Curious Case of Benjamin Button Pdf
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Curious case of benjamin button pdf Continue To mark the 10th anniversary of The Curious Case of Benjamin Button, we reposted this deep dive into the work of director David Fincher. This article contains spoilers. In his filmography, David Fincher's work was marked as dark, foreboding, cold, cynical, cutting and irreverent. The curious case of Benjamin Button is a startling anomaly in his filmography, as the charm of the project makes some sense, but the performance of a lush, unabashed novel bubbling with a mawkish mood. The film is graceful, beautiful, poetic, and at the same time strangely distant. The whole production feels gilded as Fincher made a deeply touching film from a rather scary script. The most curious thing about Benjamin Button's Curious Case is how he manages to be a tearjerker, despite his craven desire to evoke emotion from a filmmaker who rejects sentimentality. In an interview with David Pryor's excellent Curious Birth of Benjamin Button documentary (which is more than a film), Fincher says he was involved in the project because he wanted to make a film about death since his father had recently died. He explains that being on the father's deathbed was much deeper than having a child. You want it to end as quickly as possible, Fincher says, and yet you don't want it to end. This led him to want to tell the story of love measured against the backdrop of this graph paper of something we are so desperately trying to ignore. Image via Paramount/Warner Bros. It's a really lovely feeling (apart from using graph paper), but yes, love and death intertwine as they give each other meaning. However, Fincher says that unlike Brad Pitt, he didn't see Benjamin Button as a love story. He saw it as a story of death, not a tale of co-dependency. And at the end of the documentary, he says (half- jokingly), I don't want to see anyone together. I want to see everyone as miserable as I am. That's how I was able to stomach everything else. Cate Blanchett describes Fincher as a cynic, and although I've never met him, as I said before, I don't think his work is purely cynical. That being said, I think the love story in Benjamin Button is one of the most powerful but utterly disingenuous I've ever seen. The story of death is where Fincher's heart really lies, and the film begins with this attitude. The first shot of Daisy (Blanchett) lay on her deathbed in New Orleans, and Hurricane Katrina bears down on the city. The next scene is the allegory of Mr. Gateau (Elias Koteas), a blind man who lost his son in World War I, and made a watch that ran back to imagine the hope of bringing back all those who died. A blind man makes a rather, sincere feeling, for something that can never happen, then sails in where he dies of a broken heart. The image via Paramount/Warner Bros. is not the most inspiring way to start your film, but it's also filled with romanticism that permeates the entire picture (such as having a giant clock symbol running back in a movie where the main character ages backwards). It's part of the intriguing and disappointing paradox of Benjamin Button's Curious Case- you have a cynic trying to make a novel, and works furiously to stay true to his belief that this is a film about death and regrets when the script is anything but life lessons and platitudes. For Fincher, it's not that this film should be a funeral dirge, though the cinema is steeped in its traditional dark color palette, albeit with a touch of amber, gold and other warm colors, permeating the scene beyond Daisy's deathbed and concluding Benjamin's life. Benjamin Button tries to sing a ballad with bitter and melancholic overtones, but there is almost no support in terms of storytelling. Image via Paramount/Warner Bros. Based on F. Scott Fitzgerald's story, The Curious Case of Benjamin Button has a very simple premise: a man is born old and dies young. In the film, the born part is surprising and strangely wonderful, though its age is utterly superficial. Benjamin (Pitt) is not born wise. He just looks old and has a child's mind. This leads to misunderstandings of both the comic (go to the brothel with Captain Mike (Jared Harris)) and painful (being punished by Grandma Fuller (Phyllis Somerville) for his late-night encounters with a young Daisy (Elle Fanning)). But he still has to learn everything, like all of us, and the nature of his condition does not drastically change his life experience. Growing up in a nursing home and surrounded by natural causes of death is an unusual but not radical experience. It is seemingly different, but easily relatable. We must accept death through its most romantic interpretation. When the soldiers in the history of Gateau fall in battle, it is in a lively, slow motion with no limbs getting blown off or the blood cries of pain. When Benjamin goes to war, everyone who dies on a ship has a digital blood spatter, but nothing terrible (even all the blood comes out of Captain Mike Digital). If it weren't for Daisy, Benjamin Button's death would always be a noble passage. Ideally, death can come peacefully, but it is not the only way, and Benjamin Button would prefer to ignore this reality as much as possible. Image via Paramount/Warner Bros. 2008 film David Fincher The Curious Case of Benjamin ButtonTheatric Release PosterDavid FincherProducer Seon Chaffin Kathleen Kennedy Frank Marshall Screenplay Eric RothStory Eric Roth Robin Swicord Based on Curious Case Buttonby F. Scott FitzgeraldStarring Brad Pitt Cate Blanchett Taraji. Henson Julia Ormond Jason Fleming Elias Koteas Tilda Swinton Music by Alexandra DesplatCinematographyClaudio MirandaDed Kirk Baxter Angus Walls Production Company Paramount Pictures Warner Bros. Pictures of Kennedy / Marshall Company Distributed by Paramount Pictures 2008 (2008-12-25) Duration 166 minutes 1Country United StatesLanguageEnglishBudget $150-167 million Storyline by Eric Roth and Robin Svikord is based on the story of F. Scott Fitzgerald 1922. The film stars Brad Pitt as a man who is aging in reverse and Cate Blanchett as a love interest throughout his life. The film also stars Taraji. Henson, Julia Ormond, Jason Fleming, Elias Koteas and Tilda Swinton. Producer Ray Stark bought the film rights to make the story in the mid-1980s with Universal Pictures supporting the film, but struggled to get the project off the ground until it sold the rights to producers Kathleen Kennedy and Frank Marshall in the 1990s. Although it was moved to Paramount Pictures in the 1990s, the film did not enter production until Fincher and Pitt signed along with the rest of the cast in 2005. The main photo began in November 2006 and ended in September 2007. Digital Domain worked on the visual effects of the film, especially in the process of metamorphosis of Pitt's character. The curious case of Benjamin Button was released in North America on December 25, 2008 for positive reviews by critics who praised Fincher's directing, Pitt's performance, production values and visuals. The film was a box office success, grossing $335.8 million worldwide against its $167 million budget. The film received thirteen Academy Award nominations, most of the 81st Academy Awards, including Best Picture, Best Director for Fincher, Best Actor for Pitt and Best Supporting Actress for Taraji. Henson as well as three awards for best artistic director, best makeup and best visual effects. In August 2005, elderly Daisy Fuller is on her deathbed at a New Orleans hospital as Hurricane Katrina approaches. She tells her daughter, Caroline, about a train station built in 1918, and about a blind watchmaker, Mr. Geito, hired to make a watch. When it was opened at the station, the public was surprised to see the clock running backwards. Mr Gateau says he did it in a way like a memorial, so the boys they lost in the war, including his own son, could come home again and live life to the fullest. Mr. Geito was never seen again. Daisy then asks Caroline to read aloud Benjamin Button's diary. Evening 11, 1918, a boy is born with the appearance and ailments of an elderly man. After the child's mother, Caroline, dies during childbirth, the father, Thomas Button, throws the baby on the porch of the nursing home. He and Mr. Tisi Weathers find the child, and Kwiny decides to raise him as his own, calling him Benjamin. Benjamin learns to walk in 1925, after which he uses crutches instead of a wheelchair. On Thanksgiving 1930, Benjamin meets seven-year-old Daisy, whose grandmother lives in a nursing home. He and Daisy are becoming good friends. He later agrees to work on a tugboat under Captain Mike Clarke. Benjamin also meets Thomas, who does not show that he is Benjamin's father. In the fall of 1936, Benjamin left New Orleans to work long-term with a tugboat crew; Daisy later joined a dance troupe in New York under the direction of choreographer George Balanchine. In 1941, Benjamin is in Murmansk, where he begins an affair with Elizabeth Abbott, the wife of the British Minister of Commerce. In December of that year, Japan attacked Pearl Harbor, bringing the United States into World War II. Mike volunteered a boat for the U.S. Navy; The crew is assigned to rescue duties.