The Politics of Language in Assam
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Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
On the Basis of Celebrated Festivals in Guwahati PJAEE, 17 (7) (2020)
Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati PJAEE, 17 (7) (2020) Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati Tutumoni Das Department of Assamese, Gauhati University, Guwahati, Assam, India Email: [email protected] Tutumoni Das: Tradition and Transformation: On the basis of Celebrated Festivals in Guwahati -- Palarch’s Journal Of Archaeology Of Egypt/Egyptology 17(7). ISSN 1567- 214x Keywords: Tradition, Transformation, Festival celebrated in Guwahati ABSTRACT Human’s trained and proficient works give birth to a culture. The national image of a nation emerges through culture. In the beginning people used to express their joy of farming by singing and dancing. The ceremony of religious conduct was set up at the ceremony of these. In the course of such festivals that were prevalent among the people, folk cultures were converted into festivals. These folk festivals are traditionally celebrated in the human society. Traditionally celebrated festivals take the national form as soon as they get status of formality. In the same territory, the appearance of the festival sits different from time to time. The various festivals that have traditionally come into being under the controls of change are now seen taking under look. Especially in the city of Guwahati in the state of Assam, various festivals do not have the traditional rituals but are replaced by modernity. As a result, many festivals are celebrated under the concept of to observe. Therefore, our research paper focuses on this issue and tries to analyze in the festival celebrated in Guwahati. 1. Introduction A festival means delight, being gained and an artistic creation. -
Formation of the Heterogeneous Society in Western Assam (Goal Para)
CHAPTER- III Formation of the Heterogeneous Society in Western Assam (Goal para) Erstwhile Goalpara district of Western Assam has a unique socio-cultural heritage of its own, identified as Goalpariya Society and Culture. The society is a heterogenic in character, composed of diverse racial, ethnic, religious and cultural groups. The medieval society that had developed in Western Assam, particularly in Goalapra region was seriously influenced by the induction of new social elements during the British Rule. It caused the reshaping of the society to a fully heterogenic in character with distinctly emergence of new cultural heritage, inconsequence of the fusion of the diverse elements. Zamindars of Western Assam, as an important social group, played a very important role in the development of new society and cufture. In the course of their zamindary rule, they brought Bengali Hidus from West Bengal for employment in zamindary service, Muslim agricultural labourers from East Bengal for extension of agricultural field, and other Hindusthani people for the purpose of military and other services. Most of them were allowed to settle in their respective estates, resulting in the increase of the population in their estate as well as in Assam. Besides, most of the zamindars entered in the matrimonial relations with the land lords of Bengal. As a result, we find great influence of the Bengali language and culture on this region. In the subsequent year, Bengali cultivators, business community of Bengal and Punjab and workers and labourers from other parts of Indian subcontinent, migrated in large number to Assam and settled down in different places including town, Bazar and waste land and char areas. -
The Spectre of SARS-Cov-2 in the Ambient Urban Natural Water in Ahmedabad and Guwahati: a Tale of Two Cities
medRxiv preprint doi: https://doi.org/10.1101/2021.06.12.21258829; this version posted June 16, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted medRxiv a license to display the preprint in perpetuity. It is made available under a CC-BY-NC-ND 4.0 International license . The Spectre of SARS-CoV-2 in the Ambient Urban Natural Water in Ahmedabad and Guwahati: A Tale of Two Cities Manish Kumar1,2*, Payal Mazumder3, Jyoti Prakash Deka4, Vaibhav Srivastava1, Chandan Mahanta5, Ritusmita Goswami6, Shilangi Gupta7, Madhvi Joshi7, AL. Ramanathan8 1Discipline of Earth Science, Indian Institute of Technology Gandhinagar, Gujarat 382 355, India 2Kiran C Patel Centre for Sustainable Development, Indian Institute of Technology Gandhinagar, Gujarat, India 3Centre for the Environment, Indian Institute of Technology Guwahati, Assam 781039, India 4Discipline of Environmental Sciences, Gauhati Commerce College, Guwahati, Assam 781021, India 5Department of Civil Engineering, Indian Institute of Technology Guwahati, Assam 781039, India 6Tata Institute of Social Science, Guwahati, Assam 781012, India 7Gujarat Biotechnology Research Centre (GBRC), Sector- 11, Gandhinagar, Gujarat 382 011, India 8School of Environmental Sciences, Jawaharlal Nehru University, New Delhi 110067, India *Corresponding Author: [email protected]; [email protected] Manish Kumar | Ph.D, FRSC, JSPS, WARI+91 863-814-7602 | Discipline of Earth Science | IIT Gandhinagar | India 1 NOTE: This preprint reports new research that has not been certified by peer review and should not be used to guide clinical practice. medRxiv preprint doi: https://doi.org/10.1101/2021.06.12.21258829; this version posted June 16, 2021. -
Lower New Colony, Shillong-793003, Meghalaya (India) STD: 0364, Web: Neepco.Co.In
NORTH EASTERN ELECTRIC POWER CORPORATION LTD. “Brook land Compound”, Lower New Colony, Shillong-793003, Meghalaya (India) STD: 0364, Web: neepco.co.in CMD & FUNCTIONAL DIRECTORS NAME DESIGNATION TEL(OFFICE) MOBILE TEL(R) FAX E-MAIL VINOD KUMAR SINGH CMD 2224487 9650922231 2226417 [email protected] 2226453 [email protected] [email protected] ANIL KUMAR Director 2226630 9436105775 2226225 [email protected] (Personnel) ANIL KUMAR Director 2223176 9436105775 2505776 [email protected] (Finance) HEMANTA KUMAR Director 2227792 9436709095 2228520 [email protected] DEKA (Technical) [email protected] [email protected] CHIEF VIGILANCE OFFICER KHWAIRAKPAM CVO 2503652 7086099086 2229450 [email protected] PRATAP SINGH [email protected] COMPANY SECRETARIAT ABINOAM P RONG DCS 2228652 9436117663 2228652 [email protected] CMD Secretariat PARTHA PRATIM DAS GM (C) 2229778 9435559842 2226417 [email protected] [email protected] DIRECTOR (PERSONNEL) Secretariat HEMANTA BARUAH DGM(HR) 2226630 9436632420 2226225 [email protected] 7005120618 [email protected] DIRECTOR (FINANCE) Secretariat DIRECTOR (TECHNICAL) Secretariat DIGANTA GOSWAMI DGM (E/M) 9435577655 2228520 [email protected] [email protected] ANJELICA POSHNA DGM (E/M) 2226480 6009249201 2228520 [email protected] anjelicap@ neepco.co.in CORPORATE PLANNING & BUSINESS DEVELOPMENT / CORPORATE PROJECT MANAGEMENT APARAJITA CGM (Civil) 2221737 9436303944 2222126 [email protected] CHOUDHURY -
Cosmopolitan Consciousness of PC Barua
E-CineIndia: Jan-Mar 2021/ Parthajit Baruah 1 Article Parthajit Baruah The Question of Assameseness: Cosmopolitan Consciousness of P.C. Barua Still from Barua’s film Mukti An extensive discussion has been made on the made Devdas in three Languages - Bengali (1935), biographical sketch and works of Pramathesh Hindi (1936) and Assamese (1937). Likewise, World Chandra Barua, one of the leading pioneers of India Heritage Encyclopedia, cinema. But the aspect that has hardly been found a bollywoodirect.medium.com, amp.blog.shops- space in the writing and discussion at the national net.com and numerous sources carry the same narrative is why Pramathesh, being an ardent lover of incorrect information stating that Assamese Devdas Gauripur, Assam, did not make an Assamese film in made in 1937 was Barua’s last of the three language the span of two decades of his cinematic journey. versions of the film. Wikipedia misleadingly Displeasures across the state of Assam in the 1940s mentions that Bhupen Hazarika was the playback was seen, and many termed Barua as ‘anti nationalist’ singer of the film. It is pertinent to mention here that in Assam. Ibha Barua Datta, scion of the Barua when Jyoti Chitraban film studio was established in family, says that she is disheartened to read the sharp Guwahati and became functional from 1968, Dr. criticism on Pramathesh in the Assamese newspapers Hazarika proposed the Government of Assam to for not making an Assamese film. name the studio’s shooting floor after Pramathesh Ch. Barua. Bhadari by Nip Baruah was the first film, shot Some erroneously claim that Barua made three at Pramathesh Ch. -
An Introduction to the Sattra Culture of Assam: Belief, Change in Tradition
Journal of Ethnology and Folkloristics 12 (2): 21–47 DOI: 10.2478/jef-2018-0009 AN INTRODUCTION TO THE SATTRA CULT URE OF ASSAM: BELIEF, CHANGE IN TRADITION AND CURRENT ENTANGLEMENT BABURAM SAIKIA PhD Student Department of Estonian and Comparative Folklore University of Tartu Ülikooli 16, 51003 Tartu, Estonia e-mail: [email protected] ABSTRACT In 16th-century Assam, Srimanta Sankaradeva (1449–1568) introduced a move- ment known as eka sarana nama dharma – a religion devoted to one God (Vishnu or Krishna). The focus of the movement was to introduce a new form of Vaishnava doctrine, dedicated to the reformation of society and to the abolition of practices such as animal sacrifice, goddess worship, and discrimination based on caste or religion. A new institutional order was conceptualised by Sankaradeva at that time for the betterment of human wellbeing, which was given shape by his chief dis- ciple Madhavadeva. This came to be known as Sattra, a monastery-like religious and socio-cultural institution. Several Sattras were established by the disciples of Sankaradeva following his demise. Even though all Sattras derive from the broad tradition of Sankaradeva’s ideology, there is nevertheless some theological seg- mentation among different sects, and the manner of performing rituals differs from Sattra to Sattra. In this paper, my aim is to discuss the origin and subsequent transformations of Sattra as an institution. The article will also reflect upon the implication of traditions and of the process of traditionalisation in the context of Sattra culture. I will examine the power relations in Sattras: the influence of exter- nal forces and the support of locals to the Sattra authorities. -
Contribution of Gauripur Zamindar Raja Prabhat Chandra Barua: - a Historical Analysis
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 1, Ver. V (Jan. 2014), PP 56-60 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Contribution of Gauripur zamindar Raja Prabhat Chandra Barua: - A historical analysis Rabindra Das Assistant Professor, Department of History,Bholanath College, Dhubri, India Abstract: The zamindary of Gauripur situated in the district of Goalpara (undivided), now present district of Dhubri. Gauripur zamindary is larger in size than any other zamindary in Goalpara. The size of zamindary was 355 square miles. It was originated from the Nankar receipt from Mughal Emperor Jahangir. Kabindra Patra was appointed to the post of Naib kanangu of the thana Rangamati, situated near Gauripur. His descendants had enjoyed the office of Kananguship for more than 300 years. The zamindars of Gauripur are mainly feudal in nature. Their main motive was to occupy land and possessed a vast tract of land in the 2nd decade of 17th century. The zamindars of Gauripur were conservative in their outlook but some of the zamindars of Gauripur paid their attention to benevolent public works. Once a time western Assam was more advance than eastern Assam because of the benevolent activities of Gauripur zamindars. Raja Prabhat Chandra Barua was one of the zamindars in Gauripur zamindary who paid attention to develop the society in every sphere. He was an exchequer in the public works, viz. education 52%, hospital 16%, sadabrata 18%, donation 12%, and public health 2%. Thus he contributed in every aspect of society, education, art, culture, economic, and so on for the welfare of the mass people. -
Empire's Garden: Assam and the Making of India
A book in the series Radical Perspectives a radical history review book series Series editors: Daniel J. Walkowitz, New York University Barbara Weinstein, New York University History, as radical historians have long observed, cannot be severed from authorial subjectivity, indeed from politics. Political concerns animate the questions we ask, the subjects on which we write. For over thirty years the Radical History Review has led in nurturing and advancing politically engaged historical research. Radical Perspec- tives seeks to further the journal’s mission: any author wishing to be in the series makes a self-conscious decision to associate her or his work with a radical perspective. To be sure, many of us are currently struggling with the issue of what it means to be a radical historian in the early twenty-first century, and this series is intended to provide some signposts for what we would judge to be radical history. It will o√er innovative ways of telling stories from multiple perspectives; comparative, transnational, and global histories that transcend con- ventional boundaries of region and nation; works that elaborate on the implications of the postcolonial move to ‘‘provincialize Eu- rope’’; studies of the public in and of the past, including those that consider the commodification of the past; histories that explore the intersection of identities such as gender, race, class and sexuality with an eye to their political implications and complications. Above all, this book series seeks to create an important intellectual space and discursive community to explore the very issue of what con- stitutes radical history. Within this context, some of the books pub- lished in the series may privilege alternative and oppositional politi- cal cultures, but all will be concerned with the way power is con- stituted, contested, used, and abused. -
History of North East India (1228 to 1947)
HISTORY OF NORTH EAST INDIA (1228 TO 1947) BA [History] First Year RAJIV GANDHI UNIVERSITY Arunachal Pradesh, INDIA - 791 112 BOARD OF STUDIES 1. Dr. A R Parhi, Head Chairman Department of English Rajiv Gandhi University 2. ************* Member 3. **************** Member 4. Dr. Ashan Riddi, Director, IDE Member Secretary Copyright © Reserved, 2016 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. “Information contained in this book has been published by Vikas Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, IDE—Rajiv Gandhi University, the publishers and its Authors shall be in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use” Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi – 110 055 Website: www.vikaspublishing.com Email: [email protected] About the University Rajiv Gandhi University (formerly Arunachal University) is a premier institution for higher education in the state of Arunachal Pradesh and has completed twenty-five years of its existence. -
CATEGORY B 2019 School Name District Name of Students Class Parents Name
CATEGORY B 2019 School name District Name of Students Class Parents Name 1 Delhi Public School, Dhaligaon Bongaiga Amir Hussain VIII Aftab Hussain on 2 Rupvarnam Fine Art Society Kamrup Anurag Singha VIII Nimaichand (M) Singha 3 RUPVARNAM ART SCHOOL Kamrup Sukanya Borah IX Dharma Borah (M) 4 RUPVARNAM ART SCHOOL Kamrup Banasmita Kashyap VII Prasanta Das (M) 5 Rupvarnam Fine Art Society, Six Kamrup Khushi Halder IX Sukanta Halder mile, Guwahati-23 (M) 6 Aikon Art and cultural Academy, Kamrup Chani Kakati IX Niva Kakati Guwahati (M) 7 Varna School of Art Jayanagar, Kamrup Jyotirmoy IX Bankim Ch. Near Petrol Pump, Guwahati (M) Bhagabati Bhagabati 8 Varna School of Art Jayanagar, Kamrup Tonmoy Hazarika VII Bhaskar Hazarika Near Petrol Pump, Guwahati (M) 9 Shilpa Kala Kendra, Nalapara, Kamrup Hrishita Saha VIII Moon Saha Lakhra, Guwahati-781040 (M) 10 Sanjeebani Kala Niketan Odal Kamrup Akash Saikia VIII Moni Kanta Saikia Bakra Branch Kahilipara, (M) Guwahati-34 11 Sanjeebani Kala Niketan Odal Kamrup Dibyajyoti Das VIII Satish Das Bakra Branch Kahilipara, (M) Guwahati-34 12 Sanjeebani Kala Niketan, Dispur, Kamrup Palkee Goswami IX Mr Rupam Guwahati-06 (M) Goswami 13 Sanjeebani Kala Niketan, Dispur, Kamrup Kaustav Talukdar IX Sh Ramala Kalita Guwahati-06 (M) 14 Maharishi Vidya Mandir Public Kamrup Indrakshi Barman VIII Mrinali Phukan School, Guwahati 26 (M) Barman 15 Aarohan Art and Craft School, Kamrup Jinti Barman IX Khagen Barman Hatigaon, Guwahati 26 (M) 16 Sai RNS Academy Adarsh, Kamrup Yukta Punya IX Punyaprova Guwahati-20 (M) Sonowal Sonowal 17 South Point School Kamrup Subhankar Deka IX Arabinda Deka (M) 18 Govt. -
Dr. Maitreyee Goswami, MA(Gau), B.Ed(Gau), Ph.D(Gau)
Dr. Maitreyee Goswami, MA(Gau), B.Ed(Gau), Ph.D(Gau) Assistant Professor Department of Sanskrit (Vedic Studies) Kumar Bhaskar Varma Sanskrit & Ancient Studies University Research Interest: Vedic literature and other allied literature. Award/ Fellowship: Received ‘Bhagavan Goswami Memorial Award’ for securing highest Marks in Sanskrit in B.A. Final Examination, 2008 in Nalbari district. Research Experience(s): I have done my research work on the topic ‘An interpretative study of the vratas depicted in the Gaṅgjālam’ from 2012-2018. Book (s)/ Chapter(s) Published : (02) ‘Marital expections as dramatized in Hindu Marriage Rituals’ published on ‘Reflection on Vedic Wisdom’, ISBN-978-81-8315-344-7. ‘Ethical values of some Vratas reflected in the Gaṅgājalam’ published on ‘Society, Education and Culture’, ISBN: 978-93-82120-48-3 (HB). Research Paper (s) Published : ‘Traditional methods of conserving Sachipat Manuscripts In Assam’, at Global Research Methodology Journel , (International e-journal) ISSN: 2249-300X. ‘Pracin Hatelikha Sanskrit Punthir Sesansar arthodhara’ published at ‘Praci’ ISSN NO. 2319-8974. ‘Vedic Influences in the Ramayana’ published at ‘Sodhamakarandah’, ISBN NO. 978-81-929748-1-1 ‘Ambuvaci Festival as reflected in the Gangajalam’ published at ‘Praci’, ISSN NO. 2319-8974 ‘The Glory of Asokastami Vrata’ published at ‘Praci ‘, ISSN NO. 2319- 8974. ‘Significance of Manasa worship in Assam’ published at ‘Srjan’ , ISSN NO. 2394-1901. Seminar(s) / Conference(s): (Paper Presented) National : ALL INDIA ORIENTAL CONFERENCE, organized by Dept. of Sanskrit, Gauhati University, Guwahati, India on 2nd- 4th January, 2015. ALL INDIA SANSKRIT CONFERENCE, organized by Dept. of Sanskrit, KBVS&AS UNIVERSITY,NALBARI, INDIA on 15TH -17TH February, 2018.