2012 Spring LEH300-LEH301 Description of Sections - Alphabetical by Instructor
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Literaturelk the DECADENTS
Literaturelk Around the World THE DECADENTS France. At the end of the 19th century a group of French poets, including Rimbaud, Verlaine and Mallarmé, formed a movement and called themselveb 'Les Décadents'. They aspired to set literature and art free from the materialistic preoccupations of industrialised society.They saw art as the highest expression of the human spirit, stating that art and life are strictly linked. These poets rejected the traditional values of society choosing instead an immoral and irregular lifestyle, free of any conventions or rules. England. Oscar Wilde (1854-1900), the decadent, anti-conformist and dandy, who introduced himself to America with the famous phrase 'I have nothing to declare except my genius', is often linked to his French predecessors, however, he did not isolate V Gabriele D'Annunzio himself from the world, but instead craved popularity and fame. The epitome of the reading in his dandy is the protagonist of his novel The Picture of Dorían Gray (even if he is represented `Vittoriale degli italiani', the negatively). monumental citadel created by Italy. 'Decadentismo' is an Italian artistic movement influenced by the French and the Italian writer between 1921 and British Decadent Movement.Although differing in their approaches, like the other two 1938 in Gardone movements, it championed the irrational and the idiosyncratic against the advancing Riviera, on the tide of scientific rationalism and mass culture at the turn of the 20th century. Brescian Riverside of Lake Garda. Gabriele D'Annunzio (1863-1938) is generally considered the main representative of the Italian Decadentismo. He played a prominent role in Italian literature from 1889 to 1910 and after that in political life from 1914 to 1924. -
Objection Résolution Di ECR “Lead Gunshot in Or Around Wetlands”- Risultati Votazione Per Appello Nominale
Objection Résolution di ECR “Lead gunshot in or around Wetlands”- Risultati votazione per appello nominale Favorevoli 292 + ECR Aguilar, Sergio Berlato (FRATELLI D’ITALIA- Intergruppo Caccia), Buxadé Villalba, de la Pisa Carrión, Dzhambazki, Eppink, Carlo Fidanza (FRATELLI D’ITALIA- Intergruppo Caccia ) , Pietro Fiocchi (FRATELLI D’ITALIA- Intergruppo Caccia ) , Raffaele Fitto (FRATELLI D’ITALIA - Intergruppo Caccia ) , Geuking, Kempa, Lundgren, Nicola Procaccini (FRATELLI D’ITALIA- Intergruppo Caccia ) , Rooken, Roos, Ruissen, Slabakov, Raffaele Stancanelli (FRATELLI D’ITALIA- Intergruppo Caccia ) Stegrud, Terheş, Tertsch, Tomaševski, Tomašić, Tošenovský, Vondra, Vrecionová, Weimers, Zahradil GUE/NGL: Konečná, MacManus ID: Matteo Adinolfi (LEGA- Intergruppo Caccia) , Anderson, Androuët, Annemans, Simona Baldassarre (LEGA), Bardella , Alessandra Basso (LEGA), Bay, Beck, Berg, Bilde, Mara Bizzotto (LEGA- Intergruppo Caccia ) , Blaško, Anna Cinzia Bonfrisco (LEGA), Paolo Borchia (LEGA), Buchheit, Marco Campomenosi, (LEGA- Intergruppo Caccia ), Massimo Casanova (LEGA- Intergruppo Caccia ) ; Susanna Ceccardi (LEGA- Intergruppo Caccia ) , Angelo Ciocca (LEGA), Collard, Rosanna Conte (LEGA- Intergruppo Caccia) , Gianantonio Da Re, (LEGA- Intergruppo Caccia ) David, De Man, Francesca Donato (LEGA- Intergruppo Caccia ), Marco Dreosto (LEGA- Intergruppo Caccia ), Fest, Gianna Gancia (LEGA), Garraud, Grant, Griset, Haider, Hakkarainen, Huhtasaari, Jalkh, Jamet, Juvin, Krah, Kuhs, Lacapelle, Oscar Lancini (LEGA- Intergruppo Caccia ), Laporte, Lebreton, -
The Hidden Cost of September 11 Liz Fekete
Racism: the hidden cost of September 11 Liz Fekete Racism: the hidden cost of September 11 Liz Fekete A special issue of the European Race Bulletin Globalisation has set up a monolithic economic system; September 11 threatens to engender a monolithic political culture. Together, they spell the end of civil society. – A. Sivanandan, Director, Institute of Race Relations Institute of Race Relations 2-6 Leeke Street, London WC1X 9HS Tel: 020 7837 0041 Fax: 020 7278 0623 Web: www.irr.org.uk Email: [email protected] Liz Fekete is head of European research at the Insitute of Race Relations where she edits the European Race Bulletin. It is published quarterly and available on subscription from the IRR (£10 for individuals, £25 for institutions). •••••• This report was compiled with the help of Saba Bahar, Jenny Bourne, Norberto Laguia Casaus, Barry Croft, Rhona Desmond, Imogen Forster, Haifa Hammami, Lotta Holmberg, Vincent Homolka, Mieke Hoppe, Fida Jeries, Simon Katzenellenbogen, Virginia MacFadyen, Nitole Rahman, Hazel Waters, and Chris Woodall. Special thanks to Tony Bunyan, Frances Webber and Statewatch. © Institute of Race Relations 2002 ISBN 085001 0632 Cover Image by David Drew Designed by Harmit Athwal Printed by Russell Press Ltd European Race Bulletin No. 40 Contents Introduction 1 1. The EU approach to combating terrorism 2 2. Removing refugee protection 6 3. Racism and the security state 10 4. Popular racism: one culture, one civilisation 16 References 22 European Race Bulletin No. 40 Introduction ollowing the events of September 11, it became commonplace to say that the world would Fnever be the same again. -
Download Between the Lines 2017
the LINES Vanderbilt University, 2016–17 RESEARCH and from the LEARNING UNIVERSITY LIBRARIAN Places and Spaces International exhibit unites students, faculty and staff in celebrating mapping technology Dear colleagues and friends, ast spring, the Vanderbilt Heard Libraries hosted Places & Spaces: Mapping Science, It is my pleasure to share with you Between the Lines, a publication of an international exhibition the Jean and Alexander Heard Libraries. In words, numbers and images, celebrating the use of data we offer a glimpse into the many ways our libraries support and enhance Lvisualizations to make sense of large MAPPING SCIENCE teaching, learning and research at Vanderbilt. Between the Lines will data streams in groundbreaking ways. introduce you to the remarkable things happening in the libraries and The campuswide exhibit proved to be perhaps even challenge your perception of the roles of libraries and intellectually enriching and socially unifying, according to campus leaders. librarians. We are grateful to the many donors and friends who made “The Places & Spaces: Mapping Science much of this work possible. exhibit brought together students, faculty and staff to celebrate technological The past academic year has been one of change for Vanderbilt’s Heard advances in data visualization that Libraries with new faces, new library services, new spaces and new facilitate our understanding of the world I programs. It has also been a year of continuity as we build collections, around us,” says Cynthia J. Cyrus, vice make resources accessible and provide contemplative and collaborative provost for learning and residential affairs. “From the disciplines of science and Ptolemy’s Cosmo- spaces for research and study. -
WRAP THESIS Robbins 1996.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36344 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Decadence and Sexual Politics in Three Fin-de-Siècle Writers: Oscar Wilde, Arthur Symons and Vernon Lee Catherine Ruth Robbins Submitted for the Degree of Doctor of Philosophy University of Warwick Department of English and Comparative Literature November, 1996 Contents Summary Introduction 1 Chapter One: Traditions of Nineteenth-Century Criticism 17 Chapter Two: Towards a Definition of Decadence 36 Chapter Three: 'Style, not sincerity': Wilde's Early Poems 69 Chapter Four: The Sphinx and The Ballad: Learning the Poetics of Restraint 105 Chapter Five: Arthur Symons — The Decadent Critic as Artist 137 Chapter Six: A Poetics of Decadence: Arthur Symons's bays and Nights and Silhouettes 165 Chapter Seven: 'Telling the Dancer from the Dance': Arthur Symon's London Nights 185 Chapter Eight: Vemon Lee: Decadent Woman? 211 Afterword: 'And upon this body we may press our lips' 240 Bibliography of Works Quoted and Consulted 244 List of Illustrations, bound between pages 136 and 137 Figure 1: 'The Sterner Sex', Punch, 26 November, 1891 Figure 2: 'Our Decadents', Punch, 7 July, 1894 Figure 3: 'Our Decadents', Punch, 27 October, 1894 Figure 4: Edward Bume-Jones, Pygmalion and the Image (1878), nos 1-3 Figure 5: Edward Bume-Jones, Pygmalion and the Image (1878), no. -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
Italy Failed the Test | International Affairs at LSE
6/19/2017 Italy Failed the Test | International Affairs at LSE Mar 7 2013 Italy Failed the Test LSE IDEAS By Dr. Giulia Bentivoglio, Visiting Fellow at LSE IDEAS. The Italian elections of 2425 February 2013, gave Italians their first chance to vote after the illfated experiment of Mario Monti’s “technocratic government”. These elections were a test in many senses: they were a test for the parties involved to show signs of actual change and detachment from a political system that urgently needed to be cleaned up. They were a test of credibility for the country as a whole, to indicate to its European partners that it was able to achieve the political stability essential to Italy’s economic recovery. Finally, the elections were a test on the Eurozone and the feasibility of continuing austerity. A low electoral turnout (75%) and a widespread protest vote as a reaction to austerity measures resulted in political gridlock and a hung parliament. The Democratic Party (PD) polled the largest share of the vote but failed to gain majority in the Senate: as its leader Pier Luigi Bersani put it, “we did not win, although we came first”. The real winners were Beppe Grillo and Silvio Berlusconi. Grillo’s Five Stars Movement (M5S), formed just three years ago, became the largest party in the Chamber of Deputies, an unprecedented success achieved by a campaign boasting the prophetic name the “tsunami tour” which focused on the new social media and on a populist rhetoric. Berlusconi’s party (People of Freedom – PdL) lost 17% of its voters, but this was the best result possible from someone who seemed to be politically dead in December 2012. -
European Parliament Mid-Term Election: What Impact on Migration Policy?
www.epc.eu 16 March 2017 01/12/2009 European Parliament mid-term election: what impact on migration policy? Marco Funk As the dust settles from the European Parliament’s (EP) mid-term election held on 17 January 2017, migration continues to top the EU’s agenda. The election of Antonio Tajani to replace Martin Schulz as president of the EP brought the institution under the leadership of the European People’s Party (EPP) after a power-sharing agreement with the socialist S&D was cancelled and replaced by a last-minute deal with the liberal ALDE group. A closer look at Tajani’s election and associated reshuffle of key internal positions suggests little change in the EP’s course on migration in the short term. However, upcoming developments may significantly change Parliament dynamics in the longer term. New president, different style Antonio Tajani is considered by many to be a less political, less activist president compared to Martin Schulz. The former is also apparently less willing to insist on a prominent role for the EP than the latter. Furthermore, Tajani shares the same conservative political affiliation as the heads of the European Commission and European Council, which makes ideological confrontations with Jean-Claude Juncker and Donald Tusk even less likely than under Schulz, who had few disagreements with either. While Schulz already maintained good relations with Juncker and closely coordinated responses to the large influx of refugees in 2015/2016, Tajani is even better placed to cooperate effectively due to his previous Commission experience and ideological alignment. Despite Tajani’s association with Italy’s populist conservative leader Silvio Berlusconi, he has adopted a more mainstream conservative political identity, which ultimately won him the EPP’s support. -
How Can Emotions Be Incorporated Meaningfully Into Design Practice?
The following are general comments about the structure and content of an academic essay written for university – they are not prescriptive and intended as an educational guide only. How can emotions be incorporated meaningfully into design practice? Introduction My research question is "How can emotions be incorporated meaningfully into design practice?" Comment [u1]: Your design question needs to be in your introduction. This was refined from my original question at the presentation stage of "How does emotion play a role in Comment [u2]: Some background to the reason you chose this question. It may shaping aesthetics?" I chose to specify the relationship between emotions and design practice as this gave a be necessary to define your key terms at this stage. greater focus to the practical opportunities for meaningful agency in the emotional domain of design. As Comment [u3]: Any particular elements in your question that are important my initial question indicated, the scope of my research is largely centred in the concerns of aesthetics visual communication. Comment [u4]: The student is indicating the scope of the question. For advice on writing an introduction, go to: Emotions are a relatively unacknowledged aspect of design practice; both formal education and design http://www.uts.edu.au/currentstudents/su pport/helps/self-helpresources/academic- writing/essay-writing literature tend to align with modernist ideals of rationalism and scientific objectivity. Additionally, the Comment [u5]: This paragraph is domain of aesthetics tends to be considered mere "decoration" or "prettying up". This research intends largely about why your question is important - its relevance and significance. -
{Dоwnlоаd/Rеаd PDF Bооk} Decadent
DECADENT PDF, EPUB, EBOOK Shayla Black | 341 pages | 22 Jul 2011 | Penguin Putnam Inc | 9780425217214 | English | New York, United States Decadent PDF Book Finally, the third period, which can be seen as a postlude to Decadentism, is marked by the voices of Italo Svevo , Luigi Pirandello and the Crepusculars. Dictionary Entries near decadent decade-long decadence decadency decadent decadentism decades-long decadic See More Nearby Entries. Manchester University Press ND. Schools of poetry. Ortega y Gasset: an outline of his philosophy. Decadence, on the other hand, sees no path to higher truth in words and images. In Italian art and literature critic Mario Praz completed a broad study of morbid and erotic literature, translated and published in English as The Romantic Agony Translated by Bradford Cook. Did you know He has been lauded to his dedication to this cause throughout his career, but it has been suggested that, while he lived as a decadent and heralded their work, his own work was more frustrated, hopeless, and empty of the pleasure that had attracted him to the movement in the first place. Do You Know This Word? From the Decadent movement he learned the basic idea of a dandy , and his work is almost entirely focused on developing a philosophy in which the Dandy is the consummate human, surrounded by riches and elegance, theoretically above society, just as doomed to death and despair as they. Similar to Lenin's use of it, left communists, coming from the Communist International themselves started in fact with a theory of decadence in the first place, yet the communist left sees the theory of decadence at the heart of Marx's method as well, expressed in famous works such as The Communist Manifesto , Grundrisse , Das Kapital but most significantly in Preface to the Critique of Political Economy. -
How Can Emotions Be Incorporated Meaningfully Into Design Practice?
The following are general comments about the structure and content of an academic essay written for university – they are not prescriptive and intended as an educational guide only. How can emotions be incorporated meaningfully into design practice? Introduction My research question is "How can emotions be incorporated meaningfully into design practice?" Commented [u1]: Your design question needs to be in your introduction. This was refined from my original question at the presentation stage of "How does emotion play a role in Commented [u2]: Some background to the reason you chose this question. It may be necessary to define your key terms at this shaping aesthetics?" I chose to specify the relationship between emotions and design practice as this gave a stage. Commented [u3]: Any particular elements in your question that greater focus to the practical opportunities for meaningful agency in the emotional domain of design. As are important my initial question indicated, the scope of my research is largely centred in the concerns of aesthetics visual communication. Commented [u4]: The student is indicating the scope of the question. For advice on writing an introduction, go to: http://www.uts.edu.au/currentstudents/support/helps/self- Emotions are a relatively unacknowledged aspect of design practice; both formal education and design helpresources/academic-writing/essay-writing literature tend to align with modernist ideals of rationalism and scientific objectivity. Additionally, the Commented [u5]: This paragraph is largely about why your question is important - its relevance and significance. Here, the domain of aesthetics tends to be considered mere "decoration" or "prettying up". This research intends student is identifying it as a gap in the literature. -
INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks ISSN: 2515-0073 Date of Acceptance: 1 June 2018 Date of Publication: 21 June 2018 Citation: Rita Dirks, ‘Hierophants of Decadence: Bliss Carman and Arthur Symons’, Volupté: Interdisciplinary Journal of Decadence Studies, 1 (2018), 35-55. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks Ambrose University Canada has never produced a major man of letters whose work gave a violent shock to the sensibilities of Puritans. There was some worry about Carman, who had certain qualities of the fin de siècle poet, but how mildly he expressed his queer longings! (E. K. Brown) Decadence came to Canada softly, almost imperceptibly, in the 1880s, when the Confederation poet Bliss Carman published his first poems and met the English chronicler and leading poet of Decadence, Arthur Symons. The event of Decadence has gone largely unnoticed in Canada; there is no equivalent to David Weir’s Decadent Culture in the United States: Art and Literature Against the American Grain (2008), as perhaps has been the fate of Decadence elsewhere. As a literary movement it has been, until a recent slew of publications on British Decadence, relegated to a transitional or threshold period. As Jason David Hall and Alex Murray write: ‘It is common practice to read [...] decadence as an interstitial moment in literary history, the initial “falling away” from high Victorian literary values and forms before the bona fide novelty of modernism asserted itself’.1 This article is, in part, an attempt to bring Canadian Decadence into focus out of its liminal state/space, and to establish Bliss Carman as the representative Canadian Decadent.