Boards of Canada Twoism Mp3, Flac, Wma
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Zwischen Image, Kunst Und Konventionen
Der Musikerdiskurs: Zwischen Image, Kunst und Konventionen Eine diskursanalytische Untersuchung des Künstlers am Beispiel von Boards of Canada Lukas Schreder, 01415952 MASTERARBEIT eingereicht an der FAKULTÄT FÜR BILDUNGSWISSENSCHAFTEN LEOPOLD-FRANZENS-UNIVERSITÄT INNSBRUCK zur Erlangung des akademischen Grades Master of Arts MASTERSTUDIUM ERZIEHUNGS- UND BILDUNGSWISSENSCHAFT Betreuungsperson: assoz. Prof. Mag. Dr. phil. Hermann Mitterhofer Institut für Erziehungswissenschaften Fakultät für Bildungswissenschaften Innsbruck, Februar 2021 1.1 Abstract Diese Arbeit verfolgt das Ziel einen Künstlerdiskurs im Bereich der Intelligent Dance Music sichtbar werden zu lassen. Dafür werden folgende Forschungsfragen gestellt: Was zeichnet einen Künstlerdiskurs aus und in welchem Verhältnis stehen Image und Künstlerdiskurs? Um den Künstlerdiskurs an die Oberfläche treten zu lassen, werden Zeitungsartikel zwischen 1997 und 2005, die das schottische Duo Boards of Canada abdruckten, untersucht. Die Berichterstattung über diese Band statuiert ein Exempel, das zeigt, wie der Künstlerdiskurs in Erscheinung treten kann. Die theoretische Rahmung bilden Michel Foucault, Rainer Diaz-Bone und Silke Borgstedt. Für diese Arbeit wird die Methode der Diskursanalyse nach Jäger hinzugezogen, die sich an Äußerungen der Band sowie Aussagen über das Duo orientiert. Der Interpretationsteil zeigt, dass in den untersuchten Special-Interest-Zeitschriften ein Künstlerdiskurs in Erscheinung tritt. Abschließend werden Kriterien eines Künstlerdiskurs aufgelistet, wodurch die Komplexität zu anderen Diskurssträngen sichtbar wird. Künstlerdiskurs und Image bedingen sich gegenseitig und stehen damit in Zusammenhang. This Master thesis aims to discover an artist-discourse in Intelligent Dance Music. Therefore following questions will be answered: What does an artist-discourse involve and how does it connect to the image-discourse? To show the existence of an artist-discourse, special-interest- newspapers between 1997 and 2005, which portray the scottish Duo Boards of Canada, are examined. -
Board of Canada Hi Scores
Board of canada hi scores Find a Boards Of Canada - Hi Scores first pressing or reissue. Complete your Boards Of Canada collection. Shop Vinyl and CDs. Hi Scores is an EP by Boards of Canada. It was released on CD and vinyl in , and subsequently re-released in , , , and However, the. Hi Scores stands tall as one of the duo's finest chapters. The idiosyncrasies that make Boards of Canada so important to so many fans are purified on this EP. Boards Of Canada - Hi Scores (Full Album) - Hi Scores - Turquoise Hexagon Sun - Nlogax. Boards of Canada's first significant release, 's Hi Scores EP, has been remastered from the original tapes and reissued. The duo's tonal. Stream Boards of Canada - Hi Scores by skam from desktop or your mobile device. Legendary, long out of print EP finally repressed on 12 inches of vinyl. Hi Scores is a near-perfect six-tracker of gorgeous, building ambient electro and. Legendary, long out of print EP finally repressed on CD. Hi Scores is a near-perfect six-tracker of gorgeous, building ambient electro and loping. Hi Scores is a EP by Boards of Canada, released on both CD and Vinyl formats. The EP was subsequently re-released in , Boards Of Canada's Hi Scores EP will be reissued by Skam on October 13th. The record arrived two years before the revered Scottish. Boards of Canada are an international success story these days, but it wasn't always that way. Back in , the gorgeous (and at the time. Hi Scores proves that Boards Of Canada were skilled sound designers from the start. -
Edinburgh Scene to Be Unique, Nor Do I Think That It Has Made a Huge Contribution to World Music
HOWFF TAE HIP HOP David Irving. April 2013. David Irving asserts his moral right under the Copyright, Designs and Patent Acts 1988 to be identified as the author of this work. All rights reserved. No reproduction, copy or transmission of this publication, in part or in whole may be made without written permission, or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. Acknowledgements: Much of the detail within this text was checked against information contained on the Internet and in numerous periodicals and books on the period. My thanks go to all the people who created those sources. Where I have been able, I have obtained their permission and they are acknowledged at the end. Where I haven’t been able to trace them, my apologies for any inadvertent breaches of copyright which may have occurred. 1 For The Hipple People without whom ......... 2 CONTENTS Foreword 1: Shortbread and Tartan (1950-1959) 2: The First Paradiddley Dum Dum Era (1960-1966) 3: Incredible Psychedelia (1967-1969) 4: Tartan Trews and Braces (1970-1975) 5: Flying Saucers Over Arthur’s Seat (1976-1978) 6: Punk’s Still Not Dead (1979-1981) 7: Splashing In The Dolfinarium (1982-1986) 8: Some Of The Greatest Pop Never Heard (1987-1995) 9: Pioneering The Hauntological Approach (1996-2001) 10: Sending Out The S.O.S. (2002- 2011) Afterthought Acknowledgements Appendix : The Musicians and The Music 3 FOREWORD As Dee Robot of The Valves memorably pointed out, there ain’t no surf in Portobello, which is why, after we had exhausted the delights of Fun City, the Tower Amusements and Arcari’s ice-cream emporium, I and my mates Neil and Donny were at a loose end.