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Moraimde315 Center Street (Rt
y A 24—MANCHESTER HERALD. Friday, April 13, 1990 LEGAL NOTICE DON’T KNOW Where to Is advertising expensive? TOWN OF BOLTON look next for a lob? How I cod CLEANING MISCELLANEOUS ■07 |j MISCELLANEOUS You'll be surprised now I CARS ZONING BOARD OF APPEALS about placing a “Situa 1SERVICES FOR SALE FOR SALE economical It Is to adver FOR SALE Notice is here by given that there will be a public hearing of the tion Wanted" ad In tise In Classified. 643-2711. classified? Zoning Board of >^peals, on Thursday, April 26, 1990 at 7 NO TIM E TO CLEAN. SAFES-New and used. DODGE - 1986. ’150’, 318 p.m. at the Bolton Town Hall, 222 Bolton Center Road, Bolton, Don't really like to END RO LLS Trade up or down. CIO, automatic, bed CT. A clean but hate to come f o o l ROOMMATES 27V4" width — 504 Liberal allowance for WANTED TO liner, tool box, 50K, 1. To hear appeal of Gary Jodoin, 23 Brian Drive for a rear home to a dirty house. I $5500. 742-8669. [ ^ W A N T E D 13" width — 2 for 504 clean safes In good Ibuy/ trade set-back variance for a porch. Coll us 1 We’re reaso condition. American 2. To hear appeal of MIton Hathaway, 40 Quarry Road for a nable and we do a good Newsprint and rolls can bs Graduating? House and picked up at the Manchester Security Corp. Of CT, WANTED: Antiques and special permit to excavate sand & gravel at 40 Quarry Road. -
VEČERNÍ AUKCE HEJTMÁNEK Čtvrtek 30
VEČERNÍ AUKCE HEJTMÁNEK čtvrtek 30. listopadu 2017 Arthouse Hejtmánek ARTHOUSE galerie a aukční dům Krupkovo náměstí 3 Praha 6 I VÝTVARNÉ UMĚNÍ, STAROŽITNOSTI, DESIGN 14.–21. STOLETÍ 14.–21. DESIGN STAROŽITNOSTI, UMĚNÍ, I VÝTVARNÉ ARTHOUSE HEJTMÁNEK galerie a aukční dům s.r.o. Krupkovo nám. 3 160 00 Praha 6 +420 603 511 971 [email protected] www.arthousehejtmanek.cz 30. LISTOPADU 2017 LISTOPADU 30. GALERIE A AUKČNÍ DŮM ARTHOUSE HEJTMÁNEK VÝTVARNÉ UMĚNÍ STAROŽITNOSTI . DESIGN FINE ARTS ANTIQUES . DESIGN 14.–21. STOLETÍ Z EVROPSKÝCH SBÍREK VEČERNÍ AUKCE | EVENING SALE 30. 11. 2017 od 18.00 hodin vstup do sálu od 17.30 hodin pouze s dražebním číslem MÍSTO KONÁNÍ | LOCATION Galerie a aukční dům Arthouse Hejtmánek Krupkovo náměstí 3, Praha 6 vchod za rohem z ulice Goetheho 2 VÝSTAVA | VIEWING 16. – 29. 11. 2017, 10–18 hodin Další fotografie všech předmětů uvedených v tomto katalogu najdete na našich webových stránkách www.arthousehejtmanek.cz. Dotazy k draženým předmětům zasílejte na e-mail: [email protected], případně volejte +420 734 311 861, +420 737 815 758. Further detailed images and descriptions of all items presented in this catalog can be found on our website at www.arthousehejtmanek.cz. Inquiries about the items in auction: [email protected], or call +420 734 311 861, +420 737 815 758. KONCEPCE KATALOGU ODBORNÍ PORADCI | POSUDKY Tomáš a Marie Hejtmánkovi Prof. PhDr. Vladimír Birgus REDAKCE PhDr. Naděžda Blažíčková-Horová Tomáš Hejtmánek ml. Klaus Ertz Laura Hejtmánková Miroslav Franc Ivana Kolářová PhDr. Anna Janištinová Simona Martínková Ing. Michal Pech Nela Ungerová akad. soch. Zdeněk Preclík FOTOGRAFIE PhDr. -
Register of Sports Contacts with South Africa, I July
Register of Sports Contacts with South Africa, I July - 31 December 1986 and Consolidated List of Sportsmen and Sportswomen Who Participated in Sports Events in South Africa, 1 September 1980 to 31 December 1986 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1987_08 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Sports Contacts with South Africa, I July - 31 December 1986 and Consolidated List of Sportsmen and Sportswomen Who Participated in Sports Events in South Africa, 1 September 1980 to 31 December 1986 Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. -
* Materials Not Availablefrom Other
DOCUMENT RESUI.ME ED 127.308 SP 010 345 AUTHOR Van.Oteghen, Sharon L., Ed.; And Others TITLE Tennis-Badminton-Squash, June 1976-June 1978.NAGWS Guide. INSTITUTION American Alliance for Health, PhysicalEducation,-and Recreation, Washington, D.C. NationalAssociation for Of 0 Girls and ,Women in Sport. PUB DATE 76 NOTE 232p. - AVAILABLE FROM American Alliance for Health, PhysicalEducation, and ,Recreation, Promotion Unit, 1201 16thSt N.W., Washington, D.C. 20036 (No pricequoted) EDRS PRICE 11F-$0.83 Plus Postage. HC Not Availablefrom EDRS. DESCRIPTORS Athletics; Guidelines; *Guides; *Tennis;*Womens Athletics IDENTIFIERS Badminton; *Squash , ABSTRACT The National. Association for Girlsand Women in Sport- (NAGWS) publishes ten biennial andtwo annual guides for 22 sports. Guides contain informationon NAGWS or NAGWS-approved playing rules,. officials' ratings in most sports,articles on coaching techniques and organizaticn, regulations governingAIAW National Championships in applicable sports, bibliographies,and special featureA: A section -of each guide presents informationabout NAGWS and the services it offers teachers, coaches, administrators,and players. This NAGWS guide for tennis, badminton, andsquash is one of the biennial publications and follows the organizationdescribed above. It contains articles on the variousaspects of, tennis, nine articleson aspects of badminton, and. four articlesabout squash. Special features include study questions forthe Ratings Examinations and officiating techniques in tennisand badminton. (DMT) *********************************************************************** Documents acquired by,ERIC includemany informal unpublished - *materials not availablefrom othersources. ERIC makes every effort* *to obtain the best 'copy available. Nevertheless, items of.margimal * * reproduCibility are often encountered andthis affects the, quality * * of the microfiche and hardcopyreproductions ERIC makes available * * via the ERIC Document ReproductionService (EDRS). EDRS is not * * responsible for the quality of the originaldocument. -
Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
Proquest Dissertations
A COMPENDIUM OF COMPOSITIONS M.J. ARCHER A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2008 Library and Archives Biblioth&que et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Voire reference ISBN: 978-0-494-62248-3 Our file Notre r6f6rence ISBN: 978-0-494-62248-3 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserves transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Music DVD Review: Steve Hogarth - H - Naked in the Chapel
http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads. -
Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search
IndieLondon: Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search Going Out Marillion - Somewhere Else Related Links ACCORDING to their PR, Marillion are one of » Film z Music Archives the UK music scene’s “best kept secrets”, z A/V Room » Theatre not to mention “purveyors of soulful, powerful and often deeply moving music”. z IndieLondon Gig » Music Guide » Events It’s a claim that’s hard to justify on the z Singles of the evidence of current album Somewhere Else, Week » Food their 14th studio offering. » Travel z Website Musically accomplished, for sure, the album Review by Jack Foley z Buy it » Tickets is also fairly bland. It may hold some appeal IndieLondon Rating: 2.5 out of 5 for fans of acts such as Embrace or even Staying In Crowded House but for all its endeavour, Somewhere Else lacks any real spark. » A/V Room Marillion are, of course, probably still best known for their ’80s hit Kayleigh when » Books Fish was their lead singer. Jon Bon Jovi Jon Bon Jovi concert » DVD But he left the band in 1988 after four albums and was replaced by Steve Hogarth London Tickets now www.epassage24.de » Competitions who helped to redefine the Marillion sound with the help of long-term band members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass) » Galleries and Ian Mosley (drums). Shopping They even launched their own record company, marillion.com, in 1999, taking away any of the pressure of record companies. Watch Fish Videos » Features Your Favorite Artists Unfortunately, Somewhere Else isn’t the LP that’s going to catapult them to the On-Demand. -
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer. -
12Th Mar ID Artist Title Price Vinyl Sleeve Comment
12th Mar ID Artist Title Price Vinyl Sleeve Comment New in D08G305 10cc HOW DARE YOU! £8.00 1976, gatefold cover, original liner sleeve and press release. New in D08G304 10cc THE ORIGINAL SOUNDTRACK £10.00 VG+ Near mint 1975, gatefold cover and lyric insert. D08H49 ABBA GREATEST HITS £12.00 Near mint Near mint Fabulous copy, looks unplayed D08H52 ABBA SUPER TROUPER £10.00 Near mint Near mint Great copy, looks unplayed D08H46 ABBA THANK YOU FOR THE MUSIC £8.00 Near mint Near mint Great copy, looks unplayed D08H203 ABBA THE SINGLES £10.00 VG++ VG+ Great double D08H48 ABBA VOULEZ-VOUS £8.00 Near mint Near mint Great copy, looks unplayed D08G74 ABBA ARRIVAL £8.00 VG++ VG 1976, great copy! D08H318 ABC THE LEXICON OF LOVE £8.00 VG+ VG+ Nice copy D08H382 ABC THE LEXICON OF LOVE £10.00 Near mint VG+ Great copy D08H319 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £10.00 VG+ VG 1980 D08H320 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £12.00 VG+ VG+ Includes catalog insert D08H174 AGNETHA FALTSKOG WRAP YOUR ARMS AROUND ME £6.00 Near mint VG+ 1983 copy, looks unplayed D08G117 AL JARREAU WE GOT BY £8.00 VG++ VG+ 1975, original photo and press release repros. D08G145 ALICE COOPER FOUR TRACKS FROM £6.00 Near mint Near mint Four-track 12" single, 1977. D08G143 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, originl liner sleeve. Appears unplayed! D08H306 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, great copy D08H145 ALICE COOPER GREATEST HITS £15.00 VG+ Near mint 1974 compilation. -
Marillion.Htm
http://www.altatensione.it/marillion.htm MARILLION Abbiamo incontrato a Milano una band in salute, che ha fatto la storia del prog, ma che ora cerca di allontanarsi dal solito "clichè", per approdare ad altri lidi...lontano dalle major e con l'aiuto del web e dei fans. Articolo e reportage di Lory Lorena, foto e filmato di John Lorena. La storia dei Marillion inizia nel 1978, un anno durante il quale la scena musicale internazionale vive una rivoluzione clamorosa, con la nascita di fenomeni effimeri tra i quali spicca il movimento punk. E' il periodo in cui tramonta più o meno definitivamente un particolare discorso musicale intrapreso da diversi anni e denominato "rock progressivo" o, in taluni casi, "rock romantico". Nonostante la confusione e il cambiamento che pervade il panorama internazionale, nasce in Inghilterra un gruppo chiamato Silmarillion, il fondatore di questo nucleo di "avventurieri nostalgici", è Mick Pointer, batterista proveniente da Bicks e attualmente leader del gruppo new-progressive Arena. L'intento iniziale è costituire una band strumentale. Dopo un inizio stentato, Pointer e il bassista Doug Irvine devono già ricominciare a cercare nuovi musicisti, in quanto il chitarrista e il tastierista precedenti decidono di andarsene quasi immediatamente. Ai tanti annunci pubblicati sui comuni giornali musicali risulta particolarmente interessato un certo Steven Thomas Rothery, chitarrista originario dello Yorkshire, nato il 25 novembre 1959 e proveniente da esperienze con i Dark Horse e i Purple Haze. L'arrivo di Rothery, insieme all'ingaggio di tale Brian Jelliman alle tastiere, apporta nuova linfa vitale alla rischiosa attività intrapresa e i quattro decidono di continuare. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.