К a Literary Magazine from К the Telugu Fine Arts Society

A Literary Magazine from к The Telugu Fine Arts Society к http://www.tfas.net http://www.TeluguJyothi.com September - October 2011

Save the date January 22, 2012 for TFAS Sankranthi Program. Venue will be announced shortly.

The Telugu Fine Arts Society, Inc : 28 к 5 (A tax exempt and not for profit corporation) 2011 16 St. James Street, Monroe Twp, NJ 08831 º º

Board of Trustees Editor: Murty P. Bhavaraju , Phone (908) 252-9434 April 2010 – March 2012 Mail articles to: 231 Marcia Way, Bridgewater, NJ 08807 or [email protected] President Anand Paluri Associate Editors: Anantha Sudhaker Uppala; Diwakar Peri - Production Support; Radha 16 St. James Street Kasinadhuni - Essays & Community News; Syamaladevi Dasika - Stories; Dr. Vaidehi Monroe Twp, NJ 08831 Sasidhar – Poems. (732) 656-1913 [email protected] Members of the Editorial Committee: Jayanarayana Kureti Vice-President Girija Kolluri к 4 Stonemeadow Ct

Plainsboro, NJ 08536 1984 ® WW~ (609) 799-6303 [email protected] º I 100-150 From TFAS – President Anand Paluri 5 Secretary . advertisement Manju Bhargava ! " OК˨ & ' TFAS News/Accounts 54 Erie Ave . donations ® Х )* - 7 Rockaway, NJ 07866 ® 5 ) К~ 1&Lm donations , . (973) 983-0596 I˨ +, - Х ®)+- '/ - 11 [email protected] A®)F A< ?Y L1ZN $4,000, Х $12,000. '0123 ª К Treasurer - 13 Suresh Makam Y 1К 850 56 . I®-8 59 Х 13 Alexis Lane U - c) 1К 17 Edison, NJ 08820 :;К< A> ?Ú . / AB 2 Ê;D E (732) 494-1370 . ºv К: ! - 2ÚÚ W 21 [email protected] ® F 2 A> &)?Ú ® Annual Events КG H F ' , ® IÚК ' - 23 Usha Akella , , iÚ Ú' M Ú s & (908) 203-1060 . ª8JKLM N & 3 )OP Q R k, & - ® ~ ÊÚ 25 [email protected] S T . Q I®-8 59 U Youth Services oº 1& - Y 26 Bindu Madiraju A V W XК ®YZ/ZT . (732) 609-1836 kT ) “FК ” - . w®rg Шm 28 [email protected] ® КG H [\ , ]I'^ F К & Membership Services . L ® :2 W+1 - . E . 1 31 Vasant Naidu Tanna ) 5-6 _ 8 ÊÚ'T ?2M `a N (732) 319-8155 К8 , &®cM `a TFAS Website Dance Traditions of Andhra’ by Dr. Arudra [email protected] Foreword by Dr. Padma Subrahmanyam 35 IT Services QÚdÚT . Anantha Sudhaker

Uppala ]I'^ fg F К &8 h iVj h 1W Cover : º К Ú - Ê (908) 251-5330 , “ ” , ‘ [email protected] 1D+ klm IÚ ® Community Affairs ® doÊT ’ A p, EcM rs 8 ® Jayanarayana Kureti Új К I ® 2 )+K Soft (919) 667-8040 t[ uvM F К W ')U . k®w X copy + \ /JKM _) К +)3 & AÚ) [email protected] w® N F К &8 Ix, 2 AEК ШM m < . AV & ?® ª + I ®w Advisors . AT+ IA'j F К W 8 Q ª3 K UV . Dr. Satyaveni Rao OК~' Ш6º¡ 83 'U AMW~ ® 2 Mr. Damodar Gedala W ® T . ® ® ?Кf) | T} ~ 5 . I®-8 I V & \+ ULM Dr. Murty Bhavaraju . 8 u) fg Ws 8 Ix, ' Q - Founder Editor: Кm , К ÊÚ . N '0 Late Kidambi Raghunath The articles published and the views expressed are those of the authors and not necessarily reflect the opinions of the editors or TFAS.

4 к к account for the reduced crowd but made every effort to minimize costs. к Ú!" Ú / Being a community organization based in New Jersey, which is the focal point of the Telugu Community As you might have $%&'( )*+! , in USA, we have come to enjoy many organizations noticed, most of the President’s having events regularly here. If you walk into the Royal messages I have written Albert Palace on any given weekend, there is very high for the Telugu Jyothi start with a remark on weather. So likelihood that you will see a Telugu event underway. the Mother Nature decided to reciprocate by showing up in Many of these events have national and international full force to all of the TFAS functions we have conducted sponsors and as such provide free admission and serve over the past year and a half. We had rain, we had snow, food and entertainment. TFAS is a community based non- we had hot weather, and we had cold weather on the days profit organization that relies on its members and local of TFAS events. This Deepavali function on October 29 th community leaders to support its events. We have several was no exception; as a matter of fact, Mother Nature events during the year unlike the other organizations. The made history by dumping over 6-inches of snow in reason for making this comparison is that some people in October, which is first time in the history since the records New Jersey have come to expect free programs and are were kept. What was amazing to me and to those who reluctant to pay even $15 or $20 for TFAS events. I hope saw the event was the number of people who braved the you understand what TFAS stands for; a nonprofit, weather and came to the event. This is a true testimony of nonpolitical, and nonreligious organization formed to the audience TFAS has and the quality of programs we promote our culture arts and heritage in USA. conduct. My heartfelt thanks to each and every one of you TFAS has worked closely with many of the national who came to the event and hats off to your dedication. organizations, as deemed appropriate. For the first time in Generally, we have most of the TFAS events down to the history of Telugu Community, representatives from a system and when everyone does their job effectively, ATA, NATA, NATS and TANA joined TFAS in felicitating the events run smoothly. However, this Deepavali event the talented musician and recent Nandi award winner was particularly challenging for me on several fronts and Chakri during the Deepavali function. My special thanks gave me heartburn and nightmares. Coordination with go to the North America Telugu Society (NATS) for their artist from India is becoming increasingly challenging as continued generous support to TFAS. Even in the their schedules change at a moment’s notice. As the inclement weather, the State Democratic Committee artists reputation increases so does their expectations on Chairperson and Deputy Speaker of the State Assembly, how we should compensate them. There is a line of Assemblyman John Wisniewski from Sayreville came to thought that we don’t need movie artists since we have the TFAS Deepavali function and wished everyone a sufficient local talent. Generally, that caters only to one Happy Diwali. segment of the audience. I believe that we need to I do want to take a moment to thank the volunteers embrace audience with all tastes and provide for their hard work, sponsors for their generous support entertainment to all. The Deepavali function we conducted and my Executive Committee’s dedication for making this this year, on October 29 th (yes the day of the snow storm), event a success. We have to love the children who had singing, dancing, comedy, skits, mimicry, a reality pushed their parents to take them to the TFAS Deepavali show and performances by local talent. function, whether it is to perform or receive the well The morning weather forecast on the day of the event deserved prizes they won in the competitions. It should only called for dusting to couple of inches of snow. I tried be noted that over 275 children participated in TFAS contacting the venue staff and was unable to reach them Deepavali competitions conducted on October 15 th . until noon, at which time snow was coming hard. I went to We continue to think outside of the box to bring new the venue and spoke to them regarding changing the date and innovative programs to the audiences. As it has and given that their staff was already there they could not become a tradition, TFAS is partnering with Vegesna reschedule and make additional payments to the staff. I Foundation in conducting Ghantasala and Balu Madhura contacted the food vendor who also indicated that he will Geethalu, a Live Concert by Top Singers from USA and not be able change the date as food preparations were Andhra Pradesh at the Shri Krishna Vrundavana Temple, completed. I then made sure that the school parking lot 215 May St, Edison, NJ, on Sunday, November 13th, and walkways are properly ploughed and posted a note on 2011 from 4 PM to 8 PM. The admission to this event is the web that the program was still on, with forecasters free. I am looking forward to seeing you at our next predicting the snow to stop and may even change to rain. program. All in all, it was an experience many of us will remember Please visit www.tfas.net and continue to look for our for a long time. We have been typically averaging about upcoming programs. I am looking forward to your 1,200 people at each of our major events and we had continued support in making TFAS the Organization of about 700 people at Deepavali despite of the bad weather. choice for Telugu people. Until next time However, we could not scale down our expenses to Your TFAS President - Anand Paluri

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5 TFAS News

Telugu Kala Samithi, (TFAS) based in New Jersey spellbound. The program was further enhanced by successfully conducted its annual Deepavali celebrations participation of the recent Nandi Award winner and on October 29 th at the East Brunswick Middle School renowned musician of Telugu cinema Chakri, as well as under able and outstanding guidance of leadership of our the winner of the Super Signers competition Ms. SaiSilpa President Anand Paluri. and playback signer Adharshini. The program started with singing and dancing by Registration and Vendor support was provided by local youngsters, who have shown their talent in classical, Suresh Makum and Vasant Naidu, while the stage semi classical, folk and movie singing and dancing. Each activities were effectively coordinated by our Annual of the local dance schools was given an opportunity to Events Chair Usha Akella, and Vice President Girija showcase the achievements of their students. The Kolluri . Our IT Chair Sudhaker Uppala coordinated the evening included prize distributions for TFAS music, literary meet that included “Teluguku Velugu singing, and Tennis competitions conducted on October Chupinchandi”, a talk by Sri Goteti Sri Ramarao garu. 15. While the program started a few minutes late, it was The evening prime program included “TFAS Modern concluded on time with vote of thanks from TFAS Maha Lakshmi” (concept designed by our Youth Chair Secretary Manju Bhargava. Bindu Madiraju and Secretary Manju Bhargava) TFAS EC would like to thank all the volunteers have competition. Fifteen Maha Laksmis participated in the done a tremendous job to make this program a success. program. The four finalists and the winner were rewarded We also thank all our sponsors for their support. Photos for their talent. This item was anchored by the Tollywood of this event have been posted on our website actor and comedian Uthej. Dancing, mimicry and comedy www.tfas.net skits by Jetendra and Uthej made the audience - Manju Bhargava

TFAS 2011 Deepavali Accounts Dear TFAS Members: If you have reserved tickets to attend the October 29th Deepavali event and did not pay ahead, please do consider paying the Donations: pledged amount by sending a check payable to TFAS and mail to Treasurer Competitions $2,117.00 TFAS, 13 Alexis Lane, Edison, NJ 08820. Thanks - Suresh Makam Deepavali event $15,491.00 Total Donations $17,608.00 Expenses: School Rent $6,042.00 Food $3,500.00 Artists - airfare, hotel $7,120.57 Artists - payments $4,766.00 Sound $650.00 Trophies $826.00 Misc. (decorations, supplies..) $1,664.88 Total Expenses $24,569.45

Net Loss as of 11/3/11 -$6,961.45 Pledges/Sponsors $2,087.50

Tickets unpaid, did not attend (Goal to collect 75%) 2,670.00$2,670.00 Expected Loss -$2,203.95 Srimathi & Sri E.S.L. Narasimhan, K. Ramalakshmi Arudra. Sri Narasimhan, AP Governor released Dr. Arudra's book "Dance Traditions of Andhra" on August 30, 2011. See page 35 .

Deepavali Program: Platinum Sponsor: NATS Gold Sponsors: Silver Sponsors: Krishna Velaga NATA Swathi Gundapuneedi Ramesh & Visala Rachapudi Ram & Girija Kolluri Ravi & Varalakshmi Annadanam Rattiah Guduru Anand & Vasantha Paluri Seshu & Kanaka Tatikola Brahmaji Valiveti Srinivasa & Satyaveni Rao Manju & Mohan Bhargava Uday Shanker (Paradise Biryani) Sudhakar & Jaya Rayapudi T.P. Rao Dosa Palace (Sri Sai Foods)

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Attending pediatrician at: Robert Wood Johnson University Hospital ▪ St. Peter’s Medical Center JFK Medical Center ▪ Somerset Medical Center

▪ Two convenient locations ▪ 676 Route 202-206 North, Building 2 1667 Oak Tree Road Bridgewater, New Jersey Edison, New Jersey (908) 927-1155 (908) 927-1155 25 78º: ' - /

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‘Dance Traditions of Andhra’ by Dr. Arudra (Foreword by Dr. Padma Subrahmanyam)

Each region of Bharat is a limb of Bharatmata for the socio-cultural aspect of the region. The and is as beautiful and relevant for the unified well Devadasis of Andhra were referred to differently in being of our nation. The composite heritage of all our different regions. Dr. Arudra connects the universally states is our invaluable wealth and here is a book that known “Shamanism” with the lady priests conducting lights up the scenario of cultural tradition of Andhra the “Rangam ekkadam” (mounting the forum) which Pradesh and its reflected glory in adjacent regions. he translates into Tamil as Arangetram. The women Dr. Arudra in this book, Dance Traditions of Andhra, priests of Andhra Pradesh are variedly referred to as gives a torrential elaboration of the subject and Saani, Basvi, Jogini, Matangakanya, Parvati, and Dr. makes the scholastic work as interesting as the Arudra rightly out that there are many dance oriented flashback scenes in Indian films of great quality. In castes in South India. But, the author says that from the tradition Dr. Arudra traces the origin of the sons inscriptions and literary evidence, the word Devadasi of Andhra from Vedic Mythology as well as the is absent. Dr. Arudra’s derivation of the terms Saani evolution of the concept of Devadasi from the idea of and Bhogini of Bharata’s Natya Sastra reveals the tribal mother which originated from Atharva Veda. It historic connectivity running backwards to a few is interesting to read that the word “ma” as a measure thousands of years with the cultural life of Andhra of land (which is still in use in Tamilnadu) is Pradesh. connected to “ma”, tribal mother who distributes the Dr. Arudra’s eminence as historian of Telugu land to various groups of cultivation. The list of literature is transparent throughout the book giving castes and tribes in Andhra Pradesh is another proof innumerable primary and secondary literary 35 references, to take the reader into the cultural vista of Sangeetham – thanks to the resurrection of the Hindu bygone centuries. He retraces the times of Pre- culture by the Prince from Karnataka. Srinatha’s Christian Era of the Satavahanas and throws light on reference to Karnatakamu of Andhra only makes it the social status of artistes. The connection between obvious that the basic culture of India is beyond the terms ‘Kootu’ of Tamil, Malayalam and Kannada, linguistic barriers of today. Dancers from Andhra the ‘Kootu dances’ of Telugu, makes it all an were taken to Puri Jagannath temple by king interesting revelation of the genetic relationship Kapileswara Gajapati of Orissa, when he conquered among the present day linguistic regions. Telangana in the 15 th century. Padmavati, the dancer- The technical evolution of dance art from the wife of saint Poet Jayadeva, was herself from the days of Natya Sastra to the days of Jayapasenapati, Telangana region. Arudra has also given the names of when the Nrtta Ratnavali was written (around 1253 the great dancers of that period. AD), shows the simultaneous presence of Marga and A very valuable contribution of Dr. Arudra is the Desi elements in Andhra Pradesh. Marga is the path authentic description of the Desi dances of medieval shown by Bharat Muni and it connects the whole period based on literary sources. Almost all of them Sub-Continent or rather the entire Asian Continent. are obsolete except for a few and attempts have been Desi is the regional interpretation coupled with made to reconstruct these by some contemporary spontaneous creativity born of local inherited taste in Gurus like late Nataraja Ramakrishna. This chapter is thought, word and action. Behavioral traditions sure to inspire more researchers to reconstruct some pertain to Desi. Jayapasenapati’s Nrtta Ratnavali is a of these interesting forms. Dr. Arudra dwells in treasure-house of contemporaneous dance tradition. details about the female impersonation in traditional Poet Srinatha’s Bhimeswara Puranam which theatre like Yakshagana, Bhagavata Mela and others. describes the dances that were performed in the He has rightly dealt with them on the basis of Telugu Bhimeswara Swami Temple of Draksharamam is also language and not on the present demarcation of the dealt with. Historic references like 16 categories of Southern states. Details regarding the contribution of celestial dancers having individual flats in sixteen Narayana Theertha and Siddhendra Yogi are streets reveal the importance that the dancers enjoyed elaborated, throwing light on the period, with trans- in the Hindu society. This shows that even after a regional artistic values, based on the Hindu faith. The lapse of three centuries after Rajaraja Chola’s reign, link that Andhra Natyam has with Melattur who maintained 400 dancers and 240 musicians to Bhagavata Mela, which owes not only to perform in the Brihadeeswara temple in Thanjavur, Venkatarama Sastri, but also to Narayana Theertha the socio-religious-cultural commitment to patronize for its theoretical presentation and Narasimha cult, dancers with endowment to their habitat, continued in establishes a pan-peninsular ambience. In the early the whole of Hindu Rajya. Srinatha (1385-1485) was 18 th century, Gulam Muhammaed Ali Khan, Nawab a roaming poetic scholar and hence was a repository of Banganapalli, patronize the Kuchipudi Artistes and of 100 years of history of the region. proved the healthy mutual respect that Hindus and Dr. Arudra says that during the time of Srinatha, Muslims shared. Dr. Arudra gives an impressive list “the dancers were probably called ‘Karnatakamu’. of Nataka compositions of that era. Till 19 th century the word Karnataka connoted Indian Dr. Arudra has not left even the Adavu technique dance and music”. Dr. Arudra quotes C.P. Brown in and its classification based on works of authors from his English-Telugu dictionary and says that Andhra and Thanjavur in Tamilnadu. While the ‘Karnataka Melam’ means native music or a Hindu format for all Yakshaganas are similar, the technique Group. Srinatha’s period was 14 th and 15 th centuries, of dance also had a lot in common. Dr. Arudra when Vijayanagara Dynasty was reigning supreme. I derives the term Adavu from Telugu language. He have written in my book ‘Natya Sastra and National says….”Adavu – a Telugu term for ‘Adugu’ meaning Unity’ that it was after the Vijayanagara Prince a foot. In certain Telugu words the last syllable ‘gu’ Kampana Udayar’s putting an end to the Sultanate of is changed into ‘vu’ and the previous vowel ‘u’ Madurai, after half a century of Islamic rule, that all changes into ‘a’. For example Todugu - Todavu, the temples were reopened. Kampana gave a new Podugu - Podavu; similarly Adugu - Adavu”. It is impetus to Hindu arts and revived dance and music in interesting to add that the term Adavu is pan-south temples. From his time anything came to be referred Indian and even more. The term is used in to, in Tamil as ‘Karnatakam’. South Indian Classical Tamilnadu, Karnataka and also in the martial arts of music is even now referred to as Karnataka Kerala. The term is still prevalent in Srilanka among

36 the Tamils as well as among the Sinhalese in their work of his. I have only made an attempt to align the Kandyan dance. Perhaps the Sanskrit word ‘Aatana’, chapters, to enable the reader to have a response in- meaning movement gave birth to this vitally between the torrential flow of information. Dr. significant Desi term Adavu for dance of South. Dr. Arudra was a dear friend of my father, film director Arudra has not only dealt with Bhagavatha Melam, K. Subrahmanyam and also my eldest brother V. but also the origin, development and format of the Balakrishnan. He had written Telugu lyrics for their musical numbers of traditional Bharatanatyam. He films. When I convened the first Natya Kala has included delectable information in the book Conference at Sri Krishna Gana Sabha, he attended ranging from the ritualistic to the comic element in every session and that kindled his taking interest in Andhra Sampradaya. The folk elements are not dance activity and allied research. In his speeches he neglected either. To quote the author, ”Dance is was magnanimous to refer to me as “Deeksha Guru”, ethnic when it is explicitly linked to the ethnic groups which is characteristic of true scholarship. I worked of socio-cultural traditions. It is folk when it is a with him in his project of “Hasta Lakshana Pada”, community expression. Categorizations of dance are wherein he composed a song for each of the hastas, not clear-cut, but such distinction between “art”, based on the vinyogas or usages as detailed in the “folk” and “primitive” merely serve the elitist class Abhinaya Darpana. I composed music and structure which insists upon them. Classification choreographed them; though the lyrics are already should not be an end in “itself”. With the above view published, the audio and video recordings are yet to of the artistic traditions of Andhra, Dr. Arudra has take off. impregnated every paragraph of this medium sized It is with great sense of humility and pride that I book with information in every sentence. It is almost have associated myself with the present work like the like a sutra, brief yet vast, in the subject it deals with. squirrel in the Ramayana. I bow before the glory of For a proverbial knowledge seeker like me, it has Andhra and the erudition of Dr. Arudra and dwell in been an experience of receiving the bountiful the thought of our composite heritage. I am sure the benevolence of the author, who has been a colossus true seeker of knowledge will benefit by this work – in the field of literature and its history. It is a thanks to the untiring efforts of Smt. Ramalakshmi privilege for me to have been asked by yet another Arudra and also the selfless service of Sri. V.A.K. scholarly half of Dr. Arudra, his beloved wife, Smt. Ranaga Rao, the dance scholar. Ramalakshmi Arudra, to edit these notes of her (This book was based on unpublished work of Dr. Arudra who left husband and write a foreword for this significant this world in 4 June 1998).

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