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The Cambridge Shakespeare Library THE CAMBRIDGE SHAKESPEARE LIBRARY VOLUME I: SHAKESPEARE'S TIMES, TEXTS, AND STAGES EDITED BY CATHERINE M. S. ALEXANDER INTRODUCTION BY STANLEY WELLS CAMBRIDGE UNIVERSITY PRESS CONTENTS Volume I: Shakespeare's Times, Texts, and Stages Editor's Note page v STANLEY WELLS Introduction SHAKESPEARE'S LANGUAGE D. S. BLAND Shakespeare and the'ordinary'word (195I) BRIDGET CUSACK Shakespeare and the tune of the time (1970) H TERENCE HAWKES Shakespeare's talking animals (1971) 26 STEPHEN BOOTH Shakespeare's language and the language of Shakespeare's time (1997) 33 SHAKESPEARE'S READING/KNOWLEDGE F. P. WILSON Shakespeare's reading (1950) 49 J. W. LEVER Shakespeare's French fruits (1953) 56 NASEEB SHAHEEN Shakespeare's knowledge of Italian (1994) 65 J. W. BlNNS Shakespeare's Latin citations: the editorial problem (1982) 74 T. J. B. SPENCER Shakespeare and the Elizabethan Romans (1957) 83 JOHN W. VELZ The ancient world in Shakespeare: authenticity or anachronism? A retrospect (1978) 93 TEXT ARTHUR BROWN The printing of books (1964) 104 CHARLTON HINMAN Shakespeare's text - then, now, and tomorrow (1965) 113 FREDSON BOWERS Hamlet's 'sullied' or 'solid' flesh: a bibliographical case-history (1956) 123 A. C. PARTRIDGE Shakespeare's orthography in Venus and Adonis and some early quartos (1954) 128 KENNETH MUIR Shakespeare's hand in The Two Noble Kinsmen (1958) 139 ANDREW GURR Maximal and minimal texts: Shakespeare v. the Globe (1999) 147 TIMES W. G. HOSKINS Provincial life (1964) 166 F. L. POYNTER Medicine and public health (1964) 174 M. H. CURTIS Education and apprenticeship (1964) 188 Vll LIST OF CONTENTS T. F. REDDAWAY London and the court (1964) 207 E. W. IVES Shakespeare and history: divergencies and agreements (1985) 217 WILLIAM C. CARROLL Language, politics, and poverty in Shakespearian drama (1992) 234 BLAIR WORDEN Shakespeare and politics (1992) 242 CONTEXT OF SPECIFIC WORKS ELIZABETH MARIE POPE The Renaissance background of Measure for Measure (1949) 256 SUBHA MUKHERJI 'Lawful deed': consummation, custom, and law in All's Well That Ends Well (1996) 270 HAROLD FISCH Shakespeare and the Puritan dynamic (1974) 288 G. M. PINCISS The old honor and the new courtesy: 1 Henry IV (1978) 299 GARY TAYLOR The fortunes of Oldcastle (1985) 306 E. C. PETTET Coriolanus and the Midlands Insurrection of 1607 (1950) 322 LEAH SCRAGG Macbeth on horseback (1973) 329 EMRYS JONES Othello, Lepanto, and the Cyprus wars (1968) 336 MARK MATHESON Venetian culture and the politics of Othello (1995) ' 341 JOAN GRUNDY Shakespeare's sonnets and the Elizabethan sonneteers (1962) 351 I. A. SHAPIRO Shakespeare and Mundy (1961) 358 STAGING C. WALTER HODGES The lantern of taste (1959) 366 ALLARDYCE NICOLL 'Passing over the stage' (1959) 372 ANDREW GURR The bare island (1994) 380 J. L. STYAN The actor at the foot of Shakespeare's platform (1959) 394 GERALD EADES BENTLEY Shakespeare and the Blackfriars Theatre (1948) 401 ARTHUR COLBY SPRAGUE Shakespeare's unnecessary characters (1967) 412 ANDREW GURR Who strutted and bellowed? (1963) 419 P. H. PARRY The boyhood of Shakespeare's heroines (1990) 425 CHARLES EDELMAN Shakespeare's 'brawl ridiculous' (1990) 436 CHARLES EDELMAN Which is the Jew that Shakespeare knew? Shylock on the Elizabethan stage (1999) 444 JOHN SHAW The staging of parody and parallels in 1 Henry IV (1967) 452 WILLIAM MONTGOMERY The original staging of The First Part of the Contention (1594) (1989) 463.
Recommended publications
  • Bibliography
    206 Fletcherian Dramatic Achievement Bibliography Primary sources Apology for Actors Thomas Dekker, An Apology for Actors (1612), ed. Richard H. Per- kinson, New York 1941 Aristotle Poetics, tr. W. Hamilton Fyfe, The Loeb Classics Library, Cam- bridge, Mass., London 1927 St Augustine St Augustine, The Teacher, in Against the Academicians; and, The Teach- er, trans. Peter King, Indianapolis, Cambridge 1995 Bellenden The Chronicles of Scotland: Compiled by Hector Boece: Translated into Scots by John Bellenden, 1531, ed. R. W. Chambers and Edith C. Batho, vol. I, Edinburgh and London 1938 Bowers I-X The Dramatic Works in the Beaumont and Fletcher Canon, gen. ed. Fredson Bowers, 10 vols, Cambridge UP 1966–1996 [Cicero] Ad Herennium, tr. Harry Caplan; The Loeb Classical Library, Cambridge, Mass., London 1954 Demetrius and Enanthe MS John Fletcher, Demetrius and Enanthe, ed. Margaret McLaren Cook and F. P. Wilson, The Malone Society Reprints 1950 (1951) Dio Dio Cassius, Dio’s Roman History, tr. Earnest Cary, vol. vii, The Loeb Classical Library, Cambridge, Mass., London 1961 Faithful Friends The Faithful Friends, ed. G. R. Proudfoot and G. M. Pinciss, The Malone Society Reprints 1970 (1975) Henslowe’s Diary Henslowe’s Diary, ed. R. A. Foakes, 2nd edition, Cambridge UP 2002. Howard-Hill (1980) Sir John Van Olden Barnavelt: by John Fletcher and Philip Massinger, ed. T. H. Howard-Hill, The Malone Society Reprints 1979 (1980) Bonduca MS Bonduca: by John Fletcher, ed. W. W. Greg, The Malone Society Re- prints, 1951 Mann Thomas Mann, Doctor Faustus, tr. H. T. Lowe-Porter, Everyman’s Library, vol.80, 1992 Masque of Queens Ben Jonson, The Masque of Queens (1609), published in his Workes (1616): 945–964 Meres Francis Meres, Palladis Tamia (1598), Scholars’ Facsimiles & Re- prints, New York 1938 Metrical Boece (1858) The Buik of the Chroniclis of Scotland; or, A Metrical Version of the History of Hector Boece; By William Stewart (1535), ed.
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  • The Shakespeare Association of America I » 1982 Meeting ((
    THE SHAKESPEARE ASSOCIATION OF AMERICA I » 1982 MEETING (( APRIL 8TH , 10TH MARQUETTE HoTEL MINNEAPOLIS, MINNESOTA THE SHAKESPEARE ASSOCIATION TENTH ANNIVERSARY OF AMERICA OF President, BERNARD BECKERMAN (Columbia Unitersic:v) THE SHAKESPEARE AssociATION oF AMERICA Executit•e Secretary, ANN ) ENNALIE CooK (Vanderbilt University) Adminismuit·e Assistant, RoSEMARY ALLEN (Vanderbilt Unit•ersity) INCORPORATED 1972 TRUSTEES )OHN ANDREWS S. SCHOENBAUM (Folger Shakespeare Library) (Unit·ersity of Maryland) ANNUAL MEETINGS )ONAS BARISH CHARLES SHATTUCK (Unit•ersity of California, Berkeley) (University of Illinois) MARCH 29-31, 1973 STATLER HILTON HoTEL, WASHINGTON, D.C. ANNUAL LECTURER, HARRY LEVIN (Harvard University) STEPHEN BooTH SUSAN SNYDER (University of California, Berkeley) (Swarthmore College) MARCH 28-30, 1974 HuNTINGTON-SHERATON HoTEL, PASADENA, CALIFORNIA ANNUAL LECTURER, RoBERT B. HEILMAN (University of Washington) THELMA GREENFIELD R. W. VAN FossEN (Unit•ersity of Oregon) (University of Toronto) MARCH 20-22, 1975 SHERATON PARK PLAZA HoTEL, NEw HAVEN, CoNNECTICUT ANNUAL LECTURER, HALLETT D. SMITH (Huntington Library) LOCAL ARRANGEMENTS *APRIL 19-25, 1976 STATLER HILTON HOTEL, WASHINGTON, D.C. THOMAS CLAYTON (Unit•ersity of Minnesota) ANNUAL LECTURER, KENNETH MuiR (University of Liverpool) WITH THE ASS ISTANCE OF MARSHA L. RIEBE, ExEcuTivE AssiSTANT, AcADEMIC AFFAIRS, UNIVERSITY OF MINNESOTA APRIL 7-9, 1977 FAIRMONT HoTEL, NEw ORLEANS, LouiSIANA ANNUAL LECTURER, EuGENE W AITH (Yale University) WELCOMING COMMITTEE APRIL 13-15, 1978 HYATT REGENCY HoTEL, ToRONTO, ONTARIO AGNES MARIE FLECK (College of St. Scholastica) ANNUAL LECTURER, VIRGIL WHITAKER (Stanford University) SHIRLEY NELSON GARNER (Unit•ersity of Minnesota) MADELON GoHLKE (University of Minnesota) APRIL 12-14, 1979 SIR FRANCIS DRAKE HoTEL, SAN FRANCISCo, CALIFORNIA LowELL E. JoHNSON (St. Olaf College) ANNUAL LECTURER, G.
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  • Selected Contemporary Allusions
    Appendix A Selected Contemporary Allusions 1. Robert Greene, Groats- Worth of Witte ( 1592). Quoted and discussed above, pp. 1-6, 53-4. See also Appendix B. 2. Henry Chettle, Kind-Harts Dreame (1592; SR 8 Dec. 1592), from the Epistle, 'To the Gentlemen Readers'. Discussed pp. 7, 21. he that offendes being forst, is more excusable than the wilfull faultie ... lie shew reason for my present writing, and after proceed to sue for pardon. About three moneths since died M. Robert Greene, leauing many papers in sundry Booke sellers hands, among other his Groats­ worth of wit, in which a letter written to diuers play-makers, is offensiuely by one or two of them taken, and because on the dead they cannot be auenged, they wilfully forge in their conceites a liuing Author: and after tossing it two and fro, no remedy, but it must light on me. How I haue all the time of my conuersing in printing hindred the bitter inueying against schollers, it hath been very well knowne, and how in that I dealt I can sufficiently prooue. With neither of them that take offence was I acquainted, and with one of them I care not if I neuer be: The other (i.e. Shakespeare], whome at that time I did not so much spare, as since I wish I had, for that as I haue moderated the heate of liuing writers, and might haue vsde my owne discretion (especially in such a case) the Author beeing dead, that I did not, I am as sory, as if the originall fault had beene my fault, because my selfe haue seene his demeanor no !esse ciuill than he exelent in the qualitie he professes: Besides, diuers of worship haue reported, his vprightnes of dealing, which argues his honesty, and his facetious grace in writting, that aprooues his Art.
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  • Introduction
    Notes Introduction 1. Andrew Gurr, The Shakespearean Stage, 1574–1642, 3rd edition (Cambridge: Cambridge University Press, 1994), p. 191. 2. For further discussion of the myth of the bare stage see Chapter 1 of this book; Jonathan Gil Harris and Natasha Korda, ‘Introduction: Towards a Materialist Account of Stage Properties’, in Jonathan Gil Harris and Natasha Korda (eds.), Staged Properties in Early Modern English Drama (Cambridge: Cambridge University Press, 2002), pp. 2–7. 3. Aristotle Poetics (trans. Stephen Halliwell) (London: Harvard University Press, 1995), VII.16–20, p. 55. 4. Glynne Wickham, ‘Heavens, Machinery, and Pillars in the Early Theatre and Other Early Playhouse’, in Herbert Berry (ed.), The First Public Playhouse: The Theatre in Shoreditch, 1576–1598 (Montreal: McGill-Queen’s University Press, 1979), p. 6. 5. Thomas H. Dickinson (ed.), Robert Greene (London: Fisher Unwin, 1911), pp. lix–lxi. 6. Kenneth Muir, ‘Robert Greene as Dramatist’, in Richard Hosley (ed.), Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig (London: Routledge & Kegan Paul, 1963), p. 48; Charles W. Crupi, Robert Greene (Boston: Twayne Publishers, 1986), p. 115; Charles Mills Gayley, Representative English Comedies (London: Macmillan, 1903), p. 419. 7. Bernard Beckerman, Shakespeare at the Globe, 1599–1609 (New York: Macmillan, 1962); Gerald Eades Bentley, The Professions of Dramatist and Player in Shakespeare’s Time, 1590–1642 (Princeton: Princeton University Press, 1986); T. J. King, Shakespearean Staging, 1599–1642 (Cambridge, MA: Harvard University Press, 1971); Andrew Gurr, Playgoing in Shakespeare’s London, 3rd edition (Cambridge: Cambridge University Press, 2004); S. P. Cerasano, ‘Editing the Theatre, Translating the Stage’, Analytic and Enumerative Bibliography, 4 (1990), pp.
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  • Sir John Oldcastle and the Construction of Shakespeare's
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  • Learning to See the Theological Vision of Shakespeare's King Lear
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  • The Private Theaters in Crisis: Strategies at Blackfriars and Paul’S, 1606–07
    ABSTRACT Title of Document: THE PRIVATE THEATERS IN CRISIS: STRATEGIES AT BLACKFRIARS AND PAUL’S, 1606–07 Christopher Bryan Love, Ph.D., 2006 Directed By: Professor Theodore B. Leinwand, Department of English This study addresses the ways in which the managers and principal playwrights at second Paul’s and second Blackfriars approached opportunities in the tumultuous 1606–07 period, when the two troupes were affected by extended plague closures and threatened by the authorities because of the Blackfriars’ performance of offensive satires. I begin by demonstrating that Paul’s and Blackfriars did not neatly conform to the social and literary categories or commercial models typically employed by scholars. Instead, they were collaborative institutions that readily adapted to different circumstances and situations. Their small size, different schedules, and different economics gave them a flexibility generally unavailable to the larger, more thoroughly commercial adult companies. Each chapter explores a strategy used by the companies and their playwrights to negotiate a tumultuous theatrical market. The first chapter discusses the mercenary methods employed by the private children’s theaters. Occasionally, plays or play topics were commissioned by playgoers, and some performances at Paul’s and Blackfriars may even have been “private” in the sense of closed performances for exclusive audiences. In this context, I discuss Francis Beaumont’s The Knight of the Burning Pestle (Blackfriars, 1607), in which Beaumont uses the boorish citizens George and Nell to lay open the private theaters’ mercenary methods and emphasize sophisticated playgoers’ stake in the Blackfriars theater. The second chapter discusses the ways private-theater playwrights used intertextuality to entertain the better sort of playgoers, especially those who might buy quartos of plays.
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  • Kenneth Muir
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  • Clerical Characters in Shakespeare's Plays. Don Robert Swadley Louisiana State University and Agricultural & Mechanical College
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  • 00-Inicio Nº 15.FH11
    Jorge Luis Bueno Alonso Jorge Luis Bueno Alonso A Note for Future Queries on Shakespeare’s Sonnet 116 ... 137 A Note for Future Queries on Shakespeare’s Sonnet 116 ... 137 A Note for Future Queries on Shakespeare’s Sonnet 116: is it a A Note for Future Queries on Shakespeare’s Sonnet 116: is it a Condensed Explanatory résumé of Othello’s Mistakes? Condensed Explanatory résumé of Othello’s Mistakes? Jorge Luis Bueno Alonso Jorge Luis Bueno Alonso University of Vigo University of Vigo Shakespeare’s Sonnet 116 –“Let me not to the Shakespeare’s Sonnet 116 –“Let me not to the marriage of true minds”– has always been read as an marriage of true minds”– has always been read as an attempt a) to define love’s constancy in a world of change, attempt a) to define love’s constancy in a world of change, b) to describe an unaltered and unalterable ideal of true b) to describe an unaltered and unalterable ideal of true love, or even c) to set up a rhetorical rebuttal of the very love, or even c) to set up a rhetorical rebuttal of the very concept of everlasting love. Be as it may, a given reading concept of everlasting love. Be as it may, a given reading is always debatable, incomplete and equally defendable if is always debatable, incomplete and equally defendable if well exposed. In my case, every time I read this sonnet I well exposed. In my case, every time I read this sonnet I have always remembered, perhaps unconsciously, Othello, have always remembered, perhaps unconsciously, Othello, the persona, and the mistakes he commits all along the the persona, and the mistakes he commits all along the play.
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  • Heterodox Drama: Theater in Post-Reformation London
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