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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Newsletter Volume Xxix Big Band Jump Newsletter November-December 1993
BIG BAND JUMP NEWSLETTER VOLUME XXIX BIG BAND JUMP NEWSLETTER NOVEMBER-DECEMBER 1993 HENRY MANCINI INTERVIEW THE BACKGROUND The promotion people put us in touch with Henry Mancini as part of the advertising campaign for a concert tour he was making at the time. He talked on a “live” local radio program with Don Kennedy. Mancini and Kennedy grew up within twelve miles of each other in the steel-making area of Western Pennsylvania, just thirty miles from Pittsburgh, although separated in time by half a generation. Mancini was a contemporary of Kennedy’s older musician brothers, so there were some common memories tied with the stories of his early years playing in steel-town beer joints. THE SCENE Unlike some celebrities of Henry Mancini’s stature, the Mancini at work. interview wasn’t difficult to arrange. He is so approach able and unaffected by his success, however, that he has BBJ: What kind of musical experience did you have a tendency to be off-hand with his answers, resulting in there? an interview with shorter answers and in some instances less depth than most musical celebrities. Mancini’s HM: Every kind! (Laughs) I started playing flute when answer to a couple of questions was something such as I was a kid, when my Dad gave one to me. He was a flute “Oh, sure.” Some of those one and two word answers player, too. That was at the age of eight, and then I were edited out in places where Kennedy’s persistence started playing piano about eleven and then took up eventually resulted in a longer, more meaningful answer, arranging on my own at about fourteen. -
“Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
RCA Victor LPV 500 Series
RCA Discography Part 23 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LPV 500 Series This series contains reissues of material originally released on Bluebird 78 RPM’s LPV 501 – Body and Soul – Coleman Hawkins [1964] St. Louis Shuffle/Wherever There's A Will, Baby/If I Could Be With You/Sugar Foot Stomp/Hocus Pocus/Early Session Hop/Dinah/Sheikh Of Araby/Say It Isn't So/Half Step Down, Please/I Love You/Vie En Rose/Algiers Bounce/April In Paris/Just Friends LPV 502 – Dust Bowl Ballads – Woody Guthrie [1964] Great Dust Storm/I Ain't Got No Home In This World Anymore/Talkin' Dust Bowl Blues/Vigilante Man/Dust Cain't Kill Me/Pretty Boy Floyd/Dust Pneumonia Blues/Blowin' Down This Road/Tom Joad/Dust Bowl Refugee/Do Re Mi/Dust Bowl Blues/Dusty Old Dust LPV 503 – Lady in the Dark/Down in the Valley: An American Folk Opera – RCA Victor Orchestra [1964] Lady In The Dark: Glamour Music Medley: Oh Fabulous One, Huxley, Girl Of The Moment/One Life To Live/This Is New/The Princess Of Pure Delight/The Saga Of Jenny/My Ship/Down In The Valley LPV 504 – Great Isham Jones and His Orchestra – Isham Jones [1964] Blue Prelude/Sentimental Gentleman From Georgia/(When It's) Darkness On The Delta/I'll Never Have To Dream Again/China Boy/All Mine - Almost/It's Funny To Everyone But Me/Dallas Blues/For All We Know/The Blue Room/Ridin' Around In The Rain/Georgia Jubilee/You've Got Me Crying Again/Louisville Lady/A Little Street Where Old Friends Meet/Why Can't This Night Go On Forever LPV 505 – Midnight Special – Leadbelly [1964] Easy Rider/Good Morning Blues/Pick A Bale Of Cotton/Sail On, Little Girl, Sail On/New York City/Rock Island Line/Roberta/Gray Goose/The Midnight Special/Alberta/You Can't Lose-A Me Cholly/T.B. -
Beth Hart & Joe Bonamassa Black Coffee PRD75441
Beth Hart & Joe Bonamassa Black Coffee PRD75441 Grammy Nominated Artists Beth Hart & Joe Bonamassa release their new record ‘Black Coffee’ on January 26th via: Provogue (Europe) and J&R Adventures (US & Canada) Featuring songs made famous by Edgar Winter, Ray Charles, Etta James, Steve Marriot, Ella Fitzgerald, Peggy Lee, Lucinda Williams, LaVern Baker & more. It has been 4 years since Grammy nominated and number 1 Billboard Blues album Seesaw was released by singer- songwriter and blues-rock powerhouse Beth Hart and guitar hero Joe Bonamassa. Since then, they have both been on fire, both in the studio and live. So, the time was perfect to reunite for another collection of ten soul gems that encompass Hart’s breath-taking vocals and Joe’s masterfully expressive playing. Black Coffee will be released on January 26th, 2018. With producer extraordinaire Kevin ‘The Caveman’ Shirley (Joe Bonamassa, Led Zeppelin, Black Crowes, Aerosmith, Iron Maiden, Rush) back at the helm, the result digs deep into the soul catalogue where they honour and re-imagine songs from Edgar Winter, Etta, James, Ike & Tina Turner/Steve Marriot, Ella Fitzgerald, Lil’ Green, LaVern Baker, Howlin’ Wolf, Lucinda Williams and Waldeck. Recorded in 5 days at Studio at the Palms, Las Vegas in August 2016 they have once again recalled some familiar names in Anton Fig (Drums/Percussion), Ron Dziubla (Saxophone), Lee Thornburg (Horn Arrangements/Trumpet/Trombone) and welcomed in Reese Wynans (Keyboards), Michael Rhodes (Bass), Rob McNelley (Rhythm Guitar), Paulie Cerra (Saxophone), Mahalia Barnes (Backing Vocals), Jade Macrae (Backing Vocals) and Juanita Tippins (Backing vocals). Talking about the sessions behind Black Coffee, Seesaw, 2011’s Don’t Explain and 2014’s Live in Amsterdam, Shirley gives some insight of what they are looking to achieve; “We’re trying not to dig into a playbook that’s been done many times, which is the old soul classics. -
Cab Calloway Chooses US
In The Pit News Of The Theatr Cab Calloway Chooses U. S. Atlantans Greet King Of Three B's Defense Bonds For His Gifts Band Members To Tour With U.S.O. Show Dorothy Maynor Form Committee Pleases Again For Purchasing At Maestro Sets A11 Carnegie. Soprano Appears Time Record At With Philadelphia Albany Hotel Symphony Orch. NEW YORK CITY—(SNS)— Bv CARL DITON With the United States currently NEW YORK—fANP) — Dorothy in far flung engaged a world-wide, Maynor was with us again Tues- Americans from all walks conflict, day night Barely two weeks have of life ’are aid to lending every elapsed since the gifted soprano about a victory. The bring quick made her first appearancp i,n re- its Treasury Department through cital in Nnw York's famous hall. sale of Defense Bonds lias proven Last evening she assisted most no- towards rais- itself a vital agency bly the world-famous Philadelphia funds to ing the necessary support, Symphony orchestra, Eugene Or- war costs. of his re- the Cognizant mandy canducting, in one of its Cab rated sponsibilities, Calloway, annual musical invasions of our as one of the nation’s foremost great metropolis. music makers, is distributing De- fense Bonds as Christmas gifts to Perhaps America’s greatest mu- the members of his band. sical achievement ol the past In addition to giving bonds. Cab quarter of a century is her major The Four Toppers one of New York’s best liked singing aggrega- has requested each member of his symphony orchestras of which the Setting a precedent Carter and tions, has been given an important spot in the USO show which Noble organization to make every effort Philadelphia band Is, needless to Bowie, reading from top. -
Some Musicians Have a Tendency to Play Music As If Confined by the Boundaries of Their Repertoires
Some musicians have a tendency to play music as if confined by the boundaries of their repertoires. But there are others - more curious and creative in nature – who initiate musical projects that occasionally whisk them well out of their comfort zones. China Moses and Raphaël Lemonnier are two cases in point. Musicians with such different musical careers that you’d never imagine them together. China Moses, daughter of Dee Dee Bridgewater and director Gilbert Moses, has been steeped in music and the theatre world since she was a child. Exceptionally gifted, she released her first single Time (1996) at the age of 16 along with her first video directed by Jean-Baptiste Mondino. This success was followed by three albums: “China” (1997), “On Tourne en Rond” (2000) and “ Good Lovin’ ” (2004), turning her into a force to be reckoned with on the French R’ n’ B scene. Her albums saw her work with Swedish hip hop label Breaking Bread as well as renowned names like DJ Mehdi, Diam’s, Karriem Riggins, Guru, Anthony Marshall and sound engineer Bob Power. In 2008 her curiosity led her on an adventure with a metal/soul band that experimented with a fascinating fusion of rock, funk and hip hop (Sound Good To You) in a quest to discover new sounds. She did the voice over for Princess Tiana in the French version of Walt Disney’s film The Princess and the Frog (2009). She also sang on André Manoukian’s “So in Love” album, recording several songs including the title track. With that old saying sharing is caring close to her heart, she loves to share her passion for music by appearing on music channels such as: MCM (1999-2001) and MTV France (2004-2011). -
JREV3.9FULL.Pdf
VOLUME 3, NUMBER 9, NOVEMBER, 1960 Editors: Nat Hentoff Martin Williams 4 Budd Johnson, an Ageless Jazzman Contributing Editor: Gunther Schuller Frank Driggs Publisher: Hsio Wen Shih Art Director: Bob Cato Ul 8 Charlie Parker, a Biography in Interviews The Jazz Review is published monthly Bob Reisner by The Jazz Review Inc., 124 White St., N. Y. 13 N. Y. Entire contents copy• right 1960 by The Jazz Review Inc. 12 Earl Hines on Charlie Parker Israel Young and Leonard Feldman were among the founders of the Jazz Review. Dick Hadlock Price per copy 50c. One year's subscription $5.00. Two year's subscription $9.00. Unsolicited manuscripts and illustrations 14 Two Reports on The School of Jazz should be accompanied by a stamped, self- addressed envelope. Reasonable care will be Gunther Schuller and Don Heckman taken with all manuscripts and illustrations, but the Jazz Review can take no responsi• bility for unsolicited material. 20 The Blues RECORD REVIEWS 21 Dizzy Gillespie-Charlie Parker by Ross Russell 23 Ornette Coleman by Martin Williams 24 Ornette Coleman by Hsio Wen Shih 26 Miles Davis by Harvey Pekar 27 Buddy deFranco by Harvey Pekar Kenny Dorham by Zita Carno Harry Edison by Louis Levy 28 Barry Harris by Martin Williams Stan Kenton by Don Heckman 29 George Russell by Max Harrison 31 Mai Waldron by John William Hardy 32 Dinah Washington by Ross Russell Jimmy Rodgers and Ray Charles by Mimi Clar 33 Shorter Reviews by Henry Woodfin 34 Jazz In Print by Nat Hentoff I 36 The Cork'N'Bib by Al Fisher BOOK REVIEW 37 Jazz in Britain by Jerry DeMuth BUDD JOHNSON AGELESS JAZZMAN Budd Johnson is one musician who has moved with I was just in my teens when I started playing music, the growth of jazz, from the music of the twenties in Dallas, where my brother Keg and I -were born. -
Gory Biography
Beth Hart & Joe Bonamassa Black Coffee PRD75441 Grammy Nominated Artists Beth Hart & Joe Bonamassa release their new record ‘Black Coffee’ on January 26th via: Provogue (Europe) and J&R Adventures (US & Canada) Featuring songs made famous by Edgar Winter, Ray Charles, Etta James, Steve Marriot, Ella Fitzgerald, Peggy Lee, Lucinda Williams, LaVern Baker & more. It has been 4 years since Grammy nominated and number 1 Billboard Blues album Seesaw was released by singer- songwriter and blues-rock powerhouse Beth Hart and guitar hero Joe Bonamassa. Since then, they have both been on fire, both in the studio and live. So, the time was perfect to reunite for another collection of ten soul gems that encompass Hart’s breath-taking vocals and Joe’s masterfully expressive playing. Black Coffee will be released on January 26th, 2018. With producer extraordinaire Kevin ‘The Caveman’ Shirley (Joe Bonamassa, Led Zeppelin, Black Crowes, Aerosmith, Iron Maiden, Rush) back at the helm, the result digs deep into the soul catalogue where they honour and re-imagine songs from Edgar Winter, Etta, James, Ike & Tina Turner/Steve Marriot, Ella Fitzgerald, Lil’ Green, LaVern Baker, Howlin’ Wolf, Lucinda Williams and Waldeck. Recorded in 5 days at Studio at the Palms, Las Vegas in August 2016 they have once again recalled some familiar names in Anton Fig (Drums/Percussion), Ron Dziubla (Saxophone), Lee Thornburg (Horn Arrangements/Trumpet/Trombone) and welcomed in Reese Wynans (Keyboards), Michael Rhodes (Bass), Rob McNelley (Rhythm Guitar), Paulie Cerra (Saxophone), Mahalia Barnes (Backing Vocals), Jade Macrae (Backing Vocals) and Juanita Tippins (Backing vocals). Talking about the sessions behind Black Coffee, Seesaw, 2011’s Don’t Explain and 2014’s Live in Amsterdam, Shirley gives some insight of what they are looking to achieve; “We’re trying not to dig into a playbook that’s been done many times, which is the old soul classics. -
Finding Aid for the David Hinckley 78S (MUM01710)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the David Hinckley 78s (MUM01710) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation David Hinckley 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the David Hinckley 78s (MUM01710) Questions? Contact us! The David Hinckley 78s are open for research. Some items may be restricted at the curator's discretion dependant upon condition. Finding Aid for the David Hinckley 78s Table of Contents Descriptive Summary Administrative Information Subject Terms User Information Arrangement Container List Descriptive Summary Title: David Hinckley 78s Collector: Hinckley, David Physical Extent: 8 boxes Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM01710 Location: Blues Language of Material: English Abstract: Collection of Blues 78s. Administrative Information Acquisition Information Collection donated by David Hinckley. Processing Information Collection processed by Greg Johnson. Finding aid encoded by Jason Kovari, 17 June 2009. Additions No further additions are expected to this collection. Subject Terms Blues (Music) Songs, English -- United States -- 20th century Formats 78 rpm records User Information Prefered Citation David Hinckley 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Access Restrictions The David Hinckley 78s are open for research.