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Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
The Avant-Garde 15
CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995. -
The Improvisational Style of Steve Lacy: Analyses of Selected Transcriptions (1957-1962)
OSTERCAMP, NEIL LEWIS, D.M.A. The Improvisational Style of Steve Lacy: Analyses of Selected Transcriptions (1957-1962). (2018) Directed by Dr. Steven Stusek. 44 pp. This document investigates and draws conclusions regarding the improvisational style of Steve Lacy between 1957 and 1962 based on improvised solos from the albums Soprano Sax, Reflections, and Evidence. His improvisational tendencies are inspected through detailed analysis of transcriptions. Specifically, his melodic and harmonic approach, tone (timbre, articulation, tessitura), and use of rhythm will be unpacked. Lacy is widely considered a leading force in jazz improvisation, and yet there are no comprehensive studies of his style. He is often referenced because of the rarity of his instrument, and not the unique character of his improvisation. Due to the vast amount of musical output, only the early part of Lacy’s career will be considered. My objectives include the gathering of biographical information, transcription and analysis of selected solos during the given time period, and the formulation of conclusions that give a clear definition of Lacy’s playing style based on melodic and harmonic approach, use of rhythm, and tone. Melodic and harmonic approach includes the explanation of voice leading, chord-scale relationships, and musical vocabulary. Use of rhythm will be examined through swing feel, phrasing, and recurring tendencies. Tone is described based on musical elements such as timbre, articulation, and tessitura. During the given time period, Lacy’s improvisational style is consistent in regard to melodic and harmonic approach, tone, and use of rhythm. Despite the fact that his career as a solo artist was in its infancy, he had already established a personal style. -
Flow, Gesture, and Spaces in Free Jazz
Computational Music Science Flow, Gesture, and Spaces in Free Jazz Towards a Theory of Collaboration Bearbeitet von Guerino Mazzola, Paul B. Cherlin 1. Auflage 2009. Buch. xiii, 152 S. Hardcover ISBN 978 3 540 92194 3 Format (B x L): 15,5 x 23,5 cm Gewicht: 403 g Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikwissenschaft Allgemein > Musiktheorie, Musikästhetik, Kompositionslehre Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. 2 Jazz in Transition All of a sudden it became obvious that the battlefronts had reversed themselves under the onslaught of Free Jazz: under the impact of this music even the most experimental serial, aleatoric and electronic works, now, belongs into the fixed world of the establishment. Joachim Ernst Berendt, liner notes to Archie Shepp’s LP Life at the Donaueschingen Music Festival [92] 2.1 Archie Shepp’s Outside Performance at the Donaueschingen Musiktage 1967 Archie Shepp’s memorable three-hour concert on October 21, 1967, at the famous Donaueschingen Musiktage (released as LP [92], part I: 22:00, part II: 21:45 (figure 2.1) was entitled One for the Trane, referring to ‘the father of them all’ John Coltrane, who had passed away from liver cancer in July. Shepp’s exquisite quintet featured trombonists Roswell Rudd and Grachan Moncur, Jimmy Garrison on bass, and drummer Beaver Harris. -
Cecil Taylor: Life As
Cecil Taylor: Life As... Structure within a free improvisation Kaja Draksler Trboje, Slovenia, june 2013 Cecil Taylor: Life As... Structure within a free improvisation Acknowledgements! 2 Introduction! 3 Biography and influences! 4 Biography! 4 Influences! 5 Cecil Taylor: Life As... (Momentum Space, Verve 1999)! 8 Language! 8 Four main behaviors! 8 Intervals! 16 Register! 18 Rhythm! 18 Expression Tools! 21 Dynamics! 21 Pedaling! 22 Personal technique! 24 Structure! 28 Introduction! 29 Development! 30 Recapitulation! 35 Implications of tonalities! 37 Notation and its relation to music! 40 Cecil Taylor’s relationship with the European classical music! 42 Conclusion! 45 Sources! 47 Appendix! 50 2 Acknowledgements The majority of the material in this research, was written for my master’s degree thesis, during the study of classical composition at the Conservatorium van Amsterdam. The research coordinator was Michiel Schuijer and the external advisor was Vijay Iyer. The original work has been revised and enriched, resulting in the version you are about to read. I wish to express my deepest gratitude to my mentor Vijay Iyer for his enthusiasm, support, guidance and advising. His precious insights were essential for this research. I would like to extend my sincere thanks to Trevor Grahl for the language revision and refinements made to the text. Finally, my heartfelt thanks to George Dumitriu for his care, encouragement and understanding. 3 Introduction “To play with Cecil Taylor, you need the stamina of an athlete and the imagination of a God!” (Tony Oxley in an interview with Panken, 2001) Cecil Taylor’s free improvisations are beautifully structured compositions. The material Taylor is using is pre-considered and fairly restricted; therefore, cohesive and at the same time, colorful and varied. -
In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue Carmen Bradford Jay Clayton Bruce Ditmas George Gruntz John McLaughlin Dennis Mackrel Pete LaRoca Buster Williams art pepper on vinyl Cafe society book review Volume 39 Number 2 April may june 2013 MAKAYA MCCRAVEN DRUMS ANDREW TOOMBS PIANO TIM SEISSER BASS “a fresh take on the age-old piano trio, catapulted by McCraven’s propulsive percussion into an orbit that few first-time groups ever achieve.”– Neil Tesser AARON KOPPEL GUITAR MATT NELSON PIANO, RHODES, HAMMOND B-3 GRAHAM CZACH BASS ROBERT TUCKER DRUMS HHHH “There’s always a twist when the forward-thinking guitarist Aaron Koppel is in the picture... The band knows how and where to take chances.” – Jon Ross, Downbeat Available at : CDBaby, iTunes, Amazon ChicagoJazz.com & everywhere www.chicagosessions.com 2013 RELEASES ON SLAM "DAY FOR NIGHT AT JACK STraW" David Haney piano, Julian Priester trombone, Buell Neidlinger bass. Marc Smason trombone, shofar, Doug Haning contra alto clarinet, Dan Blunck tenor sax and flute, Frank Clayton bass, Juan Pablo Carletti drums. "JUST FLUX" “FREE-DOT”, the duo of Antonio Cotardo flutes, voice, bells, piano and Paolo Pacciolla drums, berimbao, mbira, voice, Jew’s harp, household percussion, piano. "RENEGADE" Esmond Selwyn guitar, Paul Sawtell keyboards, Bill Coleman bass, Tony Richards drums DOUBLE CD SLAMCD 291 www.slamproductions.net [email protected] 8 | CADENCE MAGAZINE | APRIL MAY JUNE 2013 June 12 - 16, 2013 Milford Graves — a Lifetime of Achievement Roulette 509 Atlantic Avenue -
The Use of Two Basses in the Jazz Avant-Garde of the 1960S
UNIVERSITY OF CALIFORNIA SAN DIEGO Double Down ! : The Use Of Two Basses in the Jazz Avant-Garde of the 1960s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts in Contemporary Music Performance by Thomas Andrew Babin Committee in Charge : Professor Mark Dresser, Chair Professor David Borgo Professor Anthony Davis Professor Victoria Petrovich Professor Stephanie Richards 2021 Copyright, Thomas Andrew Babin, 2021 All Rights Reserved The dissertation of Thomas Andrew Babin is approved, and it is acceptable in quality and form for publication on microfilm and electronically. University of California, San Diego 2021 iii TABLE OF CONTENTS Dissertation Approval Page. ........................................................................................ iii Table of Contents ..................................................................................................... iv List of Figures ............................................................................................................ v List of Supplemental AudioFiles ................................................................................. vii Acknowledgements ................................................................................................ ix Vita ........................................................................................................................... x Abstract 0f the Dissertation ..................................................................................... xi Introduction -
Cecil Taylor, Buell Neidlinger
Cecil Taylor New York City R&B mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: New York City R&B Country: Netherlands Released: 1972 Style: Free Jazz MP3 version RAR size: 1817 mb FLAC version RAR size: 1784 mb WMA version RAR size: 1709 mb Rating: 4.8 Votes: 467 Other Formats: MIDI APE ASF XM WMA TTA MP2 Tracklist Hide Credits O.P. A1 9:08 Written-By – B. Neidlinger* Cell Walk For Celeste A2 11:35 Written-By – C. Taylor* Cindy's Main Mood B1 8:11 Written-By – B. Higgins*, B. Neidlinger*, C. Taylor* Things Ain't What They Used To Be B2 10:04 Arranged By – Buell Neidlinger, Roswell RuddWritten-By – M. Ellington*, T. Persons* Companies, etc. Distributed By – CBS Records Credits Baritone Saxophone – Charles Davis Bass – Buell Neidlinger Design [Cover] – Ron Coro Drums – Billy Higgins (tracks: A1, B1), Dennis Charles* (tracks: A2, B2) Photography By – Leroy McLucas Piano – Cecil Taylor Producer, Liner Notes – Nat Hentoff Soprano Saxophone – Steve Lacey* (tracks: B2) Supervised By [Re-issue] – Jon Waxman Tenor Saxophone – Archie Shepp Trombone – Roswell Rudd (tracks: A2) Trumpet – Clark Terry (tracks: B2) Notes Recorded January 9th and 10th, 1961, N.Y.C. Previously unreleased recordings Barcode and Other Identifiers Rights Society: STEMRA Matrix / Runout: 64723 - A Matrix / Runout: S 64723 - B Other versions Category Artist Title (Format) Label Category Country Year Cecil Taylor, Buell Cecil Taylor, Barnaby KZ 31035 Neidlinger - New York KZ 31035 US 1972 Buell Neidlinger Records City R&B (LP, Album) Cecil Taylor - Buell Cecil Taylor -
ERROLL GARNER by Mimi Clar
how many of these great CONTEMPORARY ALBUMS are in your collection ROUNDS! nrT?TF N,EHAUS UCTET.^ mm C3540 Niehaus, one of the top alto men in jazz, long time leader of the Kenton sax section, stars with two swinging C3538 Red Mitchell, one of the nation's Octets featuring such famous jazzmen favorite bassists, in a swinging program as Bill Perkins, Pepper Adams, Shelly C3542 Leroy Vinnegar, a bass player who of modern jazz classics by Parker, Roll• Manne, Frank Rosolino, Mel Lewis, Jack "walks the most!" presents his first album ins, etc. New star James Clay plays tenor Montrose, Red Mitchell, Lou Levy, the as a leader. Featured on a selection of & flute, with Lorraine GelLer, piano, and late Bob Gordon, etc. standards with a walking motif ("I'll Billy Higgins, drums. Mitchell's bass solos Walk Alone," "Walkin' My Baby Back are standouts! Home," "Would You Like To Take a Walk," etc.) are Teddy Edwards, tenor, Gerald Wilson, trumpet, Victor Feldman, vibes, the late Carl Perkins, piano, and Tony Bazley, drums. You get more , %i bounce with Curtis \ CounceL5i temporary C3544 Bob Cooper's extended "Jazz Theme & Four Variations" is a major work by C3539 The Curtis Counce Group comes up a major jazzman. Side two features with some West Coast "cooking." Tasty, Coop's tenor in swinging combo perform• with plenty of funk and soul. Bassist ances (including an intriguing "Frankie Counce's group includes ace tenorman & Johnny") with Victor Feldman, Frank C3541 Vibist, pianist, drummer, composer- Harold Land, trumpeter Jack Sheldon, Rosolino, and an all-star rhythm section: arranger Feldman is the most important the late Carl Perkins on piano, and the ianist Lou Levy; Max Bennett, bass; Mel British import in the fleld of modern jazz. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas -
Bob Dorough Bruce Forman David Haney Gordon Lee Hugh Masekela Glen Moore and David Friesen Byron Morris Buell Neidlinger Brian Smith Joe Rosenberg Greg Tardy
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Bob Dorough Bruce Forman David Haney Gordon Lee Hugh Masekela Glen Moore and David Friesen Byron Morris Buell Neidlinger Brian Smith Joe Rosenberg Greg Tardy International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 2 April, May, June 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU AbeatRecordsBNtraccia.indd 1 14/03/16 10:56 ✧ ✧ CraftyRebecca compositions, flawless TheKilgore original material is a departure from “performances, and hearts full of “Ms. Kilgore’s customary repertoire joy make...Moonshadow Dance an from the Great American Songbook. Her incredibly enjoyable album.” musicianship and that of the accompanying ~Travis Rogers, Jr. musicians make it a success.” The Jazz Owl ~Doug Ramsay Rifftides MOONSHADOW DANCE Introspective, “enchanting, and intimate.” with ~Susan Frances Randy Porter, piano AXS Entertainment Tom Wakeling, bass Todd Strait, drums ...a winner Rebecca Kilgore, Mike Horsfall and Israel Annoh, percussion “throughout...” and Ellen Vanderslice have Dan Balmer, guitar ~Chris Spector teamed up to write new songs. Steve Christofferson, melodica Marco DeCarvalho, guitar Midwest Record David Evans, tenor sax Mike Horsfall, vibes Tim Jensen, flute It’s a very rewarding CD, John Moak, trombone “full of small sweet/tangy Dick Titterington, flugelhorn surprises. I predict that Plus special guest vocalist some of the ‘new’ songs will SUSANNAH MARS become memorable friends in one or two listenings.” ~Michael Steinman Jazz Lives Like -
CHRISTMAS SPECIAL XANADU MASTER SERIES OFFER Price Reduced Until January 15Th 2018
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