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The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
JURIED AWARDS June Foray I Winsor Mccay I Ub Iwerks I Special Achievement I Certificate of Merit
JURIED AWARDS June Foray I Winsor McCay I Ub Iwerks I Special Achievement I Certificate of Merit Named in honor of animator Winsor McCay, best known as a prolific artist and pioneer in the art of comic strips and animation, the Winsor McCay Award stands as one of the highest honors given to an individual in the animation industry in recognition for career contributions to the art of animation. The following is a list of all past and present Winsor McCay recipients: 1972 Max Fleischer, Dave Fleischer 1973 Walter Lantz 1974 Tex Avery, Friz Freleng, Chuck Jones, Art Babbit, Winsor McCay 1975 Walt Disney, John Hubley, Faith Hubley, Norman McLaren 1976 Robert Cannon, Hugh Harman, Rudolph Ising, Mike Maltese, George Pal, Ward Kimball 1977 Bill Hanna, Joe Barbera, Mel Blanc, Oskar Fischinger, Bill Scott, Milt Kahl 1978 Jay Ward, Ub Iwerks, Dick Huemer, Carl Stalling, Hans Conreid 1979 Clyde Geronomi, Bill Melendez, Mae Questel, Otto Messmer 1980 Ollie Johnston, Frank Thomas, Cal Howard, Paul Julien, La Verne Harding 1981 T. Hee, Bill Peet, Bill Tytla, John Whitney, Ken Harris 1982 Ken Anderson, Bruno Bozzetto, June Foray, Don Graham, Marc Davis 1983 Eric Larson, Fred Moore, Clarence Nash, Wolfgang Reitherman, Leo Salkin, Steven Bosustow, Wilfred Jackson 1984 Daws Butler, David Hand, Jack Kinney, Michael Lah, Robert McKimson, Richard Williams, Hamilton S. Luske 1985 Robert Abel, Preston Blair, Joe Grant, John Halas, Sterling Holloway, Jim McDonald, Phil Monroe, Ben Washam 1986 Frederic Back, Shamis Culhane, William T, Hurtz, Irven Spence, Emery Hawkins, John Lounsbery 1987 Paul Dressien, Jack Hannah, Bill Littlejohn, Maurice Noble, Ken O'Connor 1988 Ralph Bakshi, Bob Clampett, Tissa David, Kihachiro Kawamoto, Virgil Ross 1989-90 Art Clokey, Hicks Lokey, Don Messick, Osamu Tezuka, Lester Novros 1991 Ray Harryhausen, Herb Klynn, Bob Kurtz, Yuri Norstein, Joe Siracusa, Ruth Kissane 1992 Les Clark, Stan Freberg, David Hilberman 1993 George Dunning, Roy E. -
El CINECLUB UNIVERSITARIO Se Crea En 1949 Con El Nombre De “Cineclub De Granada”
La noticia de la primera sesión del Cineclub de Granada Periódico “Ideal”, miércoles 2 de febrero de 1949. El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2018-2019, cumplimos 65 (69) años. 3 ABRIL - MAYO 2019 APRIL - MAY 2019 MAESTROS DEL CINE DE ANIMACIÓN (II): MASTERS OF ANIMATION FILMMAKING (II): LOS UNIVERSOS “MERRIE MELODIES” THE UNIVERSES “MERRIE MELODIES” & “LOONEY TUNES” & “LOONEY TUNES” Viernes 26 abril / Friday 26th april 21 h. FRIGID HARE (Chuck Jones, 1949) Programa nº 1 (1936-1942) [ 70 min. ] FOR SCENT-IMENTAL REASON (Chuck Jones, 1949) RABBIT HOOD (Chuck Jones, 1949) 9 cortometrajes v.o.s.e. / OV film with Spanish subtitles HOMELESS HARE (Chuck Jones, 1950) BUNKER HILL BUNNY (‘Friz’ Freleng, 1950) I LOVE TO SINGA (Tex Avery, 1936) CANARY ROW (‘Friz’ Freleng, 1950) HAVE YOU GOT ANY CASTLES? (Frank Tashlin, 1938) PORKY IN WACKYLAND (Robert Clampett, 1938) THUGS WITH DIRTY MUGS (Tex Avery, 1939) OLD GLORY (Chuck Jones, 1939) Viernes 10 mayo / Friday 10th may 21 h. ELMER’S CANDID CAMERA (Chuck Jones, 1940) Programa nº 4 (1950-1954) [ 70 min. ] YOU OUGHT TO BE IN PICTURES (‘Friz’ Freleng, 1940) 9 cortometrajes HOLLYWOOD STEPS OUT (Tex Avery, 1941) v.o.s.e. / OV film with Spanish subtitles THE HEP CAT (Robert Clampett, 1942) RABBIT OF SEVILLE (Chuck Jones, 1950) RABBIT FIRE (Chuck Jones, 1951) FEED THE KITTY (Chuck Jones, 1952) Martes 30 abril / Tuesday 30th april 21 h. RABBIT SEASONING (Chuck Jones, 1952) DON’T GIVE UP THE SHEEP (Chuck Jones, 1953) Programa nº 2 (1943-1948) [ 70 min. -
A Return to Integrity in Animation a Liberal Arts Approach to Improving the Academic & Spiritual Influence
A Return to Integrity in Animation A Liberal Arts Approach to Improving the Academic & Spiritual Influence of Animated Television Shows for Children Arnulfo M. G. Jacinto, Junior Master of Fine Arts Thesis Liberty University School of Communication & the Arts Department of Studio & Digital Arts A Return to Integrity in Animation: A Liberal Arts Approach to Improving the Academic & Spiritual Influence of Animated Television Shows for Children By Arnulfo M.G. Jacinto, Jr Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Studio Arts at Liberty University __________________________________________________________________ Professor Ronald L. Sumner, Chair __________________________________________________________________ Professor Paul E. Reynolds, Reader __________________________________________________________________ Professor Michael Stephen Glaze, Reader __________________________________________________________________ Professor Todd Smith, Department Chair All Rollerbot characters and images not otherwise designated are the copyrighted property of Arnulfo M.G. Jacinto, Junior with all rights reserved. No part of this book may be reproduced in any form without express written consent of the author, Arnulfo M.G. Jacinto, Junior. ©2021 ObtainingAcknowledgements a high level of academic status is never done alone. This is no exception. There have been many people in my life that have helped me to reach this apex of my academic career. With that being said, there are specific individuals in my life that have impacted my life so dramatically that they must be acknowledged with my deepest gratitude and heartfelt thanks. Without them, this achievement would have never even been possible. To my Heavenly Father With all my heart and soul, I give praise and glory to my Heavenly Father, Jesus Christ, and the Holy Spirit for the talents They have blessed upon me, for keeping me from danger, and guiding me through these nearly six decades that I have been upon this earth. -
Pegboard ANIMATION GUILD and AFFILIATED ELECTRONIC and GRAPHIC ARTS Los Angeles, California, March 2015 Vol
Pegboard ANIMATION GUILD AND AFFILIATED ELECTRONIC AND GRAPHIC ARTS Los Angeles, California, March 2015 Vol. 44, No. 03 IATSE - AMPTP NEGOTIATIONS SET FOR APRIL The IATSE will begin bargaining the tennants of the Hollywood Basic Agreement with the Alliance of Motion Picture and Television Producers (AMPTP) in early April. Two weeks are scheduled for all of the proceedings, but more time could be needed. The Hollywood Basic Agreement is the cornerstone of most of the live-action agreements that exist today, and includes the Motion Picture Industry Pension and Health Plan (MPI). The fi rst week of negotiations will consist of the group of locals comprising the Hollywood Bargaining Unit each taking their turn negotiating their proposals with the producers. The second week will see the IATSE negotiate the tennants of MPI, as well as the remainder of the Hollywood Basic Agreement articles. Following the Basic negotiations, The Animation Guild will bargain our collective agreement with the AMPTP. We anticipate being scheduled approximately three days to negotiate our collective agreement. The Negotiation Committee has met a number of times to formulate proposals that will be used in our discussions. The Guild will soon be sending out a survey that asks members to rate the importance of the proposals that have been discussed, as well as provide others for review and submission. Should you have any suggestions for the committee, feel free to send them to Negotiation Committee Chairmain STEVE HULETT (shulett@animationguild. org) or Guild President JACK THOMAS ([email protected]) for consideration and review. They will bring them to the committee after reviewing with you. -
El Dibujo Animado Americano Un Arte Del Siglo Xx Colección Luciano Berriatúa
EXPOSICIÓN EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA ---------- 1929-1969 Sala Municipal de Exposiciones del Museo de Pasión C/ Pasión, s/n. Valladolid ---------- 1970-2000 Sala Municipal de Exposiciones de la iglesia de las Francesas C/ Santiago, s/n. Valladolid Del 17 de julio al 31 de agosto de 2014 ---------- EXPOSICIÓN: EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA INAUGURACIÓN: 17 DE JULIO DE 2014 LUGAR: SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN C/ PASIÓN, S/N VALLADOLID FECHAS: DEL 17 DE JULIO AL 31 DE AGOSTO DE 2014 HORARIO: DE MARTES A SÁBADOS, DE 12,00 A 14,00 HORAS Y DE 18,30 A 21,30 HORAS. DOMINGOS, DE 12,00 A 14,00 HORAS. LUNES Y FESTIVOS, CERRADO INFORMACIÓN: MUSEOS Y EXPOSICIONES FUNDACIÓN MUNICIPAL DE CULTURA AYUNTAMIENTO DE VALLADOLID TFNO.- 983-426246 FAX.- 983-426254 WWW.FMCVA.ORG CORREO ELECTRÓNICO: [email protected] EXPOSICIÓN COMISARIO EXPOSICIÓN LUCIANO BERRIATÚA COORDINACIÓN DE LA EXPOSICIÓN EN LA SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN JUAN GONZÁLEZ-POSADA M. MONTAJE FELTRERO PROGRAMAS EDUCATIVOS Y VISITAS GUIADAS EVENTO La exposición “EL DIBUJO ANIMADO AMERICANO. UN ARTE DEL SIGLO XX” muestra una gran colección de dibujos originales de los artistas que han diseñado y animado las más importantes producciones de dibujos animados realizadas en EEUU durante el pasado siglo. Se presentan obras de artistas de todos los grandes estudios desde Walt Disney, Fleischer y Paramount, Hanna-Barbera y MGM, Warner, Columbia y Upa, Walter Lantz y Universal, o independientes como Bill Plympton, UbIwerks, Tex Avery, Chuck Jones o Ralph Bakshi. -
Catalog of Copyright Entries 1953 Motion Pictures and Filmstrips Jan
.N'^ CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 o -^ * * ^ COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 CATALOG OF COPYRIGHT ENTRIES Third Series , CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 REMOVAL OF DEPOSITS FROM COPYRIGHT OFFICE NOTICE is given to authors, copyright proprietors and other lawful claimants that they may claim and remove before January 1, 1954, any article of the following named classes of published works deposited for copyright between January 1, 1950, and January 1, 1951, not reserved or dis- posed of as provided by sections 213 and 214 of Title 17 of the United States Code and still remaining in the files of the Copyright Office at the time of the request for their removal. The classes of pubhshed works covered by this notice are: Books and Pamphlets. Contributions to periodicals. Works of art; models or designs for works of art. Reproductions of a work of art. Drawings or plastic works of a scientific or technical char- acter. Photographs. Prints and pictorial illustrations excluding prints or labels used for articles of merchandise. Other published works and all unpublished works are excluded from this notice. The request for the removal of any copyright deposit should be signed by the person entitled thereto or his duly authorised agent. Such request should identify the work by stating the title, author, copyright proprietor, registration number and year of deposit, and should be addressed to the Copyright Office, Library of Congress, Washington 25, D. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Gewalt und Tod im klassischen Hollywood-Cartoon und sein Einfluss auf gegenwärtige Film- und TV- Produktionen“ Verfasser Alexander Feucht angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: ao.Univ.-Prof. Dr. Rainer Maria Köppl Inhalt 1. Einleitung…………………………………………………………………......... 2 2. Geschichte……………………………………………………………………… 4 2.1. Walt Disney…………………………………………………………….. 5 2.2. Warner Brothers……………………………………………………….. 8 2.3. Metro-Goldwyn-Mayer………………………………………………… 11 2.4. Universal……………………………………………………………….. 14 2.5. Paramount/Fleischer/Famous……………………………………….. 16 2.6. Weitere Studios (Ub Iwerks, Terrytoons, Screen Gems, UPA)….. 21 3. Gewalt im Kino………………………………………………………………… 28 3.1. Kriminalfilm……………………………………………………………. 28 3.2. Horrorfilm……………………………………………………………… 29 3.3. New Hollywood/Actionfilm…………………………………………… 33 4. Tod und Gewalt im Zeichentrickkurzfilm…………………………………… 37 4.1. Theoretische Grundlagen…………………………………………… 37 4.2. Gewalt und Fantasie als Mittel der Unterhaltung………………… 44 4.3. Analyse von Filmbeispielen………………………………………… 53 4.3.1. Disney………………………………………………………… 54 4.3.2. Warner Bros…………...…………………………………….. 57 4.3.3. MGM……………………………………………………......... 62 4.4. Der Einfluss klassischer Hollywood-Cartoons auf gegenwärtige Film- und TV-Produktionen ………………………………………… 64 4.4.1. -
Meiermovies Feature Films by Star Rating
MeierMovies Feature Films by Star Rating 5 stars (masterpieces) Oscars Noms Cinema Year Director Writer AFI 100 1. Gone with the Wind * $1 8 (11) ~ 13 (16) 5 1939 Selznick/Fleming/Cukor Howard/Hecht/Zelznick 4 2. 2001: A Space Odyssey 1 4 3 1968 Stanley Kubrick Kubrick/A. Clarke 22 3. Psycho 0 4 3 1960 Alfred Hitchcock Joseph Stefano 18 4. The Sting * 7 10 3 1973 George Roy Hill David Ward 5. One Flew over the Cuckoo’s Nest * 5 9 2 1975 Milos Forman Goldman/Hauben 20 6. The Godfather * 3 9 1 1972 Francis Ford Coppola M. Puzo/Coppola 3 7. Once Upon a Time in the West (165-min version) 0 0 1 1968/69 Sergio Leone S. Donati/Leone 8. The Graduate 1 6 5 1967 Mike Nichols Willingham/Henry 7 9. The Third Man 2 2 1 1949 Carol Reed Graham Greene 57 10. On the Waterfront * 8 12 2 1954 Elia Kazan Johnson/Schulberg 8 11. Modern Times SlWS 0 0 1 1936 Charlie Chaplin Charlie Chaplin 81 12. The Godfather, Part II * 6 11 1 1974 Francis Ford Coppola M. Puzo/Coppola 32 13. Les Enfants du Paradis (Children of Paradise) FL 0 0 1 1945 Marcel Carné Jacques Prevert 14. Wuthering Heights 1 8 1939 William Wyler MacArthur/Hecht 73 15. East of Eden 1 4 1955 Elia Kazan Osborn/Steinbeck 16. Pinocchio 1 2 1940 W. Disney/Sharpsteen/Luske Battaglia/Cottrell 17. Who Framed Roger Rabbit 3 (4) 6 17 1988 Robert Zemeckis/R. Williams J. Price/P. -
Connotations Volume 19 Issue 01
Volume 19, Issue 3 June / July 2009 ConNotations FREE The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society A Conversation with Featured Inside Pete Doctor & Jonas Rivera Regular Features Special Features by Bob LaPierre SF Tube Talk An Conversation with All the latest news about Pete Doctor & Jonas Rivera by Bob LaPierre On Wednesday, Scienc Fiction TV shows by Lee Whiteside April 22, 2009 I Hokey Smoke! was privileged to th Pro Notes It’s the very nearly 50 Anniversary interview Pete of Rocky the Flying Squirrel and Doctor and Jonas News about genre authors and fans Bullwinkle J. Moose Rivera about the By Shane Shellenbarger soon to be released Screening Room movie UP. I, again, An Amercan in New Zealand was part of a Reviews of current theatrical releases by Jeffrey Lu round-table discussion-style Costume Closet Plus interview and we Articles Covering Topics of interest were limited as we in the constuming field CASFS Business Report were the last interview of the Pre-Con News FYI Tidbits about upcoming conventions day. There was © Disney/Pixar News and tidbits of interest to fans some discussion of the previews shown and the rough nature would talk about what we’ve always ConClusion Letter to the Editor of the cuts, including some discussion of wanted to animate and what feels like it News and Reviews how layered these characters were and has potential as a story. We brainstormed of Genre conventions Club Listings how lack of upper layers made the a bunch of stuff and what always characters look very odd.