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Bedouin Soundclash Sounding a Mosaic Mp3, Flac, Wma
Bedouin Soundclash Sounding A Mosaic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Sounding A Mosaic Country: Europe Released: 2004 Style: Ska MP3 version RAR size: 1800 mb FLAC version RAR size: 1871 mb WMA version RAR size: 1216 mb Rating: 4.3 Votes: 620 Other Formats: DXD VOC VQF RA DTS APE ASF Tracklist Hide Credits 1 When The Night Feels My Song 3:07 2 Shelter 3:14 3 Living In Jungles 2:26 Money Worries 4 3:57 Featuring [Vocals] – Vernon Maytone 5 Gyasi Went Home 2:26 6 Shadow Of A Man 5:02 7 Jeb Rand 3:02 8 Criminal 4:21 9 Murder On The Midnight Wire 3:58 10 Music My Rock 3:24 11 Rude Boy Don't Cry 2:53 12 Immigrant Workforce 3:21 13 Nothing To Say 3:42 Credits Bass – Eon Sinclair Drums – Pat Pengelly Producer – Darryl Jenifer Vocals, Guitar, Artwork By – Jay Malinowski Written-By – Bedouin Soundclash (tracks: 1 to 3, 5 to 15), Vernon Maytone (tracks: 4) Notes Special Edition Made in EU Barcode and Other Identifiers Barcode: 602498741078 Rights Society: BIEM, SABAM Label Code: LC 00309 Other versions Category Artist Title (Format) Label Category Country Year Sounding A Bedouin STMP043 Mosaic (CD, Stomp Records STMP043 Canada 2004 Soundclash Album) Bedouin Sounding A none Pirates Blend none US 2010 Soundclash Mosaic (CD) Sounding A Bedouin SideOneDummy none Mosaic (2xLP, none US 2015 Soundclash Records Album, Yel) Bedouin Sounding A SideOneDummy SD1267 SD1267 US 2004 Soundclash Mosaic (CD) Records Sounding A Bedouin Surfrock PCCY-80026 Mosaic (CD, PCCY-80026 Japan 2006 Soundclash International Album) Related Music albums to Sounding A Mosaic by Bedouin Soundclash Various - Dubhead Soundclash Series Session One Hossam Ramzy - Bedouin Tribal Dance Naif Agby & His Orchestra - Bedouin Sahda (Pretty Dancing Girl) Old Smokey Twins / Vernon Dalhart - If I Only Had A Home Sweet Home / The Letter Edged In Black Mr. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
2008 / 2009 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 20#08 –2009 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04 . Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 07. -10. Radio Starmaker Funded Artists 12. Sales Certifications 14. Grant Allocation by Province | Grant Allocation by Genre 16. Grant Allocation by Music Industry Association 18. -19. Awards Won by Radio Starmaker Funded Artists 21. New Artists to Radio Starmaker Fund 23. Allocation of Funding by Category 25. -29. Condensed Financial Statements 372 Bay Street, Suite 302, Toronto, Ontario M5H 2W9 T. 416.597.6622 F. 416.597.2760 TF. 1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2008-2009 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND It is my pleasure in my second year as Another important issue for Starmaker is to ensure that I am very excited to see these excellent results and I look Chair of the Radio Starmaker Fund the funding is distributed broadly over new and emerg - forward to working further with the new Board and the to present our outstanding results ing talent and that we are not funding the same artists very capable staff here at Starmaker to continue to set from the fiscal year 2008-2009. repeatedly. This year in addition to our dramatic and meet these very high standards for supporting artists increase in applications we saw almost one third of these in Canada. One of the primary goals of the applications from artists who were new to the Fund. -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay. -
2005 / 2006 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 2005#–2006 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications 08. Grant Allocation by Province | Grant Allocation by Genre 09. Grant Allocation by Music Industry Association 10. Awards Won by Radio Starmaker Funded Artists 11. Allocation of Funding by Category 12. – 16. Condensed Financial Statements 17. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2005-2006 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has been one of reflection for • 77% of the total funding requested was approved We continue to maintain the highest standards of the Radio Starmaker Fund. We had the accountability to our stakeholders and the industry at opportunity to review our history from • The “funding per record” breakdown (based on the top large. Our audit process once again shows complete the inception of the fund and present an 22 funded RSF artists) is approximately $2 per record. compliance with our funding rules and regulations and overview to the CRTC during its radio With average marketing costs per album hovering in we appreciate the efforts made by our applicants to review proceedings in May 2006. the range of $3 per record this means we are making maintain this track record. -
Audio + Video 8/3/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 15 AUgUST 3 + AUgUST 10, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 8/3/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- ATL 525407 ARKELLS, THE Jackson Square $13.99 8/3/10 7/14/10 CD- HOUSE OF GTE 524553 HEROES Suburba $11.99 8/3/10 7/14/10 CD- TL 25470-D JONES, GEORGE Sacred Songs $11.98 8/3/10 7/14/10 WB A-523510 METALLICA ReLoad (2LP) $29.98 8/3/10 7/14/10 ReLoad (Limited Edition)(4LP WB A-523511 METALLICA 180 Gram Vinyl)(45RPM) $74.98 8/3/10 7/14/10 CX- Graduation: The Best Of WOR 888080 PURENRG pureNRG (CD/DVD) $13.98 8/3/10 7/7/10 REAL DV-25410-GHOSTBUSTERS, The Real Ghostbusers: TL X THE Volume 3 (5DVD) $39.98 8/3/10 7/7/10 CD- ATL 517815 STAR, RYAN 11:59 $13.99 8/3/10 7/14/10 CD- MFL 524464 VARIOUS ARTISTS Sweet Slumbers $13.98 8/3/10 7/14/10 CD- BGI 131152 VEGGIETALES Sweetpea's Songs for Girls $9.99 8/3/10 7/14/10 Last Update: 06/23/10 ARTIST: The Arkells TITLE: Jackson Square Label: ATL/Atlantic Config & Selection #: CD 525407 Street Date: 08/03/10 Order Due Date: 07/14/10 UPC: 075678912122 Box Count: 30 WEBSITES: Unit Per Set: 1 MySpace SRP: $13.99 Facebook Alphabetize Under: A Twitter File Under: Rock Artist Page Secondary Lead For the latest up to date info on Compact Disc this release visit WEA.com. -
Past Festival Artists
Poster Gallery You can find us during RBC Bluesfest in the Foyer of the Canadian War Museum. 1 Vimy Pl., Ottawa, ON K1A 0M8 To order a Poster or Catalogue, email us at: [email protected] * Posters can be shipped at an additional cost upon request* Follow us on Twitter @ottawabluesfest Catalogue of Friend us on Facebook at: www.facebook.com/ottawabluesfest Commemorative Posters RBC Bluesfest General Inquiries: Phone: 613-247-1188 Toll-Free: 1-866-258-3478 Fax: 613-247-2220 Includes over 1000 Location: 450 Churchill Ave. N autographed posters signed by Ottawa, ON, Canada K1Z 5E2 Past Festival Artists Official Framing Studio www.germotte.ca All Sales Support Christmas Poster RBC Bluesfest Blues in the Schools Sale RBC Bluesfest Blues in the Schools (BITS) is an inspiring opportunity for students of all ages to draw on the energy and experience of award winning musicians through workshops and hands-on instructional techniques. Can’t find a gift for that hard to shop for person? Engaging over 6,000 Ottawa area students since Is one of your friends an avid music fan? its inception. If yes, then we can help you at the RBC Bluesfest Christmas Poster Sale! December 3 & 4 1PM – 4PM Festival House – 450 Churchill Ave. N All funds from the sale are in support of RBC Bluesfest Blues in the Schools. Not all posters will be available on-site, so we recommend BITS is funded by RBC Bluesfest music patrons and the following partners: you forward your request(s) to – [email protected] before December 3, 2016. -
Be Part of Canada's Greatest Musical Showcase
MEDIA ADVISORY BE PART OF CANADA’S GREATEST MUSICAL SHOWCASE JUNOfest Submissions Open Today! Artists perform in a two-night musical celebration as part of JUNO Week Hamilton, ON (November 5, 2014) — The Canadian Academy of Recording Arts and Sciences (CARAS) requests artist submissions for JUNOfest, presented by CBC Music. The annual musical festival will showcase the best Canadian artists in venues across Hamilton on Friday, March 13 and Saturday, March 14 as part of 2015 JUNO Week. Artists wishing to participate in JUNOfest can apply at: http://www.junofest2015.ca Submissions will be accepted between November 5, 2014 and December 19, 2014. The 44th annual JUNO Awards and JUNO Week will be held in Hamilton, Ontario, March 9-15, 2015. About JUNOfest: WHAT: JUNOfest is a two-night music festival that is one of the signature events of JUNO Week. The live festival will feature the talents of regional and national artists representing the many genres that make up Canadian music. Nearly half of the participating line-up will be chosen locally to highlight Hamilton’s diverse music scene, in addition to performances from 2015 JUNO Award nominees and some of Canada’s national touring acts. JUNOfest is open to Canadian artists only. A $10 application fee will apply. JUNOfest will be co-produced by Hidden Pony Records and Sonic Unyon. WHEN: JUNOfest will take place at various venues across Hamilton on Friday, March 13 and Saturday, March 14. HISTORY: JUNOfest has showcased more than 1,000 artists and bands of all backgrounds and genres including: -
Songs by Artist
TJ's Absolute Sound Songs by Artist 578-7576 Title Title Title - CASTILLOS EN EL AI (GOSPEL) LYNN, LORETTA 02 SHOWADDYWADDY ! PRECIOUS MEMORIES PRETTY LITTLE ANGEL EYES ABRAMZON, RAUL- UNA VIEJO SWING LOW SWEET CHAROIT 02 Taylor Swift CANCION DE AMOR WHEN THE ROLL IS CALLED UP You Belong With Me (CHRISTMAS) BROOKS & DUNN YONDER 03 BEAUTIFUL EYES HANGIN' 'ROUND THE WILL THE CIRCLE BE TAYLOR SWIFT MISTLETOE UNBROKEN 03 BLONDIE IT WON'T BE CHRISTMAS WINGS OF A DOVE TIDE IS HIGH WITHOUT YOU (POP MIX) -TAYLOR SWIFT 03 Drive Your Truck (CHRISTMAS) JACKSON, ALAN TEARDROPS ON MY GUITAR Lee Brice LET IT BE CHRISTMAS +44 03 Elvis Presley (CHRISTMAS) JUDD, CLEDUS T. WHEN YOUR HEART STOPS Mr. SongmanElvis Presley T BEATING 03 Ne-Yo TREE'S ON FIRE 01 BEYONCE Mac (CHRISTMAS) JUDDS SINGLE LADIES 03 SHOWADDYWADDY BEAUTIFUL STAR OF 01 BLONDIE HEY ROCK AND ROLL BETHLEHEM HEART OF GLASS 03 Spotlight (CHRISTMAS) KEITH, TOBY 01 Downtown Jennifer Hudson CHRISTMAS ROCK Lady Antebellum 03 Taylor Swift (CHRISTMAS) SHEDAISY 01 Elvis Presley Crazier SANTA'S GOT A BRAND NEW Loving ArmsElvis Presley BAG 03 VERONICAS 01 Kelly Clarkson (CHRISTMAS) STRAIT, GEORGE UNTOUCHED My Life World Suck Without You MERRY CHRISTMAS 04 AKON 01 SAY AAH (WHEREVER YOU ARE) RIGHT NOW TREY SONGZ SANTA'S ON HIS WAY 04 BLONDIE 01 SHOWADDYWADDY (CHRISTMAS) TIPPIN, AARON RAPTURE UNDER THE MOON OF LOVE IT'S WAY TOO CLOSE TO 04 BREAK YOUR HEART 01 Womanizer CHRISTMAS TO BE THIS FAR TAIO CRUZ Britney Spears (CHRISTMAS) TRACTORS 04 Elvis Presley 02 BLONDIE BOOGIE WOOGIE SANTA There Goes My Everything -
Track Artist California Love - Original Mix (Explicit) 2Pac Changes - (Explicit) 2Pac Ayo Technology 50 Cent Take on Me A-Ha Cancion Del Mariachi A
Track Artist California Love - Original Mix (Explicit) 2Pac Changes - (Explicit) 2Pac Ayo Technology 50 Cent Take On Me a-ha Cancion del Mariachi A. Banderas & Los Lobos Trespassing Adam Lambert Right As Rain Adele Lovesong Adele Rolling in the Deep Adele Oh Africa Akon Take Me To The River Al Green Hold On Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes You Oughta Know Alanis Morissette Girl on Fire Alicia Keys Gives You Hell The All-American Rejects Tessellate alt-J Fitzpleasure alt-J 1977 Ana Tijoux Fake Palindromes Andrew Bird Cups (Pitch Perfect’s “When I’m Gone”) Anna Kendrick Rolled Together The Antlers Wake Up Arcade Fire Wake Up Arcade Fire My Body Is a Cage Arcade Fire My Body Is a Cage Arcade Fire Reflektor Arcade Fire Ready to Start Arcade Fire We Used to Wait Arcade Fire Sprawl II (Mountains Beyond Mountains) Arcade Fire I Love College Asher Roth Monster The Automatic Automatic Hey Brother Avicii Wake Me Up Avicii Kill Your Heroes AWOLNATION Not Your Fault AWOLNATION Both Of Us - feat. Taylor Swift B.o.B Lighters Bad Meets Evil Take You To The Movies Bangs Meet Me On Facebook Bangs Hi Haters Bangs Pompeii Bastille Besame Mucho The Beatles When The Night Feels My Song Bedouin Soundclash A Candle's Fire Beirut Santa Fe Beirut East Harlem Beirut Goshen Beirut Payne's Bay Beirut The Rip Tide Beirut Vagabond Beirut The Peacock Beirut Port of Call Beirut You Don't Know Me (featuring Regina Spektor) - Explicit Album V Ben Folds Burn One Down Ben Harper Burn One Down - Live Ben Harper Let Me In Benny Sings Drunk in -
FACTOR Annual Report 2012-13
We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. TABLE OF CONTENTS FOR THE FISCAL PERIOD COVERING APRIL 1, 2012 - MARCH 31, 2013 2 MESSAGE FROM THE CHAIR 3 MESSAGE FROM THE PRESIDENT 4 ABOUT THE FOUNDATION Our Mandate and History Our Funding Partners The Nature of Our Funding Overview of 2012-2013 13 OUR PROGRAMS Looking Ahead: Our Programs for 2013 and Beyond Our 2012-2013 Programs New Talent Development Sound Recordings Emerging Talent Sound Recordings Marketing & Promotion Tour & Showcase Support Industry Support Sponsorship Collective Initiatives 22 FUNDING PROCESS Assessment of Applications Juries Our Jurors 26 #FACTORfunded RECOGNITION Canadian Awards Canadian Certifications 33 OUR BOARD OF DIRECTORS 35 OUR TEAM 36 OUR REGIONAL REPRESENTATIVES 37 REQUESTS AND COMMITMENTS BY PROGRAM 38 APPLICATIONS SUBMITTED AND APPROVED BY PROVINCE 40 CONTRIBUTING RADIO BROADCASTERS 41 FINANCIAL RESULTS Requests and Commitments Outstanding Commitments 43 FINANCIAL STATEMENTS We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. MESSAGE FROM THE CHAIR This year has been filled with significant change and considerable accomplishments, culminating with the launch of our new program and application system FACTOR 2.0 in April 2013. The goal of FACTOR 2.0 was simple: design a system and programs that award funding based on merit, are transparent and easy to use, and reflect the current business models of the Canadian independent music industry. This type of change was long overdue, as FACTOR’s previous funding model was based heavily on out-of-date business practices, which focused primarily on the physical sale of recorded music. -
Jamestown Gals Delights Full House at Musicalfare
Jamestown Gals Delights Full House at MusicalFare Jamestown Gals, a playful revue of the careers of Lucille Ball and Peggy Lee is the latest creative effort from veteran choreographer Michael Walline. The show is now playing at MusicalFare at Daemen College in Amherst. Kathy Weese and Kelly Jakiel played Lucille Ball in her various incarnations while Terrie George and Arin Lee Dandes appeared as Peggy Lee. John Fredo and Marc Sacco played Desi Arnaz and most any other male roles called for. Walline cast the actors as the "essence" of Ball and Lee, his goal being to capture the spirit of the performers without impersonating them exactly. "By the Waters of the Minnetonka" will delight fans of "I Love Lucy". It's the familiar shtick of Lucy trying to weasel her way into Ricky's act at the club. Fredo, as Ricky, manages to capture Ricky Ricardo's accent and attitude without being campy. Those only familiar with Lucille Ball's comedy may be surprised by her musical background. Jamestown Gals features songs from her starring role in the movie version of Mame and her Broadway performance in Wildcat. Peggy Lee received an Oscar nomination for "Bye Bye Blackbird" from Pete Kelly's Blues and won a Grammy for "Is That All There Is?" Walline's father, who served as the catalyst for this musical once mused to Michael that these two talents were both from Jamestown- Lee was from Jamestown, ND and Ball from Jamestown, NY. With his father's inspiration, Walline studied the musical histories of the two legends and put together this revue.