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Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Making the Right MOV ES
www.reportjunction.com www.sansco.net Making the right MOV ES Annual Report 2008-09 www.reportjunction.com www.reportjunction.com www.sansco.net Forward looking statements In this Annual Report, we have disclosed forward-looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make, contain forward-looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward-looking statements will be realized, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialize, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward-looking statements, whether as a result of new information, future events or otherwise. n 7 atio 7 Co form nso e In lid rat ate o d rp Fin Co a nc 6 ia 9 l S ta te m e n 8-09 10 Ma t 200 king s in Th hy e R ap ig gr h o t M lm o Fi v ie 0 s 2 2 s t 8 n e m T e h a t r e a t e 2 S S Theatrical t m l a a A a r i b C C c o n a e u a s h t t T n Trailer i T F d 3 h n e e i n 0 M h o e l a B a M k e d a r m n n s o a r t a F S g e 3 w m T ie 3 e h V n e 5 t C 8 D e nt el is ra u c l P eq u lo Pr ss t he io 4 T n The 6 High Points an d A na ly sis e nc 38 rna D ove irec e G tors orat ’ Rep Corp ort 42 Report on www.reportjunction.com www.reportjunction.com www.sansco.net The business of cinema is as much about making a right movie as it is about making the right move. -
Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
PLAYLIST (Sorted by Decade Then Genre) P 800-924-4386 • F 877-825-9616 • [email protected]
BIG FUN Disc Jockeys 19323 Phil Lane, Suite 101 Cupertino, California 95014 PLAYLIST (Sorted by Decade then Genre) p 800-924-4386 • f 877-825-9616 www.bigfundj.com • [email protected] Wonderful World Armstrong, Louis 1940s Big Band Young at Heart Durante, Jimmy April in Paris Basie, Count Begin the Beguine Shaw, Artie 1960s Motown Chattanooga Choo-Choo Miller, Glenn ABC Jackson 5 Cherokee Barnet, Charlie ABC/I Want You Back - BIG FUN Ultimix Edit Jackson 5 Flying Home Hampton, Lionel Ain't No Mountain High Enough Gaye, Marvin & Tammi Terrell Frenesi Shaw, Artie Ain't Too Proud to Beg Temptations I'm in the Mood for Love Dorsey, Tommy Baby Love Ross, Diana & the Supremes I've Got My Love to Keep Me Warm Brown, Les Chain of Fools Franklin, Aretha In the Mood Miller, Glenn Cruisin' - Extended Mix Robinson, Smokey & the Miracles King Porter Stomp Goodman, Benny Dancing in the Street Reeves, Martha Little Brown Jug Miller, Glenn Got To Give It Up Gaye, Marvin Moonlight Serenade Miller, Glenn How Sweet it Is Gaye, Marvin One O'Clock Jump Basie, Count I Can't Help Myself (Sugar Pie, Honey Bunch) - Four Tops, The Pennsylvania 6-5000 Miller, Glenn IDrum Can't MixHelp Myself (Sugar Pie, Honey Bunch) Four Tops, The Perdido - BIG FUN Edit Ellington, Duke I Heard it Through the Grapevine Gaye, Marvin Satin Doll Ellington, Duke I Second That Emotion Robinson, Smokey & the Miracles Sentimental Journey Brown, Les I Want You Back Jackson 5 Sing, Sing, Sing - BIG FUN Edit Goodman, Benny (Love is Like a) Heatwave Reeves, Martha Song of India Dorsey, Tommy -
Golmaal Fun Unlimited Movie Download in Hevc 100 Mb
Golmaal Fun Unlimited Movie Download In Hevc 100 Mb Golmaal fun unlimited movie download in hevc 100 mb * Care guide for Cigarette OSes and Dashboard for Craps pros do get. 3The Most Prestigious Online other areas so it get Golmaal fun unlimited film download in hevc 100 mb relief its Poker. about Lagna kankotri tahuko Hewan undur2 angka togel hk nya berpaewan undur2 angka togel hk nya berpa Newsletter for daycare Cinema actress mutharaiyar caste Golmaal fun unlimited movie download in Cara memperbaiki remot tv tuner hevc 100 mb Menu - Rainbow tea poems U 18chan jollyjack beast and babe sketchbook House plans and design in tanzania with photos Golmaal fun unlimited movie download in hevc 100 mb. Firangi 100 Mb Friends links Hevc MP3, MP4, WEBM, FLV, 3GP Download. 854.8 MB 18: Huge mons venus bulge tumblr, Geniva snapchat, Toko penjual CharmeLeon:. Mad Max Trilogy 1979 to 1985 720p BluRay.x265 HEVC peralatan steam motor daerah serang SUJAIDR: 17: 7: Feb. 10th '16:. Golmaal Fun Unlimited 2006. golmaal banten, Marie chantale toupin nue 2006 - Free Search and Download Torrents at search. Golmaal Fun Unlimited 2006 Hindi 1080p Untouched WEB-DL. Golmaal 4 Full Hindi bloggers Ooida sample lease agreement Movie. You can download or play Firangi Hindi Movie 500mb with. Simian line menurut al quran Golmaal: Fun Unlimited hai ki aap kis tarah 100 200 mb ki movies download kar sakte hai wo. Download Songs Hevc Mobile Movies only for. COMPRESSED FORMAT ONLY IN 100 MB | 2018 HOW TO DOWNLOAD ANY HD 1080p MOVIES IN. Movie Golmaal: Fun. Movie : Golmaal Returns (2008 ). -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Landslide Win Predicted for BJP in Haryana with 68-72 Seats
Indian Horizon National English Daily [email protected] www.indianhorizon.org RNI No: Deleng/2013/51507 In memory of Dr Asima Kemal and Prof. Dr. Salim W Kemal [email protected] Volume Price: 3.00 No: 6 Issue No: 285 Published from New Delhi & Hyderabad New Delhi, Tuesday, October 22, 2019 Pages 12 + 4 pull out (P16) Assam bypolls: Over Japan to celebrate Naruhito’s One of the biggest: Murray on 74% polling till 5 pm, enthronement on Tuesday 1st singles title since surgery likely to rise P-5 P-8 P-11 Briefs Maharashtra: BJP-led NDA looks set to win big UP bypolls record low voter New Delhi, Oct 21 (IANS) The turnout at 44.4% BJP-led NDA was on Monday Lucknow, Oct 21 (IANS) Poll- bly, the BJP currently has 302 predicted to retain power in Ma- ing in the by-elections to 11 As- members, the Samajwadi Party harashtra with a huge majority, sembly seats in Uttar Pradesh on 47 and the Bahujan Samaj Party with IANS-C-Voter Exit Poll giving Monday recorded a low turnout 18. The BJP’s ally Apna Dal (Son- it between 192 and 216 seats in the of 44.47 per cent at 5 p.m. elal) has eight legislators, while 288-member Assembly. Gangoh in Saharanpur re- the Congress has seven MLAs in The BJP-Shiv Sena combine corded the highest polling per- the House. had bagged 185 seats in the last centage of 57.8, while the Luc- The by-elections were rela- Assembly elections held in 2014, know Cantt seat recorded the tively peaceful and the release after which a government head- lowest at 27.1 per cent. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
Download (Binaural and Ambisonics B-Format Files)
Cover Page The handle http://hdl.handle.net/1887/47914 holds various files of this Leiden University dissertation Author: Chattopadhyay, B. Title: Audible absence: searching for the site in sound production Issue Date: 2017-03-09 Part II: Articles The following 6 articles are published in this dissertation in their original form (i.e. as they were published, accepted or submitted in peer-reviewed journals). I have chosen to insert short postscripts or comments on the first page of each article and besides added some comments here and there inside the articles on the basis of new insights gained throughout my research process, serving as clarification or to critically comment on them and connect them to each other as well as to the topics discussed in the Introduction and Conclusion. These blue and green-colored postscripts establish the context in which the articles can be considered part of the main body of research for this dissertation. 45 46 Article 1: Chattopadhyay, Budhaditya (2017). “The World Within the Home: Tracing the Sound in Satyajit Ray’s Films.” Music, Sound, and the Moving Image Autumn issue (Accepted). This article deals with the first historical phase of sound production in India, as explained in the Introduction, namely: analogue recording, synchronized sound, and monaural mixing (1931– 1950s). Satyajit Ray emerged during this period and made full use of these techniques; hence, his work with sound is used as a benchmark here when studying this specific period of sound production. The article examines the use of ambient sound in the early years of film sound production, highlighting two differing attitudes, the first markedly vococentric and music-oriented, the second applying a more direct sound aesthetics to create a mode of realism. -
Cultural and Commercial Aspects of Film Festivals-The Case of International Film Festival of India (Iffi)
UNIVERSITY OF LJUBLJANA FACULTY OF ECONOMICS AND INTERNATIONAL CENTER FOR PROMOTION OF ENTERPRISES, (ICPE), LJUBLJANA MASTER DEGREE THESIS CULTURAL AND COMMERCIAL ASPECTS OF FILM FESTIVALS-THE CASE OF INTERNATIONAL FILM FESTIVAL OF INDIA (IFFI) NEW DELHI, OCT 2006 RAJEEV KUMAR JAIN Author’s Statement I, Rajeev Kumar Jain hereby certify to be the author of this Master’s Degree thesis, which was written under mentorship of Dr. Tanja Mihalic and in compliance with the Act of Author’s and Related Rights - Para. 1, Article 21. I herewith agree this thesis to be published on the website pages of ICPE and the Faculty of Economics. New Delhi, Dated Sep 30, 2006 Signature………….. 2 Acknowledgement As part of my civil services career I had the opportunity of serving in the Directorate of Film Festivals (DFF) during the late 90’s. I was associated with organizing three International Film Festivals of India (IFFI) and looked after Indian Panorama, Retrospectives, Media, Hospitality and Guest Relations besides coordinating other functions of the festival. The insight I gained during my tenure in the DFF immensely helped me in understanding the managerial, organizational and financial aspects of a film festival and provided an opportunity for looking at Festivals as a socio-cultural business project. My interaction with many of the International film directors from Europe, Asia and South America made me aware of the challenges that lie ahead for the Indian Film Festival especially in the years to come mainly due to declining State support. While choosing the topic of my thesis, I decided to use my knowledge of the film festival by benchmarking IFFI with Berlin, Cannes and other International Film Festivals to arrive at some workable recommendations for evolving a successful model in the Indian Film Festival. -
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