Surrounding Real Estate Development by Aubrey E. Cannuscio B.S., Business Administration, 1991 University of New Hampshire Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements for the Degree of Master of Science in Real Estate Development at the Massachusetts Institute of Technology September, 1997 @1997 Aubrey E. Cannuscio All rights reserved The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author: Departme of-Urban Studies and Planning August 1, 1997 Certified by: Timothy Riddiough A sistant Professor of Real Estate Finance Thesis Supervisor Accepted by: William C. Wheaton Chairman, Interdepartmental Degree Program in Real Estate Development a'p) Field$ of Dream$: An Examination of the Effects of Financing Structure on Football Facility Design and Surrounding Real Estate Development by Aubrey E. Cannuscio Submitted to the Department of Urban Studies and Planning on August 1, 1997 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Real Estate Development ABSTRACT The development of sports facilities comprises a large percentage of municipal investment in infrastructure and real estate. This thesis will analyze, both quantitatively and qualitatively, all football stadiums constructed in the past ten years and how their design, financing and siting impact the surrounding real estate market. The early chapters of this thesis cover general trends and issues in financing, design and development of sports facilities.