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Recorridos Por La Musica De Camara

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Recorridos Por La Musica De Camara DÚO DEL VALLE, dúo de pianos (España) Miércoles 13 de marzo de 2013 • 7:30p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango Jueves 14 de marzo de 2013 • 7:00 p.m. Barranquilla, Teatro Amira de la Rosa N - ~ BANCO DE LA REPÚBLICA BIBLIOTECA LUIS ÁNGEL ARANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. TOME NOTA Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el público como para los artistas. Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, incluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografías durante el concierto. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ...w ~ ...w Q o '::) Q Víctor del Valle y Luis del Valle Desde su creación en la Escuela Superior de Música Reina Sofía (Madrid) bajo la dirección de Dimitri Bashkirov y Claudio Martínez Mehner, el dúo de los hermanos Víctor y Luis del Valle ha sido reconocido como una de las jóvenes agrupaciones camerísticas más sobresalientes de Europa. Tras su debut en 2004 en el Auditorio Nacional de Música de Madrid, han sido ganadores (recibiendo además el premio especial del público) del prestigioso ARO lnternational Music Competition (Múnich, 2005), y distinguidos con la Medalla de Plata del ciclo El Primer Palau (Palau de la Música de Cataluña, Barcelona, 2005). Recibieron del Ministerio francés de Salud y Juventud, en París, una subvención para la grabación de un dúo tras haber ganado el concurso Musiques d'Ensembles 2008, y se proclamaron también ganadores y premio especial Mozart en el Bialystok lnternational Piano Duo Competition (Polonia). Sus recientes y futuras actividades incluyen presentaciones en el Auditorio Nacional de Música de Madrid, el Teatro Monumental de Madrid, el Teatro de la Maestranza (Sevilla), el Palau de la Música de Cataluña, el Auditorio y el Gran Teatro del Liceo (Barcelona), el Palacio de Festivales de Cantabria (Santander), el Auditorio Dom Musiki (Moscú), Herkulessaal, Prinzregententheater y Gasteig (Múnich), Liederhalle (Stuttgart), Congress Centrum (Hannover), Théé::ltre des bouffes du Nord (París), Teatro Nacional (Panamá), Teatro Metropolitano de Medellín (Colombia), Sibelius Academy Concert Hall, Finlandia Hall y Finnish National Opera (Helsinki). Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Han actuado con orquestas como la Orquesta de RTVE, la Real Orquesta Sinfónica de Sevilla, I'Orquestra Nacional de Cambra d'Andorra, la Jove Orquestra Nacional de Catalunya (JONC), Orquesta de Cámara "Siemens" de la Escuela Superior de Música Reina Sofía, Bialystok Philharmonic, Symphonieorchester des Bayerischen Rundfunks, Münchener Kammerorchester, Symphonieorchester des SWR de Stuttgart y Helsinki Philharmonic, bajo la batuta de directores como Bogdan Oledski, Howard Griffiths, James Ross, Miquel Ortega, Ralf Gothoni, Manel Valdivieso, Peter Csaba, Juanjo Mena, Yakov Kreizberg, André de Ridder y Nacho de Paz, entre otros. En 201 O, los hermanos Víctor y Luis del Valle grabaron un disco con música del compositor Tomás Marco junto a la Orquesta Filarmónica de Málaga. También colaboraron con la Orquesta Real Filharmonía de Galicia en la realización de un disco con obras del compositor gallego José Arriola. Además, grabaron para RNE Radio Clásica, BR (Radio de Baviera), SWR (Süden-Westen Radio) y para el sello discográfico Sony España. También participaron como artistas invitados en la gala final de clausura del XV Concurso Internacional de Piano de Santander Paloma O'Shea (agosto 2005), retransmitida por La 2 de TVE y el Canal Internacional. Por otra parte, han ofrecido recitales en el Festival Internacional Vladimir 2 Spivakov (Moscú), Sommets Musicaux de Gstaad (Suiza), Festival Jeunes Talents (París), Festival Internacional de Cadaqués, Festival Internacional de Perelada, Festival Internacional de Santorini (Grecia), Festival Internacional Dino Ciani (Cortina d'Ampezzo, Italia), Rheingau Musik Festival (Alemania), Ludwigsburger Schlossfestspiele (Ludwigsburg, Alemania), Printemps musical de Silly (Bélgica) y Espoo lnternational Piano Festival (Finlandia). La crítica musical los ha calificado de "prodigios": "Belleza sonora y virtuosismo en su prodigioso y renovador pianismo." (El País). "Los hermanos Luis y Víctor del Valle superaron la barrera del sonido logrando tímbricas mágicas." (Alerta, Santander). "Magistral fue la interpretación de Víctor y Luis del Valle. Espléndido virtuosismo, inaudita disposición al riesgo y la más alta seguridad de estilo se aúnan en estos dos músicos [ ... ]sonidos que quitan la respiración [ ... ] muy pocas veces se oyen obras de Mozart de una manera tan convincente." (Stuttgarter Zeitung). "Hicieron que dos simples pianos de cola sonasen como la Filarmónica de Viena." (Panamá América - Epasa). "Rompedores, que no rupturistas, estos magníficos respetan estilos y técnicas pero dejan muy clara su propia voz, que es joven y atrevida, vitalista y llena de humor, expresiva y musical a tope." (La Provincia - Diario de Las Palmas de Gran Canaria). Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Han recibido consejos de los maestros Pierre-Laurent Aimard, Blanca Uribe, Katia y Marielle Labéque, Ferenc Radas, Menahem Pressler, Zoltán Kocsis, Daniel Barenboim y Martha Argerich. Desde 2008, Víctor y Luis del Valle compaginan su actividad concertista con su labor docente en Madrid y son invitados frecuentemente para impartir lecciones magistrales de piano y de música de cámara tanto en España como en el extranjero. La Junta de Andalucía a través de su Instituto Andaluz de la Juventud les ha otorgado la distinción "Premio Málaga Joven" por la promoción de Málaga en el exterior. 3 Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA Sonata para piano WOFGANG AMADEUS MOZART a cuatro manos, KV 521 (1756-1791) Allegro Andante Allegretto Danza española No. 1 MANUEL DE FALLA de La vida breve (1876-1946) Danza ritual del fuego de El amor brujo INTERMEDIO 4 Cinco piezas para GYORGY LIGETI piano a cuatro manos (1923-2006) Marcha Estudio polifónico Tres danzas nupciales Sonatina Allegro Lindaraja CLAUDE DEBUSSY (1862-1918) Fantasía sobre Porgy and Bess GEORG E GERSHWIN (1898-1937) Arreglo: Percy Grainger CONCIERTO No. 6 Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. NOTAS AL PROGRAMA Por Guillermo Gaviria El programa de hoy incluye música para piano a cuatro manos, también llamada para "dúo de piano", y música para dos pianos. Estas dos opciones cubren un amplio espectro estético y social que incluye los dúos de piano de los siglos XVIII y XIX, una de las posibilidades frecuentes de hacer música en la casa y el desarrollo técnico virtuosistico de la música para dos pianos del siglo XX. El martes 29 de mayo de 1787, Wolfgang Amadeus Mozart (1756-1791) concluyó en Viena su Sonata para piano a cuatro manos en do mayor, KV 521 , ignorante de que al mismo tiempo se preparaba en Salzburgo el funeral 1 de su padre, Leopoldo Mozart, quien había fallecido el dia anterior . Mozart recibió la noticia unos dias después y, por tanto, no pudo asistir al entierro. Es asi que la Sonata, KV 521 no está relacionada con la muerte de su padre a pesar de la coincidencia de las fechas. Para esta época, Wolfgang y Leopoldo ya se habían distanciado, particularmente por la idea que tenía Wolfgang de desarrollar una vida como compositor independiente más que al servicio de las cortes. Leopoldo nunca aceptó que su Wolfgang abandonara Salzburgo, se casara y llevara una vida independiente. 5 El interés de Mozart por la escritura para piano a dúo viene seguramente de su niñez, de su vida de niño prodigio que tocaba con su hermana Marianne (" Nannerl"). De acuerdo con Maynard Solomon: En sus primeros años de vida, Mozart y su hermana, Marianne, eran como una sola carne y un solo espíritu. Eran "los niños Mozart", viviendo y trabajando juntos por objetivos comunes dentro de la empresa familiar -estudiar, viajar y tocar- presentándose como miembros simbióticos de un solo organismo, compartiendo cada experiencia de la vida, desde los eventos triunfales hasta ver al otro balanceándose en el borde de la muerte.2 Por otro lado, para Mozart -como para cualquier músico en las grandes ciudades, para quien sus ingresos fijos eran insuficientes-la fuente principal de recursos adicionales siempre fueron los conciertos y las clases. Mozart no tenía una particular disposición ni tampoco interés en la enseñanza, y solo cuando sus restricciones económicas llegaban al máximo se preocupaba por conseguir estudiantes. Sin embargo, se sentía estimulado cuando lograba formar con el estudiante un lazo más personal, por ejemplo con la hermana de su amigo Gottfried von Jacquin, Francisca, sobre quien comenta en carta desde Praga al amigo, el15 de enero de 1787: ' www.mozartproject.org/chronology/ch_ 86_91.html 2 Saloman. Maynard, Mozart: ALife, Random House, London, 1995, p.399. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. A su hermana [Francisca] le envío mil felicitaciones con la solicitud de estudiar diligentemente en el nuevo pianoforte, aunque tal recomendación es innecesaria, pues debo reconocer que nunca tuve un estudiante que se mostrara tan diligente y con tanto celo por el estudio como ella.
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