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Pa N O R a M a O F S O U T H C I N E M a Vol 1 Issue 1 October 2009 Rs.50 01
Pa n o r a m a o f s o u t h c i n e m a Vol 1 issue 1 october 2009 rs.50 01 01 www.southscope.in siddharth’s intoxicating signature style i am a technique in myself -Balakrishna Why sizzler ileana’s story unfolded follow us on shraddha das will never do that? Panorama of south cinema Publisher Chief Executive Officer Executive Director Editor- in- Chief Assistant Editor Features Editor Features Writer Editorial Coordinators Tamil Nadu & Kerala Karnataka Mumbai Creative Director Visualiser Senior Graphic Designers Graphic Designers Production Head Creative Consultant Branding & Marketing Director Marketing Managers Moorthy Sreenivasulu Allu Sirish Ramakanth T Vanaja Banagiri Mona Ramavat Karthik Pasupulate Vrinda Prasad Sridevi Sreedhar Aravind G Anil Merani Raj Shekar B Jaya Prakash K P Suresh K Palvai, Suresh CH Ravi Kumar K V, Vamshi Vulavapati Krishna P Priya Gazdar Ayyar S, [email protected] Tvishi Zaveri, [email protected] Raja Reddy M, [email protected] Saroj Kumar Biswal, [email protected] Raghu Kumar Gorthy, [email protected] Sanjay Kumar S, [email protected] Mohan Manoharan, [email protected] Ravanam Swaminaidu Vishnuvardhan Induri, Radhakrishna G [email protected] or SMS SCOPE to 56263 [email protected] Circulation National Manager Deputy Manager Regional Manager (Chennai) Consultant- Distribution Board of Advisors Subscriptions: Enquiries: www.southscope.in Southscope takes no responsibility for unsolicited photographs or material. ALL PHOTOGRAPHS, UNLESS OTHERWISE INDICATED, ARE USED FOR ILLUSTRATIVE PURPOSES ONLY Registered Office: #202, Shiva Sai Sannidhi, Dwarakapuri Colony, Punjagutta, Hyderabad 500 034. All rights reserved. Reproducing in any manner without permission prohibited.
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postScriptum: An Interdisciplinary Journal of Literary Studies Online – Open Access – Peer Reviewed ISSN: 2456-7507 postscriptum.co.in Volume II Number i (January 2017) Gupta, Rajarshee. “Popular Indian Cinema in Conversation with ...” pp. 28-40 Popular Indian Cinema in Conversation with Reincarnation: Some Aspects Rajarshee Gupta Assistant Professor in English, Subhas Chandra Bose Centenary College, Murshidabad The author did his MA and MPhil from University of Calcutta. He served as the Project Fellow of DRS (UGC Special Assistance Programme, Phase III) at the Department of English, University of Calcutta. He currently teaches as Assistant Professor at the Department of English, Subhas Chandra Bose Centenary College, Lalbagh, Murshidabad. Abstract The paper strives to explore various facets of reincarnation as a theme or device in popular Indian cinema. Reincarnation has been a popular theme in Indian cinema since the early days of Indian film industry. The take of Indian cinema on the subject is very different from that of World cinema or Hollywood; its root can be traced back to traditional Indian philosophy professing Karma and the concept of rebirth. The cyclic pattern of birth and death as professed in Indian philosophy is reflected in a number of ways in the reincarnations movies: through the repetitive usage of various tropes of music, image and also by adopting a cyclic narrative structure. Reincarnation as a theme attributes to the scope of retelling love stories and revenge sagas, thus enhancing the melodramatic ‘masala’ nature of popular Indian cinema. The movies largely dwell upon and invest in the concept of immortality of the soul and eternal love between the lovers spanning over births.
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68 THE WEEKJUNE 29, 2014 CINEMA shots, followed by ABCD, Kai Po Che!, Aashiqui 2, Yeh Jawaani Hai Deewani, Wizards of VFX Lootera, Ram Leela, Gori Tere Pyaar Mein and Grand Masti. Digital clones and virtual filmmaking to be the Khandpur calls it narrative effects. norm in the coming years "It could be as simple as fixing the shadow under an actor's eye, the view outside the window or creating BY MONTY MAJEED look real." Cut to 13 years later. Khan's an SMS that comes on a phone," says last film—Dhoom 3—had 1,500 visu- Khandpur. "Such effects are meant to amir Khan loves to tell al effects (VFX) shots delivered by be subtle and the audience is not sup- the story about how a ball Khandpur's studio. posed to react to it." drove director Ashutosh From the much-talked about shot of Filmmakers resort to VFX mostly AGowariker and him nuts Khan's bike converting into a jet-ski to on three occasions. First, when it while filming their Academy Award- the logic-suspending stunt of the actor is impossible to physically create a nominated film Lagaan. Gowariker riding a superbike on a tight rope, the sequence, like the superbike stunt was bent on shooting the sequence film relied heavily on visual effects. in Dhoom 3. Second, when the scene in a particular way in a single shot. Apart from Dhoom 3, the last year requires places or things which are no But because the actors were not pro- boasted another VFX spectacle in longer present, like the forts in Jodhaa fessional cricketers, the whole unit Hrithik Roshan-starrer sci-fi Krrish 3.
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Amity Communication Review
AMITY COMMUNICATION REVIEW Volume-VII Issue No.1 (January-June 2020) Bi-annual, Double-Blind Refereed Journal of Amity School of Communication Noida ISSN: 2395-101X Copyright @2020 by the Amity School of Communication All rights reserved The views expressed in the articles are those expressed by the contributors and not by those of the Editorial Board of the Institute. The Editorial Board invites original, unpublished contributions in the form of research papers, articles, book reviews and case studies. No part of this publication may be reproduced or transmitted in any form or by any means, or stored in any retrieval system of any nature without prior permission. Application for permission for other use of copyright material including permission to reproduce extracts in other published works shall be made to the publishers. Full acknowledgement of author, publisher and source must be given. Published By: Amity school of Communication (Noida) J-1 Block, 3rd Floor, Amity University Campus, Sector – 125, NOIDA, Uttar Pradesh 201313, INDIA Tel: +91-120 4392307|e-mail: [email protected]| www.amity.edu/asco Patrons in Chief Dr. Ashok K Chauhan Founder President Amity Education Group Dr. Atul Chauhan Chancellor Amity University Uttar Pradesh Patron Prof. Balvinder Shukla Vice Chancellor Amity University Uttar Pradesh (AUUP) Advisor Prof (Col) R.K.Dargan Advisor, Amity School of Communication (Noida) AUUP From the Editor-in-Chief Editorial Message This issue comes at a time when socio-economic structures across the world have been impacted by COVID 19. The impact has been so far reaching that it is difficult to predict the ramifications that the pandemic will have at the global, national and local community levels.
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Magadheera Box Office Collection Report
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