Miscellaneous: the Egyptian Mother Goddess
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Sōgenji Sutrabook
Chōka – Normal Chōka – Osesshin Teisho • Prajna Paramita ... 1 • Prajna Paramita ... 1 Beginning: • • Teidai Denpo 3 Teidai Denpo 3 • Dai Hi Shu 43 • • Kannon Gyo or 6 Kannon Gyo 6 • Dai Hi Shu 43 • • Ryogon Shu 20 Hannya Shingyo 36 • Dai Hi Shu 43 • Sōgenji (2.-7. / 16.-21.each month) Sho Sai Shu 38 • Kozen Daito Kokushi ... 64 • Hannya Shingyo 36 • Dai Hi Shu 43 • Sho Sai Shu 38 • Bosatsu Gangyo Mon 45 End: Sutrabook • Chin Shu Rinzai Esho ... 39 • Daisegaki 48 • Enmei Jikku Kannon Gyo 65 • Dai Hi Shu 43 • Buchinson Shin Dharani 51 • Shigu Seigan Mon 54 • Dai Hi Shu 43 • Sho Sai Shu 38 • Bosatsu Gangyo Mon 45 • Gyaku Hon Jin Shu 54 • Daisegaki 48 • Shigu Seigan Mon 54 Other Sutras December 2011 • Buchinson Shin Dharani 51 • Bodhisattva Vows 55 • Sho Sai Shu 38 • Hakuin Zenji Zazen Wasan 56 • Gyaku Hon Jin Shu 54 (every morning in the zendo) • Shigu Seigan Mon 54 Chōka – Shukushin • Dai E Zenji Hotsu Gon Mon 61 • Bodhisattva Vows 55 (1st and 15th of each month) • ( Dai Hi Shu ) 43 (every evening in the zendo during sesshin) • Dai Hi Shu (slow) 43 • • Sho Sai Shu (slow) 38 Meal sutras 66 Itaten: • Chin Shu Rinzai Esho ... 38 • Fu E Ko 66 • Dai Hi Shu 43 (Takuhatsu-Sutra) Morning: • Dai Hi Shu 43 • • Hannya Shingyo 36 Dai Hi Shu 43 • • Sho Sai Shu 38 Bosatsu Gangyo Mon 45 • • Ita Ten Fu Gin 55 Daisegaki 48 • Buchinson Shin Dharani 51 Evening: • Sho Sai Shu 38 • Buchinson Shin Dharani 51 • Gyaku Hon Jin Shu 54 • Sho Sai Shu 38 • Shigu Seigan Mon 54 • Ita Ten Fu Gin (partially) 55 • Bodhisattva Vows 55 Notes : th Please return this book on 15 at the end: The densu's introduction is set in • to the Jisharyo before Dai Hi Shu (osesshin) 43 bold italic print or he/she introdu- • Ryogon Shu (other times) 20 ces the sutra name. -
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
Visiting the Pyramids with Bennu
EDITORIAL WEEBLE Visiting the Pyramids with Bennu SUSO MONFORTE ILLUSTRATIONS VICO CÓCERES http://editorialweeble.com Visiting the pyramids with Bennu 2015 Editorial Weeble Author: Suso Monforte Illustrations: Vico Cóceres Translation: Irene Guzmán Licence: Creative Commons Attribution- http://editorialweeble.com NonCommercial-Share Alike 3.0 https://creativecommons.org/licenses/by-nc-sa/3.0/ Madrid, Spain, March 2015 the author suso monforte Suso Monforte is the father of two children aged 6 and 10 years old. He is a member of the Parents’ Association at Herrero Infant and Primary School, a state school in Castellón de la Plana. Suso is an advocate of free, high-quality, state education, where parents can voice their opinions, make decisions and collaborate. Suso actively participates in order to achieve an education where the knowledge acquired goes beyond that received in the classroom. The street, museums, markets and nature are also educational spaces. This is the first book he has written for our publishing house. It brings together the history of Ancient Egypt and the country’s modern day situation, all in the company of two children, Miguel and Bennu. Email: [email protected] the illustrator vico cóceres Vico Cóceres is a young Argentinian illustrator, aged 24, who has a well-defined, carefree style which suits that of our project perfectly. Her work has been published in several newspapers and magazines in Latin America. This is the first book that Vico has illustrated for our publishing house. She has produced illustrations which are full of life, very modern and refreshing. We are sure that we will continue to collaborate with her in the future. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
(101955) Bennu from OSIRIS-Rex Imaging and Thermal Analysis
ARTICLES https://doi.org/10.1038/s41550-019-0731-1 Properties of rubble-pile asteroid (101955) Bennu from OSIRIS-REx imaging and thermal analysis D. N. DellaGiustina 1,26*, J. P. Emery 2,26*, D. R. Golish1, B. Rozitis3, C. A. Bennett1, K. N. Burke 1, R.-L. Ballouz 1, K. J. Becker 1, P. R. Christensen4, C. Y. Drouet d’Aubigny1, V. E. Hamilton 5, D. C. Reuter6, B. Rizk 1, A. A. Simon6, E. Asphaug1, J. L. Bandfield 7, O. S. Barnouin 8, M. A. Barucci 9, E. B. Bierhaus10, R. P. Binzel11, W. F. Bottke5, N. E. Bowles12, H. Campins13, B. C. Clark7, B. E. Clark14, H. C. Connolly Jr. 15, M. G. Daly 16, J. de Leon 17, M. Delbo’18, J. D. P. Deshapriya9, C. M. Elder19, S. Fornasier9, C. W. Hergenrother1, E. S. Howell1, E. R. Jawin20, H. H. Kaplan5, T. R. Kareta 1, L. Le Corre 21, J.-Y. Li21, J. Licandro17, L. F. Lim6, P. Michel 18, J. Molaro21, M. C. Nolan 1, M. Pajola 22, M. Popescu 17, J. L. Rizos Garcia 17, A. Ryan18, S. R. Schwartz 1, N. Shultz1, M. A. Siegler21, P. H. Smith1, E. Tatsumi23, C. A. Thomas24, K. J. Walsh 5, C. W. V. Wolner1, X.-D. Zou21, D. S. Lauretta 1 and The OSIRIS-REx Team25 Establishing the abundance and physical properties of regolith and boulders on asteroids is crucial for understanding the for- mation and degradation mechanisms at work on their surfaces. Using images and thermal data from NASA’s Origins, Spectral Interpretation, Resource Identification, and Security-Regolith Explorer (OSIRIS-REx) spacecraft, we show that asteroid (101955) Bennu’s surface is globally rough, dense with boulders, and low in albedo. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Egyptian Literature
The Project Gutenberg EBook of Egyptian Literature This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Egyptian Literature Release Date: March 8, 2009 [Ebook 28282] Language: English ***START OF THE PROJECT GUTENBERG EBOOK EGYPTIAN LITERATURE*** Egyptian Literature Comprising Egyptian Tales, Hymns, Litanies, Invocations, The Book Of The Dead, And Cuneiform Writings Edited And With A Special Introduction By Epiphanius Wilson, A.M. New York And London The Co-Operative Publication Society Copyright, 1901 The Colonial Press Contents Special Introduction. 2 The Book Of The Dead . 7 A Hymn To The Setting Sun . 7 Hymn And Litany To Osiris . 8 Litany . 9 Hymn To R ....................... 11 Hymn To The Setting Sun . 15 Hymn To The Setting Sun . 19 The Chapter Of The Chaplet Of Victory . 20 The Chapter Of The Victory Over Enemies. 22 The Chapter Of Giving A Mouth To The Overseer . 24 The Chapter Of Giving A Mouth To Osiris Ani . 24 Opening The Mouth Of Osiris . 25 The Chapter Of Bringing Charms To Osiris . 26 The Chapter Of Memory . 26 The Chapter Of Giving A Heart To Osiris . 27 The Chapter Of Preserving The Heart . 28 The Chapter Of Preserving The Heart . 29 The Chapter Of Preserving The Heart . 30 The Chapter Of Preserving The Heart . 30 The Heart Of Carnelian . 31 Preserving The Heart . 31 Preserving The Heart . -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
'ONE' in EGYPTIAN THEOLOGY Jan ASSMANN* That We May Speak Of
MONO-, PAN-, AND COSMOTHEISM: THINKING THE 'ONE' IN EGYPTIAN THEOLOGY Jan ASSMANN* That we may speak of Egyptian 'theology' is everything but self-evident. Theology is not something to be expected in every religion, not even in the Old Testament. In Germany and perhaps also elsewhere, there is a heated debate going on in OT studies about whether the subject of the discipline should be defined in the traditional way as "theology of OT" or rather, "history of Israelite religion".(1) The concern with questions of theology, some people argue, is typical only of Early Christianity when self-definitions and clear-cut concepts were needed in order to keep clear of Judaism, Gnosticism and all kinds of sects and heresies in between. Theology is a historical and rather exceptional phenomenon that must not be generalized and thoughtlessly projected onto other religions.(2) If theology is a contested notion even with respect to the OT, how much more so should this term be avoided with regard to ancient Egypt! The aim of my lecture is to show that this is not to be regarded as the last word about ancient Egyptian religion but that, on the contrary, we are perfectly justified in speaking of Egyptian theology. This seemingly paradoxical fact is due to one single exceptional person or event, namely to Akhanyati/Akhenaten and his religious revolution. Before I deal with this event, however, I would like to start with some general reflections about the concept of 'theology' and the historical conditions for the emergence and development of phenomena that might be subsumed under that term. -
Egyptology-Bg.Org-JES4-Pt6.Pdf
The Journal of Egyptological Studies IV (2015) Editor in Chief: Prof. Sergei Ignatov Editorial Board and Secretary: Prof. Sergei Ignatov, Assoc. Prof. Teodor Lekov, Assist. Prof. Emil Buzov All communications to the Journal should be send to: Prof. Sergei Ignatov e-mail: [email protected] or e-mail: [email protected] Guidelines for Contributors All authors must submit to the publisher: ◊ Manuscripts should be sent in printed form and in diskettes to: Montevideo 21, New Bulgarian University, Department for Mediterranean and Eastern Studies, Sofia, Bulgaria or to e-mail: [email protected] ◊ The standards of printed form are: The text should be written on MS Word for Windows, font Times New Roman and should be justified. The size of characters should be 12 pt for main text and 9 pt for footnotes. ◊ If using photographs, they should be supplied on separate sheet. Drawings , hi- eroglyphs and figures could be included in the text. Maps and line drawings are to be submitted in computerized form scanned at min. 600 dpi; for b/w photos computerized with 300 dpi scanning. ◊ Contributors will receive 10 offprints © Department for Mediterranean and Eastern Studies, Bulgarian Institute of Egyptology, New Bulgarian University, Sofia ISSN 1312–4307 Contents Sergei Ignatov “The Deserted King...” in Egyptian Literature ...................................................................................5 Teodor Lekov, Emil Buzov Preliminary Report on the Archaeological survey of Theban Tomb No. 263 by the Bulgarian Institute of Egyptology, seasons 2012–2013..................................................................14 -
MAAT • Theqorange — User Manual
thEQorange User Manual M A AT Inc. MAAT Incorporated 101 Cooper St Santa Cruz CA 95060 USA More unique and essential tools and tips at: www.maat.digital Table of Contents Installation & Setup .................................................................................7 Licensing .................................................................................................................................... 7 Online Activation .........................................................................................................................................................................8 Offline Activation ........................................................................................................................................................................8 Introduction .......................................................................................... 10 thEQo Features ...................................................................................... 10 Unique Features ...................................................................................................................... 10 Main Features .......................................................................................................................... 10 Applications .......................................................................................... 11 The Interface ......................................................................................... 12 Overview .............................................................................................