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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Title Arranger / Composer Arranger / Composer
Title Arranger / Composer Arranger / Composer (Back Home Again In) Indiana FULL Big Band Barduhn+ (I Got You) Under My Skin FULL Big Band Vocal (I Love You) For Sentimental Reasons FULL Big Band Osser (Shes) Sexy + 17 FULL Big Band Lowden Stray Cats (Up A) Lazy River FULL Big Band Sy Zentner (Up A) Lazy River FULL Big Band (Vocal) Wess Bobby Darin 1237 On A Saturday Afternoon FULL Big Band Persons 2 At A Time FULL Big Band Persons 2 Bone BBQ FULL Big Band Cobine 20 Nickles FULL Big Band Beach 21st Century Schizoid Man FULL Big Band 23 Chuckles FULL Big Band Paul Clark 23 Red FULL Big Band Bill Chase Woody Herman Orchestra 23o N 82oW Full Big Band 25 Or 6 To 4 FULL Big Band Blair Chicago+ 25 Or 6 To 4 FULL Big Band Lamm Chicago 42nd Street Medley FULL Big Band Lowden 5 Foot 2 FULL Big Band (Trombone Feature) Amy 50's Medley FULL Big Band Unk 61st & Rich' It FULL Big Band Thad Jones+ 7 Come 11 FULL Big Band Henderson Benny Goodman 720 In The Books FULL Big Band Wolpe 720 In The Books FULL Big Band (Vocal) Mason 88 Basie Street Sammy Nestico 88 Basie Street Full Big Band Nestico 920 Special FULL Big Band Bunton 920 Special FULL Big Band Collins Count Basie+ 920 Special FULL Big Band Murphy A That's Freedom FULL Big Band Thad Jones A Beautiful Friendship FULL Big Band Nestico A Big Band Christmas FULL Big Band Strommen A Big Band Christmas II FULL Big Band Strommen A Brazilian Affair FULL Big Band Mintzer A Change Of Pace FULL Big Band Unk A Child Is Born FULL Big Band Thad Jones A Childrens Song FULL Big Band Mintzer A Cool Shade Of Blue -
Tex Beneke Music Made Famous by Glenn Miller [Silver Jubilee Album] Mp3, Flac, Wma
Tex Beneke Music Made Famous By Glenn Miller [Silver Jubilee Album] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: Music Made Famous By Glenn Miller [Silver Jubilee Album] Country: Canada Released: 1962 Style: Big Band MP3 version RAR size: 1261 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1185 mb Rating: 4.9 Votes: 318 Other Formats: DTS MMF ADX RA VOC MP4 AUD Tracklist A1 Tuxedo Junction 3:22 A2 Along The Santa Fe Trail 2:20 A3 I've Got A Gal In Kalamazoo 2:40 A4 Sunrise Serenade 3:36 A5 Elmer's Tune 3:19 A6 Sun Valley Jump 2:47 B1 St. Louis Blues March 3:58 B2 Blue Champagne 1:55 B3 Ida Sweet As Apple Cider 2:07 B4 Sweet Eloise 3:2 B5 Rhapsody In Blue 2:51 B6 Don't Sit Under The Apple Tree 2:10 Companies, etc. Recorded At – Sahara Hotel & Casino, Las Vegas Copyright (c) – Warner Bros. Records Inc. Manufactured By – The Compo Company Ltd. Distributed By – The Compo Company Ltd. Credits Liner Notes – Peter J. Levinson Notes Recorded Live At The Hotel Sahara, Las Vegas, Nevada (p) 1962 Barcode and Other Identifiers Matrix / Runout (Side A (Stamped)): R 8699 Matrix / Runout (Side B (Stamped)): R 8700 Other versions Category Artist Title (Format) Label Category Country Year Tex Beneke, Ray Eberle, Tex Beneke, Ray The Modernaires, Paula Warner Eberle, The Kelly - Music Made Famous W 1468 Bros. W 1468 US 1962 Modernaires, By Glenn Miller [Silver Records Paula Kelly Jubilee Album] (LP, Album, Mono, Promo) Ray Eberle, Tex Beneke, Ray Eberle, Tex The Modernaires - Music Valiant VS 125 Beneke, The VS 125 UK 1970 Made Famous by Glenn Records Modernaires Miller (LP, Album) Tex Beneke, Ray Eberle, Tex Beneke, Ray The Modernaires, Paula Warner Eberle, The WS 1468 Kelly - Music Made Famous Bros. -
Glenn Miller 1941 “Keep ‘Em Flying” America’S Number One Band
GLENN MILLER 1941 “KEEP ‘EM FLYING” AMERICA’S NUMBER ONE BAND Dedicated to the Glenn Miller Birthplace Society June 2021 Prepared by: Dennis M. Spragg Glenn Miller Archives Glenn Miller and his Orchestra, Cafe Rouge, January 1941 A Pivotal Year 1941 was a pivotal year in the history of the United States and for America’s number one bandleader, Glenn Miller. As of January 1, all ASCAP-licensed music (most popular music) was off the air. Glenn broadcast with a replacement BMI-licensed theme, “Slumber Song.” On January 17, the band recorded the classic “Song of the Volga Boatmen,” Bill Finegan’s traditional music response to Jerry Gray’s treatment of “Anvil Chorus.” If not for the broadcasting industry vs. ASCAP dispute, these two all-time Miller hits might never have been written or performed. Further changes arrived to shake up the successful Miller musical organization. A gossip columnist ran a story about Marion Hutton’s pregnancy, which pushed her to stop performing sooner than anticipated. By January 1941, Marion was only appearing on Glenn’s “Chesterfield Moonlight Serenade” broadcasts and not at the Café Rouge. Miller had to replace her. A young “dimpled darling” named Dorothy Claire from LaPorte, Indiana was singing for bandleader Bobby Byrne. Dorothy was under contract for three years with Byrne. So when Bobby learned that Glenn Miller intended to hire Ms. Claire, he promptly sued Miller for $25,000. However, Claire joined the Miller band on January 8. Glenn offered her a salary of $250 per week, a significant raise from the $75 per week she earned with Byrne. -
DENNIS M. SPRAGG December 2017 Dedicated to the Glenn Miller
PREPARED BY: DENNIS M. SPRAGG December 2017 Dedicated To The Glenn Miller Birthplace Society Clarinda, Iowa An Historic Collaboration Jerry Gray (Generoso Graziano) Discovering the Pearls Arranger Jerry Gray (Generoso Graziano) was born in Boston, Massachusetts July 3, 1915. He was a virtuoso violinist, arranger and ultimately a bandleader. By 1939, Gray was the chief arranger and musical collaborator for Artie Shaw, the clarinet superstar who lead the top dance band in the United States. During that very important year in musical history, Glenn Miller’s band was coming on fast as a competitor to Shaw and other leading bands led by. among others, Tommy Dorsey and Benny Goodman. During the summer and early fall of 1939, Artie Shaw became disenchanted with the music business and was the subject of a public controversy regarding his pointedly negative opinion of “jitterbugs”. Some of Shaw’s musicians and arranger Gray became concerned that their employer might soon disband to take a break and possibly reorganize in 1940. The talented drummer Buddy Rich accepted a job offer from Tommy Dorsey and effervescent saxophonist and vocalist Tony Pastor was rumored to be exploring the idea of forming his own band. Meanwhile, Glenn Miller was employing brilliant arranger Bill Finegan and free lancers including Jimmie Lunceford’s protégé Eddie Durham. Miller needed full-time arranging skill and this led the bandleader to seek out the possibly available and eminently qualified Jerry Gray, who was arguably the best arranger available. As it turned out, Artie Shaw walked off the bandstand at the Hotel Pennsylvania’s Café Rouge in November 1939. -
Glenn Miller Orchestra Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 4-1-2001 Glenn Miller Orchestra Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Glenn Miller Orchestra" (2001, 2006). Center for Performing Arts Memorabilia. Book 173. http://opus.govst.edu/cpa_memorabilia/173 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PEfifORMinO flftTS Governors State University Presents The Glenn Miller Orchestra Sunday, April 1, 2001 3:00 pm 2000/2001 Season sponsored in part by a grant from the: 1 1 Wf1' THE GLENN MILLER ORCHESTRA MEMBERS GLENN MILLER - A SHORT BIOGRAPHY Musical Director: Larry O'Brien (Trombone) Las Vegas, NV In April 1935, Glenn Miller recorded, for the first time, under his own name. Using six horns, a rhythm section and a string quartet, he recorded Vocalists: Julia Rich Nashville, TN "Moonlight on the Ganges" and "A Blues Serenade" for Columbia. Nick Hilscher Marietta, GA But selling only a few hundred records, he continued his position with the Noble Orchestra. Saxophones: Kevin Sheehan - Alto Clarinet Chicago, IL Jeffrey Spurlock - Alto Dayton, OH In 1937, Glenn Miller stepped out to form his own band. There were a James Guffey - Tenor Darlington, PA few recordings — one for Decca and one for Brunswick — a couple of week-long stints in New Orleans and Dallas, and many one-nighters, but Corey Lareau - Tenor Lexington, KY it was not to be. -
GLENN MILLER Biography
GLENN MILLER Biography February 5, 1940 Glenn Miller and his orchestra recorded the big-band classic "Tuxedo Junction." April 2, 1942 Glenn Miller and his orchestra recorded "American Patrol" at the RCA Victor studios in Hollywood. "A band ought to have a sound all of its own. It ought to have a personality." - Glenn Miller Alton Glenn Miller was born in Clarinda, Iowa on March 1, 1904. But it was in North Platte, Nebraska, several years later that Glenn actually got his musical start when, one day, his father brought home a mandolin. Glenn promptly traded it for an old battered horn, which he practiced every chance he got. In fact his mother worried, "It got to where Pop and I used to wonder if he'd ever amount to anything." In 1923, Miller entered the University of Colorado, although he spent more time traveling to auditions and playing where and whenever he could. After flunking three of his five courses one semester, Glenn dropped out to concentrate on his career as a professional musician. He toured with several orchestras and ended up in Los Angeles where he landed a spot in Ben Pollack's group, a band that included a guy named Benny Goodman. Here, Miller also got the chance to write some arrangements. Arriving in New York City, he soon sent for, and married his college sweetheart, Helen Burger in 1928, and for the next three years, earned his living as a free-lance trombonist and arranger. Miller played and recorded with the likes of Tommy and Jimmy Dorsey (who on several of their records, featured an up-and-coming singer by the name of Bing Crosby), Gene Krupa, Eddie Condon and Coleman Hawkins. -
Silver Eagle Discography
Silver Eagle USA Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Silver Eagle Discography Silver Eagle was a Canadian company headquartered near Toronto at 115 Apple Creek Blvd., Markham, Ontario, Canada. The label was a subsidiary of LaBuick & Associates Media, Inc., and label President was Ed LaBuick. The Media company specialized in TV marketing, and in addition to Silver Eagle also promoted Time-Life. In addition to LPs, Cassettes, and CDs, Silver Eagle also released videos. They established an office in the US at 4 Centre Drive, Orchard Park, NY (later, 777 N. Palm Canyon Dr., Palm Springs, CA), and often licensed product from the Special Products Divisions of the major record labels. They typically would pre-sell an album using 2-minute TV spots in stations across the country, then use that demand to place product in retail stores. They had their own manufacturing plant and distribution system, and according to LaBuick, sold many millions of albums. LaBuick later became head of the Music Division and Special Products Division of the major Quality Label in Canada. Note: All distributed by Silver Eagle unless noted otherwise. Silver Eagle Main Series: Silver Eagle SE-1000 Series: SE-1001 - Peter Marshall Hosts One More Time, The Hits of Glenn Miller and Tommy Dorsey with the Original Artists - Various Artists [1981] (2-LP set) Disc 1: Moonlight Serenade - Tex Beneke/In The Mood - Tex Beneke/Ida - Tex Beneke/Tuxedo Junction - Tex Beneke/Little Brown Jug - Modernaires//Serenade In Blue-Sweet Eloise-At -
A Portrait of Glenn Miller
A PORTRAIT OF GLENN MILLER Alton Glenn Miller (1904-1944) Produced by: DENNIS M. SPRAGG Updated April 2018 1 Alton Glenn Miller, 1904-1944 Produced by Dennis M. Spragg, with commentary from the GMA George T. Simon (1912-2001) Collection and Papers, Edward F. Polic Papers and Christopher Way Collection. Foreword By Harry Lillis “Bing” Crosby (1904-1977) “As the years go by, I am increasingly grateful that I was a tiny part of the era of the great swing bands. This was the golden age of popular music for me. They were all great, but I have to think that the Glenn Miller band was the greatest. Unlike so many of the others, Glenn was not a virtuoso instrumental soloist. And so instead of his horn he did it with great personnel and innovative harmonic experiments producing a sound that was his and his alone. Glenn employed a harmonization that was new and vastly different. If I even attempted a description of what he did, I would be immediately adrift. I think it was the way he voiced his instruments. It was just beautiful. And when you heard the sound, it was recognizable and memorable. It was just Glenn Miller. Glenn as a person was just as memorable. He was a very good personal friend, from the early days on, ever since he performed on some of the records I made with the Dorsey Brothers Orchestra during the early stages of my career. During World War II we were united for the last time, when I sang in London with his great AAF Orchestra. -
Credits and Thanks!
CREDITS AND THANKS! WRITTEN, DIRECTED & PRODUCED by Marion J Chard ASSISTANT EDITOR Greg Walter NARRATION Marion J Chard Kai-Ann Carney VOICE-OVERS Doug Billings - as Irving Cherney Tom Bromhead - as Paul Blackburn Carl Furtado Lee the Chinese cook Paul McGee Walter "Monday" Poniedzialek Dean Carney - as John Fallon Lee Chard - as Bill Vander Wall Joseph Grimm - as Rene Rousselle Michael W Hodson - as Art Cook Nicholas Hopper - as Wilbur Thomas Dickens Jordan Jones - as David A Lapp John Wack Tom Kennedy - as Harold Bare Ernie Pyle Steve Vallo - as Donald Casey Greg Walter - as Orville "Bill" Munson Ernest Wayne Warner Zachary Wolken - as Dick Fietz MUSIC SELECTIONS Bach: Double Concerto No 1 Memories Awake - THEME SONG Our Flag Vivaldi - 1st Movement - Winter - The Four Seasons provided by NEO Sounds, LLC Vivaldi - Winter 3rd Movement - The Four Seasons provided by Partners In Rhyme, Inc. White Christmas - Bing Crosby provided by Universal Music Enterprises Irving Berlin Music Company c/o Williamson Music The Second Snail Vintner Full provided by Freeplay Music, LLC Adeste Fidelis - Bing Crosby provided by J Scott Trotter Kinghorn Beethoven - Laendler in C Minor - Hess 68 Canon in D Major Danse Macabre Mourning Song Silent Night Snow Drop Sonatina The Rule Trio for Violin and Viola provided by Kevin MacLeod at Incompetech Bach - Chorale Prelude Beethoven - Violin Concerto in D - Op 61 - Movement 2 Haydn - Variations in F Minor Mendelssohn - Symphony No 4 in A Major 'Italian' Op 90 provided by Muse Open 40's TUNES Buckle Down Buck Private