DOCSLIB.ORG

Skylight Glass Keep It Glassy TM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Skylight Glass Keep It Glassy TM SkyLight Glass Keep It Glassy TM Group #13 Ben Farris 一 Computer Engineering Paul Fedi 一 Electrical Engineering Blake Loeb 一 Computer Engineering William Tyback 一 Computer Engineering Table of Contents 1. Executive Summary................................................................................................... 1 2. Project Narrative........................................................................................................ 2 2.1. Motivation...................................................................................................... 2 2.2. Project Goals and Objectives......................................................................... 2 2.3. Marketing and Engineering Requirements.................................................... 3 2.4. House of Quality............................................................................................ 4 2.5. Block Diagram of the System........................................................................ 5 2.6. Preliminary Sketches of the System.............................................................. 5 3. Research and Strategic Part Selection........................................................................7 3.1. Related Technologies..................................................................................... 7 3.1.1. Smart Glass........................................................................................ 7 3.1.1.1. Active Smart Glass................................................................ 7 3.1.1.2. Passive Smart Glass............................................................... 13 3.1.2. Light Emitting Diodes (LED)............................................................ 15 3.1.2.1. Dual In-Line Package (DIP).................................................. 19 3.1.2.2. Surface Mounted Devices (SMD).......................................... 20 3.1.2.3. Chip on Board (COB)............................................................ 21 3.1.3. Power Supply Concepts..................................................................... 21 3.1.4. Power Control.................................................................................... 23 3.1.5. Light Control Considerations............................................................. 25 3.1.5.1. Sunlight.................................................................................. 26 3.1.5.2. Internet Data...........................................................................27 3.1.5.3. Light Sensors......................................................................... 27 3.1.6. Temperature Considerations.............................................................. 30 3.1.6.1. Temperature Sensors.............................................................. 31 3.1.7. Real Time Clock................................................................................ 33 3.1.7.1. MCP7940M........................................................................... 34 3.1.7.2. AB-RTCMC........................................................................... 35 3.1.7.3. DS1307.................................................................................. 35 3.1.8. Keypad............................................................................................... 35 3.1.8.1. Keypad Analysis.................................................................... 36 3.1.9. Microcontroller Options.................................................................... 38 3.1.9.1. Architecture........................................................................... 38 3.1.9.2. MSP430FG4618.................................................................... 39 3.1.9.3. CC2640RF............................................................................. 40 3.1.9.4. CC3200.................................................................................. 41 3.1.9.5. ATmega328P......................................................................... 42 3.1.10. Microcontroller Software................................................................... 43 3.1.10.1. Code Composer Studio.......................................................... 43 3.1.10.2. Arduino IDE...........................................................................43 3.1.11. Bluetooth and Wireless Communication........................................... 44 3.1.11.1. Serial Communication........................................................... 44 3.1.11.2. Bus Contention...................................................................... 44 i 3.1.11.3. Serial vs Parallel Communication.......................................... 45 3.1.11.4. Synchronous vs. Asynchronous Communication.................. 45 3.1.11.5. Implementation of Asynchronous Technology...................... 46 3.1.12. Bluetooth Module.............................................................................. 47 3.1.12.1. Hardware for Data Transfer................................................... 48 3.1.12.2. UART..................................................................................... 49 3.1.12.3. Bluetooth Features................................................................. 50 3.1.12.4. Power Consumption............................................................... 51 3.1.12.5. Breakout Boards and Bluetooth............................................. 52 3.1.13. Bluetooth Software............................................................................ 52 3.1.13.1. Pairing.................................................................................... 53 3.1.13.2. Permissions for Bluetooth Application Software.................. 53 3.1.13.3. Setting Up Bluetooth............................................................. 54 3.1.13.4. Finding SkyLight Glass via Bluetooth................................... 54 3.1.13.5. Master and Slave Piconet....................................................... 56 3.1.14. Smartphone Application.................................................................... 56 3.2. Major Part Selection...................................................................................... 58 3.2.1. Smart Film Vendors........................................................................... 58 3.2.1.1. Smart Tint® by Smart Tint, Inc............................................. 58 3.2.1.2. SONTE Film by SONTE....................................................... 59 3.2.1.3. InvisiShade 4.0 by InvisiShade™.......................................... 60 3.2.1.4. Polyvision™ by Polytronix™................................................ 61 3.2.2. Smart Film Selection..........................................................................62 3.2.3. LED Vendors..................................................................................... 64 3.2.3.1. 6W E27 LED Bulbs by LEDENET®.................................... 64 3.2.3.2. 2 Chip SMD LED Light Strip by Super Bright LEDs, Inc... 64 3.2.4. LED Selection.................................................................................... 65 3.2.5. Relay Selection.................................................................................. 67 3.2.6. Power Component Selection.............................................................. 68 3.2.7. Light Sensor Selection....................................................................... 70 3.2.8. Temperature Sensor Selection........................................................... 70 3.2.9. Real Time Clock Selection................................................................ 71 3.2.10. Microcontroller Selection.................................................................. 72 3.2.11. Bluetooth Module Selection.............................................................. 74 3.3. Major Component Overview......................................................................... 75 4. Standards and Constraints.......................................................................................... 77 4.1. Standards........................................................................................................ 77 4.1.1. UL Standard UL8750......................................................................... 77 4.1.2. IEEE PAR1789.................................................................................. 78 4.1.3. IEEE 802.15.1: Bluetooth.................................................................. 80 4.1.4. IEEE 802.15.1: WPAN...................................................................... 83 4.1.5. TIA RS-232 UART Serial Communication....................................... 87 4.1.6. IPC-7251 Standards........................................................................... 88 4.2. Design Constraints......................................................................................... 88 ii 4.2.1. Power................................................................................................. 88 4.2.2. Bluetooth…………............................................................................ 89 4.2.3. Ethical, Social, and Political.............................................................. 90 4.2.4. Health and Safety............................................................................... 90 4.2.5. Economics and Time……..................................................................91 5. Subsystem Design and Testing.................................................................................. 93 5.1. LED Subsystem............................................................................................
Load more

Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • IN the NEXT ROOM Or the Vibrator Play
    47th Season • 447th Production JULIANNE ARGYROS STAGE / SEPTEMBER 26 - OCTOBER 17, 2010 David Emmes Martin Benson PRODUCING aRTISTIC DIRECTOR aRTISTIC DIRECTOR presents IN THE NEXT ROOM or the vibrator play BY Sarah Ruhl John Arnone David Kay Mickelsen Daniel Ionazzi Jim Ragland SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINaL MUSIC/SOUND DESIGN Philip D. Thompson Jackie S. Hill Kathryn Davies* DIaLECT COaCH PRODUCTION MaNaGER STaGE MaNaGER DIRECTED BY Casey Stangl Jean and Tim Weiss HONORaRY PRODUCERS Original Broadway Production by Lincoln Center Theater, New York City, 2009. IN THE NEXT ROOM or the vibrator play was originally commissioned and produced by Berkeley Repertory Theatre, Berkeley, CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director. IN THE NEXT ROOM or the vibrator play was developed at New Dramatists. IN THE NEXT ROOM or the vibrator play is presented by special arrangement with SAMUEL FRENCH, INC. In the Next Room • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Catherine Givings .......................................................................... Kathleen Early* Dr. Givings ...................................................................................... Andrew Borba* Annie ...................................................................................................... Libby West* Sabrina Daldry ................................................................................. Rebecca Mozo* Mr. Daldry ..........................................................................................
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]
  • Lantern Theater Company Presents the Philadelphia Premiere of Hapgood by Tom Stoppard, September 6 – October 14, 2018
    St. Stephen’s Theater • 10th & Ludlow Streets • Philadelphia, PA 19107 Mailing Address: P.O. Box 53428 • Philadelphia, PA 19105-3428 215.829.9002 • Box Office: 215.829.0395 • www.lanterntheater.org Media Contact: Anne Shuff, Finance & Communications Consultant [email protected] or (215) 888-6220 Online Press Room & Photo Downloads: www.lanterntheater.org/press Join the Conversation Online: #HapgoodLTC Lantern Theater Company Presents the Philadelphia Premiere of Hapgood by Tom Stoppard, September 6 – October 14, 2018 Stoppard’s Masterful Blend of Spy Thriller, Quantum Physics, and Motherhood Launches the Lantern’s Ambitious 25th Anniversary Season PHILADELPHIA (September 6, 2018) – Lantern Theater Company kicks off its 2018/19 season with the regional premiere of Hapgood by Tom Stoppard. Longtime Lantern artistic collaborator Peter DeLaurier will direct a cast that includes McKenna Kerrigan as MI5 spymaster Elizabeth Hapgood, with Damon Bonetti, Kirk Wendell Brown, Trevor William Fayle, Christopher Patrick Mullen, Adam Phelan, David Pica, William Zielinski, and young actors Charles LaMonaca and Will Zielinski, who will share the role of Hapgood’s son Joe. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, September 12 at 7 p.m. by contacting Anne Shuff at [email protected]. Performances run Thursday, September 6 through Sunday, October 14, 2018; a full schedule of performances and related special events is included in the fact sheet below. Tom Stoppard refers to Hapgood as his “plot play.” Showcasing the prolific playwright’s characteristic wit, verve, and deft wordplay, Russian espionage collides with particle physics in a mesmerizing journey through a wildly complex counterintelligence operation – and absolutely nothing is what it appears to be.
    [Show full text]
  • Skylight by David Hare Award Winning Best New Play
    Pupi Avati IET- Independent English Theatre, with the patronage of the British Embassy in Rome, The Department of Culture and the National Academy Silvio D’Amico presents A special charity performance of Skylight by David Hare Award winning Best New Play Where politics and pride divide, can love unite? On Tuesday 27th March, Independent English Theatre is proud to host a fundraiser for FAO’s TeleFood projects. Starting at 8:30pm the foyer of the Teatro dell’Orologio, IET will serve refreshments, courtesy of Trattoria Luzzi, so that patrons may make a donation to this worthy cause. Skylight tickets have been reduced to E14 for this night only, in honour of the event. Since 1997, the TeleFood initiative has enriched the lives of many people in the developing world. By financing small scale projects, the initiative helps families and farmers communities produce more food and generate cash income, for better access to food. David Hare’s Skylight, winner of the Olivier Award for Best New Play (1996), explores the highly charged relationship of Tom and his former lover Kyra and an unexpected reunion which ignites both passion and their long-standing ideological differences. Skylight is currently playing at the Teatro dell’Orologio-Sala Grande - Via dei Fillippini, 17a until 1st April, in English. “Theatre going today doesn’t get much better than this” - N.Y. Post Directed by Psyche Stott, Cast: Sandra Paternostro, Rinaldo Rocco, Vico De Carle Set Design by Ciro Paduano, Costumes by Alessandro Bentivegna, Lighting by Aurelio Rizzuti & Raffaele Furno, Composer Fabrizio Gatti, Skylight is comprised of a group of experienced international artists.
    [Show full text]
  • Skylight David Hare’S Tony & Olivier Award-Winning Tumultuous Romance Is the Second Show in Chance Theater’S 21St Anniversary Season
    FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar Listings Chance Theater proudly presents Skylight David Hare’s Tony & Olivier Award-winning tumultuous romance is the second show in Chance Theater’s 21st Anniversary Season April 4, 2019 Anaheim, California Chance Theater, Anaheim’s official resident theater company, is delighted to … … present David Hare’s celebrated drama, Skylight. Written by David Hare and directed by Chance Theater’s Artistic ​ ​ Director, Oanh Nguyen, Skylight will preview from April 19th through April 26th; with regular performances beginning ​ ​ ​ ​ April 27th and continuing through May 19th on the Cripe Stage at the Bette Aitken theater arts Center. ​ ​ On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Can they find their way back to each other, or has the time for their tumultuous romance reached its end? Recommended for ages 13 and up. Contains adult language. “Theatregoing doesn’t get much better than this” – New York Post ​ “Absolutely splendid” – New York Times ​ ​ ​ ​ ** Olivier Award Winner - Best Play ** Tony Award Winner - Best Revival Skylight premiered in May 1995 at the Cottesloe Theatre, National Theatre, directed by Richard Eyre and starring ​ Michael Gambon and Lia Williams. This is the production that won the Olivier for Best Play. In 2015, there was a highly lauded Broadway revival with Bill Nighy and Carey Mulligan that won the Tony Award for Best Revival.
    [Show full text]
  • The Judas Kiss
    2016 BAM Winter/Spring #TheJudasKiss Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Judas Kiss BAM Harvey Theater May 11—14, 17—21, 24—28 & 31, Jun 1—4, 7—11 at 7:30pm; May 14, 21, 28, Jun 4 & 11 at 2pm; May 15, 22, 29, Jun 5 & 12 at 3pm Running time: approx. two hours & 20 mins. including intermission Written by David Hare Directed by Neil Armfield Chichester Festival Theatre in association with Robert Fox, Theatre Royal Bath Productions, and Hampstead Theatre Productions Season Sponsor: Set design by Dale Ferguson Costume design by Sue Blane Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation Lighting design by Rick Fisher The Francena T. Harrison Foundation Trust Sound design by Paul Groothuis Donald R. Mullen Jr. Original Casting Director Cara Beckinsale CDG The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund Composed by Alan John The SHS Foundation The Shubert Foundation, Inc. Additional support provided by Broadway Stages. The Judas Kiss FOR THE JUDAS KISS General manager Kathy Bourne Associate director Jonathan O’Boyle Costume supervisor Allan Watkins Co-Costume supervisor/Wardrobe mistress Josie Thomas Wigs supervisor Helen Keelan Associate lighting Andrew Murrell Associate sound David Gregory Production manager Simon Marlow Production carpenter Micky Murray Company stage manager Ba Penney Deputy stage manager Sophia Dalton Canadian assistant stage manager Kathleen Harrison Rehearsal assistant stage manager Paul Puttock American stage manager R.
    [Show full text]
  • The Breath of Life Opening
    PRESS CONTACT: Kate Kerns 503.445.3715 [email protected] MEDIA RELEASE PORTLAND FAVORITES GRETCHEN CORBETT AND SHARONLEE MCLEAN STAR IN DAVID HARE’S SARDONIC DRAMA, THE BREATH OF LIFE “One of Hare’s finest ... bitingly funny … deeply affecting.” -The Daily Telegraph Previews Begin May 4 | Opening Night is May 10 | Closes June 16 Tickets start at $25 April 5, 2019 — PORTLAND, OR. Portland favorites Gretchen Corbett and Sharonlee McLean take the stage beginning May 4 to star in David Hare’s The Breath of Life , a two-woman play The Daily Telegraph called “bitingly funny.” When Francis Beale (McLean) decides she wants one last word with her ex- husband’s ex-lover (Corbett), both women are forced to confront their past, their failed relationships, dashed ideals and the lens through which they choose to view their futures. Ken Rus Schmoll (readings in six of the last ten JAW Festivals at The Armory, productions at Playwrights Horizons and New York Theatre Workshop) will direct. Corbett (One Flew Over the Cuckoo’s Nest , 2018 JAW Festival at The Armory) initially proposed this nuanced, character-driven play to Portland Center Stage at The Armory and did an early reading of the script with McLean ( The Receptionist and 25 others at The Armory). “It’s like doing Shakespeare, or Checkhov,” Corbett said of Hare’s script in a recent Artslandia interview. “He’s a spectacular writer, and that you get that opportunity to work with a really accomplished writer — as an actor — it’s such a privilege … He’s a funny, smart playwright.” “It’s hard,” McLean said of tackling this script.
    [Show full text]
  • Skylight by David Hare Skylight
    Read Ebook {PDF EPUB} Skylight by David Hare Skylight. Kyra is a young teacher working and living in one of London's less attractive districts. Tom's wife has recently died of cancer: he is a wealthy entrepreneur and Kyra's former lover. On a cold winter night Tom's teenage son, Edward, calls on the young teacher to beg her to be reconciled with his father. Tom himself arrives, wishing to expiate his guilt and renew his lust. Kyra complies, sort of, until the debate soars and the insults fly in a way that makes you wish your own kitchen-table tiffs were half as brutal, half as civilised. David Hare's passionate play is sharp and satisfying, an impassioned head-on collision of values and confused desires. Author David Hare. Sir David Hare (b 1947) Hare was born in Bexhill, East Sussex into a family with no tradition in theatre but which was keen for him to better himself through education, with the goal of becoming a chartered accountant. He has written little of his family and childhood except to record that Bexhill in the Fifties was "incredibly dull". In 1970 his first play 'Slag' was performed at the Hampstead Theatre Club and a year later he first worked at the National Theatre, beginning one of the longest relationships of any playwright with a contemporary theatre. Through the 1970s he also ran a touring theatre company working with a number of other writers and then in 1978 wrote 'Plenty', his most ambitious play to date which was almost universally panned by the London critics.
    [Show full text]
  • Research and Practice for Fall Injury Control in the Workplace Research and Practice for Fall Injury Control in the Workplace
    Disclaimer: These proceedings do not constitute endorsement of the views expressed or recommendations for the use of any commercial product, commodity, or service mentioned by the National Institute for Occupational Safety and Health (NIOSH). The opinions and conclusions expressed in the presentations and report are those of the authors and not necessarily those of NIOSH. All conference presenters were given the opportunity to review and correct statements attributed to them within this report. Recommendations are not final statements of NIOSH policy or of any agency or individual involved. They are intended to be used in advancing the knowledge needed for improving worker safety. 2 Research and Practice for Fall Injury Control in the Workplace Research and Practice for Fall Injury Control in the Workplace: Proceedings of International Conference on Fall Prevention and Protection Research and Practice for Fall Injury Control in the Workplace 3 This document is in the public domain and may be freely copied or reprinted. Disclaimer Mention of any company or product does not constitute endorsement by the National Institute for Occupational Safety and Health (NIOSH). In addition, citations to Web sites external to NIOSH do not constitute NIOSH endorsement of the sponsoring organizations or their programs or products. Furthermore, NIOSH is not responsible for the content of these Web sites. All Web addresses referenced in this document were accessible as of the publication date. Ordering Information To receive documents or other information about occupational safety and health topics, contact NIOSH at Telephone: 1-800-CDC-INFO (1-800-232-4636) TTY: 1-888-232-6348 E-mail: [email protected] or visit the NIOSH Web site at www.cdc.gov/niosh.
    [Show full text]
  • Production Images Released for Racing Demon at Theatre Royal Bath
    PRODUCTION IMAGES RELEASED FOR RACING DEMON AT THEATRE ROYAL BATH PRODUCTION IMAGES RELEASED FOR RACING DEMON BY DAVID HARE, DIRECTED BY JONATHAN CHURCH THE PRODUCTION WILL STAR OLIVIER AWARD WINNER DAVID HAIG RACING DEMON WILL RUN AT THEATRE ROYAL BATH UNTIL SATURDAY 8 JULY IMAGES AVAILABLE TO DOWNLOAD HERE Production images have today been released for David Hare’s Racing Demon, directed by Jonathan Church, which plays at Theatre Royal Bath until Saturday 8 July, with opening night on Wednesday 28 June. Olivier Award-winner David Haig will star as Lionel Espy in the multi-award winning play. He will be joined by Sam Alexander, Michelle Bonnard, Anthony Calf, William Chubb, Paapa Essiedu, Andrew Fraser, Ian Gelder, Rebecca Night, Amanda Root and Ashley Russell. Four clergymen seek to make sense of their mission in inner-city London whilst facing their own personal crises. There’s Lionel Espy, a cleric whose faith is wavering as his parishioners dwindle; tabloid-hounded gay vicar Harry Henderson; ‘Streaky’ Bacon, a genial reverend with a taste for tequila, and a charismatic young curate, Tony Ferris whose arrival is set to fan the flames, whilst his sexual relationship with his lover turns to ash. The day of judgement is at hand for all. Racing Demon is the first production in Jonathan Church’s inaugural season as Artistic Director of Theatre Royal Bath’s annual Summer Season. The programme of five plays will also include Sand in the Sandwiches by Hugh Whitemore from Tuesday 11 July – Saturday 15 July, the UK Premiere of Alfred Hitchcock’s North by Northwest from Friday 21 July – Saturday 12 August, Looking at Lucian by Alan Franks from Thursday 3 August - Saturday 2 September and Alan Bennett’s The Lady in the Van from Wednesday 16 August – Saturday 2 September.
    [Show full text]