Lawrence Today, Volume 81, Number 2, Winter 2000 Lawrence University

Total Page:16

File Type:pdf, Size:1020Kb

Lawrence Today, Volume 81, Number 2, Winter 2000 Lawrence University Lawrence University Lux Alumni Magazines Communications Winter 2000 Lawrence Today, Volume 81, Number 2, Winter 2000 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/alumni_magazines Part of the Liberal Studies Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Lawrence Today, Volume 81, Number 2, Winter 2000" (2000). Alumni Magazines. Book 17. http://lux.lawrence.edu/alumni_magazines/17 This Book is brought to you for free and open access by the Communications at Lux. It has been accepted for inclusion in Alumni Magazines by an authorized administrator of Lux. For more information, please contact [email protected]. n T 0 D A y Winter 2000 The Magazine of Lawrence 'Gnivcrsity Vol. 81, No. 2 President's Report 1999-2000 Lawrence f()l)A): Gordon E. Brown 920-832-6593 gordon.c. brown(a!lawrcncc.cdu Marsha Tuch~chl·rer Steven Blodgett Rtck Peterson Address correspondence to: i.AII'Tt'IW! 'fi1cfay La ...vrence University P.O. Box 599 Appleton. WI 54912-0599 920-832-6586 fax: 920-832-6783 Office of Alumni Rclatiom (address as above) 920-832-6549 Fax: 920 832·6784 Alumni@Jawrence .edu http:/ /www.lawrence.cdu Special thank~ to Image Studios for provtding photograph} for tim i~~uc and to Fox Rtver Paper Company for conrnbutmg the ~rock on which it ts printed. LAII'TI!IICI! 'J'odcty (U~P\ 0 12-683) is published quarterl} 10 March, June, September, and December by Lawrence Univemty, Office of Publtc Affam, Appleton, Wt\COn~m 54911. Penod1cal postage patd at Appleton, Wiscomin, and addmonal mailing offices. POSI MAS1l:.R: Send address changes to LAwrl'llCI' Today, Lawrence University, 115 South Drew Street, Appleton, WI 5491 1-5798. Articles arc expressly the opinions of the authors and do not nl·ccssarily represent official uruverstty poltcy. We reserve the right to edtt correspondence for length and accuracy I a"' renee Untversity promoce~ equal opportunity for all. Winter 2000 Vol. 81 No. 2 Contents 2 President' s Message "The Campus Business" Richard Warch, President 9 Financial Report William Hodgkiss, Vice-President for Business Affairs and Administration 13 Development Report Gregory A. Volk, Vice-President for Development and Extemal Affairs 16 Faculty Creative and Scholarly Achievements 34 Highlights of the Year On the cover From its "topping out" ceremony in August 1999 (page 34) to its dedication in October 2000, Lawrence's newest building, Science Hall, under construction south of Main Hall, was a prominent feature of 1999-2000 at the college. Photo by Image Studios. President's Message The • us1ness am pleased to have this opportunity to share with you my president's report for 2000. Earlier versions of this n1essage were delivered at the Reunion and Matricula­ tion Convocations this past June and Septen1ber, but given what I take to be the titneliness of the topic, I would like to offer this iteration to the wider Lawrence fan1ily. As I trust you know, Lawrence enjoyed many accotnplish­ tnents in the past year and into this one - a number of which are featured in other parts of this issue of Lawrence Today - including the completion, opening, and dedication of Science Hall. Richard Warch, 14th president of Lawrence Univemty. t'i summer plans and director of the Ytsttmg f.1culty program at a member of the executive committee of the Annapolts Yale. A graduate ofWilliams College, J>remient Warch holds Group, an a-;sociation of America's finest liberal arts college\. the B.Div. from the Yale Divinity School (having studied I le became president of Lawrence Univer-;ity in 1979, .tfter also at the University ofEdinburgh), and the Ph.D. in Amer­ serving the college for two years as vice-president for academic ican studies from Yale University. Co-edttor of the volume affitir-; and professor of history. Named one of the top 100 jol111 BrofiJI1 in the Great Lives Observed Series and author of college presidents in a national study of effective presidents, Srhool (~{the Prophets: Yale College 1701-1740, he has written his 21-ycar tenure is the second longest Lawrence presi­ widely on topics in American rcligiom history, liberal edu­ dency, exceeded only by that of Samuel Plantz, president cation, and history; served as a consultant (()r colleges and from 1894 to 1924. Prior to coming to Lawrence, he was an universities, public schools, and the National Endowment for assoctatc professor of history and American studies at Yale the Humanities; and chaired a Wisconsin Governor's Task Universtty. associate dean of Yale College, and din:ctor of ForcL' on Student Debt. 2 lflillll'r 2000 Richard Warch Lawmzce Today 3 That facility is the latest in a series of investments the college ROMS, online courses, distance learning, the whole kit and has made in its acadenuc infrastructure, and we are follow­ caboodJe of digital innovations and enhancements are not ing the constmction of this state-of-the-art science facility things we can ignore. And we haven't. We've got fiber optics with the renovation of Y oungchild H all, which should be connecting the campus, e-mail accounts for everybody, con­ completed next sununer. nections to the Internet galore, and a campus website, and we Together, the two buiJdings- which are connected by a are in the process of installing a new administrative infonna­ three-story atrium- wiiJ provide a first-rate complex for our tion system, and more. programs in the natural sciences. In addition, we have under­ Information technology is a growing presence in the aca­ taken extensive renovations of Main Hall, including the instal­ denuc program; two years ago we established the position of lation of a humanities computing laboratory, and work also director of instructional technology in order to provide greater continues on restoration of the Chapel. coherence and impetus for this important aspect of teaching That recitation provides an apt segue to the topic of this and learning at Lawrence. Last j une, Dean of the Faculty Brian report. Several months ago, Arthur Levine, president of Rosenberg was one of 125 academic leaders who met at Mid­ Teacher's College in New York, wrote an op-ed piece in The dJebury College at a Summit on Technology in Liberal Arts Ne111 York Times titled "The Soul of a New University.'' His Colleges to deliberate on questions of future developments and basic point, one that I, for one, find excessively fanlliiar if not colJabora.tions in this arena. Here at home, members of the fitc­ fi·iendly, is that "the rise of online education and other new ulty have created web pages for courses in mathematics, gov­ technologies has enonnous implications" for higher education, ernment, English, and psychology. They h.:we developed few of them encouraging. Levine spoke with what he styled online exercises in French, biology, philosophy, and computer the "new breed" of students and asked them 'what relationship science. Nearly every department utilizes instntetional tech­ they wanted witl1 their colleges. They professed to want the nology in some way, from classics using the Perseus Project to relationship to be like the one they have '\vith a utility com­ explore the ancient world, to theatre using computer-assisted pany, supennarket, or bank; they wanted convenience, service, design (CAD) programs to design sets. If you log on to the quality, and affordability. Lawrence website, you can see underwater photographs from Levine goes on to bolster his argument with this illustra­ our Marine Biology Term, read hist01ical legal cases, quiz tion. "It is possible right now for a professor to give a lecture yourself in French, improve your knowledge of logic, visual­ in Cairo, for me to attend that lecture [in New York], and for ize algorithms, and listen to Freshman Studies lectures. another student to attend it in Tokyo. It is possible for all of Students, of course, are the prime users of these many us to feel we're sitting in the same classroom. It is possible for resources. They create web sites for term projects and use me to nudge (via e-mail) the student from Tokyo and say 'I PowerPoint for in-class presentations. Students in the conser­ missed the professor's last comment. What was it?'; have my vatory use computers for a variety of purposes, which include question translated into Japanese; and have the answer back in composing and arranging music, utilizing sequencing and English in seconds. It is possible for the professor to point to notation programs, and learning the techniques of basic film me and my Japanese colleague and say '1 want you to prepare scoting and multi-media production, as well as digital audio a project for next week's class.' If we can do all that, why do recording, editing, and mastering. Undergraduates make use of we need the physical place called the college?" resources on the Web to conduct research - and faculty have Let's leave aside the obvious rut-picking problem of hav­ access to a nifty service called plagiatism.com to be sure their ing Levine communicate in English to a student in Japan who students are respecting the Honor Code when they cite web­ needs the question translated into Japanese. What language do based sources in their papers. We have access, through the we suppose the professor in Cairo is using? The more signifi­ library, to more than 1 ,500 electronic books, more than 200 cant question is Levine's last: "Why do we need the physical electronic journals, and over 100 online databases, many in place called the college?" Later in his essay, he puts it this way: full-text.
Recommended publications
  • 'Three Strike' Program Not Official by Kara Rosman This "New Alcohol Policy" Is Not Official
    Local bar provides jazz scene Victory boosts Pac-10 confidence In playjpage 5 sports/pap 7, Vol. 107 No.5 A Student Publication of Washington State University since 1895 Thursday, August 31, 2000 'Three strike' program not official By Kara Rosman This "new alcohol policy" is not official. tion to many other leadership confer­ dents, agreed there is no official policy, ASWSU President Steve Wymer said ences on campus earlier this month. rather a set of guidelines WSU adminis­ It was a message that spread almost the rumor of a three-strike policy is sim­ Nowak said he was sending the mes­ tration has been working on since last as quickly as the news of WSU "drying ply not true. sage of a program Student Affairs plans year. up" four years ago. ''It's not a policy, and it shouldn't be to initiate. "We have been working on a compre­ Rumors of a new "Three Strikes, treated as such," Wymer said. "My only role is in trying to communi­ hensive, pro-active approach that You're Out" policy flew through the ears The rumored program includes tenni­ cate what I was told to residence hall and includes a series of increasing interven­ of almost every student, making many nating students who receive three crimi­ Greek students," Nowak said. tions," Bettas said. either worry or laugh. nal offenses, such as a minor in posses­ The "policy" is one of many ideas The guidelines include sending first­ "If you're dumb enough to get three sion or driving under the influence.
    [Show full text]
  • Steven Heffner, Bassist 2 Andover Rd
    Steven Heffner, Bassist 2 Andover Rd. Apt B3 | Athens, OH 45701 | (509) 521-0520 [email protected] and stevenheffner.com Personal Summary I am an educator and performer with experience in arranging and composing. Versatility is key to my success and it is paramount to my philosophy of education. Through emphasizing collaboration with other disciplines, promoting musical entrepreneurship, and encouraging multi-genre musical experiences, I give my students the best possible preparation for their musical goals. As an artist, I work to provide examples of transcendent musical moments to captivate and inspire the motivations of my students as well as to fulfill my own artistic aims. Education 2009 Master of Arts in Jazz Pedagogy Thesis: Approaching the Bass: A Book for Students and Teachers Eastern Washington University in Cheney, WA 2006 Bachelor of Music in Instrumental Performance: Bass (summa cum laude) Eastern Washington University in Cheney, WA 2003 Columbia Basin College in Pasco, WA Associate of Arts and Sciences Professional Teaching Experience 2015-present Adjunct Instructor, West Virginia Wesleyan College Applied Bass Instruction Teach applied jazz and classical bass to music majors Evaluate juries, recitals, and general progress Studio Classes Present weekly sessions on listening, peer performance, and group playing experiences String Methods Instruct music education majors on fundamental techniques for the violin family including methods for instructing young students and beginning string programs 2013-present Adjunct Instructor,
    [Show full text]
  • The Integration of Improvisation Into Through-Composed Music
    Different Every Time: The Integration of Improvisation into Through-Composed Music. ANALYTICAL NOTES (volume 1) Paul Cutlan A portfolio of compositions submitted in Partial fulfilment of requirements for the degree of Master of Music (Composition) Conservatorium of Music University of Sydney 2012 ii STATEMENT OF ORIGINALITY: I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed:……………………………………………………………… Date:………………………………………………………………….. iii ABSTRACT: The aim of this research project has been to write a portfolio of compositions which integrate improvisation with through-composed contemporary classical techniques. The intended result is that the improvised elements aid the development and outcome of the musical argument and help contribute to the architectural structure of each piece in performance. The stylistic elements and structure of the compositions should embrace the aesthetics of improvisation in a way that promotes both coherence and flexibility. Although the written score is an important document of the composer’s intentions, equal importance is placed on the process of creative realisation. It is in performance that the benefits of improvisation can be evaluated in each piece. These will include elements of spontaneity, a heightened sense of engagement of both performers and audience, and unpredictable outcomes. Above all, the integration of improvisation into the compositions will lead to each performance being a unique experience. iv Acknowledgements: I would like to thank my supervisor Dr. Trevor Pearce at the Sydney Conservatorium of Music for his guidance and patience, and for nourishing the sense of creative curiosity in me.
    [Show full text]
  • L'aan a DAILY All Law-Flaunting Criminals Vol
    WEDNESDAY Commentary: We are l'aAN a DAILY all law-flaunting criminals Vol. I 00, NO. 14 Published for San Jose State University since 1934 WednesIty, February 16,1993 High-tech learning to save money BY PAUL WOTEL Spartan Daily Staff Writer While the state's budget wreaks havoc on the CSU sys- tem, faculty and administrators are seeking new solutions to current teaching problems. Project DELTA (Digital Electronic Learning Teaching Alternative) is a plan to meet the CSU's enrollment, facul- ty, budget and deficit concerns, said John Eaird, director of the Institute for Teaching and Learning. Still in the planning phase, the project may entail inter- active software programs implemented in large classrooms or to reach students in remote locations, he said. "You need to have interaction (between students and teachers). I see computers playing a key role but not over- taking the role of the instructor," Eaird said. He attended a conference of faculty members to discuss the project and goals and sample its software programs. Eaird said the programs were very exciting. "We have a real opportunity to explore new technology:' he said. "But learning has to be the key, not efficiency." Some students like the flexibility of not having to sit in a classroom so they can go back and cover things that might have given them trouble, Eaird said. "I think we gave them a lot of feedback" at the confer- PHOTOGRAPHS BY JENIF ER LAPOLLA SPARTAN DAILY ence, Eaird said. Unfortunately, some people in Sacramen- Tina Miller, an occupational therapy senior, works with a patient dur- ers to improve his motor functions.
    [Show full text]
  • Vers Une Symbiose De La Composition Et De L'improvisation Dans Cinq
    Université de Montréal Vers une symbiose de la composition et de l’improvisation dans cinq œuvres de musique de concert par Jérôme Blais Faculté de musique Thèse présentée à la Faculté des études supérieures en vue de l’obtention du grade de Docteur en musique, option composition août 2003 © Jérôme Blais 2003 Université de Montréal Faculté des études supérieures Cette thèse intitulée : Vers une symbiose de la composition et de l’improvisation dans cinq œuvres de musique de concert présentée par : Jérôme Blais a été évaluée par un jury composé des personnes suivantes : Thèse acceptée le : …………………………… iv RÉSUMÉ La composition et l'improvisation représentent deux pratiques musicales considérées comme indissociables dans la plupart des musiques, et ce, depuis toujours. Cependant, à partir de la seconde moitié du XVIIIème siècle, l'improvisation joue un rôle de plus en plus discret dans la musique de concert occidentale, jusqu'à en être totalement exclue de 1800 à 1950. Ce n'est qu'après la Seconde Guerre mondiale que de nombreux compositeurs occidentaux cherchent à réintroduire une certaine forme de spontanéité dans leurs oeuvres écrites, principalement par le biais de la musique dite aléatoire. Malgré ces démarches, composition et improvisation n'en demeurent pas moins perçues, dans la musique « sérieuse » d'aujourd'hui, comme deux façons bien distinctes de penser la musique. Ce doctorat propose donc, à travers cinq œuvres, un parcours menant à une réunification de ces deux pratiques. Je me suis inspiré, pour ce travail, des principaux courants historiques de l’improvisation, tels la musique baroque, le jazz ou les musiques de tradition orale, que j’ai intégrés dans un langage musical personnel et cohérent.
    [Show full text]
  • Harold MABERN: Teo MACERO
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
    [Show full text]
  • CATALOG 1994-96 William Paterson College Does Not Discriminate on the Basis of Race, Color, Age, Sex, Religion, Creed, National Origin Or Handicap
    UNDERGRADUATE CATALOG 1994-96 William Paterson College does not discriminate on the basis of race, color, age, sex, religion, creed, national origin or handicap. College policies and practices are consistent with federal and state laws pertaining to equal oportunity in admission and education policies, scholarship, loan, athletic and other school·administered programs. Specifically, William Paterson College complies with Title IX of the Education Amendments of 1972, Section 504 of the Vocational RehabilitationAct of 1973 ,Title VI of the Civil RightsAct of 1964 and their respective implementing regulations. The College reserves the right to make changes in its academic program, courses, schedules, fees or calendar. With respect to such changes, students have a continuo ing right to pursue programs in the form that appied at the time of their matriculation or to choose program changes that occur subsequently. For additional information and applications, write or call: Office ofAdmissions William Paterson College Wayne, New Jersey 07470 (201)595-2125 Dear Student, Every William Paterson College student is provided an Undergraduate Catalog upon enrollment. This is the only copy of the current catalog you will automatically receive during your studies at the College. Should your copy become damaged, or should you misplace it, you may purchase a new copy at the WPC Bookstore, located in the Student Center. Always remember to bring your catalog to registration. Best wishes for success, Office of Admissions General Information .................................. 7 School of the Arts and Communication ................................... 43 School of Education ................................ 70 School of Humanities, Management and Social Sciences .............................. 80 School of Science and Health ................ 135 Directories ... ......................... ................ 179 Maps .....................................................
    [Show full text]
  • April 2010.Pmd
    File Photo New-Trad Octet mixes brass bands and jazz Singer Angela Hagenbach will front a ○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○○○○○○○○○ KC sextet June 15 in Lincoln. ○○○○○○○○○○○○○○○○○○○○○○ LINCOLN, Neb.—More than 30 Courtesy Photo April 2010 years have passed since jazz saxophon- Vol. 15, Number 2 ist Jeff Newell left Nebraska for more fruitful career opportunities—first in Chicago, then in New York City—but he has never forgotten the places and In this issue people who so influenced his formative Five concerts in Jazz in June....................3 years in the Cornhusker State. Clawfoot House brings arts to hood.....4 He soon will return to Lincoln for Jeff Newell brings his New-Trad Octet the first time in four years, leading his to Lincoln for June 22 performance. King Sunny Ade set to rock Lincoln......6 New-Trad Octet for a June 22 perfor- Tomfoolery: Heading to festivals........7 mance at this year’s Jazz in June se- classic Jazz Orchestra, and even toured Mary Pipher pays tribute to Jarvis.........8 ries. In addition to Newell’s alto sax, Europe with the big band. In addition to ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ the octet also features trumpet, bass the 2006 concert, he returned as guest Jane Jarvis leaves legacy of music........9 trumpet, tuba, keyboards, bass and soloist in 1991 and 1994. Essay on “Invisible Man”....................10 drums, a modern brass band lineup that The New-Trad Octet has never 2nd Berman Ping Pong tourney...........11 should be perfect for the outdoor venue, made the trip to Nebraska, though Matt Wilson Quartet review.................12 a grassy sculpture garden just west of Newell formed the group some 16 years Sheldon Museum of Art on the Univer- ago as a vehicle for his arranging skills.
    [Show full text]
  • Milt Jackson from Wikipedia, the Free Encyclopedia
    Milt Jackson From Wikipedia, the free encyclopedia Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually Milt Jackson thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post­bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the Milt Jackson, Village Jazz Lounge with the Bubba twelve­bar blues at slow tempos. He preferred to set the Kolb Trio, late 1970s. vibraphone's oscillator to a low 3.3 revolutions per Background information second (as opposed to Lionel Hampton's speed of 10 Birth name Milton Jackson revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally. Born January 1, 1923 Detroit, Michigan Died October 9, 1999 (aged 76) Contents Manhattan, New York Genres Hard bop, Afro­Cuban jazz, modal 1 Biography jazz, mainstream jazz, post­bop 2 Discography 2.1 With the Modern Jazz Quartet Occupation(s) Musician, soloist, composer, 2.2 As sideman bandleader 3 References Instruments Vibraphone, piano 4 External links Labels Impulse!, Atlantic, Prestige, Apple Associated acts John Coltrane, Ray Charles, Miles Biography Davis, Dizzy Gillespie, The Modern Jazz Quartet, Thelonious Jackson was born on January 1, 1923 in Detroit, Monk, Wes Montgomery Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style.
    [Show full text]
  • T H E R E H E a R S a L S T U D I O a P L a C E T O E X E R C I S E I D E a S B E F O R E W R I T I N G a B O U T T H E M W I T H G R E a T E R D I S C I P L I N E
    2/12/2020 The Rehearsal Studio: Work-in-Progress Needs More Work More [email protected] Dashboard Sign Out T H E R E H E A R S A L S T U D I O A P L A C E T O E X E R C I S E I D E A S B E F O R E W R I T I N G A B O U T T H E M W I T H G R E A T E R D I S C I P L I N E . S U N D A Y , F E B R U A R Y 2 , 2 0 2 0 S T E P H E N S M O L I A R Work-in-Progress Needs More Work Last night at the Taube Atrium Theater, West Edge Opera presented its latest annual installment of Snapshot. This program serves as a showcase for operatic works-in-progress, presenting excerpts (“snapshots”) that will hopefully serve as a preview of the finished product. The music is performed by the Earplay new music ensemble, and the vocalists sing from music stands with little suggestion of staging. Each of the excerpts is introduced by a “talking heads” video in which both composer and librettist discuss the ideas leading up to the sample about to be performed. The author's construction of his By way of a disclaimer, I should observe that this is the third Snapshot reality of self! I have attended; and I have come to feel increasingly disenchanted with the whole endeavor.
    [Show full text]
  • 2017 Program
    COLUMBIA BASIN COLLEGE music department presents 2017 jazz unlimited Festival and COMPETITION This event involves approximately 4,200 student performers from groups around the northwest including high school concert bands, middle, junior, and high school jazz bands, concert choirs and jazz choirs. We have schools competing from Washington, Oregon, and Idaho. The festival also features clinics, special guests, and concerts. Friday Saturday Friday Saturday April 14 April 15 April 21 April 22 Concert Bands Jazz Bands Concert Choirs Jazz Choirs These all-day events will be held on the Pasco campus between the Gjerde Center, Theatre and HUB. YOUR LOCAL MUSIC STORE April 14, 15, 20, 21, 22 FAMILY OWNED SINCE 1931 CBC’s Dave Cazier, Collin Wilson, Russ Newbury, Bill McKay, & Maria Allan have put in a full-year of work in bringing together . 4,200 high school musicians 31 concert bands 56 jazz bands 35 concert choirs 27 jazz choirs Bill McKay SALES // LESSONS // RENTALS // REPAIRS Welcome to Jazz Unlimited 2017! We are honored to have you on our campus for two weekends of competitions, clinics, and concerts. The Department of Music at CBC strives to make Jazz Unlimited an educational experience that provides inspiration as well as the opportunity to Music makes life better. meet fellow musicians. The level of performance continues to grow and astound all of us each year. I hope you all take That’s what motivates us every day. With quality the opportunity to attend as many performances as you can during your stay with us. It is also my pleasure to wel- instrument rentals, expert repair, private lessons come to our campus Paquito D’ Rivera, who will be ap- pearing with the Columbia Basin Jazz Orchestra.
    [Show full text]
  • Vocal Jazz Transcription Night June 7, 2019
    On the website ‘Bill Plake Music: Clearer Thinking for Better Performance,’ there is a great explanation for why we transcribe. I’ve copied it below so that, as an auDience member, you might unDerstanD what we are trying to accomplish with the work that leD to this evening’s program. In the study of jazz (as well as many other improvisational music disciplines) transcription of improvised solos is standard practice. Jazz is often described as being a “language”, and one of the best ways to learn this language is through listening and transcribing. There are various skills you develop from transcribing solos. Many teachers of improvisation have their students transcribe solos to learn this so-called jazz language, as well as to give them a chance to build a vocabulary of useful “licks” that can be practiced in all 12 keys and applied to chord changes, tunes, etc. … It’s also a great way to improve technique, as you most likely will be confronted with sequences of notes that just don’t fit easily into what you’re used to playing. And, of course, it’s a great lesson in jazz harmony as you analyze what the soloist has played. But I think the most valuable skill you gain when you transcribe a solo (and the number one reason why you should do it) is that you learn how to listen in a Deep way. Deep listening. You see, when you transcribe an improvised solo, you’re listening to more than just the pitches being played. You’re listening to tone color, attack, dynamics, articulation, tempo/rhythmic play and more, as it unfolds in the real time environment of the recording.
    [Show full text]