The Lockdown Quiz

Total Page：16

File Type：pdf, Size：1020Kb

The Lockdown Quiz This simple quiz is all about bands, music and singers. Guess the answer from the criptic clue. Questions Answers 1. The boys in blue 1. The Police 2. In England we sing to save her 2. Queen 3. Where you should direct your sneezes! 3. Elbow 4. Current flow in a circuit 4. AC/DC 5. Too many cars causes this 5. Traffic 6. Weapons and flowers 6. Guns and Roses 7. Tends to have more fun! 7. Blondie 8. Margaret Thatcher was one of these 8. Iron Maiden 9. The three elements 9. Earth, Wind and Fire 10. Scooby Doo’s friend 10. Shaggy 11. Worn on your wrist 11. The Bangles 12. Noisy females 12. Girls Aloud 13. From a wasp, bee or nettle 13. Sting 14. Fast stitching 14. Taylor Swift 15. Well behaved princess 15. Good Charlotte 16. Half a Dollar 16. 50 Cent 17. Similar to Smarties 17. Eminem 18. Parents 18. The Mama’s and Papa’s 19. Child showing adult intelligence 19. The Prodigy 20. Chilly games 20. Cold Play 21. Group of friends on fire 21. Blazin’ Squad 22. Explosive young lady 22. Miss Dynamite 23. Murderers 23. The Killers 24. Spring, Summer, Autumn Winter 24. Four Seasons 25. Diesel powered mind 25. Motorhead Questions Answers 26. Cold marsupials 26. Arctic Monkeys 27. Out of focus 27. Blur 28. Also known as a goat-pea 28. Black Eyed Peas 29. To make the boys wink 29. P!nk 30. Ten divided by two 30. Five 31. German emperor and ruler of the village 31. The Kaiser Chiefs 32. Unsure of your name 32. The Who 33. A unique phase of sleep 33. REM 34. Fertile spot in a desert 34. Oasis 35. The Virgin Mary 35. Madonna 36. Fortress in Paris 36. Bastille 37. Mental images of mystical creatures 37. Imagine Dragons 38. Sharp-edged light 38. Razorlight 39. Hot tasting females 39. Spice Girls 40. Small red berries 40. The Cranberries 41. Four brunettes 41. Four Non Blondes 42. Stag, dung and long-horned 42. The Beatles 43. Metal-bladed siblings 43. Scissor Sisters 44. Soft, wet mash 44. Pulp 45. Big black cloud and lightening 45. Stormzy 46. The only way to go 46. One Direction 47. Crying because you are scared 47. Tears for Fears 48. Add these to make your food hot 48. Red Hot Chilli Peppers 49. As easy as 1, 2, 3 49. ABC 50. Enjoyable mathematics 50. Joy Division If you enjoyed this quiz please make a donation to MS-UK's fundraising appeal Registered Charity Number: 1033731.

Copy Link

Recommended publications

Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release.
[Show full text]
WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
[Show full text]
Global and Country-Specific Mainstreaminess Measures: Definitions, Analysis, and Usage for Improving Personalized Music Recommendation Systems
RESEARCH ARTICLE Global and country-specific mainstreaminess measures: Definitions, analysis, and usage for improving personalized music recommendation systems ☯ ☯ Christine BauerID *, Markus Schedl Institute of Computational Perception, Johannes Kepler University Linz, Linz, Austria a1111111111 ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 a1111111111 Abstract Relevance OPEN ACCESS Popularity-based approaches are widely adopted in music recommendation systems, both Citation: Bauer C, Schedl M (2019) Global and in industry and research. These approaches recommend to the target user what is currently country-specific mainstreaminess measures: popular among all users of the system. However, as the popularity distribution of music Definitions, analysis, and usage for improving items typically is a long-tail distribution, popularity-based approaches to music recommen- personalized music recommendation systems. PLoS ONE 14(6): e0217389. https://doi.org/ dation fall short in satisfying listeners that have specialized music preferences far away from 10.1371/journal.pone.0217389 the global music mainstream. Addressing this gap, the contribution of this article is three- Editor: Chi Ho Yeung, Education University of Hong fold. Kong, CHINA Received: August 28, 2018 Definition of mainstreaminess measures Accepted: May 12, 2019 First, we provide several quantitative measures describing the proximity of a user's music preference to the music mainstream. Assuming that there is a difference between the global Published: June 7, 2019 music mainstream and a country-specific one, we define the measures at two levels: relating Copyright: © 2019 Bauer, Schedl. This is an open a listener's music preferences to the global music preferences of all users, or relating them access article distributed under the terms of the Creative Commons Attribution License, which to music preferences of the user's country.
[Show full text]
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Oﬀ You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club
[Show full text]
Investor Group Including Sony Corporation of America Completes Acquisition of Emi Music Publishing
June 29, 2012 Sony Corporation INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING New York, June 29, 2012 -- Sony Corporation of America, a subsidiary of Sony Corporation, made the announcement noted above. For further detail, please refer to the attached English press release. Upon the closing of this transaction, Sony Corporation of America, in conjunction with the Estate of Michael Jackson, acquired approximately 40 percent of the equity interest in the newly-formed entity that now owns EMI Music Publishing from Citigroup, and paid an aggregate cash consideration of 320 million U.S. dollars. The impact of this acquisition has already been included in Sony’s consolidated results forecast for the fiscal year ending March 31, 2013 that was announced on May 10, 2012. No impact from this acquisition is anticipated on such forecasts. For Immediate Release INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING (New York, June 29, 2012) -- An investor group comprised of Sony Corporation of America, the Estate of Michael Jackson, Mubadala Development Company PJSC, Jynwel Capital Limited, the Blackstone Group’s GSO Capital Partners LP and David Geffen today announced the closing of its acquisition of EMI Music Publishing from Citigroup. Sony/ATV Music Publishing, a joint venture between Sony and the Estate of Michael Jackson, will administer EMI Music Publishing on behalf of the investor group. The acquisition brings together two of the leading music publishers, each with comprehensive and diverse catalogs of music copyrights covering all genres, periods and territories around the world. EMI Music Publishing owns over 1.3 million copyrights, including the greatest hits of Motown, classic film and television scores and timeless standards, and Sony/ATV Music Publishing owns more than 750,000 copyrights, featuring the Beatles, contemporary superstars and the Leiber Stoller catalog.
[Show full text]
At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 207 October Oxford’s Music Magazine 2012 Alphabet Backwards photo: Jenny Hardcore photo: Jenny Hardcore Go pop! NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net DAMO SUZUKI is set to headline The album is available to download this year’s Audioscope festival. The for a bargain £5 at legendary former Can singer will www.musicforagoodhome.com. play a set with The ODC Drumline at the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10th November. Damo first headlined Johnny Moto officially launches his Audioscope back in 2003 and has new photo exhibition at the Jericho SUPERGRASS will receive a special Performing Rights Society Heritage made occasional return visits to Tavern with a gig at the same venue Award this month. The band, who formed in 1993, will receive the award Oxford since, including a spectacular this month. at The Jericho Tavern, the legendary venue where they signed their record set at Truck Festival in 2009 backed Johnny has been taking photos of deal back in 1994 before going on to release six studio albums and a string by an all-star cast of Oxfordshire local gigs for over 25 years now, of hit singles, helping to put the Oxford music scene on the world map in the musicians. capturing many of the best local and process. Joining Suzuki at Audioscope, which touring acts to pass through the city Gaz Coombes, Mick Quinn and Danny Goffey will receive the award at the raises money for homeless charity in that time and a remains a familiar Tavern on October 3rd.
[Show full text]
Kink1500 Woensdag 28 Oktober
DIT HOOR JE WOENSDAG 28 OKTOBER IN DE KINK 1500 334 Green Day Longview 333 Gossip Heavy Cross 332 Radiohead No Surprises 331 Sports Team Here's The Thing 330 Queens Of The Stone Age I Sat By The Ocean 329 Portishead Roads 328 Muse Hysteria 327 Nine Inch Nails Hurt 326 Pearl Jam State of Love and Trust 325 Mumford & Sons Little Lion Man 324 Metallica Whiskey in the Jar 323 Madrugada The Kids Are On High Street 322 Editors An End Has A Start 321 Smashing Pumpkins Mayonaise 320 Iggy Pop The Passenger 319 Tool The Pot 318 Red Hot Chili Peppers Californication 317 National Fake Empire 316 Who Baba O'Riley 315 Placebo Without You I'm Nothing 314 Bruce Springsteen The River 313 Rammstein Rammstein 312 Snow Patrol Chasing Cars 311 Guns N' Roses Paradise City 310 Counting Crows Round Here 309 Fontaines D.C. A Hero's Death 308 Black Keys Gold On The Ceiling 307 Iron Maiden Fear Of The Dark 306 Black Crowes Remedy 305 Interpol Evil 304 Prodigy Firestarter 303 Nada Surf Popular 302 Blaudzun Promises of No Man's Land 301 Soundgarden Fell On Black Days 300 Linkin' Park Breaking the Habit 299 Charlatans The Only One I Know 298 Skunk Anansie Charlie Big Potato 297 Hole Violet 296 Coldplay The Scientist 295 Rage Against The Machine Bombtrack 294 U2 Bad 293 Strokes Last Nite 292 Led Zeppelin Kashmir 291 Florence + The Machine Ship to Wreck 290 Slipknot Duality 289 Beatles Eleanor Rigby 288 Foo Fighters All My Life 287 Smiths Bigmouth Strikes Again 286 Pearl Jam Dance Of The Clairvoyants 285 Royal Blood Little Monster 284 Marilyn Manson Beautiful People 283 Rancid Time Bomb 282 Jeﬀ Buckley Grace 281 Arctic Monkeys Brianstorm 280 Billie Eilish Bad Guy 279 Nothing But Thieves Impossible 278 Deep Purple Child In Time 277 Oasis Wonderwall 276 Inhaler My Honest Face 275 Bush Machinehead 274 MGMT Kids 273 Evanescence Bring Me To Life 272 David Bowie Space Oddity 271 Massive Attack Unﬁnished Sympathy 270 Korn Blind 269 R.E.M.
[Show full text]
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
[Show full text]
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
[Show full text]
Martinlogan Prodigy Manual
P RODIGYTM user’s manual c l s e l e c t r o s t a t i c M ARTIN L OGAN CONTENTS Contents . .2 Dispersion Interactions . .14 Installation in Brief . .3 Controlled Horizontal Dispersion Assembly . .4 Controlled Vertical Dispersion Electrostatic Panel Three Major Types of Dispersion Front Grill Cloth Home Theater . .16 Rear Grill Cloth Electrostatic Advantages . .17 Introduction . .6 Full Range Operation Operation . .7 MartinLogan Exclusives . .19 AC Power Connection Curvilinear Line Source Signal Connection ForceForward Bass Alignment Break-In Vapor Deposited Film Jumper Clips Transducer Integrity Single-Wire Connection Electrostatic Loudspeaker History . .20 Bi-Wire Connection Frequently Asked Questions . .22 Passive Bi-Amplification Troubleshooting . .24 Bass Control Switch General Information . .25 Placement . .10 Specifications Listening Position Warranty and Registration The Wall Behind the Listener Service The Wall Behind the Speakers Glossary of Audio Terms . .26 The Side Walls Experimentation Final Placement The Extra “Tweak” Enjoy Yourself Room Acoustics . .12 Your Room Terminology Rules of Thumb Dipolar Speakers and Your Room Solid Footing 2 Contents INSTALLATION IN BRIEF We know you are eager to hear your new Prodigy loud- Step 1: Unpacking and Assembly speakers, so this section is provided to allow fast and easy Remove your new Prodigy speakers from their packing and set up. Once you have them operational, please take the time assemble them (pages 4-5) to read, in depth, the rest of the information in this manual. It will give you perspective on how to attain the greatest Step 2: Placement possible performance from this most exacting transducer. Place each Prodigy at least two feet from any wall and angle them slightly toward your listening area.
[Show full text]
Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion.
[Show full text]
Jonny L 2 of Us EP Mp3, Flac, Wma
Jonny L 2 Of Us EP mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: 2 Of Us EP Country: UK Released: 1996 Style: Drum n Bass MP3 version RAR size: 1728 mb FLAC version RAR size: 1905 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 200 Other Formats: TTA MP1 AC3 FLAC AUD VOX MOD Tracklist Hide Credits A 2 Of Us 4:48 B1 Tychonic Cycle 6:50 B2 Strange Nature 7:34 2 Of Us (Photek Remix) C 5:32 Remix, Producer [Additional Production] – Rupert Parkes D1 Underwater Communication 6:33 D2 Symbiosis 6:41 Companies, etc. Distributed By – Warners Phonographic Copyright (p) – XL Recordings Ltd. Copyright (c) – XL Recordings Ltd. Pressed By – Damont Lacquer Cut At – The Exchange Published By – EMI Virgin Music Ltd. Credits Lacquer Cut By – Mike's* Photography By – Alex Jenkins Photography By [Cover] – Colin Hawkins Written-By, Producer, Mixed By – Jonny L Notes On back cover: Made in England. Distributed by Warners UK Vocals on '2 Of Us' by Angela for Me One Artist Management. ℗ & © XL Recordings 1996. XL thanx: Paul Morris & Breakbeat Science, New York. Barcode and Other Identifiers Barcode: 5 012093 512266 Matrix / Runout (Side A etched): XLEP122 A1 MIKE'S THE EXCHANGE DAMONT C Matrix / Runout (Side B etched): XLEP122 B1 - MIKE'S - THE EXCHANGE DAMONT E Matrix / Runout (Side C etched): XLEP122 C1 MIKE'S THE EXCHANGE DAMONT D Matrix / Runout (Side D etched): XLEP122 D1 E Other versions Category Artist Title (Format) Label Category Country Year XLEP 122 CD Jonny L 2 Of Us EP (CD, EP) XL Recordings XLEP 122 CD UK 1996 2 Of Us (CD, Single, XLEP 122 CD 2 Jonny L XL Recordings XLEP 122 CD 2 UK 1996 Promo) 2 Of Us EP (2x12", EP, XLEP 122 Jonny L XL Recordings XLEP 122 UK Unknown TP, W/Lbl) 2 Of Us EP (2x12", EP, XLEP 122 Jonny L XL Recordings XLEP 122 UK 1996 Promo) 2 Of Us EP (CD, EP, XLEP 122 CD Jonny L XL Recordings XLEP 122 CD Germany 1996 sli) Comments about 2 Of Us EP - Jonny L Small Black I love this release, which for me captures that beautiful intelligent Jungle sound from the mid nineties and is the best of Jonny Ls work period.
[Show full text]