RCA 5500 AXM Series (2 LP Sets)

Total Page:16

File Type:pdf, Size:1020Kb

RCA 5500 AXM Series (2 LP Sets) RCA Discography Part 24 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA 5500 AXM Series (2 LP sets) AXM 2 5501 – Guitar Wizard – Tampa Red [1975] I'll Kill Your Soul (And Dare Your Spirit To Move)/If I Let You Get Away With It (You'll Do It All The Time)/King Fish Blues/Nobody's Sweetheart Now/Grievin' And Worryin' Blues/Give It Up Buddy And Get Goin'/Somebody's Been Doing That Thing/Mean Mistreater Blues/Witching Hour Blues/Stockyard Fire/I'm Bettin' On You/When I Take My Vacation In Harlem/When You Were A Girl Of Seven/Nutty And Buggy Blues/You Got Me Worryin'/Travel On/Rock It In Rhythm/Mr. Rhythm Man/Anna Lou Blues/Don't You Lie To Me/The Way To Get Lowdown/The Jitter Jump/She's Love Crazy/You're Gonna Miss Me When I'm Gone/Mercy Mama Blues/Give Me Mine Now/Play Proof Woman/Crying Won't Help You/When Things Go Wrong With You/Love Her With A Feeling/So Crazy About You Baby/Rambler's Blues AXM 2 5502 – Willie Bryant, Jimmie Lunceford and Their Orchestras – Willie Bryant, Jimmie Lunceford and Their Orchestras [1975] Throwin' Stones At The Sun/It's Over Because We're Through/A Viper's Moan/Chimes At The Meeting/Rigamarole/Long About Midnight/The Sheik/Jerry The Junker/The Voice Of Old Man River/Steak And Potatoes/Long Gone (From Bowling Green)/Liza/Is It True What They Say About Dixie?/All My Life/The Right Somebody To Love/The Glory Of Love/Ride, Red, Ride/Moonrise On The Lowlands/Mary Had A Little Lamb/I Like Bananas/Cross Patch/I'm Grateful To You/In Dat Mornin'/Sweet Rhythm/White Heat/Jazznocracy/Chillun Get Up/Leavin' Me/Swingin' Uptown/Breakfast Ball/Here Goes (A Fool)/Remember When AXM 2 5503 – Bill Boyd’s Cowboy Ramblers – Bill Boy’s Cowboy Ramblers [1975] I'm Gonna Hop Off The Train/The Rambler's Rag/The Strawberry Roan/The Windswept Desert/Going Back To My Texas Home/Mama Don't Like No Music/Under The Double Eagle/Barn Dance Rag/I Can't Tame Wild Women/Wah Hoo/River Blues/Goofus/Saturday Night Rag/Fan It/'Way Out There/Draggin' It Around/You Shall Free Monah/Guess Who's In Town/Beaumont Rag/What's The Use/New Steel Guitar Blues/Boyd's Tin Roof Blues/I've Got Those Oklahoma Blues/New Spanish Two-Step/Spanish Fandango/Singing & Swinging For Me/La Golondrina/I've Got The Blues For Mammy/Mill Blues/New Fort Worth Rag/Lone Star Rag/Domino Rag AXM 2 5504 – George Hall and His Taft Orchestra: 1933-1937 – George Hall and His Taft Orchestra [1975] Good Morning Glory/There's A Cabin In The Pines/I Was In The Mood/Infatuation/How Can You Face Me/What About Me/When My Ship Comes In/Blue In Love/Okay Toots/To Call You My Own/I Won't Dance/Weatherman/Why Dream/I Never Saw A Better Night/No Strings (I'm Fancy Free)/Shine/Every Minute Of The Hour/Would You/It's A Sin To Tell A Lie/Robins And Roses/You Can't Pull The Wool Over My Eyes/Sing A Song Of Nonsense/Who Loves You/If We Never Meet Again/I Stumbled Over Love/Heaven In My Heart/I Can't Break The Habit Of You/How Could You/The Mood That I'm In/Fancy Meeting You/Hallelujah/There Goes My Dream AXM 2 5505 – The Complete Goodman Volume 1; 1935 – Benny Goodman [1975] Hunkadola/I'm Livin' In A Great Big Way (Takes 1 & 2)/Hooray For Love (Takes 1 & 2)/The Dixieland Band/Japanese Sandman/You're A Heavenly Thing/Restless/I'll Be Loving You Always/Get Rhythm In Your Feet/Ballad In Blue/Blue Skies/Dear Old Southland/Sometimes I'm Happy/King Porter Stomp/The Devil And The Deep Blue Sea/Jingle Bells/After You've Gone/Body And Soul/Who/Someday Sweetheart/Santa Claus Came In The Spring/Goodbye/Madhouse (Takes 1 & 2)/Sandman/Yankee Doodle Never Went To Town/No Other One/Eeny Meeny Miney Mo/Basin Street Blues/If I Could Be With You One Hour Tonight 1 AXM 2 5506 – Chicago Breakdown – Big Maceo [1975] Worried Life Blues/Ramblin' Mind Blues/County Jail Blues/Can't You Read/So Long Baby/Texas Blues/Tuff Luck Blues/I Got The Blues/It's All Up To You/Bye Bye Baby Blues/Why Should I Hang Around/Poor Kelly Blues/Some Sweet Day/Any Time For You/My Last Go Around/Since You Been Gone/Kid Man Blues/I'm So Worried/Things Have Changed/My Own Troubles/Maceo's 32-20/Come On Home/Detroit Jump/Winter Time Blues/Won't Be A Fool No More/Big Road Blues/Chicago Breakdown/Broke And Hungry Blues/If You Ever Change Your Ways/It's All Over Now/I Lost My Little Woman AXM 2 5507 – The Complete Fletcher Henderson: 1927-1936 – Fletcher Henderson Orchestra [1976] Shufflin'/St. Louis Shuffle/Variety Stomp/Sugar Foot Stomp/Roll On, Mississippi, Roll On/Moan, You Moaners/Singin' The Blues ('Til My Daddy Comes Home)/Sweet Music/My Sweet Tooth Says I Wanna (But My Wisdom Tooth Says No)/Malinda's Wedding Day/Strangers/Take Me Away From The River/I Wanna Count Sheep (Till The Cows Come Home)/Poor Old Joe/Hocus Pocus/Phantom Fantasie/Harlem Madness/Tidal Wave/I'm A Fool For Loving You/Moonrise On The Lowlands/I'll Always Be In Love With You/Jangled Nerves/Where There's You There's Me/Do You Or Don't You Love Me/Grand Terrace Rhythm/Riffin'/Mary Had A Little Lamb/Shoe Shine Boy/Sing, Sing, Sing (With A Swing)/Until Today/Knock, Knock Who's There/Jimtown Blues/You Can Depend On Me AXM 2 5508 – The Father Jumps – Earl Hines [1975] Indiana/G. T. Stomp/Ridin' And Jivin'/Grand Terrace Shuffle/Father Steps In/Piano Man/Riff Medley/XYZ/Gator Swing/After All I've Been To You/Lightly And Politely/Boogie Woogie On The St. Louis Blues/Call Me Happy/Topsy Turvy/You Can Depend On Me/Tantalizing A Cuban/Easy Rhythm/In Swamplands/Comin' In Home/Jelly, Jelly/Up Jumped The Devil/Jersey Bounce/Southside/Windy City Jive/Swingin' On C/Yellow Fire/The Father Jumps/The Jitney Man/The Earl/Second Balcony Jump/Stormy Monday Blues/Scoops-Carry's-Merry/Furlough Blues AXM 2 5509 – Blue Orchids – Dick Todd [1975] Deep Purple/You've Got Me Crying Again/Why Begin Again (Pastel Blue)/Blue Evening/A Home In The Clouds/I Guess I'll Go Back Home/A Table In The Corner/Manhattan/Time On My Hands/Blue Orchids/One Morning In May/Lazy River/It's A Hundred To One I'm In Love/It's The Talk Of The Town/I Can't Get Started/Last Night's Gardenias/I'll Be Seeing You/Polka Dots And Moonbeams/Devil May Care/All This And Heaven Too/Sweet Lorraine/Along The Santa Fe Trail/Say It Isn't So/Together/Maria Elena/Wasn't It You/In The Middle Of A Dance/I Don't Want To Set The World On Fire/Concerto For Two (A Love Song)/'Tis Autumn/How About You/Someday Sweetheart AXM 2 5510 – Feast Here Tonight – Monroe Brothers [1975] My Long Journey Home/What Is A Home Without Love/What Would You Give In Exchange?/Little Red Shoes/Nine-Pound Hammer Is Too Heavy/On Some Foggy Mountain Top/Drifting Too Far From The Shore/In My Dear Old Southern Home/New River Train/Watermelon Hanging On The Vine/On The Banks Of The Ohio/God Holds The Future In His Hands/Darling Corey/Will The Circle By Unbroken?/The Saints Go Marching In/Roll In My Sweet Baby's Arms/Where Is My Sailor Boy?/Some Glad Day/Katy Cline/Roll On Buddy/Weeping Willow Tree/On That Old Gospel Ship/All The Good Times Are Passed And Gone/He Will Set Your Fields On Fire/Sinner You Better Get Ready/Have A Feast Here Tonight/Good Bye Maggie/Rollin' On/Little Joe/A Beautiful Life/Pearly Gates/When Our Lord Shall Come Again AXM 2 5511 – The Complete Fats Waller, Volume 1: 1934-1935 A Memoir – Fats Waller [1975] A Porter's Love Song To A Chambermaid/I Wish I Were Twins/Armful O'sweetness/Do Me A Favor/Georgia May/Then I'll Be Tired Of You/Don't Let It Bother You/Have A Little Dream On Me/Serenade For A Wealthy Widow/How Can You Face Me/Sweetie Pie/Mandy/Let's Pretend There's A Moon/You're Not The Only Oyster In The Stew/Honeysuckle Rose/Believe It Beloved/Dream Man/I'm Growing Fonder Of You/If It Isn't Love/Breakin' The Ice/I'm A Hundred Per Cent For You/Baby Brown/Night Wind/Because Of Once Upon A Time/I Believe In Miracles/You Fit Into The Picture/Louisiana Fairy Tale/I Ain't Got Nobody (Takes 1 &2/Whose Honey Are You 2 AXM 2 5512 – The Complete Glenn Miller Volume 1 – Glenn Miller Orchestra [1975] My Reverie/By The Waters Of Minnetonka Part 1 and 2/King Porter Stomp/(Gotta Get Some) Shuteye/How I'd Like To Be With You In Bermuda/Cuckoo In The Clock/Romance Runs In The Family//The Chestnut Tree/And The Angels Sing/Moonlight Serenade/The Lady's In Love With You/Wishing (Will Make It So)/Three Little Fishes/Sunrise Serenade/Little Brown Jug//My Last Goodbye/But It Didn't Mean A Thing/Pavanne/Runnin' Wild/To You/Stairway To The Stars/Blue Evening/The Lamp Is Low//Rendezvous Time In Paree/We Can Live On Love (We Haven't Got A Pot To Cook In)/Cinderlla (Stay In My Arms)/Moon Love/Guess I'll Go Back Home/I'm Sorry For Myself/Back To Back/Sliphorn Jive 5513 AXM 2 5514 – The Complete Glenn Miller Volume 2: 1939 – Glenn Miller Orchestra [1976] Oh! You Crazy Moon/Ain't Cha Comin' Out?/The Day We Meet Again/I Wanna Hat With Cherries/Sold American/Pagan Love Song/Ding-Dong! The Witch Is Dead/Over The Rainbow//The Little Man Who Wasn't There/The Man With The Mandolin/Starlit Hour/Blue Orchids/Glen Island Special/Love With A Capital "You"/Baby Me/In The Mood//Wham (Re-Bop-Boom-Bam)/An Angel In A Furnished Room/Twilight Interlude/I Want To Be Happy/Farewell Blues/Who's Sorry Now/My Isle Of Golden Dreams/My Prayer//Blue Moonlight/Basket Weaver Man/Melancholy Lullaby/(Why Couldn't It Last) Last Night/Out Of Space/So Many Times/Blue Rain/Can I Help It?/I Just Got A Letter AXM 2 5515 – The Complete Goodman Volume 2; 1935-1936 – Benny Goodman [1976] When Buddha Smiles/It's Been So Long/Stompin' At The Savoy/Goody Goody/Breakin' In A Pair Of Shoes/I Hope Gabriel Likes My Music/Mutiny In The Parlor/I'm Gonna Clap My Hands/Swing Is
Recommended publications
  • GLENN MILLER ORCHESTRA Highlights
    GLENN MILLER ORCHESTRA Highlights Glenn Miller was born on March 1, 1904, in Clarinda, Iowa. Glenn Miller originally wrote the music for Moonlight Serenade (later to become his theme song) as an exercise when he was studying with noted arranger, Joseph Schilinger. The first Glenn Miller Orchestra, formed in 1937, was a financial failure. In March 1938, Glenn Miller launched his second band, and unlike the first band, it became an enormous success with multiple hit records and huge box office sales. At the height of the orchestra’s popularity, Glenn Miller disbanded his musical organization in 1942 to volunteer for the army. He then organized the famous Glenn Miller Army Air Force Band. On December 15, 1944, Major Glenn Miller took off in a single engine plane from England – against his better judgment – to precede his band to France, never to be seen again. The army officially declared him dead one year later. Due to popular demand, the Miller Estate authorized the formation of the present Glenn Miller Orchestra in 1956. In 1941, Glenn Miller and His Orchestra had more hit records in one year, including A String of Pearls, than anybody in the history of the recording industry. Although other songs had sold over a million record copies, in 1941 Glenn Miller’s recording of Chattanooga Choo Choo received the first Gold Record ever to be awarded. The Glenn Miller Orchestra has been “on the road” longer and more continuously than any other Big Band ever. The Glenn Miller Orchestra travels over 100,000 miles each year, playing nearly 300 dates.
    [Show full text]
  • Jazz Lines Publications Fall Catalog 2009
    Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb.
    [Show full text]
  • Part 2 of Selected Discography
    Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
    Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St.
    [Show full text]
  • Stranje House
    Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society.
    [Show full text]
  • ELLINGTON '2000 - by Roger Boyes
    TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru
    BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU Contents ALL THE I-IVELONG DAY (And The Long, Long Night), 141 THE BACK BAY POLKA, 119 BESS YOU IS MY WOMAN, 9 (I've Got) BEGINNER'S LUCK, 66 BY STRAUSS, 131 A FOGGY DAY, 87 FOR YOU, FOR ME, FOR EVERMORE, 123 I CAN'T BE BOTHERED NOW, 91 I GOT PLENTY 0' NUTTIN', 17 I LOVE TO RHYME, 103 I WAS DOING ALL RIGHT, 107 IT AIIV'T NECESSARILY SO, 23 THE JOLLY TAR AND THE MILK MAID, 95 JUST ANOTHER RHUMBA, 53 LET'S CALL THE WHOLE THING OFF, 70 LOVE IS HERE TO STAY, 11 1 LOVE WALKED IN, 11 5 MY MAN'S GONE NOW, 29 NICE WORK IF YOU CAN GET IT, 99 OH BESS, OH WHERE'S MY BESS, 35 PROMENADE (Piano Solo), 74 THE REAL AMERICAN FOLK SONG (Is A Rag), 4 SHALL WE DANCE, 78 SLAP THAT BASS, 61 SOPHIA, 136 SUMMERTIME, 40 THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK, 44 THEY ALL LAUGHED, 82 THEY CAN'T TAKE THAT AWAY FROM ME, 127 A WOMAN IS A SOMETIME THING, 48 For all works contained herein: International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. THE REAL AMERICAN FOLK BOOGIEWOOGIE.RUSONG (Is A Ras)* Lyrics by IRA GERSHWN Music by GEORGE GERSH WIN 1 " Near Bar - ce - io - na the Deas - int cioons The old tra - di - tion - a1 I You may dis - like, or you 'may a - dore, The na - tire songs from a A Fm6 C Cmaj7 Am7 C dim Span - ish tunes; The Ne - a - pol - i - tan Street Song sighs, You for - eign shore; They may be songs that you can't for - get,- They I I Written for "Ladies First" (1918) The first George and In Gershwin collaboration used in a Broadway show Copyright @ 1959 by Gershwin Publishing Corporation Assigned to Chappell & Co., Inc.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]