Doctor Who Lost in Time and Space
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BTN6916 LMW NORTHERN SOUL ENTS GUIDE SK.Indd
22-25 SEPT 2017 20-23 SEPT 2019 SKEGNESS RESORT GLORIACELEBRATING 60 YEARS JONES OF MOTOWN BOBBY BROOKS WILSON BRENDA HOLLOWAY EDDIE HOLMAN CHRIS CLARK THE FLIRTATIONS TOMMY HUNT THE SIGNATURES FT. STEFAN TAYLOR PAUL STUART DAVIES•JOHNNY BOY PLUS MANY MORE WELCOME TO THE HIGHLIGHTS As well as incredible headliners and legendary DJs, there are loads WORLD’S BIGGEST AND more soulful events to get involved in: BEST NORTHERN SOUL ★ Dance competition with Russ Winstanley and Sharon Sullivan ★ Artist meet and greets SURVIVORS WEEKENDER ★ Shhhh... Battle of the DJs Silent Disco ★ Tune in to Northern Soul BBC – Butlin’s Broadcasting Company Original Wigan Casino jock and founder of the Soul Survivors Weekender, with Russ! Russ Winstanley, has curated another jam-packed few days for you. It’s an ★ incredible line-up with soul legends fl own in from around the world plus a Northern Soul Awards and Dance Competition host of your favourite soul spinners. We’re celebrating Motown Records 60th Anniversary in 2019. To mark this special occasion we have some of the original Motown ladies gracing the stage to celebrate this milestone birthday. SATURDAY 14.00 REDS Meet and Greet with Eddie Holman, Bobby Brooks Wilson, Tommy Hunt Brenda Holloway, Chris Clark and Gloria Jones will also be joining us for a Q&A session, together with Motown afi cionado, Sharon Davies, on Sunday afternoon in Reds. Not to be missed!! SUNDAY 14.00 REDS Don’t miss the Northern Soul dance classes, DJ Battles, Northern Soul Q&A with Brenda Holloway, Chris Clark, Gloria Jones and Sharon Davis awards and dance competitions across the weekend and be sure to look Hosted by Russ Winstanley and Ian Levine, followed by a meet and greet out for limited edition, souvenir vinyl and merch in the Skyline record stall. -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Doctor Who: the Smugglers
A 17th century Cornish town – villainous pirates roam the seas searching for treasure while the townspeople have turned to smuggling, wheeling and dealing in contraband. Into this wild and remote place the TARDIS materialises and the Doctor and his companions find themselves caught up in the dubious activities of the locals. When the Doctor is unwittingly given a clue to the whereabouts of the treasure the pirates are determined to extract the information – whatever the cost . Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 USA CANADA: CANCOAST BOOKS LTD, Unit 3, 90 Signet Drive, Weston, Ontario M9L 1T5 Canada AUSTRALIA: HODDER & STOUGHTON (AUS) PTY LTD, Rydalmere Business Park, 10-16 South Street, Rydalmere, N.S.W. 2116 Australia NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42/44 View Road, Glenfield, AUCKLAND 10, New Zealand ISBN 0- 426-20328-3 UK: £1.99 *USA: $3.95 CANADA: $4.95 NZ: $8.99 ,-7IA4C6-cadcif- *AUSTRALIA: $4.95 *RECOMMENDED PRICE Science Fiction/TV Tie-in DOCTOR WHO THE SMUGGLERS Based on the BBC television serial by Brian Hayles by arrangement with the BBC Books, a division of BBC Enterprises Ltd TERRANCE DICKS Number 133 in the Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1988 by the Paperback Division of W. H. Allen & Co. Plc 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks, 1988 Original script copyright © Brian Hayles, 1964 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1966, 1988 The BBC producers of The Smugglers was Innes Lloyd The directors were Julia Smith Printed and bound in Great Britain by Cox & Wyman Ltd, Reading ISBN 0 426 20328 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Plague of the Daleks Iris Wildthyme
ISSUE #10 DECEMBER 2009 FREE! NOT FOR RESALE PLAGUE OF THE DALEKS Susan Brown & Keith Barron take a trip to Stockbridge IRIS WILDTHYME Katy Manning and David Benson get into the Christmas spirit CYBERMAN 2 THERE IS NOTHING TO FEAR FROM MARK MCDONNELL & barnaby EDWARDS PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL THE BIG FINISH SALE Hello! This month’s editorial comes to you direct Now, this month, we have Sherlock Holmes: The from Chicago. I know it’s impossible to tell if that’s Death and Life, which has a really surreal quality true, but it is, honest! I’ve just got into my hotel to it. Conan Doyle actually comes to blows with Prices slashed from 1st December 2009 until 9th January 2010 room and before I’m dragged off to meet and his characters. Brilliant stuff by Holmes expert greet lovely fans at the Doctor Who convention and author David Stuart Davies. going on here (Chicago TARDIS, of course), I And as for Rob’s book... well, you may notice on thought I’d better write this. One of the main the back cover that we’ll be launching it to the public reasons we’re here is to promote our Sherlock at an open event on December 19th, at the Corner Holmes range and Rob Shearman’s book Love Store in London, near Covent Garden. The book will Songs for the Shy and Cynical. Have you bought be on sale and Rob will be signing and giving a either of those yet? Come on, there’s no excuse! couple of readings too. -
Doctor Who Series 12 Episode Five Fugitive of the Judoon Programme
DOCTOR WHO SERIES 12 EPISODE FIVE FUGITIVE OF THE JUDOON PROGRAMME NUMBER: DRAA715N/01 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Tosin Cole 10:00:17 Caption ‘Mandip Gill’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Nida Manzoor’ 10:00:34 Caption ‘Fugitive of the Judoon Written by Vinay Patel Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 INT. RUTH'S FLAT/KITCHEN - DAY 10:00:39 Music in ‘M2 My Guided Tour’ A WATCH on a wrist. Each tick feels mighty. TICK! TICK! Seconds hand cruises past ten. EYES. WATCH. MOUTH. Two to twelve. One to twelve -- BANG! TWO SLICES OF TOAST snap smartly out of a toaster. The hand rescues them, gives them refuge on a plate where a knob of butter on a knife sits waiting, alongside a single hard boiled egg in a floral cup. We see now the architect: RUTH CLAYTON, mid-50s. A woman who knows who she is and loves it. She smiles upon her creation. RUTH CLAYTON Proper. CUT TO: 10:01:02 INT. RUTH'S FLAT/LIVING ROOM - DAY RUTH, eating her toast, looks up to see her partner LEE -- early 50s, slippery, charming, sexy, edge of danger -- stumble in, half-asleep. LEE CLAYTON I said I'd make your birthday breakfast. RUTH CLAYTON Yeah well, I was hungry. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award.