DOCSLIB.ORG

Palestra 3 / 2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Palestra 3 / 2010 PALESTRAPALESTRA marzec 3/2010 W numerze między innymi: LESZEK WILK Prawo karne skarbowe jako instrument egzekwowania podatków MICHAŁ SKWARZYŃSKI Przestępstwo uzyskania programu komputerowego – art. 278 § 2 k.k. KATARZYNA BANASIK Głos w dyskusji o art. 200a k.k. (przestępstwo groomingu) MAGDALENA RZEWUSKA Hipoteka listowa 200-LECIE URODZIN FRYDERYKA CHOPINA EDMUND KRZYMUSKI Ku czci Chopina [przedruk z 1910 r.] ADAM ROZLACH Obywatel świata, ale sercem Polak! JAN POPIS Ignacy Jan Paderewski – sztuka gry na fortepianie STANISŁAW MILEWSKI Sądowe perypetie spadkobierców Chopina NATALIA FIŁATOWA Rosyjski Polak Jerzy Kucharski – biograf i tłumacz Chopina 2010 70. ROCZNICA ZBRODNI KATYŃSKIEJ WITOLD KULESZA Zbrodnia katyńska w procesie norymberskim – taktyka obrony przed fałszywym oskarżeniem PALESTRA 3/PALESTRA ISSN 0031-0344 indeks 36851 Ramy niniejszego zestawu chopinowskich nagrań Ignacego Jana Paderewskiego (1860-1941) tworzą dwa polonezy: A-dur op. 40 nr 1 i As-dur op. 53. Pierwszy z nich został zarejestrowany w roku 1911; drugi w 1937. Dzieli je zatem okres ponad 25 lat, co oznacza, że słuchając tych niezwykłych nagrań, trzeba pamiętać iż Poloneza A-dur wykonuje pianista 51-letni, a Poloneza As-dur artysta sędziwy liczący lat 77. Choć wyraźnie to słychać, że dyspozycja wirtuozowska pianisty z upływem lat wyraźnie słabła, Paderewski zawsze był sobą: indywidualnością porywającą charyzmą swej sztuki i czarem osoby pełnej otwartości i dobra. Najwcześniejsze rejestracje gry fortepianowej Paderewskiego pochodzą z roku 1905. Były to tzw. nagrania pianolowe systemu Welte-Mignon i Duo-Art, które trudno jednak uznać za choćby przybliżony obraz jego gry. Dlatego dziś mogą one uchodzić co najwyżej za technologiczną ciekawostkę. Począwszy od roku 1911 Paderewski zgodził się utrwalać swe interpretacje na płyty odtwarzane przy użyciu gramofonu. Choć nagrania te realizowano za pośrednictwem akustycznej tuby (mikrofon wprowadzono dopiero ok. 1925 roku), zachowały one wiele autentyzmu i można tu mówić nawet o dość wiernym przekazie pewnych cech jego sztuki pianistycznej. Pierwsza taka sesja odbyła się latem 1911 roku w Morges, w pobliżu szwajcarskiej posiadłości Paderewskiego. Z niej właśnie pochodzi, otwierający naszą płytę Polonez A-dur, zagrany majestatycznie – w sposób dostojny i godny swego patriotycznego przesłania. Rok później Paderewski nagrywa już w specjalnych studiach płytowych w Paryżu i Londynie; także podczas swych kolejnych wizyt w Ameryce - w Nowym Jorku i w słynnym studiu Camden w New Yersey. Po raz ostatni, w roku 1937 w Londynie skąd pochodzi nagranie Poloneza As-dur. Jak wspomina współpracujący z Paderewskim, reżyser dźwięku Frederick William Gaisberg: „Mistrz zawsze wątpił, czy maszyna może uchwycić jego sztukę... W istocie – dodaje Gaisberg – Paderewski malował na wielkim płótnie, tymczasem gramofon potęgę jego mistrzowskich wykonań przekazywał jedynie w miniaturze”. Jan Popis marzec 3/ 200 PALESTRAPALESTRA Pismo Adwokatury Polskiej Rok LV nr 627 Naczelna Rada Adwokacka Wydaje Naczelna Rada Adwokacka Warszawa Redaktor Naczelny: Stanisław Mikke Kolegium: Zbigniew Banaszczyk Lech Gardocki Andrzej Mączyński Marek Antoni Nowicki Lech K. Paprzycki Krzysztof Piesiewicz Stanisław Rymar Krzysztof Pietrzykowski Piotr Sendecki Andrzej Tomaszek Andrzej Warfołomiejew Witold Wołodkiewicz Józef Wójcikiewicz Stanisław Zabłocki Redaktor techniczny: Hanna Bernaszuk Projekt okładki pisma oraz płyty: Krzysztof Ciesielski Adres Redakcji: 00-202 Warszawa, ul. Świętojerska 6 tel./fax 22 83 27 78, 22 505 25 34, 22 505 25 35 e-mail: [email protected] Internet: www.palestra.pl Wykonanie Agencja Wydawnicza MakPrint www.makprint.pl Ark. wyd.: 25,4. Papier: III Offset, 80 gr. Nakład: 9500 egz. ISSN 003-0344 indeks 3685 2 SpiS treŚci Leszek Wilk, dr hab., prof. UŚ (Katowice) Prawo karne skarbowe jako instrument egzekwowania podatków . 9 Arkadiusz Ludwiczek, adwokat, dr, adiunkt UŚ (Katowice) Kompensacja szkód i krzywd w ramach postępowania o odszkodowanie z tytułu niewątpliwie niesłusznego tymczasowego aresztowania, cz. 1 . 23 Michał Skwarzyński, apl. adw., doktorant KUL (Lublin) Przestępstwo uzyskania programu komputerowego – art. 278 § 2 k.k. 34 Katarzyna Banasik,dr adiunkt Krakowskiej Akademii A. F. Modrzewskiego (Kra- ków) Głos w dyskusji o art. 200a k.k. (przestępstwo groomingu) . 49 Grzegorz Jędrejek, dr, adiunkt KUL, adiunkt UKSW (Lublin–Warszawa) Odpowiedzialność majątkiem wspólnym małżonków za zobowiązania docho- dzone wobec członka zarządu spółki z o.o. (art. 299 § 1 k.s.h.) (cz. 2) . 56 Magdalena Rzewuska, asystent UWM (Olsztyn) Hipoteka listowa . 64 WAŻNe DLA prAKtYKi Marek Derlatka, adwokat, doktorant UKSW (Sulechów–Warszawa) Blankietowy charakter przepisu karnego a zasada nullum crimen sine lege . 73 ADWOKAtUrA DZiŚ i JUtrO Andrzej Michałowski, adwokat, wiceprezes NRA (Warszawa) Rewolucja . 78 BeZ tOGi Stanisław Mikke, adwokat (Warszawa) Jerzy Kucharski . 82 cO piSZcZY W prAWie Marian Filar, prof. dr hab., UMK (Toruń) Hura wiara na Tatara . 86 3 Spis treści PALESTRA pO LeKtUrZe Andrzej Bąkowski, adwokat (Warszawa) „Europa i prawo rzymskie. Szkice z europejskiej kultury prawnej” . 87 prOceSY ArtYStYcZNe Marek Sołtysik (Kraków) Szelmostwa ochrany (cz. 1). Ilu sobowtórów miał Stanisław Brzozowski? . 93 HiStOriA cZASOpiŚMieNNictWA prAWNicZeGO Adam Redzik, dr, adiunkt UKSW, adiunkt UW (Warszawa) Czasopisma wydawane przez Zrzeszenie Sędziów i Prokuratorów Rzeczypo- spolitej Polskiej (cz. 2): „Głos Sądownictwa” (1927–1939), „Odgłosy” (1929) . 99 200-Lecie UrODZiN FrYDerYKA cHOpiNA Adam Rozlach, szef Działu Kultury I Programu Polskiego Radia (Warszawa) Obywatel świata, ale sercem Polak! . 109 Jan Popis, muzykolog, krytyk muzyczny, wiceprezes „Polskich Nagrań” (War- szawa) Ignacy Jan Paderewski – sztuka gry na fortepianie . 114 Edmund Krzymuski, prof. dr UJ (Kraków) Ku czci Chopina [przedruk z 1910 r.] . 120 Stanisław Milewski (Warszawa) Sądowe perypetie spadkobierców Chopina . 127 Natalia Fiłatowa, dr, Rosyjska Akademia Nauk (Moskwa, Rosja) Rosyjski Polak Jerzy Kucharski – biograf i tłumacz Chopina Tłum. Robert Stiller . 135 70. rOcZNicA ZBrODNi KAtYŃSKieJ Witold Kulesza, prof. dr hab. UŁ (Łódź) Zbrodnia katyńska w procesie norymberskim – taktyka obrony przed fałszywym oskarżeniem . 142 Anatolij Jabłokow (Moskwa) Jak utajniono „sprawę katyńską”, którą się zajmowałem (Przedruk za: „Nowa- ja Gazjeta” z 5 marca 2010 r.) Tłum. Robert Stiller . 161 SYLWetKi WYBitNYcH ADWOKAtÓW Witold Okniński, sędzia SA (Warszawa–Siedlce) Aleksy i Zygmunt Chrzanowscy . 164 Grażyna Niedbalska, dr, PAN (Warszawa) Adwokat Tadeusz Niedbalski (1910–1993) . 168 4 3/2010 Spis treści „pALeStrA” prZeD LAtY „Palestra” 1967, nr 7 i 9: Edmund Mazur, Niektóre zagadnienia VIII Plenum KC PZPR (fragment); Uchwała Prezydium Naczelnej Rady Adwokackiej; Orzecz- nictwo Sądu Najwyższego w sprawach adwokackich . 173 prAWA cZłOWieKA Marek Antoni Nowicki, adwokat, wykładowca Collegium Civitas (Warszawa) Europejski Trybunał Praw Człowieka – przegląd orzecznictwa (styczeń–marzec 2010 r.) (cz. 1) . 178 Z WOKANDY LUKSeMBUrGA Tomasz Tadeusz Koncewicz, adwokat, dr adiunkt UG (Wrocław–Gdańsk) Na jakim poziomie powinna znajdować się kompetencja do orzekania w przedmiocie ważności prawa unijnego? Pomiędzy doraźną polityką a logiką prawa unijnego . 182 receNZJe Adam Lityński, Prawo Rosji i ZSRR 1917–1991, czyli historia wszechzwiązkowego komunistycznego prawa (bolszewików). Krótki kurs Oprac. Marcin Zaborski, adwokat, dr, adiunkt KUL (Warszawa–Lublin) . 186 Ryszard Zahorski, Metodyka pracy biegłego sądowego. Rekonstrukcja wypadku drogowego Oprac. Wojciech Kotowski (Warszawa) . 191 NOWe KSiĄŻKi oprac. Justyna Metelska, adwokat (Warszawa) . 196 SYMpOZJA, KONFereNcJe Wykład dr. Paula du Plessisa pt. Savigny’s Siren Call, Warszawa 7 grudnia 2009 r. Oprac. Maciej Jońca, dr, adiunkt KUL (Lublin) . 202 „Reformy zawodów prawniczych nie wymagają łączenia samorządów” – debata w Instytucie Spraw Publicznych, 23 marca 2010 r. Oprac. Paweł Rochowicz, szef Biura Prasowego NRA (Warszawa) . 206 Konferencja „Retoryka prawnicza – teoria i praktyka”, Gdańsk, 24 marca 2010 r. Oprac. Magdalena Glanc, apl. adw., doktorantka UG (Gdańsk), Monika Wój- ciuk, apl. adw. (Gdańsk) . 208 prAKtYcZNe ZAGADNieNiA prAWNe PRAWO CYWILNE Skarga kasacyjna w sprawach o uznanie lub stwierdzenie wykonalności wyroku sądu polubownego lub ugody zawartej przed takim sądem 5 Spis treści PALESTRA Oprac. Karol Weitz, dr hab., prof. UW, członek Biura Studiów i Analiz Sądu Najwyższego (Warszawa) . 212 Analogiczne stosowanie do wynagrodzenia wykonawcy robót budowlanych przepisów dotyczących umowy o dzieło (cz. 1) Oprac. Roman Trzaskowski, dr, adiunkt, Instytut Wymiaru Sprawiedliwości, członek Biura Studiów i Analiz Sądu Najwyższego (Warszawa) . 217 pYtANiA i ODpOWieDZi prAWNe Czy możliwe jest zasiedzenie własności nieruchomości przez osobę błędnie uważającą siebie za użytkownika wieczystego? Oprac. Ewa Stawicka, adwokat (Warszawa) . .223 prOBLeMAtYKA WYpADKÓW DrOGOWYcH Wojciech Kotowski (Warszawa) Wyprzedzający sprawcą zderzenia ze zmieniającym kierunek . 227 NAJNOWSZe OrZecZNictWO Zbigniew Strus, sędzia SN w st. spocz. (Warszawa) Przegląd orzecznictwa Sądu Najwyższego – Izba Cywilna . .232 Zbigniew Szonert, dr, sędzia NSA w st. spocz. (Warszawa) Przegląd orzecznictwa Naczelnego Sądu Administracyjnego . 237 Michał Jackowski, dr (Warszawa) Przegląd orzecznictwa Trybunału Konstytucyjnego . .243 GLOSY Glosa do wyroku SN z 8 stycznia 2010 r., IV CSK 310/09 Oprac. Małgorzata Wrzołek-Romańczuk, adwokat, dr hab. (Warszawa) . .249 Glosa do uchwały
Load more

Recommended publications
  • Asnykâ•Žs Notebook of Rhymes
    ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 4(55) 2019 http://dx.doi.org/10.18778/1505-9057.55.02 Tadeusz Budrewicz* https://orcid.org/0000-0003-4557-7260 Asnyk’s notebook of rhymes Usage of the notebook In the Jagiellonian Library in Krakow, among Adam Asnyk’s preserved documents, under the reference number 7185 I, is the poet’s notebook entitled “with sets of words which rhyme.”1 Maria Szypowska included a photograph of a fragment of a page from it in her book entitled Asnyk znany i nieznany2. It is impossible to define when the note- book was created. At the end of the notebook, the poet wrote “21 January” (sh. 57) and “Thursday, 7 December” with a note “I gave for charcoals 1 PLN” (sh. 57). The mana- gerial nature of the note does not help in establishing its chronology. Neither does the note on sheet 56, where the poet included an “upside down” stanza of a poem, as it was most probably an attempt at a work he eventually abandoned. Some chronology may be defined through the fact that in the record of words which rhymed, Asnyk wrote: * Professor, Pedagogical University of Cracow, Chair of Polish Literature of the 20th Century, ul. Podchorążych 2, 30-084 Krakow, [email protected] 1 Jagiellonian Library, manuscript, ref no. 7185 I, inventory no. 16261: “Adam Asnyk. Adam Asnyk’s notebook with sets of words which rhyme. Second half of the 19th c., paper, 12.5 x 6.5 cm, sh. /IV/ 56 (sh. 10 missing). Single-sidedly inscribed sheets: 2.” Consecutive segments consisting of several words in the notebook begin in capital letters, words after the first word are written in lower case.
    [Show full text]
  • The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In
    THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting.
    [Show full text]
  • PMA Polonica Catalog
    PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach.
    [Show full text]
  • Litwornia Conferenze
    CONFERENZE 120 Italia Polonia Europa Scritti in memoria di Andrzej Litwornia ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 120 Italia Polonia Europa scritti in memoria di Andrzej Litwornia a cura di . Andrea Ceccherelli, Elzbieta Jastrzebowska,¢ Luigi Marinelli, Marcello Piacentini, Anton Maria Raffo, Giorgio Ziffer R O M A 2 0 0 7 UESTA imponente pubblicazione non sarebbe mai stata possibile sen- Q za, da una parte, il grande lavoro redazionale dei polonisti italiani e amici di Andrzej Litwornia, Andrea Ceccherelli e Antonio M. Raffo, e, dall’altra, l’appoggio finanziario del Sindaco della città di Breslavia, Rafa∏ Dut- kiewicz, e di Leszek Pacholski, Rettore dell’Università di Breslavia, l’alma mater di Andrzej Litwornia, dove egli ha studiato e dove ha cominciato poi la sua attività di studioso e docente, prima di partire per Italia e diventare pro- fessore dell’Università di Udine. Vorrei esprimere anche un grande ringrazia- mento a tutti coloro che due anni fa hanno risposto con entusiasmo all’idea di organizzare due giornate di studio in onore di Andrzej Litwornia, il quale, anche se malato, ha presenziato ad esse e ci ha stupito e affascinato ascoltan - do, apprezzando l’alto livello degli interventi e ricapitolando la problematica di volta in volta toccata. Quattro mesi dopo Andrzej Litwornia non era più fra noi, ma ci ha lasciato un caro ricordo ben testimoniato da questi scritti. El˝bieta Jastrz´bowska, Roma, ottobre 2007 INIEJSZA imponujàca publikacja nie dosz∏aby nigdy do skutku, gdyby z N jednej strony nie by∏o wielkiego wk∏adu pracy redaktorskiej w∏oskich polonistów i przyjació∏ Andrzeja Litworni, Andrei Ceccherellego i Anto - nia M.
    [Show full text]
  • Michał Haake, the Symbolism of Adam Asnyk with Muse by Jacek
    RIHA Journal 0038 | 12 April 2012 The symbolism of Adam Asnyk with Muse by Jacek Malczewski Michał Haake Originally published as: "Symbolika Portretu Adama Asnyka z Muzą Jacka Malczewskiego," in: Quart 2 (2011), 45-61. Extended and revised version. Editing and translation managed by: Katarzyna Jagodzińska, Międzynarodowe Centrum Kultury / International Cultural Centre, Krakow Abstract The essay's goal is to interpret Jacek Malczewski's picture Adam Asnyk with Muse (1894-1897) as a symbolic work. The main argument is that the painting does not depict a scene with a poet being inspired by a muse. The starting point of the analysis is the conclusion that the Muse is not playing the lyre she is holding and that the wings of Hermes are attached only to one leg. The role of the instrument is crucial for the interpretation of the painting not only because it is not used in accordance with its function but also because of the planimetric as well as semantic relationships with other elements of the picture, above all with one of the sheets of paper on the table and the scythe held by a warrior in the spectral pageant. The Muse presses the sheet with the lyre, lifting it and directing its sharp point towards Asnyk's head. The sheet is made similar in its form to the scythe above it, directed towards the manacled young men above the poet. The comparison between the figures introduced in this way suggests that the real nature of the inspiration is destructive for the poet. A comprehensive interpretation of the relationship thus constituted leads to the conclusion that the symbolic meaning of the painting is based on the opposition between the conventional iconography of a poet and the idea of creation conceived as a liberation of the artist from traditional and ossified symbolism (music, the wings of Hermes).
    [Show full text]
  • Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena
    Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena Gray Aniskiewicz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2019 Doctoral Committee: Associate Professor Benjamin Paloff, Chair Associate Professor Herbert J. Eagle Professor Charles Hiroshi Garrett Visiting Assistant Professor Jodi C. Greig, University of Wisconsin-Madison Alena Gray Aniskiewicz [email protected] ORCID iD: 0000-0002-1922-291X © Alena Gray Aniskiewicz 2019 To my parents, for everything. (Except hip-hop. For that, thank you, DH.) ii Acknowledgements To Herb Eagle, whose comments and support over the years have been invaluable. To Jodi Greig, whose reputation preceded her, but didn’t do her justice as a friend or scholar. To Charles Hiroshi Garrett, who was my introduction to musicology fourteen years ago and has been a generous reader and advisor ever since. And to Benjamin Paloff, who gave me the space to figure out what I wanted and then was there to help me figure out how to get it. I couldn’t have asked for a better committee. To my peers, who became friends along the way. To my friends, who indulged all the Poland talk. To Culture.pl, who gave me a community in Warsaw and kept Poland fun. To the Department of Slavic Languages and Literatures, the Copernicus Program in Polish Studies, the Rackham Graduate School, and the Sweetland Writing Center, whose generous funding made this dissertation possible. I’m thankful to have had you all in my corner.
    [Show full text]
  • Migration to the Self: Education, Political Economy, and Religious Authority in Polish Communities by Kathleen Wroblewski a Diss
    Migration to the Self: Education, Political Economy, and Religious Authority in Polish Communities by Kathleen Wroblewski A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2018 Doctoral Committee: Professor Brian Porter-Szűcs, Chair Associate Professor Robert Bain Professor Howard Brick Professor Jeffrey Veidlinger Mary Kathleen Wroblewski [email protected] ORCID iD: 0000-0002-5001-8829 © Kathleen Wroblewski 2018 DEDICATION For Chad and Zosia, with love ii ACKNOWLEDGMENTS When Josh Cole called me to let me know I had been admitted to Michigan, he ended our conversation by asking me to inform the department as soon as I had made my decision. I laughed and told him that as UM was the only place I had applied to, I’d likely accept. While I wouldn’t necessarily recommend that unorthodox approach to others, I have no regrets. My experience at Michigan has been a joy, and I am profoundly grateful to have had the opportunity to work with a number of exceptional scholars. My committee has been supportive from start to finish. First and foremost, I need to thank my advisor, Brian Porter-Szűcs, for his mentorship over the years. Brian supervised my undergraduate honors thesis at UM, and it was this experience that convinced me I wanted to pursue a career in history. I appreciate the combination of intellectual rigor, professionalism, and compassion that Brian brings to graduate mentoring, and I’ve no doubt that I’ll draw from his strong example as I transition to my next role as assistant professor.
    [Show full text]
  • Asnyk's Notebook of Rhymes
    ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 4(55) 2019 http://dx.doi.org/10.18778/1505-9057.55.02 Tadeusz Budrewicz* https://orcid.org/0000-0003-4557-7260 Asnyk’s notebook of rhymes Usage of the notebook In the Jagiellonian Library in Krakow, among Adam Asnyk’s preserved documents, under the reference number 7185 I, is the poet’s notebook entitled “with sets of words which rhyme.”1 Maria Szypowska included a photograph of a fragment of a page from it in her book entitled Asnyk znany i nieznany2. It is impossible to define when the note- book was created. At the end of the notebook, the poet wrote “21 January” (sh. 57) and “Thursday, 7 December” with a note “I gave for charcoals 1 PLN” (sh. 57). The mana- gerial nature of the note does not help in establishing its chronology. Neither does the note on sheet 56, where the poet included an “upside down” stanza of a poem, as it was most probably an attempt at a work he eventually abandoned. Some chronology may be defined through the fact that in the record of words which rhymed, Asnyk wrote: * Professor, Pedagogical University of Cracow, Chair of Polish Literature of the 20th Century, ul. Podchorążych 2, 30-084 Krakow, [email protected] 1 Jagiellonian Library, manuscript, ref no. 7185 I, inventory no. 16261: “Adam Asnyk. Adam Asnyk’s notebook with sets of words which rhyme. Second half of the 19th c., paper, 12.5 x 6.5 cm, sh. /IV/ 56 (sh. 10 missing). Single-sidedly inscribed sheets: 2.” Consecutive segments consisting of several words in the notebook begin in capital letters, words after the first word are written in lower case.
    [Show full text]
  • LIFE and CHIMERA: FRAMING MODERNISM in POLAND By
    LIFE AND CHIMERA: FRAMING MODERNISM IN POLAND by JUSTYNA DROZDEK Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Dr. Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY August, 2008 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2008 by Justyna Drozdek All rights reserved To mama and tata Table of Contents List of Figures 2 Acknowledgements 7 Abstract 9 Introduction 11 Chapter 1: Poland: A Historical and Artistic Context 38 Chapter 2: Life’s Editorial Directions: Crafting a Modernist Journal 74 Chapter 3: Life’s Visual Program: From Tropes to “Personalities” 124 Chapter 4: Chimera and Zenon Przesmycki’s Polemical Essays: Artistic Ideals 165 Chapter 5: Chimera’s Visual Program: Evocation and the Imagination 210 Conclusion 246 Appendix A: Tables of Contents for Life (1897-1900) 251 Appendix B: Tables of Contents for Chimera (1901-1907) 308 Figures 341 Selected Bibliography 389 1 List of Figures Figure 1. Jan Matejko. Skarga’s Sermon [Kazanie Skargi]. 1864. Oil on canvas. 224 x 397 cm. Royal Castle, Warsaw. Figure 2. Karel Hlaváček. Cover for Moderní revue. 1897. Figure 3. Wojciech Weiss. Youth (Młodość). 1899. Reproduced in Life 4, no. 1 (1900): 2. Figure 4. Gustav Vigeland. Hell. 1897. Bronze. National Galley, Oslo. Two fragments of the relief were reproduced in Life 3, 7 (1899).
    [Show full text]
  • The Cultural Comparative Study of the Roma Community and Bohemians
    138 | Justyna Matkowska Kultura i Edukacja 207 No. 4 (118), pp. 138–150 DOI: 10.15804/kie.2017.04.10 www.kultura-i-edukacja.pl Justyna Matkowska The Cultural Comparative Study of the Roma Community and Bohemians. Prolegomena abstract The submitted article is based on a fragment of a thesis entitled “The Image of the Roma and Artistic Bohemia in the Literature of the Young Poland”. The subject matter of the research is the description of two communities living in the period of the Young Poland: the Roma people, and Bohemians. The adopted research method embraces the range of broadly defined anthropological research, including analysis and interpretation of texts in a cultural context, and, above all, various aspects of life referring to Bohemians and the Roma community in Poland at the turn of the 19th and 20th centuries. The research objective of this article is to show the similarities and differences between Bohemians of the Young Poland and the Roma living in this period, concerning originality of their lifestyle, customs, outfit and other phenomena. The in-depth analysis of the life aspects of the Roma and Bohemians from the Young Poland has demonstrated the similarities and differences between the two groups. They both functioned as “others” who had no relationship with the society. They were accompanied by a sense of loneliness, outsiderness, consciousness of rejection, tragedy of their situation and a sense of incomprehension and injustice. Keywords: bohemia, Romani people, Gypsies, the Young Poland, culture According to the Practical Dictionary of Contemporary Polish, the word Roma is derived from the Greek athinganos and means a person who does not want to touch or to be touched.
    [Show full text]
  • Core Curriculum for Polish Expatriate Students Attending Schools Outside the Territory of the Republic of Poland
    Core Curriculum for Polish expatriate students attending schools outside the territory of the Republic of Poland Numerous Polish children are growing up and attending educational institutions outside the territory of the Republic of Poland. Some of these students and their families, while respecting the culture and traditions of their country of residence, intend to promulgate, expand, and improve their knowledge of Polish language and of Polish culture. The achievement of this objective is facilitated by Polish expatriate schools operating in numerous countries. For the benefit of teachers and students of such schools, the Ministry of Education of the Republic of Poland, acting in cooperation with foreign-based Polish educational milieus, developed in 2010 the Core Curriculum for Polish expatriate students attending schools outside the territory of the Republic of Poland. The 2020 version of the Core Curriculum is actually an updated version of the Core Curriculum published in 2010. The 2020 version of the Core Curriculum for Polish expatriate students attending schools outside the territory of the Republic of Poland contains an updated language, literature, culture, and history learning content . Core Curriculum is structured to indicate what students shall know and what skill set students shall have to complete given stage of education: early school education, primary school, high school. Language skills are the basic competence on each stage, as they are necessary to learn Polish literature, history, and culture. Requirements have been outlined for the following three age groups: 5-9 years, 10-13 years, and 14 years and over, based on the perception capabilities of students and their cognitive development.
    [Show full text]
  • An Outline of the History of Classical Philology at the Jagiellonian University
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Classica Cracoviensia vol. XXI (2018), pp. 145–168 https://doi.org/10.12797/CC.21.2018.21.09 DAMIAN MISZCZYŃSKI, ZOFIA LATAWIEC, KAMIL ŻÓŁTASZEK Jagiellonian university, kraków AN OUTLINE OF THE HISTORY OF CLASSICAL PHILOLOGY AT THE JAGIELLONIAN UNIVERSITY ABSTRACT: This paper aims to familiarize contemporary students and scholars of classical philology with the profiles of prominent Polish classical philologists re- lated to the Jagiellonian University in Kraków. It contains biographical notes and description of works of most important classicists at the Jagiellonian University, who lived in the 19th and in the 20th century. The scholars presented in the ar- ticle are: Kazimierz Morawski, Tadeusz Sinko, Seweryn Hammer, Leon Stern- bach, Wincenty Lutosławski, Ryszard Gansiniec, Stanisław Skimina, Władysław Madyda, Romuald Turasiewicz, Adam Stefan Miodoński, Gustaw Edward Przy- chocki, Władysław Strzelecki, Kazimierz Kumaniecki, Mieczysław Brożek, Mar- ian Plezia, Kazimierz Korus, Józef Korpanty and Stanisław Stabryła. KEY WORDS: history of classical scholarship, classical philology, Jagiellonian University Research on classical antiquity at the Jagiellonian University dates back to the 15th century and has been inseparably intertwined with humanism. The desire to promote classical studies among the younger generation as a discipline that permeates all other scholarly fields was great among scholars already at the beginning of the Kraków university. Numerous lecturers were active at the university in the Middle Ages, the Renais- sance and later, mostly teaching Latin and Greek, but also devoting their energy to editing ancient texts or translating them into Polish.
    [Show full text]