Instructions for Use with Canon Powershot Pro1 Quick Start Guide

Total Page:16

File Type:pdf, Size:1020Kb

Instructions for Use with Canon Powershot Pro1 Quick Start Guide 0-360 Panoramic Optic Setup for Canon PowerShot Pro1 1) Mount camera on tripod, securely, with lens pointing vertically. A note about Aperture, Depth of Field, and Field of View 2) Press Ring Release button (front of camera) and unscrew lens ring. Replace with LA-DC58C thread adapter and +3 close-up ring. Thread 0-360 Optic to ring. (Do not overtighten.) Aperture- a mechanism behind the camera lens similar to the iris of your eye, opening and closing to adjust the amount of light entering the camera. The aperture 3) Adjust tripod until Optic is vertical (refer to bubble level on top of Optic). opening also determines the Depth of Field of the image. 4) Turn Power on. Depth of Field- describes the objects in the image which are in focus, in terms of 5) Turn Mode Dial to "Av" (Aperture Priority) their distance from the camera. For example, a camera focused at 30m, with a Depth 6) First time setup: of Field of 8m, will have objects from 26-34m from the camera in focus. Objects closer than 26m or further than 34m will start to become blurry. ---Press "MENU". Set "MF-Point Zoom" to "On". Press "MENU" again. Field of View- the vertical Field of View (vFOV) of the 0-360 Panoramic Optic. The ---Press "FUNC". Then use Omni Selector and Main Dial to set ISO to "100", Quality to 0-360 has a vFOV of 115 degrees, meaning it will “see” from 52.5º+ above the horizon "Superfine", and Image Size to "L" (3264x2448) . Press "FUNC" again. to 62.5º+ below the horizon. 7) Rotate Main Dial to set Aperture (F-number on bottom of screen) to F8.0. A smaller Aperture opening (higher F-Stop number) allows less light to enter the 8) Press & hold MF(Manual Focus) button, and rotate Zoom ring until focus is set to ~50cm. camera, but yields a higher Depth of Field. With a high F-Stop, the shutter speed Watching both the outer edge and center area of the reflector, adjust until both are focused. needs to be slowed down to allow more light (else a dark photo), but will have more Depth of Field in focus. 9) Adjust Zoom until image of mirror just fills frame from top to bottom: (NOTE: Depending on your camera's threads, the image may be slightly off-center. This is normal. A larger Aperture opening (lower F-Stop number) allows more light to enter the A trick is to use a thin piece of paper or tape as a shim in the adapter gap to align to center.) camera, but a lower Depth of Field. This means the shutter speed can be faster, but fewer objects will be in focus. (With slower shutter speeds, moving objects may 10) Adjust Focus again, until both center and outside of mirror are sharply in focus. blur.) 11) Press Flash Button to turn flash off. (A will appear on screen) The 0-360 is designed to operate with a camera F-Stop of F8.0 or higher. This 12) Press Timer Button on top of camera to turn timer on. (A 1 0 will appear on the screen) provides a high enough Depth of Field to allow the entire mirror to be in focus. With 13) Press the shutter release. You have 10 seconds to hide! lower F-stops, the shutter speed can be increased, but the upper or lower portions 14) Review the image. Zoom in to see that both the center and outside of the mirror are (or both) of the mirror may not be entirely in focus. This means the image far above in focus. If not, adjust the Manual Focus and/or Aperture to obtain uniform focus. (The depth or far below the horizon may not be sharply focused. This may not be a problem, as many times the sky or the ground may not need to be sharply focused. of field of the Pro1 does not allow for the entire reflector to be sharply focused. You should be able to adjust the focus for a "happy medium", with most of the image sharp, and the edges getting soft.) The depth of field of the Canon Powershot Pro1 does not allow for the entire 15) Once you get the proper settings, press "MENU", and select "Save Settings". This stores mirror to be shraply focused. With the Pro1, you should be able to get a vFOV of all of the settings in either 'C1' or 'C2'. Then, whenever shooting virtual tours, simply set approx. 95-100 degrees, with good focus across the entire image. the Mode Dial to 'C1' or 'C2', and the camera will be ready to shoot! A nice feature! For best results, shoot a well-lit scene! With high F-Stops, you need good lighting, or 16) Advanced Users: Turn 'Bracketing' on to take multiple images at different exposures longer exposure times. at the same time. You can composite these images later, or use a 3rd party HDR software package to increase the image's dynamic range. e d i u G t r a t S k c i u Q m o c . 0 6 3 - 0 @ s e l a s 3 0 7 9 8 V N , y t i C n o s r a C . t C s n o m i S 3 8 4 2 . c n I , o m i s s i l l e B f o . v i d . e g a p k c a b n o s n o i t c u r t s n I e r a C e h t d a e r e s a e l P ! T N A T R O P M I ! Y O J N E . d e i l p m i r o s s e r p x e , s e i t n a r r a w r e h t o l l a s e d e s r e p u s y t n a r r a w s i h T . y l n o c i t p O e h t f o t n e m e c a l p e r r o r i a p e r o t d e t i m i l s i y t i l i b a i l s ' m o c . 0 6 3 - 0 . d i a p e r p t h g i e r f d n a d e g a k c a p y l r e p o r p t i n u e h t n r u t e r d n a , m o c . 0 6 3 - 0 m o r f n o i t a z i r o h t u A n r u t e R 1 o r P t o h S r e w o P n o n a C a n i a t b o t s r i f t s u m r e s a h c r u P . e g r a h c f o e e r f c i t p O e h t e c a l p e r r o r i a p e r , n o i t p o s t i t a , l l i w m o c . 0 6 3 - 0 , d e r e v o c s i d s i l a i r e t a m r o p i h s n a m k r o w n i t c e f e d a f I . e c a f r u s r o r r i m e h t o t s e h c t a r c s r o , s t n e m e l e e h t o t e r u s o p x e , e s u s i m , e s u b a , t n e d i c c a y b d e s u a c h t i w e s u r o f s n o i t c u r t s n I e g a m a d r e v o c t o n s e o d y t n a r r a w s i h T . e s a h c r u p f o e t a d m o r f r a e y e n o f o d o i r e p a r o f p i h s n a m k r o w d n a l a i r e t a m n i s t c e f e d t s n i a g a d e t n a r r a w s i c i t p O c i m a r o n a P 0 6 3 - 0 e h T Y T N A R R A W . g n i d a e r h t - s s o r c g n i d i o v a , a r e m a c r u o y o t n i c i t p O e h t g n i d a e r h t n i e r a c e s U ) 4 .
Recommended publications
  • CCD Inspector, FWHM Monitor and CCDIS Plug-In
    CCD Inspector, FWHM Monitor and CCDIS Plug-in Copyright © 2005-2011 by Paul Kanevsky All Rights Reserved. Published by CCDWare under an exclusive license. http://pk.darkhorizons.org http://www.CCDWare.com To purchase CCD Inspector: http://www.ccdware.com/buy Check for product updates: http://www.ccdware.com/downloads/updates.cfm Help and Support Forum: http://ccdware.infopop.cc/eve/forums CCD Inspector Dramatically Improve quality of your images: increase sharpness and resolution Automatically sort many images at once by evaluating star sharpness and tracking quality Pick the best sub-frames for stacking, or for deciding which to keep Compare images by many objective criteria, plot the results for a better visual impact Measure and plot focus variations due to tilt or field curvature Determine how flat the image plane is. Compare performance of field flatteners and focal reducers Collimate your telescope in-focus with your CCD camera or DSLR! Evaluate optical system vignetting characteristics Estimate how well the current optical system will perform on a larger sensor before you buy that expensive new CCD or DSLR! Works with CCDSoft, MaxIm DL, and all other camera control software in real-time mode Focus and collimate your telescope using your favorite DSLR and DSLR control software! Create running charts to monitor seeing conditions, focus shift, tracking problems with your CCD or DSLR in real-time If you use CCDStack software, CCDInspector now ships with an amazing new plug-in, CCDIS. CCDIS completely automates CCDStack registration process, improves registration accuracy, and does so at blazing speeds Astrophotograpers, CCD and digital camera users often take many shorter images to later process and stack to simulate one long exposure.
    [Show full text]
  • Download Photomatix Pro (Scarica Photomatix Pro) O Download Photomatix Essentials (Scarica Photomatix Essentials) in Blu
    Photomatix Pro 6 Versione 6.1 Manuale utente © 2018 HDRsoft. Tutti i diritti riservati. Traduzione in italiano di Carmelo Battaglia Email: battaglia.carmelo chiocciola fastwebnet.it Dicembre 2018 Note del traduttore In considerazione del fatto che non esiste ancora una localizzazione in italiano dell’interfaccia del software, ho ritenuto opportuno nella traduzione del manuale lasciare tutte le voci dell’interfaccia in inglese seguite tra parentesi dalle rispettive traduzioni in italiano, in modo da rendere più chiare ed esplicite le funzioni e le procedure relative alle corrispondenti voci. Inoltre ho aggiunto, traducendoli alcuni argomenti presi dal sito web, relativi alle FAQ, alla fotografia di interni e alle impostazioni dell’AEB nelle varie fotocamere, inserendoli in Appendici, per rendere più comprensibili tutti gli aspetti della fotografia HDR. Nonostante abbia eseguito più revisioni del testo, qualcosa potrebbe essermi sfuggita, pertanto invito il lettore a comunicarmi qualsiasi errore o refuso individuato in modo che possa porvi rimedio. 2 Indice generale Introduzione 1 1 - Scattare foto per HDR 3 1.1 - Configurare la fotocamera 4 1.2 - Esposizioni 4 1.2.1 - Selezionare le esposizioni 5 1.2.2 - Interni con finestre luminose e altre scene con contrasto elevato 5 1.3 - Usare fotocamere analogiche 6 2 - Caricare e unire foto 7 2.1 - Unire un gruppo di foto a forcella 7 2.1.1 - Caricare un gruppo di foto a forcella 7 2.1.2 - Opzioni di unione in HDR 8 2.1.3 - La finestra Opzioni di riduzione effetti fantasma 11 2.1.4 - Usare lo strumento
    [Show full text]
  • With 30 Years of Nature Travel
    About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal.
    [Show full text]
  • Happy Canada 150Th
    Happy Canada 150th From all of us at Beau! Image ©MikeMander Beau Newsletter - July 2017 Hasselblad Promo • Canon and Fujifilm Rebates • New Lenses From Nikon and Fujifilm GFX • New Tethertools Case Air Wireless Tethering • Save on Pocket Wizard, Phottix Triggers • Used Lighting • New Manfrotto Roller Bag • 20 Stop ND Filters From NiSi • Used Plaubel Makinette on Consignment • more... BEAU NEWS JULY 2017 DIGITAL EF 40mm f/2.8 STM - $239 (save $50) MIKE M. EF 50mm f/1.2L - $1,759 (save $200) EF 85mm f/1.2L II - $2,469 (save $230) Hasselblad PROMO! EF 500mm f/4L IS II - $11,699 (save $450) EF 600mm f/4L IS II - $14,949 (save $570) EF 11-24mm f/4L - $3,649 (save $400) EF 16-35mm f/2.8L III - $2,599 (save $250) EF 16-35mm f/4L IS - $1,299 (save $180) EF 24-70mm f/2.8L II - $2,279 (save $280) EF 70-200mm f/4L IS - $1,379 (save $240) EF 70-200mm f/2.8L IS II - $2,299 (save $530) EF 100-400mm f/4.5-5.6L IS II - $2,549 (save $420) EF 200-400mm f/4L IS w/1.4x - $14,299 (save $550) Speedlite 600EX II-RT - $599 (save $100) Speedlite 430EX III-RT - $299 (save $80) Some news that came just a little too late to make it into Speedlite ST-E3-RT Transmitter - $299 (save $80) our June newsletter was that Hasselblad has a promo with reduced pricing on their H6D-50c medium format Nikon Specials & Announcements! digital camera, now down to $24,899 CDN (at the current buyers of the D750 exchange rate), which is an $11,000 savings compared Nikon still has a great deal ongoing for and D810 bodies or kits.
    [Show full text]
  • CCD Inspector and FWHM Monitor
    CCD Inspector and FWHM Monitor Copyright © 2005-2007 by Paul Kanevsky All Rights Reserved. Published by CCDWare under an exclusive license. http://pk.darkhorizons.org http://www.CCDWare.com To purchase CCD Inspector: http://www.ccdware.com/buy Check for product updates: http://www.ccdware.com/downloads/updates.cfm CCD Inspector Dramatically Improve quality of your images: increase sharpness and resolution Automatically sort many images at once by evaluating star sharpness and tracking quality Pick the best sub-frames for stacking, or for deciding which to keep Compare images by many objective criteria, plot the results for a better visual impact Measure and plot focus variations due to tilt or field curvature Determine how flat the image plane is. Compare performance of field flatteners and focal reducers Collimate your telescope in-focus with your CCD camera or DSLR! Now works with CCDSoft, MaxIm DL, and all other camera control software in real-time mode Focus and collimate your telescope using your favorite DSLR and DSLR control software! Create running charts to monitor seeing conditions, focus shift, tracking problems with your CCD or DSLR in real-time Astrophotograpers, CCD and digital camera users often take many shorter images to later process and stack to simulate one long exposure. To produce the highest quality image, it is important to eliminate from the stack sub-frames that are of lower quality than the rest. Sub-frames can be inferior due to changing focus, dew, tracking errors, flexure, mirror flop, wind, vibration, clouds, and many other things. With CCDInspector, you'll be able to quickly select the best frames of the batch by measuring the quality of each of the images.
    [Show full text]
  • Look Inside This Book
    About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal.
    [Show full text]
  • Table of Contents
    Contents 1 Table of Contents Part I PSRemote 3 Part II Installing and Registering PSRemote 4 Part III Main Window 5 Part IV Time Lapse 13 Part V Post Processing (taking photos for web display) 13 Part VI Running PSRemote from other apps 15 Part VII Motion Detection 16 Part VIII Color Management 18 Part IX Photobooth Shooting 19 1 Photobooth ...................................................................................................................................Setup Wizard 20 2 Print Layout................................................................................................................................... Editor 30 3 Advanced Photobooth................................................................................................................................... Setup 43 4 Touchscreen................................................................................................................................... Keyboard 67 5 Animated GIFs................................................................................................................................... 73 6 Keyboard Shortcuts................................................................................................................................... 76 7 Using External................................................................................................................................... Buttons for Photobooth Shooting 78 8 In Operation..................................................................................................................................
    [Show full text]
  • Digital Versus Film for Travel Photography, 2009 I Began Using 35Mm Film in 1978 and Switched to Digital Cameras After 2004
    Digital versus Film for Travel Photography, 2009 I began using 35mm film in 1978 and switched to digital cameras after 2004. This article explains why. by Tom Dempsey, creator of PhotoSeek.com October 21, 2011 Summary A. Advantages of Digital 1. Slow Film Work Flow 2. Fast Digital Work Flow 3. Compact versus SLR B. Disadvantages C. Film versus Digital Camera Table 2007 Summary The instant feedback of a digital camera will improve your photography much more quickly than a film camera. Digital cameras have overcome the disadvantages of earlier models and have surpassed 35mm film. Digital cameras offer new capabilities beyond film, such as instant image feedback, an informative histogram of light values, white balance control, and powerful RAW file adjustments which can recover highlights & shadows after shooting. Some photographers prefer film for long exposures, for extra quality in poster-sized prints (requiring expensive professional scan), and for other artistic reasons. But just two years of using portable digital cameras convinced me to forgo film. Publishable pictures can come from almost any Trees reflect in Tidal River, at Wilson's Promontory National Park, Australia. camera. Good photography comes from you, not from the camera. A virtuoso violinist can make The joy of using a Canon PowerShot G5 digital camera convinced me to quit using film. any violin sing. A great Stradivarius violin won't make a beginner play any better. Lightweight digital cameras for travel improved quickly from 2003 to 2009: o In spring 2007, my Nikon D40X SLR camera was mounted with the Nikkor 18-200mm VR lens, together weighing 38 ounces.
    [Show full text]
  • THE CANON EOS-1Ds MARK II: the ABSOLUTE PINNACLE of D-SLR DESIGN and PERFORMANCE
    C THE CANON EOS-1Ds MARK II: THE ABSOLUTE PINNACLE OF D-SLR DESIGN AND PERFORMANCE Table of Contents I OVERVIEW 3 II SUMMARY OF FEATURES 5 Performance 5 Controls and Display 6 Body and Exterior 6 Compatibility and Support 6 Software and Accessories 7 III NEW AND IMPROVED DESIGN FEATURES 8 New and Improved Design Features 8 New 16.7 Megapixel CMOS Sensor 8 Autofocus System 9 E-TTL II Flash System 10 Exposure Control 11 DIGIC II Image Processor 12 Speed of Operation 12 Recording Controls 12 Color Materials 13 Processing Parameters 13 White Balance 13 Dual Slot Memory Cards 14 Data Loss Protection 15 Reliability and Durability 15 Ease of Operation 15 Playback Features 16 High Resolution LCD 16 Camera Setting Retention 17 Image Protection/Erase 17 Drive System 17 Connectivity 17 Audio Recording 18 Direct Printing 18 IPTC Compatibility 18 Exif 2.21 Compatibility 18 Software Package 19 Wireless File Transfer 20 Data Verification Kit 20 IV SPECIFICATIONS 21 V CONCLUSION 25 I. OVERVIEW The Canon EOS-1Ds Mark II, brother of the EOS-1D Mark II and successor to the EOS-1Ds, is the new flagship of the Canon line of digital single lens reflex cameras and the absolute pinnacle of D-SLR design and performance. The Canon-designed and manufactured full-frame CMOS sensor has 16.7 megapixels, the highest resolution unit in any digital SLR on the market. Complete, in-house control has made it technically and economically feasible for Canon to produce a sensor of such prowess. Amazingly, the 1Ds Mark II is lithe and responsive.
    [Show full text]
  • Acdsee Pro User Guide
    Credits and acknowledgements Portions of this software are based in part on the work of the Independent JPEG Group. This software contains portions of imaging code owned and copyrighted by Pegasus Imaging Corp., Tampa FL, ALL RIGHTS RESERVED. CD/DVD recording software developed under license from Padus, Inc. - www.padus.com MPEG 1 codec provided by MainConcept AG. Copyright © 1999/2000-2005 MainConcept AG. Portions utilize Microsoft Windows Media Technologies. Copyright (c) 1999-2002 Microsoft Corporation. All Rights Reserved RealSystem(r) technology is provided under license from RealNetworks, Inc., copyright (c) 1995-2001 RealNetworks, Inc. and/or its suppliers. 2601 Elliott Avenue, Suite 1000, Seattle, Washington 98121, U.S.A. Patents Pending. All rights reserved. RealNetworks and RealSystem are registered trademarks of RealNetworks, Inc. TIFF support based on LibTIFF, Copyright (c) 1988-1997 Sam Leffler, Copyright (c) 1991-1997 Silicon Graphics, Inc. This notice must appear in all copies of the Software and related documentation. The names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon Graphics. THE SOFTWARE IS PROVIDED "AS-IS" AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
    [Show full text]
  • DOHM Seminars Were Held at the National Library, Various Institutions Across Australia and Overseas
    This page has been intentionally left blank Digitisation of Heritage Materials While most large cultural institutions are capable of setting up digitisation programs of their own, many smaller organisations or groups struggle with covering significant initial costs and trying to acquire the knowledge required to run a successful digitisation project. Obviously, commercial solutions are available but they tend to be expensive and aimed at the upper end of the market organisations that can afford to purchase professional equipment, software and expertise. Recognising these difficulties, the National Library explored possible alternatives and in due course developed a basic training program in digital copying and archiving of still images. The objective of the program is to provide participants with practical skills to capture, manage, preserve and provide access to digital images. The course's aim is to teach best digitisation techniques and practices using least expensive options currently available. We believe that recent advances in technology permit successfully running of digitisation projects on a very tight budget. Initially, a very successful pilot training course was held at the National Library of Australia (Canberra, Australia), in June 2007. It included a full day of theory and another full day of hands-on modules. The Library provided all materials and digitisation equipment. Since then, multiple DOHM seminars were held at the National Library, various institutions across Australia and overseas. DOHM contact details: Andrew
    [Show full text]