John Lewis the John Lewis Piano Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

John Lewis The John Lewis Piano mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The John Lewis Piano Country: US Released: 1957 Style: Post Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1128 mb WMA version RAR size: 1483 mb Rating: 4.5 Votes: 895 Other Formats: MP1 WMA MP3 AC3 DTS AU FLAC Tracklist Hide Credits Harlequin A2 5:14 Drums – Connie Kay Little Girl Blue A3 4:30 Bass – Percy HeathDrums – Connie Kay The Bad And The Beautiful A4 4:16 Guitar – Barry Galbraith D And E A1 4:19 Bass – Percy HeathDrums – Connie Kay It Never Entered My Mind B1 3:36 Guitar – Barry Galbraith Warmeland B2 4:41 Guitar – Barry Galbraith Two Lyric Pieces B3 10:58 Guitar – Jim Hall Credits Piano – John Lewis Notes Made in France. IMP. KELLER-PARIS Barcode and Other Identifiers Matrix / Runout (Side A:): MEDX120 22 A DTV Matrix / Runout (Side B): MEDX120 22 B DTV Rights Society: Chappell Rights Society: BIEM-D.R. Other versions Category Artist Title (Format) Label Category Country Year The John Lewis Piano (LP, 1272 John Lewis Atlantic 1272 US 1957 Album, Mono) The John Lewis Piano (LP, 1272 John Lewis Atlantic 1272 Denmark 1957 Album) The John Lewis Piano (CD, WPCR-25132 John Lewis Atlantic WPCR-25132 Japan 2006 Album, Ltd, RE, RM, Pap) The John Lewis Piano (LP, LPM 2065 John Lewis Music LPM 2065 1958 Album) The John Lewis Piano (LP, 332055 John Lewis Atlantic 332055 France Unknown Album) Related Music albums to The John Lewis Piano by John Lewis John Lewis - Little Girl Blue J. J. Johnson - Kai Winding - Willie Dennis, Benny Green - Jazz Workshop 4 Trombones John Lewis & Svend Asmussen - European Encounter The Modern Jazz Quartet - The Sheriff / Collaboration John Lewis - Grand Encounter: 2 Degrees East - 3 Degrees West Bill Anderson , Ernie Ashworth, Roy Drusky, Connie Hall, Lewis Pruitt, Elmer Snodgrass - Introducing: Bill Anderson, Ernest Ashworth, Roy Drusky, Connie Hall, Lewis Pruitt, Elmer Snodgrass John Lewis & Albert Mangelsdorff & The Zagreb Jazz Quartet - Animal Dance Milt Jackson With John Lewis , Percy Heath, Kenny Clarke, Lou Donaldson And The Thelonious Monk Quintet - Milt Jackson With John Lewis, Percy Heath, Kenny Clarke, Lou Donaldson And The Thelonious Monk Quintet John Lewis - Original Sin: Music For Ballet Composed By John Lewis Dizzy Gillespie / Sonny Stitt / John Lewis / Percy Heath / Max Roach / Hank Jones - The Bop Session.

Copy Link

Recommended publications

Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
[Show full text]
Cobham Bellson.Sell.4
Pre-order date: Feb. 20, 2007 DVD NEW RELEASES Street date: Mar. 6, 2007 TIMELESS JAZZ LEGENDS from V.I.E.W. GIL EVANS AND HIS ORCHESTRA GIL EVANS View DVD #2301 – List Price $19.98 Gil Evans, one of the most notable arrangers and composers of the 20th century, with Randy and Michael Brecker, lent his conducting talents to jazz great Miles Davis (creating the landmark Billy Cobham, Lew Soloff, Birth of Cool) and played with the “Who’s Who” of jazz history. From collab- Herb Geller, Howard Johnson orating with Charlie Parker and Cannonball Adderley, to Art Blakey and Gerry and Mike Manieri Mulligan, Evans’ name is synonymous with jazz excellence. In this exclusive concert performance on DVD, Gil Evans leads an all-star band, which includes Randy and Michael Brecker, Billy Cobham, Lew Soloff and Mike Manieri. Song selections include Hotel Me, Stone Free, Here Comes de Honey Man, DVD BONUS FEATURES Friday the 13th and more. ➤ Gil Evans Biography ➤ Michael Brecker Biography “Yes, he definitely is the best.” –Miles Davis ➤ Randy Brecker Biography ➤ Billy Cobham Biography 57 minutes plus Multiple Bonus Features ➤ Gil Goldstein Biography VIEW DVD #2301 $19.98 VIEW VHS #1301 $19.98 ➤ Howard Johnson Biography ➤ Mike Manieri Biography ➤ Lew Soloff Biography ISBN 0-8030-2301-4 ➤ Instant Access to Songs and Solos “Yes, he definitely is the best.” –Miles Davis ➤ Digitally Re-mastered Audio and Video ➤ Dolby Stereo Audio 0 33909 23019 3 ➤ DVD Recommendations 40 YEARS OF MJQ View DVD #2350 – List Price $19.98 The distinguished Modern Jazz Quartet traces its origins to the irrepressibly YEARS OF flamboyant Dizzy Gillespie and his brazzy, shouting bebop big band.
[Show full text]
Solo Concert with Bjarke Falgren
Solo Concert with Bjarke Falgren The prize-winning and 4 times Grammy Award winner Bjarke Falgren and his 300 years old violin invite you on a musical journey with personal and passionate stories added all the big emotions that music has to offer. Bjarke Falgren’s own music finds its inspiration from “a world of music” with Folk music, Jazz, and Classical music as its center of rotation. Improvisation and “creation in the moment” are central elements in the solo concerts, and Bjarke uses - amongst other things - a loop pedal to create his strongly personal sound universe. Many highlight Bjarke as a fiddler who masters his instrument to a degree that caused Svend Asmussen himself, before passing away, to declare that Bjarke should be the first one to receive “The Ellen & Svend Asmussen Prize 2017”. Reviews of Bjarke´s Solo Concerts: “As an organizer, your expectations are always exceeded when booking Bjarke Falgren. More warmth, more dialogue, more humor, more energy, more play. And then this huge and heartfelt joy of being a musician and a mediator of a trade which, with Bjarke Falgren’s talent, reaches far beyond the title of ‘an artist’”. - Sofie Rask Andersen, Dramaturge KGL+, The Royal Theatre, Denmark “Bjarke Falgren has visited Den Rytmiske Højskole (The Rhythmical folk high school) on several occasions. Besides a musical approach on an equilibristic level, Bjarke Falgren creates with his music and storytelling a unique atmosphere, which touches and embraces all listeners. A very special solo concert. “ Stig Kaufmanas, musician and folk high school teacher at Den Rytmiske Højskole “It was a beautiful musical experience.
[Show full text]
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
[Show full text]
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
[Show full text]
Jazz Piano Handbook
LISTENING Listening to master musicians is an essential part of the learning process. While there is no substitute for experiencing live music, recordings are the great textbooks for students of jazz. So, I encourage you to listen to recordings between classes, in the car, or when doing chores. In addition, focused listening, without distraction, can help you understand jazz music at a deeper level and will contribute to your overall development. Who to Listen To There are hundreds of great jazz recordings, and it can be difficult for students to know where to start. Today, you can listen to a lot of great music through services such as youtube, Pandora, and Spotify. Many libraries also have wonderful jazz collections. In addition, concerts and television appearances from classic jazz groups are now available on DVD. By their nature, lists of essential jazz recordings are somewhat arbitrary and generally incomplete; the list below is no exception. However, as a reference, I have assembled this list of some of the great jazz rhythm sections and important horn players. They are listed below in rough chronological order. Important Rhythm Sections • Count Basie/Walter Page/Jo Jones/Freddie Green (guitar) – This unit is the model for modern rhythm sections. They swing whether they are playing loud or soft. Some more modern Basie rhythm sections can be heard on Atomic Basie and Frankly Speaking. • Bud Powell/Charlie Mingus/Max Roach – This is the quintessential bebop rhythm section. A great recording featuring Charlie Parker and Dizzy Gillespie is The Quintet: Jazz at Massey Hall. • Modern Jazz Quartet – John Lewis/Percy Heath/Connie Kay/Milt Jackson (vibes) – This quartet performed together for decades.
[Show full text]
Kristian Jørgensen Quartet Love Letters Stunt Records STUCD 09012 6 6 3 9 9 3 0 9 0 1 2 2
KRISTIAN JØRGENSEN QUARTET LOVE LETTERS Stunt Records STUCD 09012 6 6 3 9 9 3 0 9 0 1 2 2 For decades Svend Asmussen has been Denmark’s internatio- quartet is made up of bassist Thomas Fonnesbæk and drum- nally famous Grand Old Man of jazz violin. However young mer Karsten Bagge, which is as grooving and rock-steady a Kristian Jørgensen – at 41, he is more than half a century rhythm section, as you would hope to find anywhere. younger than Asmussen - deserves to be mentioned in the same breath. The question now is how to get the rest of the Jørgensen began playing violin at the age of nine. When he was world to recognize his obvious and huge talent. Hopefully that twelve, he formed the local jazz band Gadevang Swing Central. will be no problem, once people listen to his new CD. Kristian The group of child prodigies caused a bit of a stir resulting in Jørgensen is an outstanding jazz violinist, and when he plays several radio and television appearances. In 1983, at the ripe up to his best, as is the case on LOVE LETTERS, he is second age of 16, he received the jazz award Sørens Penge, and the to none. This lovely CD features Jørgensen with his regular same year he recorded with pianist Duke Jordan. Since then, touring band in an extraordinary repertoire of originals, Latin he has worked with most people on the Danish jazz scene. He tunes and standards - all given a special, swinging treatment graduated from the Rhythmic Conservatory in Copenhagen and that Jørgensen twist.
[Show full text]
Modern Jazz Quartet
THE MUSEUM OF MODERN ART No 95 II WEST 53 STREET. NEW YORK 19. N. Y. For Release TILEPHONI: CltCLI S4900 After Friday, August 5> I960 MODERN JAZZ QUARTET TO GIVE CONCERT AT MUSEUM jazz in the Garden continues at the Museum of Modern Art with The Modern Jazz Quartet, Thursday, August 11, at 8:30 p.m. The ensemble of virtuoso soloists consists of John Lewis, piano, Percy Heath, bass, Milt Jackson, vibraharp, and Connie Kay, drums, This is the ninth in a series of ten Thursday evening promen ade concerts co-sponsored and produced by Metronome magazine. Known as the most highly developed and integrated of the small contemporary groups, The Modem Jazz Quartet was formed in 1951 by four veterans of the Dizzy Gillespie band. Traditional jazz concepts structured on the fugue and classical forms, polished instrumentation, and freedom for individual innovation within the discipline of the group, leads to what John Leewis calls " a collective impro visation which swings." The Quartet has given concerts at Town Hall and Carnegie Hall, at many American universities, at the Newport, French Lick and Monterey festivals. It has joined the Symphony of the Air, the Cleveland Symphony and the Buffalo Philharmonic in concert performances. During the past four years it toured Austria, Belgium, France, Germany and Italy, opening in England at Royal Festival Hall. Not restricted to the concert stage, the Quartet has played night club dates in San Francisco, Chicago, New York and Paris. Much of its repertoire, available on Atlantic Recor-ds, consists of works composed either by John Lewis or Milt Jackson.
[Show full text]
Modern Jazz Quartet Longing for the Continent Mp3, Flac, Wma
Modern Jazz Quartet Longing For The Continent mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Longing For The Continent Country: Japan Released: 1985 MP3 version RAR size: 1168 mb FLAC version RAR size: 1452 mb WMA version RAR size: 1228 mb Rating: 4.9 Votes: 140 Other Formats: DXD AU MPC AHX DMF DTS WAV Tracklist Hide Credits Animal Dance 1 4:41 Written-By – John Lewis Django 2 4:44 Written-By – John Lewis England's Carol 3 2:50 Written-By – John Lewis Bluesology 4 2:13 Written-By – Milt Jackson Bag's Groove 5 5:08 Written-By – Milt Jackson Sketch 3 6 6:18 Featuring – Jazz Group De Paris*Written-By – John Lewis Ambiquite 7 7:29 Featuring – Jazz Group De Paris*Written-By – Andre Hodeir*, John Lewis Midsommer 8 5:45 Written-By – John Lewis Companies, etc. Licensed From – LRC Ltd. Manufactured By – DENON/Nippon Columbia, Japan Phonographic Copyright (p) – Nippon Columbia Co., Ltd. Made By – Nippon Columbia Co., Ltd. Credits Bass – Percy Heath Drums – Connie Kay Piano – John Lewis Vibraphone – Milt Jackson Notes Recorded in Paris, France, 1958. Licenced by LRC Ltd. (Lester Recording Catalog) Category on CD: *C38-7678 Barcode and Other Identifiers Other (Price): ¥3,300 Other versions Category Artist Title (Format) Label Category Country Year Longing For The Modern Jazz Lester Recording YX-7359-SL Continent (LP, Album, YX-7359-SL Japan 1985 Quartet* Catalog RE) Modern Jazz Longing For The Lester Recording 27678 27678 US 2003 Quartet* Continent (CD, Album) Catalog Longing For The Modern Jazz Lester Recording YX-7359-SL Continent
[Show full text]
Respectability and the Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press Carla Marie Rupp CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/74 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Respectability and The Modern Jazz Quartet: Some Cultural Aspects of Its Image and Legacy As Seen Through the Press By Carla Marie Rupp Submitted in Partial Fulfillment of the Requirements for the M.A. Degree The City College of New York Thesis Adviser, Prof. Barbara R. Hanning The Department of Music Fall Term 2010 2 CONTENTS ACKNOWLEDGMENTS 3 1. INTRODUCTION 5 2. RESPECTABILITY THROUGH DRESS 22 3. PERFECTION IN PRESENTATION 29 4. CHANGING THE VENUE FROM NIGHT CLUB TO CONCERT HALL 34 5. PROFESSIONALISM OF THE MJQ 43 6. PERSONAL CONCLUDING REMARKS 48 BIBLIOGRAPHY 54 3 Acknowledgements I would like to give a big thanks of gratitude and applause to the incredible Professor Barbara R. Hanning for being my thesis advisor! Her dedication, personal editing, attention to detail and accuracy, kindness and help were invaluable in completing this project on the MJQ. As Chair of the Music Department, she advised me on my BFA requirements in music at City College. And now--some years later with Professor Hanning's encouragement, wisdom and editing--I am thrilled to complete my M.A.
[Show full text]
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for twenty years sought to draw attention to unexplored repertoire. Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers. At the same time it aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire. Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions. Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, and Schwarzschwanenreich (The Kingdom of the Black Swan), the new catalogue adds Bruder Lustig, which again explores the mysterious medieval world of German legend. Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action.
[Show full text]
John Lewis Grand Encounter: 2 Degrees East / 3 Degrees West Mp3, Flac, Wma
John Lewis Grand Encounter: 2 Degrees East / 3 Degrees West mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Grand Encounter: 2 Degrees East / 3 Degrees West Country: UK Style: Bop, Cool Jazz MP3 version RAR size: 1444 mb FLAC version RAR size: 1880 mb WMA version RAR size: 1467 mb Rating: 4.6 Votes: 525 Other Formats: MP3 VQF AC3 DTS AHX ASF AU Tracklist A1 Love Me Or Leave Me 8:18 A2 I Can't Get Started 3:31 A3 Easy Living 4:13 B1 Two Degrees East, Three Degrees West 6:07 B2 Skylark 3:06 B3 Almost Like Being In Love 9:26 Companies, etc. Manufactured By – EMI Records Ltd. Credits Bass – Percy Heath Drums – Chico Hamilton Guitar – Jim Hall (tracks: A1, A3 to B3) Piano – John Lewis Producer – Richard Bock Tenor Saxophone – Bill Perkins (tracks: A1, A3, B1, B3) Notes Recorded in Los Angeles on February 10, 1956. Other versions Category Artist Title (Format) Label Category Country Year Grand Encounter: 2 Degrees East - 3 Pacific Jazz PJ-1217 John Lewis PJ-1217 US 1957 Degrees West (LP, Records Album, Mono, Dee) John Lewis , John Lewis , Percy Percy Heath, Bill Perkins, Heath, Bill Chico Hamilton, Jim JAZZ - 109 Perkins, Hall - 2 Degrees Hi-Fi Jazz JAZZ - 109 Brazil Unknown Chico East - 3 Degrees Hamilton, West (LP, Album, Jim Hall Mono) Grand Encounter: 2 Degrees East - 3 Pacific Jazz JP-8699 John Lewis JP-8699 Japan Unknown Degrees West (LP, Records Album, RE) Grand Encounter: 2 Pacific Jazz PJ-1217, Degrees East - 3 Records, PJ-1217, John Lewis Japan 1978 GXF-3101(M) Degrees West (LP, Pacific Jazz GXF-3101(M) Album, Mono) Records
[Show full text]