Torrance Herald

Total Page:16

File Type:pdf, Size:1020Kb

Torrance Herald THURSDAY, OCTOBER 18, 1934 TORRANCB< HERALD. Torrance, California PAGE 3-B Will Rogers In "Judge Priest" Ballet Program Whoopla! Here Comeg Mae West "Girl of the Limberlost" Is Janet and Lew Are Starts Sunday At Fox Redondo Opens Oct. 26 Sweethearts Again In the "Belle of the Nineties' Picture For the Whole Family Reunited for 'the first time slni-ri" At Auditorium With the cry being raised all overt the country for the abolition of smut and salaclouaness in motion pictures, Janet (iiiyn d L Ayr \yilf Three Spectacular Number Hollywood has definitely turned its attention to the pro­ be n again ns the Ri Will Feature First of duction of the simple classics that the public Is clamoring HWi'ethearts of "Serva Winter Series for. trance" when this newes portant Fox pictures rotiK'x The change George' Ger8hwln1s"~"Amcrlcan I had to conic. I'lc the honilta Theatre, Tuesday Paris," Conrad Seller's lures were Browing1 more rlsqui Wednesday, October 23 and 21. "Chines every day, and ? n n t a s y" and Oscar Wilde' realizing that thlc As ii companion picture on th Salome," typn of entertainment was f "Take a Bow" nlxhlH. the l.nmltn will alsn three spectacular ballot vhole "family H| featuring . il not for one put Itlrnrdo Cortez and ll'irl>ara Il notml soloists and ticula nber of It, msemble of 100 dancers, will Monograi bins In "Hut, Coat atirl Glove." tlvon on the opening program o ductlon proKrnm he California Ballet at the Shrln on tills th Lily Attract* Attentio ludltorium, over Hlnce Its Inception some year* Friday night, Octobo ago. IB, under the direction of Leste AUSTIN, ex. (U.I'.) A In Illy In' Horton. Three new ballets wl opening Its production schcd biological pools on presented at suhsequen nle (or the new 1934-35 season University o Texas' campus has rfornmnces on Novembe Monogram selected "A Girl of th attrac|e«i tin attention of xonlu- iber 28, January 25. Feb Ijlmbcrlost," tlio famous novc gists bec-aiiH.' of Us slue. A blossom runry 22 and March 29, the las written l>y r.cne Stratton-Portei measured 62 lay night of each month. with tin? >ii^i]ili! home-lire of th One of Its rioatliig leaves sup­ Hcttlcrn in the Indiana swamp ported a child weiKhing 50 pounds. lands as Its ImchKround. ... Owl Drus Company, Sixth an. The Illy IH a Victoria Uegla. said Broadway; Following closely the story n: to be a native to the Aijiazbti nt the Southern Coll recorded liy Mrs. Porter. fornla Music Company, 737 South ChrlHt> River. HIM Cnbanne, who directed, brings ou street; ami at the 'Shrine -bo) thn tender emotions iff Ice, Jefferson; of a young just ' girl of the swamps who has i I'Mgueroa. street. Reservntl flKfit >e made by on her hands to' gain ai phoning Mutual 3770 cdiicntlon despite the overwhelm rife TUcker 1144 or PRospect 3912 Here she is, the one <nd only Mae West in her newes ing odds nnalnat her. ."American- In Paris" has often sparkling comedy, "The Belle of the Nineties." Mae wil The picture is shown at th ufen played as a symphony by the show the girls of today how the toast of the town in the Torrancc Theatre, Sunday ant Will Rogers' ^hillmrmonic Orchestra; . but 'this furbelowed era Monday. October 21 and 22, am newest starring' vehicle, "Judge Priest, vlll be its flret showing here 1 "got her man." Coming Thursday, Frida> features Louise 'Dresser, Ralph which starts a five-day run at the Fox Redondo Theatre mllet form. It reveals the ad and Saturday of next week, October 25, 26 and 27,,to the rgan and Murlan Marsh in MIINNOND ;ntures of a "young Broad next Sunday evening, October 21, Is said to be the bes Torrance Theatre, with Waoier Oland in "Charlie Chan In leading roles, supported by an ex- "Baby. Take a Bow." coming to ipender on tour "of the Mont- eiit cast, picture the versatile Will has ever appeased ih,-and presents nnrtr abarct London, as the companion picture. A great hill for the fans the Ii/omtta . Theatre Friday and s. The honking o ils Asther and Gloria St Saturday, October -*iiim in a role that.is made to order. tnxlcabs, the rumble of buses, 19 and 20, In­ On the same bill th "The Lo Capttv will be troduces 5-year-qid Shirlcy Tem­ George Brent and Jean Mu'ir in "Desirable." shrill rhlstlcs of gendarm the sai ne bill. ple In her ler street noises first title role. After are reprodu Coming her overnight success In "Stand a prelude to a colorful composl- to Plaza, Hawthorne, Up n which Gershwin Ballet and Cheer!" little Shirlcy has Introduces the apachi become one of the outstanding Rothschild Meets Julie's Beau ice of th« Monlin do la Galette per­ Friday At Shrine Aud. sonalities on the screen. She lias sensuous rumba of La Cubana and Saturday This Week an Important :hc! c:cancan of 'the Bal part in the .picture Tabarin, thi On October 26 and Is responsible for much of th'c :ango of the Cluli Casanova and imedy. the "Caressa" of Le' Fetiche James Dunn and' Claire Trcvor, lean In Paris" has been Shrine lulled as Gershwin's Auditorium, Los An- n team in three greatest solos. open Friday ' night, "Chinese togethe again in Fantasy" is a now bal- Octobi vith gala perform- 'Ilaby, Take Bow," Shirlcy's et adapted from Conrad Seller's inc of George Ge "Amer- parents. - :omedy drama, "Lady In th n In Purls." "William Brow Also at the Lomita Theatre Fri­ Sack," It is <t humorous, story of "Chinese . Fantasy" and Oscar i "love market" in a Chin day and' Saturday, will be shown Wilde's "Salome," three new spec­ "Purls ago where prospective* brides are tacular interlude," starring Otto Lister. Horton ballets Krugcr and Madge Evans. iimdled .up. in burlap 'sack ced by noted soloists ani motioned off to the highest bld- brilliant ensemble, ^dvo'nce re lors. ''Lady In the Sack' tlons from society patrons, ma­ Rich Girl Snubbed i brilliant success at flic Pasadena in , picture stars, prominent Community Playhouse. nccrs, concert-goers and college At Her Own Party OscaiL_JXi,l(le"H -"Salome!"-, out­ students forecast a capacity £ standing . ballet of the immmc -Whctt-JiiL heiress Is snubbed at icason at the Shrine, will be re- - ats for OctoWr lii arc nmv. htu;, awn- -Oar.ty.. Jtt thc'rtpmedy- leated by Lister Horton by popu- at the Owl »nrug Conipai Iramu of. "The Richest Girl In the or request. An exotic bacchanals Sixth and llroadwny; at t World," the action Is propelled to it Herod's court precedes the 1lls- Southern California Music Col i surprise climax at the Torranc^ oric "Dance of the JSeven Veils lanv, 737 South Hill street: Theatre, in the RKO-Radio picture Toy Montaya. young French danc he Shrine box office, Jcffers itarrlng Miriam Mopkins, with 'rom the Vlcux Carre Thcati list west of Figueroa; and at t reol McCrca and Fay Wray show- lew Orleans,, will again' dance the ins tonight, Friday and Saturday, Itlb rol Ocl;ober 18, 19 and 20. lu by phoning Mutual 3.770. The amusing situation arises etheart aiks her father her hand. Robert Young, Loretta licr 1111 or PRospect-3912. then Dorothy Hunter, the Young and George Arliss in a tender icene from "The Houte of Roths' "What hreo new ballets will also child," -the 20th Century hit coming to the"Lomita Theatre, Sunda) About the Will Rogers, the old horse-trader of "David Harum," Fox produced by Horton at the Shrine vn secretary, and charges Sylvia and Monday, October 21 and. 22. Rosemany Amet andd Victor Jory wil Film's latest, does some stepping ilitorium on November 30. De ernon, the authentic secretary, alt be shown Sunday and Monday in ''Pursued." out with the comely cembcr ,28, January 25. February with Her duties and obligation! Other 40 Cents? assistance of Evelyn Venable. ind March 29, the last Frl H fashionable garden party at the night of each month. Long Island Hunter estate. Ac­ IT MUST BE Says Weary Will Friday and Saturday, this week, cordingly, the guests are politely LOVE the riuza Theatre. Hawthorne, Thrilling Mystery Japanese Festival cold to fhe "secretary" and kow- ox Film will answer the request low to the "heiress." "But what about the other 40 Drama Opens Sunday 3f thousands of theatregoers and At Los Angeles Borothy extends the Identity nuddle to her romances, The thought that IB uppermost ircsent \V1I1 Rogers in "Dr At Plaza, Hawthorne resulting i the HoJ-um." The Insistent demand of Southern California will have It n complications which make "The public mind has been rst Richest Girl micking audiences throughout public urging Rogers to play "The Hi-agon .Murder Case," til Mntsurl Japanese for festl In tin World" in country In "City role of this famous character vnl when the first annual Klki bright entertainment. Limits," the latest of the murder mystery Matsuri William Scltcr itcrtaining Monogram picture literature virtually forced the (Chrysanthemum Festival dlllrected from Film officials to forego any mas from the pen of tlic peer­ es place on October 20 and - Norman Krasna icendrlo, with imlng to, the Torrance Theatre et ;xt Tuesday ther plans they might have hud less author, S. S. Van Dine, to be Los Angeles on Wall be- Henry Stcphenson aand Reginald and Wednesday, Denny In the cast, ctober 33 and 24. >r the comedian. The film which matizcd for the screen, open; 7th ml 8th.
Recommended publications
  • The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
    humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry.
    [Show full text]
  • Best Enjoyed As Property, Shoe and Hairdo Porn.”
    ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin
    [Show full text]
  • Broadway Melody
    BROADWAY MELODY: The beginning of Hollywood musicals This film review features a discussion on the relationship of film criticisms written at the time of the film’s release and others, which were written years later. 10 pages long. BROADWAY MELODY: The beginning of Hollywood musicals Broadway Melody's release on February 1, 1929 captures the attention of such issues as sound replacing silence and technology rather then the usual racial and political overtones like a lot of other genres. Most musicals had very simplistic plots: boy meets girl, boy loses girl, boy sings song, and boy gets girl. Although there was racial discrimination like the depiction of black speciality acts, such as the Nicholas Brothers and the Berry Brothers, as janitors etc., the story lines were none violent, free of political issues and always ended on a happy note pretty much until West Side Story. By 1960 the musical was but a thing of the past with only a few films a year. All this being said, it is important to understand the context of the genre in order to formulate criticism other then saying that the shots are simple and that the acting, in general, was lousy. As one analyses a musical such as Broadway Melody of 1929 one finds that the art of the movie musical is found in the star's ability to sing, act and dance effectively. By far the most frequent comment about Broadway Melody is that of it's relationship with Broadway and it's backstage on stage look at vaudeville performance, an activity that most of all the audiences of the 10's and 20's could relate to.
    [Show full text]
  • 1 CHAPTER 1 INTRODUCTION 1.1 Background of the Study There Are
    CHAPTER 1 INTRODUCTION 1.1 Background of the Study There are so many things that people can do to entertain themselves. One of them is watching a film. It is fun to watch a film. There are things that make films entertaining. Films have stories, supporting visual effects, and music score. The stories attract the viewers to enjoy a part of other character's life. The visual effects make the viewers be able to imagine that what they see is real. It looks like the events in the film really happened, while the music score intensifies the feeling that the film wants to deliver. The story is the most important part of the film. Without a good story, even if a film is started by some really great actors or actresses, the film will not be special. There are two ways or plot that a movie maker can use to deliver the story. The first way to deliver a story is a linear plot. The movie begins with the introduction of the characters. Everything seems normal. Then the problem appears and the movie finished when the characters can solve the problem. The second way is the flashback plot. In this plot, the story begins with the end. Then, a character tells the story from the beginning. All things that the movie viewers want to see are actually represented by the genre of the films. There are many things that people can see from a film, like funny things that can be seen from a comedy film, 1 thrilling action that can be seen from an action film, or even scary thing that can be seen from a horror film.
    [Show full text]
  • Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
    MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time.
    [Show full text]
  • Mary Murillo
    Mary Murillo Also Known As: Mary O’Connor, Mary Velle Lived: January 22, 1888 - February 4, 1944 Worked as: adapter, film company managing director, scenario writer, screenwriter, theatre actress Worked In: France, United Kingdom: England, United States by Christina Petersen In March 1918, Moving Picture World heralded British screenwriter Mary Murillo as a “remarkable example” of “the meteoric flights to fame and fortune which have marked the careers of many present day leaders in the motion picture profession” (1525). This was more than just promotional hyperbole, since, in just four years, Murillo had penned over thirty features, including a highly successful adaptation of East Lynne (1916) starring Theda Bara and the original story for Cheating the Public (1918), “which proved a sensation” at its New York debut according to Moving Picture World (1525). Murillo wrote or adapted over fifty films from 1913 to 1934 in the United States, England, and France, including slapstick comedies, melodramas, fairy tale adaptations, and vehicles for female stars such as Bara, Ethel Barrymore, Clara Kimball Young, Olga Petrova, and Norma Talmadge. As a scenarist, her range included several films focused on contemporary issues—gender equality, women’s suffrage, economic progressivism, and labor reform—while others, such as the child-oriented adaptation of Jack and the Beanstalk (1917), seem to have been meant to appeal as pure escapism. In the latter half of her career, Murillo left the United States for England where she joined several ventures, but never equaled her American output. Born in January 1888 and educated at the Sacred Heart Convent in Roehampton, England, Murillo immigrated to the United States in 1908 at the age of nineteen (“Mary Murillo, Script Writer” 1525; McKernan 2015, 80).
    [Show full text]
  • We Present the Catalog of Current Russian Animation-2021
    RAFA is Russian animated film association. RAFA represents the interests of Russian animation industry and helps to create favorable conditions for effective development of animation in Russia and worldwide. RAFA includes more than 60 companies which are involved in animation: production companies, TV channels, distribution and licensing companies. • If you need to communicate with any Russian studio, organization or animator • If you need assistance in participation in festivals and film markets in Russia • If you need to organize the presentation of your projects to Russian partners • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. TAP HERE CONTENTS RAFA NAVIGATION ALPHABETICAL LIST INDUSTRIAL ANIMATION INDEPENDENT ANIMATION Dear Friends, Russian Animated Film Association presents the 10th anniversary сatalog of Russian Animation. The global pandemic has changed the usual format of many events, so now for the second year we are publishing the catalog in a convenient web format. In the 10 years that have passed since the release of the first catalog, we have come a long way. Since 2012, when RAFA was formed, the number of animation studios in Russia has doubled, and the production of animation has grown more than 5 times. Today RAFA unites more than 60 animation studios from 7 regions of Russia, which animation is adapted into 60 languages and distributed in more than 150 countries of the world. It is gratifying that despite the problems faced by many industries, Russian studios are not only continuing to produce animation but are also increasing its number and quality.
    [Show full text]
  • December 2019 Welcome Mike Hausberg
    DECEMBER 2019 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Ebenezer Scrooge’s BIG San Diego Christmas Show. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • The Self-Reflexive Musical and the Myth of Entertainment
    Feuer, Jane The self-reflexive musical and the myth of entertainment Feuer, Jane, (1995) "The self-reflexive musical and the myth of entertainment", Grant, Barry Keith (ed), Film genre reader II, 441-455, University of Texas Press © Staff and students of the University of Nottingham are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: * access and download a copy; * print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by the University of Nottingham. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]