Graffiti in the 'Hood: an Interview with the NYPD 6Th Precinct
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A Day in the Life of Cooperative America
A DAY IN THE LIFE OF COOPERATIVE AMERICA A Project of the National Co-op Month Committee COOPERATIVE PRINCIPLES Cooperatives follow seven internationally recognized principles as adopted in 1995 by the International Cooperative Alliance. The National Cooperative Business Association lists these as: 1. Voluntary and Open Membership Cooperatives are voluntary organizations, open to all persons able to use their services and willing to accept the responsibilities of membership, without gender, social, racial, political or religious discrimination. 2. Democratic Member Control Cooperatives are democratic organizations controlled by their members, who actively participate in setting their policies and making decisions. Men and women serving as elected representatives are accountable to the membership. In primary cooperatives, members have equal voting rights (one member, one vote) and cooperatives at other levels are organized in a democratic manner. 3. Member Economic Participation Members contribute equitably to, and democratically control, the capital of their cooperative. At least part of that capital is usually the common property of the cooperative. They usually receive limited compensation, if any, on capital subscribed as a condition of membership. Members allocate surpluses for any or all of the following purposes: developing the cooperative, possibly by setting up reserves, part of which at least would be indivisible; benefiting members in proportion to their transactions with the cooperative; and supporting other activities approved by the membership. 4. Autonomy and Independence Cooperatives are autonomous, self-help organizations controlled by their members. If they enter into agreements with other organizations, including governments, or raise capital from external sources, they do so on terms that ensure democratic control by their members and maintain their cooperative autonomy. -
BIBLIOGRAPHY the Greenwich Village the Greenwich Village
A Thoroughly IncomIncompletepleteplete,, Constantly Evolving, Partially AAANNNNNN OTATED BBBIBLIOGRAPHY for use with the Greenwich Village Literary Pub Crawl updated November 19, 2007 ... I. Writing By the Writers Broyard, Anatole. Kafka Was The Rage: A Greenwich Village Memoir. A beautiful and very short book about living in the Village after World War II by Anatole Broyard, who became a legendary critic for the New York Times. Features a great story about Dylan Thomas and his wife Caitlin and how not to get punched by either of them. Crane, Hart. Hart Crane: Complete Poems and Selected Letters . Langdon Hammer, Ed. New York: Literary Classics of the U.S. / Library of America, 2006. Crane is a difficult poet; although many scholars consider him one of the most important of the 20th century, he can be hard to read. Try “Chaplinesque.” It’s short, and it’s kind of about a kitten. Crane, Stephen. Stephen Crane: Prose and Poetry . New York: Literary Classics of the U.S. / Library of America, 1984. Includes Maggie: A Girl of the Streets , The Red Badge of Courage , stories, sketches, journalism and poetry. Maggie takes barely an afternoon to read, but the images will stick around. Crane took a big risk by writing about the parts of New York thought unfit for literature. Dylan, Bob. Chronicles Volume I . New York: Simon & Schuster, 2004. It turns out that Dylan is not only a good writer, but also funny as hell. He describes his mentors, his idols, and his friends in curt, unexpected sentences that are more often than not good enough to inscribe on someone’s gravestone. -
Manhattan CD 4 the Chelsea Plan 197-A Plan
I I CB 4 Chel ea 197-a Plan: A Contextual Zoning ropo al 0 Create Housing Opportuniti Community Board 4 I Borough of Manhattan New York City The Chelsea Plan Community Board 4 Chelsea 197 -a Plan: A Contextual Zoning Proposal to Create Housing Opportunities City of New York Rudolph W. Giuliani, Mayor Department of City Planning Joseph B. Rose, Director Summer 1996 NYC DCP 96·17 INTRODUCTION Under Section 197 -a of the New York City Charter, community boards may propose plans for the development, growth and improvement of land within their districts. Pursuant to the Charter, the City Planning Commission developed and adopted standards and rules of procedure for 197-a plans. Once approved by the Commission and adopted by the City Council, 197 -a plans are intended to serve as policy guides for subsequent actions by city agencies. Community Board 4 Chelsea 197-a Plan: A Contextual Zoning Proposal to Create Housing Opportunities, as modified by the City Planning Commission, is the second community board 197-a plan to be adopted by the city. This report provides information for those interested in the plan's policies and recommendations. It may also be of interest to other community boards considering the 197-a process. This report contains three sections: 1. The City Council resolution, dated May 22, 1996, adopting the plan as modified by the City Planning Commission. 2. The City Planning Commission report, including its consideration and resolution, dated April 10, 1996, approving and modifying the 197-a plan. 3. The proposed Community Board 4 Chelsea J97-a Plan: A Contextual Zoning Proposal to Create Housing Opportunities, as originally submitted by Manhattan Community Board 4 on April 28, 1994. -
LPC Designation Report for South Village Historic District
South Village Historic District Designation Report December 17, 2013 Cover Photographs: 200 and 202 Bleecker Street (c. 1825-26); streetscape along LaGuardia Place with 510 LaGuardia Place in the foreground (1871-72, Henry Fernbach); 149 Bleecker Street (c. 1831); Mills House No. 1, 156 Bleecker Street (1896-97, Ernest Flagg); 508 LaGuardia Place (1891, Brunner & Tryon); 177 to 171 Bleecker Street (1887-88, Alexander I. Finkle); 500 LaGuardia Place (1870, Samuel Lynch). Christopher D. Brazee, December 2013 South Village Historic District Designation Report Essay prepared by Christopher D. Brazee, Cynthia Danza, Gale Harris, Virginia Kurshan. Jennifer L. Most, Theresa C. Noonan, Matthew A. Postal, Donald G. Presa, and Jay Shockley Architects’ and Builders’ Appendix prepared by Marianne S. Percival Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, and Marianne S. Percival, with additional research by Jay Shockley Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOUTH VILLAGE HISTORIC DISTRICT MAP .............................................. FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 SOUTH -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll. -
Manhattan Community Board Input Regarding Intersections in Need of Pedestrian Safety and Traffic Calming Measures (Updated February 13, 2014)
T HE CITY OF NE W Y ORK OFFICE OF THE P RESIDENT BOROUGH OF M ANHATTAN Gale A. Brewer BOROUGH PRESIDENT Manhattan Community Board Input Regarding Intersections in Need of Pedestrian Safety and Traffic Calming Measures (Updated February 13, 2014) The list of preliminary locations was identified by the Community Boards for discussion at the Manhattan Borough Service Cabinet level and submitted to the Mayor’s Vision Zero Task Force on January 30, 2014 for further attention and analysis. Because each Community Board used its own criteria to develop its list, this cumulative list of intersections may contain areas where there are objective reasons for concerns and/or subjective reasons for concern. Some reasons given by Community Boards for inclusion of certain locations on their lists include, but are not limited to: site of pedestrian fatality or injury, speeding, signal timing issues, enforcement, crossing times and vehicle turns. This list is not meant to be exhaustive or definitive, and was not voted on by the Borough Board, but represents community input to help inform the Task Force work ahead. Community Board 1 1. South End Avenue at Liberty, Rector, and West Thames Street 2. Battery Place and First Place (the area in front of PS 276) 3. North End Avenue between Chambers and Vesey Street and Warren Street between North End Avenue and West Street (between PS 89 and Ball Fields) 4. South End Avenue in Front of Gateway Plaza (crossing problems at turn off Liberty Street onto South End Avenue up to the turn into the Gateway complex) 5. -
CITIZENS COMMITTEE for NEW YORK CITY 2020 Annual Report
CITIZENS COMMITTEE FOR NEW YORK CITY 2020 Annual Report CitizensNYC We are ALL IN for New York City #Allin4NYC 30 East 125th Street, #189 | 212 989 0909 | citizensnyc.org New York, NY 10035 A LETTER FROM OUR CEO On March 16, 2020 I had the profound privilege of 0 taking on the role of CEO at CitizensNYC. In a year like no other I’ve seen how the citizens of this city continue to fill in the gaps, often where federal and state institutions fall short. We are a village of small business owners, activists, artists, and community gatekeepers improving New York City neighborhoods, and in this moment of crisis we believe we as a city must trust grassroots leaders, support them, and give them the right platforms to thrive. 2 Think about what access to food and water— necessities that many of us take for granted, even in a pandemic—looks like in a community that was already struggling before COVID-19 invaded our neighborhoods. In response, CitizensNYC quickly mobilized its resources to focus on the immediate needs of struggling New Yorkers. We established two unrestricted grant programs focusing on the city’s hardest-hit communities, with an emphasis on keeping 0 struggling businesses afloat, and meeting urgent community needs such as access to food, water, and financial resources. As one of the nation’s oldest micro-funding organizations, CitizensNYC provides support to community leaders on the front lines of change in their own neighborhoods. But we’re so much more than grantmakers. Most importantly, we are a communications platform for those whose voices are 2 often drowned out—or who never got a chance to speak at all. -
Alms for the Upper Middle Class: Subsidized Apartments Aim at $200K Earners | Observer
6/19/13 Alms for the Upper Middle Class: Subsidized Apartments Aim at $200K Earners | Observer BETABEAT POLITICKER GALLERISTNY COMMERCIAL VSL POLITICKERNJ SEARCH OBSERVER Like 18k Follow HOUSING FOR ALL Alms for the Upper Middle Class: SAD Michael Hastings Dies In Subsidized Apartments Aim at Car Accident $200K Earners By Stephen Jacob Smith 6/18 7:39pm Location: Twitter 23 Facebook 41 Reddit Google +1 Email Print Enter a neighborhood or street Price Range Standing outside a shiny new red and tan Any to Any brick building at 401 West 25th Street, Type Bed (#) Bath (#) indistinguishable from any other late- Any Any Any 2000s new construction throughout the West Side, you can catch a glimpse of the SEARCH LISTINGS future of housing if New York City’s Democratic mayoral candidates get their way. A young woman who works in finance and Inside an Elliott-Chelsea apartment. moved into this building from a “real shithole” in the West Village, a computer programmer from South Carolina, a lifelong New Yorker who moved in from the projects a few blocks south, and a gay couple—one a playwright, the other a social worker—with a son, who moved from 14th Street and Seventh Avenue. They all found places in a 22-story middle-income affordable housing development in an increasingly unaffordable Chelsea. The Elliott-Chelsea, developed by Artimus Construction, rose on New York City Housing Authority property with the help of an alphabet soup of government agencies. Some of the 168 units in the building are typical low-income units, reserved for families earning under $40,000 a year. -
Larry Mollin
Written by Larry Mollin www.stagerights.com SEARCH: PAUL CLAYTON Copyright © 2013 by Larry Mollin All Rights Reserved All performances and public readings of SEARCH: PAUL CLAYTON are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronics, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY First staged reading – Martha’s Vineyard Playhouse – 7/2013 Premiere production – Martha’s Vineyard Playhouse – 7/2014 3-week run for 15 shows Director ...................................................... Randal Myler Musical Director ......................................... -
Manhattan Community Board 4 Community Needs Assessment March 2020 Introduction in January 2020, Manhattan Community Board 4 (MCB
Manhattan Community Board 4 Community Needs Assessment March 2020 Introduction In January 2020, Manhattan Community Board 4 (MCB4) set out to determine the district’s most vulnerable populations to inform its policy and funding recommendations. Manhattan Community District 4 (MCD4) is home to 120,000 residents across the neighborhoods of Chelsea and Clinton/Hell's Kitchen. MCD4 is bounded by 14th Street in the south, west 59th Street in the north, Sixth Avenue south of West 26th Street and Eighth Avenue north of 26th Street as its eastern border, and the Hudson River to the west.1 MCD4 borders Greenwich Village, the Flatiron District, the Upper West Side, and the Midtown central business district. MCD4 is diverse in every way possible, from race and ethnicity to income to prevalent industries in the community, with the Garment District, Flower District, Theater District, and other neighborhoods represented here. With this immense diversity comes challenges to identifying and assessing community needs. For example, average household income in MCD4 is approximately $100,000, but this number masks over 14,000 families with average incomes under $35,000.2 To build a deep understanding of the community’s needs, this assessment includes a wide range of data and posits additional areas of exploration to build a nuanced understanding of MCD4. Research Questions and Methodology This needs assessment is rooted in three key questions: ● What vulnerable populations are there in MCD4? ● What gaps in service do stakeholders perceive in the district? -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking “x” in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter “N/A” for “not applicable.” For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property historic name South Village Historic District other names/site number N/A 2. Location street & number Bedford St., Bleecker St., Broome St., Carmine St., Clarkson St., Cornelia St., Downing St., Grand St., Jones St., LaGuardia Pl., Leroy St., MacDougal St., Minetta Ln., Morton St., Prince St., St. Luke’s Pl., Seventh Ave, Sixth Ave., Spring St., Sullivan St., Thompson St., Varick St., Washington Sq. So., Watts St., West 3rd St, West 4th St., W. Houston St. [ ] not for publication city or town Manhattan [ ] vicinity state New York code NY county New York code 061 zip code 10012 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this [X] nomination [ ] request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements as set forth in 36 CFR Part 60. -
Historic Context Statement for LGBT History in New York City
Historic Context Statement for LGBT History in New York City PREPARED FOR MAY 2018 Historic Context Statement for LGBT History in New York City PREPARED BY The NYC LGBT Historic Sites Project: Jay Shockley, Amanda Davis, Ken Lustbader, and Andrew Dolkart EDITED BY Kathleen Howe and Kathleen LaFrank of the New York State Office of Parks, Recreation, and Historic Preservation PREPARED FOR The National Park Service and the New York State Office of Parks, Recreation, and Historic Preservation Cover Image: Participants gather at the starting point of the first NYC Pride March (originally known as Christopher Street Gay Liberation Day) on Washington Place between Sheridan Square and Sixth Avenue, June 28, 1970. Photo by Leonard Fink. Courtesy of the LGBT Community Center National History Archive. Table of Contents 05 Chapter 1: Introduction 06 LGBT Context Statement 09 Diversity of the LGBT Community 09 Methodology 13 Period of Study 16 Chapter 2: LGBT History 17 Theme 1: New Amsterdam and New York City in the 17th and 18th Centuries 20 Theme 2: Emergence of an LGBT Subculture in New York City (1840s to World War I) 26 Theme 3: Development of Lesbian and Gay Greenwich Village and Harlem Between the Wars (1918 to 1945) 35 Theme 4: Policing, Harassment, and Social Control (1840s to 1974) 39 Theme 5: Privacy in Public: Cruising Spots, Bathhouses, and Other Sexual Meeting Places (1840s to 2000) 43 Theme 6: The Early Fight for LGBT Equality (1930s to 1974) 57 Theme 7: LGBT Communities: Action, Support, Education, and Awareness (1974 to 2000) 65 Theme