THURSDAY 10 MAY 2018 CENTRAL ST GILES’ UN DEG UN UN DEG UN ATOMIC STATION Main Room the Void
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23 AUG-2 SEPT 2018 Elke Keer Als Noorderzon Opkomt, Verschijnt Het Licht Van Mark Yeoman
23 AUG-2 SEPT 2018 Elke keer als Noorderzon opkomt, verschijnt het licht van Mark Yeoman. Zelf zal hij om zo’n observatie glimlachen, want hij is ook maar bij toeval begonnen, niet om doelbewust te verschijnen als hemellichaam in de atmosfeer van Groningen. Dat het aantrekkingskracht was, zal Mark niet ontkennen, integendeel. Onaangekondigd landde hij op een magische dag in de stad met zowat theaterbagage uit andere verten, zonder de wil om er ook weer ongemerkt te vertrekken. Hij voelde dat Groningen hem mogelijk zocht en dat het de plaats was om te blijven en een eigen festivaluniversum te scheppen, vol elementen uit een oneindig galactica. Om die elementen draait Noorderzon, zal Mark zeggen, niet om hem. Daar heeft hij gelijk in. Maar het kan niet zonder hem, als onvermoeibare sterrenplukker in een perfecte Groningse Brexit. Eerst was er Oerol. Als rondreizende culturele hobo voor NOS-Radio1 koesterde ik het Terschellinger locatiefestival als opperste bestemming naar een langwerpige waddenplaneet. Het was in de vorderende jaren negentig. Destijds maakten ruim 50.000 mensen de overtocht. Ze kwamen uit heel Nederland. Zo was het niet met Noorderzon. Mijn goede Groninger collega Eric Nederkoorn opperde begin deze eeuw tijdens Oerol dat in Noorderzon ook een reportage voor Radio 1 zat. Sindsdien ben ik vijftien Noorderzon-bezoeken verder. Het was goed om het festival bekendheid te geven buiten Groningen, samen met een paar krantencollega’s. Het heeft nog niet geleid tot tienduizenden bezoekers extra uit heel het land. Ik weet dat Mark Yeoman en algemeen directeur Femke Eerland en de hele staf daar niet bijzonder mee zitten. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
@Widedays #Widedays18 CONTENTS 3 Foreword by Olaf Furniss & Michael Lambert
C M Y CM MY CY CMY SCOTLAND K @WideDays #WideDays18 CONTENTS 3 Foreword By Olaf Furniss & Michael Lambert 4-5 Edinburgh’s Music Map Getting around Wide Days 2018 8-9 Playlists to drink Whisky to 11 In memory of David Balfour 12 Creative Scotland | Alan Morrison 13-15 2018 Panels What we are talking about this year 16-17 2018 Speakers Meet this year’s speakers 18-19 Fri 20 April Convention timetable 20 Fri 20 April Showcase Showcase timetable 21 Sat 21 April Saturday’s itinerary 26-29 2018 Showcase Artists Who is playing at Wide Days 2018 30 Scottish Networking Party At The Great Escape The Spook School (pic Jannica Honey) 2 FOREWORD One of the founding principles of Wide Days is a belief that artists and music businesses benefit most where individuals connect. Rather than frenzied speed-meetings or zealous networking, our favoured approach has always been to create an environment for friendly socialising and relaxed business discussions. Last year, 92% of delegates said Wide Days combined business with pleasure, a statistic which is met with widespread approval when we mention it at other industry events. There is a growing consensus that our approach leads to more collaborations, working relationships and often friendships. These ‘outcomes’ are underpinned by a willingness on the part of partner organisations, sponsors, speakers and delegates to turn up, engage and in most cases, stay for the duration of the event. In essence, it is about being alert to the possibilities and open to developing ideas. Our long-standing ties with PPL, EmuBands, EUSA, the SMIA, the MU, CMU and the University of the Highlands & Islands, are evidence of this in action, while more recent partnerships with Eventbrite, PRS Foundation, Help Musicians and Creative Scotland have enabled us to take Wide Days to a new level. -
Download Oxfordshire Music Scene 41 (2.4 Mb Pdf)
SUMMER 2019 FREE ISSUE 41 BEST FESTIVAL SEASON EVER! AN INSIDE LOOK AT THIS SUMMER’S LINEUPS... INSIDE: DOLLY MAVIES, POTTERY, SEB REYNOLDS, CATGOD, FLIGHTS OF HELIOS, SHOTOVER. LIVE: WOOD 2019, GOLDIE LOOKIN’ CHAIN, JACK GOLDSTEIN ALBUMS FROM RICHARD HAWLEY, HONEYBLOOD, THE NATIONAL & MUCH MORE OMS41 MOSA - DAWNED EP Six years since his last foray as MUSIC NEWS Samuel Zasada, the super-talented David Ashbourne is back playing RIVERSIDE APPEAL One of the bedrocks of the local solo, and he’s bringing That Voice music scene Riverside Festival, the free annual event with him. This time he’s not pulling at Charlbury has set up a funding page to help bridge any punches, channeling the raw, caustic intensity of the financial shortfall caused by the rainfall last year. Tom Waits lightened with the delicacy and soaring Local music lovers should head to gofundme.com to tones reminiscent of early Gomez. He blew us help the festival which is staffed by volunteers. The away the first time round, and frankly he’s knocked organisers said “We raise the majority of our funding it out of the park again. All good things come to he from sales at the bar, and as a consequence of the who Waits. Dawned is out on Witney-based label weather, for the first time ever, we didn’t cover our Fourtwenny at the end of June. costs.” This year’s Riverside, rousing indie rockers Kanadia headlining, and a pixie theme (in homage PEERLESS PIRATES –BANQUET FOR to the Pixies, of course), is on 20-21 July. -
M06 Ymateb Gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Diwydiant Cerddoriaeth yng Nghymru / Music Industry in Wales CWLC M06 Ymateb gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales How do local authority decisions such as business rates, licensing and planning decisions impact upon live music venues? 1. There is very little that Local authorities can do to promote live music venues unless the council has a live music strategy in place. Without the political directive to recognise and value the local music scene local authorities do not see either their social or economic value and therefore do not take measures to preserve them as part of the Authority’s Plan. 2. It’s possible for a local authority to be imaginative, use Planning Gain to require developers to support live music as a “public art”, make measurable provision of live music a condition of renewing and awarding licences but this needs leadership. 3. In our experience, a local authority’s staff, with one or two exceptions do not know how to recognise the value of a live music venue. The social benefits do not fit into their metrics. Very often a policy that seeks to attract inward investment discounts the value of small businesses. 4. Most live music in Wales does not happen in dedicated venues and theatres. It happens in bars & pubs, social clubs, meantime & pop-up spaces, fields, weddings, festivals. It is frequently a valuable part of a business for the retention of customers etc, but rarely forms the main part of a business’ revenue. -
Cymraeg 2050: a Million Welsh Speakers, Annual Report 2019–20
Cymraeg 2050: A million Welsh speakers Annual report 2019–20 Cymraeg 2050: A million Welsh speakers, Annual report 2019–20 Audience Welsh Government departments; public bodies in Wales; third sector organisations in Wales; private sector companies in Wales; education institutions in Wales; organisations working to promote the use of Welsh; organisations working with families, children and young people, and communities; and other interested parties. Overview In order to fulfil the requirements of the Government of Wales Act 2006, Cymraeg 2050: A million Welsh speakers was launched in July 2017, when the previous strategy came to an end. The Government of Wales Act 2006 requires an annual report to be published to monitor progress against the Welsh Language Strategy. Further information Enquiries about this document should be directed to: Welsh Language Division Welsh Government Cathays Park Cardiff CF10 3NQ e-mail: [email protected] @Cymraeg Facebook/Cymraeg Additional copies This document is available on the Welsh Government website at www.gov.wales/welsh-language Related documents Welsh Language (Wales) Measure 2011; Cymraeg 2050: A million Welsh speakers (2017); Cymraeg 2050: A million Welsh speakers, Work programme 2017–21 (2017); Technical report: Projection and trajectory for the number of Welsh speakers aged three and over, 2011 to 2050 (2017); Welsh in education: Action plan 2017–21 (2017) Mae’r ddogfen yma hefyd ar gael yn Gymraeg. This document is also available in Welsh. © Crown copyright 2020 WG40819 Digital ISBN 978 1 80038 755 3 Contents Ministerial foreword 2 Context – Cymraeg 2050 5 Theme 1: Increasing the number of Welsh speakers 6 Theme 2: Increasing the use of the Welsh language 32 Theme 3: Creating favourable conditions – infrastructure and context 41 Conclusion 59 Ministerial foreword It’s a pleasure to publish the latest report on our language strategy, Cymraeg 2050: A million Welsh speakers. -
Aberystwyth University Amgeueddfeydd Werin Dwyrain
Aberystwyth University Amgeueddfeydd Werin Dwyrain Prwsia a Cof Cymleth Arwyn, Arddun Published in: Gwerddon Publication date: 2017 Citation for published version (APA): Arwyn, A. (2017). Amgeueddfeydd Werin Dwyrain Prwsia a Cof Cymleth. Gwerddon, 45-68. General rights Copyright and moral rights for the publications made accessible in the Aberystwyth Research Portal (the Institutional Repository) are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the Aberystwyth Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the Aberystwyth Research Portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. tel: +44 1970 62 2400 email: [email protected] Download date: 02. Oct. 2021 Rhif 25 | Hydref 2017 | ISSN 1741-4261 Cyfnodolyn Academaidd Cymraeg Golygydd: Dr Anwen Jones Cyhoeddwyd gyda chymorth: Gwerddon Gwerddon Rhif 25 | Hydref 2017 | ISSN 1741-4261 Cyfnodolyn Academaidd Cymraeg Golygydd: Dr Anwen Jones Gwerddon Gwerddon Bwrdd Golygyddol Golygydd: Dr Anwen Jones, Prifysgol Aberystwyth Is-Olygydd: Dr Hywel M. Griffiths, Prifysgol Aberystwyth Cynorthwywyr Golygyddol: Mari Fflur, Dr Angharad Watkins a Marian Beech Hughes Cadeirydd y Bwrdd Golygyddol: Yr Athro Eleri Pryse, Prifysgol Aberystwyth Aelodau’r Bwrdd Golygyddol: Yr Athro Jane Aaron, Prifysgol De Cymru Yr Athro David Evans, Prifysgol Caerdydd Dr Noel A. -
Praxis Makes Perfect
Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru. -
Music Industry in Wales Inquiry
June 2019 Music Industry in Wales Culture, Welsh Language and Communications Committee 1. UK Music is the umbrella body representing the collective interests of the UK’s commercial music industry, from songwriters and composers to artists and musicians, studio producers, music managers, music publishers, major and independent record labels, music licensing companies and the live music sector. 2. UK Music exists to represent the UK’s commercial music sector, to drive economic growth and promote the benefits of music to British society. A full list of UK Music members can be found in annex. 3. In the latest edition of our Measuring Music 1 report our research found that the UK Music Industry contributes £4.5 billion GVA to the UK Economy. The music industry also generated £2.6 billion in export revenues. Live music contributes £991m GVA to the economy and generated £80 million in export revenues. The UK Music Industry employs 145,815 people, with 28,659 of these employees being based in the Live sector. Grassroots Music Venues 4. UK Music was supportive of the Save Womanby Street campaign in 2017 working closely with Kevin Brennan MP and Jo Stevens MP on exploring what policy could help save this area of cultural significance due to the number of venues on the street. We have continued our work with Kevin and Jo in advocating for the protection of Welsh grassroots music venues in the Houses of Parliament alongside our partners the Music Venue Trust. 5. Grassroots music venues are often the first step onto the talent pipeline for emerging musicians. -
Petra Kuppers Curriculum Vitae Ypsilanti, Michigan
Petra Kuppers Curriculum Vitae www.olimpias.org Ypsilanti, Michigan EDUCATION Ph.D. 1999 Performance Studies and Feminist Theory, Dissertation Title: 'Between Embodiment and Representation: Performing Bodies, Freaks, Filmdance’, Falmouth College of Arts DiplHSW 1998 Diploma in Health and Social Welfare Studies, Open University, UK M.A. 1993 Film and TV Studies, Dissertation Title: ‘Ethnicity and the Hammer Horror Film’, University of Warwick, UK M.A. 1994 Germanistik, Film, TV and Theatre Studies, Anthropology, Dissertation Title: ‘The Image of the Other in Art Historical and Cultural Historical Perspectives: Native Americans and 19th century German Travel Fiction’, University of Cologne, Germany 2000 Movement Therapy BTEC Award, Dance Voice, Bristol 1998 Two-Year Dance Leaders in the Community Certificate, Laban Guild 1996 Counseling: Further Education Certificate, University of Wales ACADEMIC EXPERIENCE 2012- University of Michigan, Ann Arbor, Professor of English and Women’s Studies (Joint Appointment since 2017), courtesy appointments in Art and Design, Theatre and Drama, Faculty Fellow with the Center for World Performance Studies and the Matthaei Botanical Gardens 2006- 2012 University of Michigan, Ann Arbor, Associate Professor of English, Art and Design, Theatre and Drama, Women’s Studies (tenured) 2001 -2006 Bryant University, Rhode Island, Assistant and Associate Professor of Performance Studies (promotion to Associate Professor in 2005) 2009- Associate Faculty, Goddard College, Port Townsend, Low-residency MFA in Interdisciplinary -
34 a Nnu a L Repo
2019-2020 Printed by : www.censer.in, 9810213218 : www.censer.in, by Printed NATIONAL INSTITUTE REPORT ANNUAL th www.nift.ac.in OF FASHION TECHNOLOGY 34 National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 34th Annual Report 2019-20 CONTENTS 3 Organisational Setup NIFT Campus Report 6 Introduction 60 Bengaluru 8 Foundation Programme 65 Bhopal 10 Fashion Design 70 Bhubaneswar 12 Leather Design 75 Chennai 15 Textile Design 84 Gandhinagar 18 Knitwear Design 94 Hyderabad 20 Fashion & Lifestyle Accessories 99 Jodhpur 22 Fashion Communication 104 Kannur 24 Fashion Management Studies 108 Kangra 26 Fashion Technology 111 Kolkata 29 Design Space 116 Mumbai 31 PhD and Research 123 New Delhi 34 Continuing Education Programmes 129 Panchkula 35 Admissions 130 Patna 36 Student Development Activities 135 Raebareli 38 International and Domestic Linkages 139 Shillong 42 Cluster Development 142 Srinagar 45 National Resource Center 145 Accounts Report 46 Information Technology 203 NIFT Campuses Address 47 Enterprise Resource Planning 48 Campus Placement 52 Convocation 53 Faculty Orentation Training and Development 55 Projects at NIFT 57 Corporate Communications Cell 2 NATIONAL INSTITUTE OF FASHION TECHNOLOGY - ANNUAL REPORT 2019-20 ORGANISATIONAL SETUP BOARD OF GOVERNORS Members as on March 2020 S. No. Name & Designation of BOG Members 1 Mr. Ravi Capoor, IAS Secretary (Textiles), Ministry of Textiles & Chairman, BOG-NIFT 2 Ms. Saroj Pandey Hon’ble Member of Parliament, Rajya Sabha 3 Smt. Raksha Nikhil Khadse Hon’ble Member of Parliament, Lok Sabha 4 Dr. -
On Tour with Pastel Swansea’S Next Big Thing?
APRIL/MAY 2020 ISSUE#10 ON TOUR WITH PASTEL SWANSEA’S NEXT BIG THING? PLUS: JAMES WEAVER, SWANSEA UNIVERSITY, DAMIAN HARRIS, TOM EMLYN + MORE A message from the team at Soundboard Magazine: We had hoped to be in print for Issue #10. As you may know, we rely totally on advertising revenue to fi nance our production costs. This issue, the Coronavirus has meant that many of our advertisers have been forced to cancel events or close completely. We truly understand why some advertisers have felt it necessary to withdraw (temporarily we hope). This issue, therefore, will not be printed, but will be available as a PDF, which you are reading now, obviously. Please share it as much as you like, however you can. We have included all the adverts from advertisers who wanted to continue, however these have not been charged. The whole team (please DO read the credits on page 3) have worked hard over the last couple of months to bring you what we feel is our strongest issue yet. We hope you love it as much as we do. We are of course very disappointed not to be able to bring it to you in print. Please leave your comments on our Facebook Page, we love hearing from you. Stay well, and safe. We look forward to being back to normal as soon as circumstances allow. Graham, Sarah, Joel and all the writers at SBM. SOUNDBOARD | ISSUE #10 | APRIL & MAY 2020 INSIDE THE LOAD-IN . .4 NEWS . .5 OH PEDRO . .6 THE NEXT GENERATION – TRENCH . .7 THE BIG READ – JAMES WEAVER .