The Problem in Writing the History of the Cultural Revolution
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Sacha M. Joseph-Mathews, Phd. Curriculum Vitae
Sacha M. Joseph-Mathews, PhD. Curriculum Vitae Contact Information University Eberhardt School of Business University of the Pacific Stockton, CA Phone: (209) 946-2628 Fax: (209) 946-2586 Email: [email protected] UNIVERSITY POSITIONS Associate Professor- Marketing, 2006- present Faculty Chair, 2014-2016 Eberhardt School of Business University of the Pacific, (Tenured) Instructor, College of Continuing Education California State University-Sacramento, 2009- Present Instructor, University of the West Indies, Summer 2013 Instructor, College of Business Florida State University, 2002-2006 Instructor, Kaiser College, 2004 EDUCATION Florida State University, Tallahassee, FL Doctor of Philosophy, June 2006 Major Field: Marketing Florida State University, Tallahassee, FL Master of Science, 2004, Major: Hospitality and Tourism Management University of the West Indies, Mona, Jamaica Bachelor of Arts, 1998, Major: Mass Communication (First Class Honors) RESEARCH INTERESTS Marketing Strategy and Consumer Behavior Customer Value Determination and Measurement, Ethical Consumption, Green Consumer Behavior, Brand Equity and Loyalty. Sacha M. Joseph-Mathews • Eberhardt School of Business • University of the Pacific Services Services- Social Entrepreneurship, Service Environment, Brand Personality, E-Commerce, Services Marketing, Retailing Consumer Ethnicity and Buying Power, Retailing and Environmental Sustainability, Tourism and Hospitality Management (Destination Branding, Eco-tourism, Cultural and Heritage Tourism, Value Determination) International -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
© 2013 Yi-Ling Lin
© 2013 Yi-ling Lin CULTURAL ENGAGEMENT IN MISSIONARY CHINA: AMERICAN MISSIONARY NOVELS 1880-1930 BY YI-LING LIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral committee: Professor Waïl S. Hassan, Chair Professor Emeritus Leon Chai, Director of Research Professor Emeritus Michael Palencia-Roth Associate Professor Robert Tierney Associate Professor Gar y G. Xu Associate Professor Rania Huntington, University of Wisconsin at Madison Abstract From a comparative standpoint, the American Protestant missionary enterprise in China was built on a paradox in cross-cultural encounters. In order to convert the Chinese—whose religion they rejected—American missionaries adopted strategies of assimilation (e.g. learning Chinese and associating with the Chinese) to facilitate their work. My dissertation explores how American Protestant missionaries negotiated the rejection-assimilation paradox involved in their missionary work and forged a cultural identification with China in their English novels set in China between the late Qing and 1930. I argue that the missionaries’ novelistic expression of that identification was influenced by many factors: their targeted audience, their motives, their work, and their perceptions of the missionary enterprise, cultural difference, and their own missionary identity. Hence, missionary novels may not necessarily be about conversion, the missionaries’ primary objective but one that suggests their resistance to Chinese culture, or at least its religion. Instead, the missionary novels I study culminate in a non-conversion theme that problematizes the possibility of cultural assimilation and identification over ineradicable racial and cultural differences. -
April 28, 1969 Mao Zedong's Speech At
Digital Archive digitalarchive.wilsoncenter.org International History Declassified April 28, 1969 Mao Zedong’s Speech at the First Plenary Session of the CCP’s Ninth Central Committee Citation: “Mao Zedong’s Speech at the First Plenary Session of the CCP’s Ninth Central Committee,” April 28, 1969, History and Public Policy Program Digital Archive, Jianguo yilai Mao Zedong wengao, vol. 13, pp. 35-41. Translated for CWIHP by Chen Jian. http://digitalarchive.wilsoncenter.org/document/117145 Summary: Mao speaks about the importance of a united socialist China, remaining strong amongst international powers. Credits: This document was made possible with support from the Leon Levy Foundation. Original Language: Chinese Contents: English Translation What I am going to say is what I have said before, which you all know, and I am not going to say anything new. Simply I am going to talk about unity. The purpose of unity is to pursue even greater victory. Now the Soviet revisionists attack us. Some broadcast reports by Tass, the materials prepared by Wang Ming,[i] and the lengthy essay in Kommunist all attack us, claiming that our Party is no longer one of the proletariat and calling it a “petit-bourgeois party.” They claim that what we are doing is the imposition of a monolithic order and that we have returned to the old years of the base areas. What they mean is that we have retrogressed. What is a monolithic order? According to them, it is a military-bureaucratic system. Using a Japanese term, this is a “system.” In the words used by the Soviets, this is called “military-bureaucratic dictatorship.” They look at our list of names, and find many military men, and they call it “military.”[ii] As for “bureaucratic,” probably they mean a batch of “bureaucrats,” including myself, [Zhou] Enlai, Kang Sheng, and Chen Boda.[iii] All in all, those of you who do not belong to the military belong to this “bureaucratic” system. -
Deng Xiaoping in the Making of Modern China
Teaching Asia’s Giants: China Crossing the River by Feeling the Stones Deng Xiaoping in the Making of Modern China Poster of Deng Xiaoping, By Bernard Z. Keo founder of the special economic zone in China in central Shenzhen, China. he 9th of September 1976: The story of Source: The World of Chinese Deng Xiaoping’s ascendancy to para- website at https://tinyurl.com/ yyqv6opv. mount leader starts, like many great sto- Tries, with a death. Nothing quite so dramatic as a murder or an assassination, just the quiet and unassuming death of Mao Zedong, the founding father of the People’s Republic of China (PRC). In the wake of his passing, factions in the Chinese Communist Party (CCP) competed to establish who would rule after the Great Helmsman. Pow- er, after all, abhors a vacuum. In the first corner was Hua Guofeng, an unassuming functionary who had skyrocketed to power under the late chairman’s patronage. In the second corner, the Gang of Four, consisting of Mao’s widow, Jiang September 21, 1977. The Qing, and her entourage of radical, leftist, Shanghai-based CCP officials. In the final corner, Deng funeral of Mao Zedong, Beijing, China. Source: © Xiaoping, the great survivor who had experi- Keystone Press/Alamy Stock enced three purges and returned from the wil- Photo. derness each time.1 Within a month of Mao’s death, the Gang of Four had been imprisoned, setting up a showdown between Hua and Deng. While Hua advocated the policy of the “Two Whatev- ers”—that the party should “resolutely uphold whatever policy decisions Chairman Mao made and unswervingly follow whatever instructions Chairman Mao gave”—Deng advocated “seek- ing truth from facts.”2 At a time when China In 1978, some Beijing citizens was reexamining Mao’s legacy, Deng’s approach posted a large-character resonated more strongly with the party than Hua’s rigid dedication to Mao. -
Three Prominences1
THE THREE PROMINENCES1 Yizhong Gu The political-aesthetic principle of the “three prominences” (san tuchu 三突出) was the formula foremost in governing proletarian literature and art during the Cultural Revolution (1966–76) (hereafter CR). In May 1968, Yu Huiyong 于会泳 initially proposed and defined the principle in this way: Among all characters, give prominence to the positive characters; among the positive characters, give prominence to the main heroic characters; among the main characters, give prominence to the most important character, namely, the central character.2 As the main composer of the Revolutionary Model Plays, Yu Hui- yong had gone through a number of ups and downs in the official hierarchy before finally receiving favor from Jiang Qing 江青, wife of Mao Zedong. Yu collected plenty of Jiang Qing’s concrete but scat- tered directions on the Model Plays and tried to summarize them in an abstract and formulaic pronouncement. The principle of three prominances was supposed to be applicable to all the Model Plays and thus give guidance for the creation of future proletarian artworks. Summarizing the gist of Jiang’s instruction, Yu observed, “Comrade Jiang Qing lays strong emphasis on the characterization of heroic fig- ures,” and therefore, “according to Comrade Jiang Qing’s directions, we generalize the ‘three prominences’ as an important principle upon which to build and characterize figures.”3 1 This essay owes much to invaluable encouragement and instruction from Profes- sors Ban Wang of Stanford University, Tani Barlow of Rice University, and Yomi Braester of the University of Washington. 2 Yu Huiyong, “Rang wenyi wutai yongyuan chengwei xuanchuan maozedong sixiang de zhendi” (Let the stage of art be the everlasting front to propagate the thought of Mao Zedong), Wenhui Bao (Wenhui daily) (May 23, 1968). -
Wang Guangmei and Peach Garden Experience Elizabeth J
Wang Guangmei and Peach Garden Experience Elizabeth J. Perry Introduction In the spring of 1967 China’s former First Lady Wang Guangmei was paraded onto a stage before a jeering crowd of half a million people to suffer public humiliation for her “bourgeois” crimes. Despite her repeated protestations, Wang was forced for the occasion to don a form- fitting dress festooned with a garland of ping-pong balls to mock the elegant silk qipao and pearl necklace ensemble that she had worn only a few years earlier while accompanying her husband, now disgraced President Liu Shaoqi, on a state visit to Indonesia. William Hinton (1972, pp. 103-105) describes the dramatic scene at Tsinghua University in Beijing, where the struggle session took place: A sound truck had crisscrossed the city announcing the confrontation, posters had been distributed far and wide, and over three hundred organizations, including schools and factories, had been invited. Some had sent delegations, others had simply declared a holiday, closed their doors, and sent everyone out to the campus. Buses blocked the roads for miles and the sea of people overflowed the University grounds so that loudspeakers had to be set up beyond the campus gates . At the meeting Wang [G]uangmei was asked to stand on a platform made of four chairs. She stood high enough so that tens of thousands could see her. On her head she wore a ridiculous, wide-brimmed straw hat of the kind worn by English aristocrats at garden parties. Around her neck hung a string of ping- pong balls . A tight-fitting formal gown clung to her plump body and sharp- pointed high-heeled shoes adorned her feet. -
Growth and Decline of Muslim Hui Enclaves in Beijing
EG1402.fm Page 104 Thursday, June 21, 2007 12:59 PM Growth and Decline of Muslim Hui Enclaves in Beijing Wenfei Wang, Shangyi Zhou, and C. Cindy Fan1 Abstract: The Hui people are a distinct ethnic group in China in terms of their diet and Islamic religion. In this paper, we examine the divergent residential and economic develop- ment of Niujie and Madian, two Hui enclaves in the city of Beijing. Our analysis is based on archival and historical materials, census data, and information collected from recent field work. We show that in addition to social perspectives, geographic factors—location relative to the northward urban expansion of Beijing, and the character of urban administrative geog- raphy in China—are important for understanding the evolution of ethnic enclaves. Journal of Economic Literature, Classification Numbers: O10, I31, J15. 3 figures, 2 tables, 60 refer- ences. INTRODUCTION esearch on ethnic enclaves has focused on their residential and economic functions and Ron the social explanations for their existence and persistence. Most studies do not address the role of geography or the evolution of ethnic enclaves, including their decline. In this paper, we examine Niujie and Madian, two Muslim Hui enclaves in Beijing, their his- tory, and recent divergent paths of development. While Niujie continues to thrive as a major residential area of the Hui people in Beijing and as a prominent supplier of Hui foods and services for the entire city, both the Islamic character and the proportion of Hui residents in Madian have declined. We argue that Madian’s location with respect to recent urban expan- sion in Beijing and the administrative geography of the area have contributed to the enclave’s decline. -
Chronology of Mass Killings During the Chinese Cultural Revolution (1966-1976) Song Yongyi Thursday 25 August 2011
Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Song Yongyi Thursday 25 August 2011 Stable URL: http://www.massviolence.org/Article?id_article=551 PDF version: http://www.massviolence.org/PdfVersion?id_article=551 http://www.massviolence.org - ISSN 1961-9898 Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Chronology of Mass Killings during the Chinese Cultural Revolution (1966-1976) Song Yongyi The Chinese Cultural Revolution (1966-1976) was a historical tragedy launched by Mao Zedong and the Chinese Communist Party (CCP). It claimed the lives of several million people and inflicted cruel and inhuman treatments on hundreds of million people. However, 40 years after it ended, the total number of victims of the Cultural Revolution and especially the death toll of mass killings still remain a mystery both in China and overseas. For the Chinese communist government, it is a highly classified state secret, although they do maintain statistics for the so-called abnormal death numbers all over China. Nevertheless, the government, realizing that the totalitarian regime and the endless power struggles in the CCP Central Committee (CCP CC) were the root cause of the Cultural Revolution, has consistently discounted the significance of looking back and reflecting on this important period of Chinese history. They even forbid Chinese scholars from studying it independently and discourage overseas scholars from undertaking research on this subject in China. Owing to difficulties that scholars in and outside China encounter in accessing state secrets, the exact figure of the abnormal death has become a recurring debate in the field of China studies. -
Perspectives of Red Guards During the Cultural Revolution: a Historiographic Survey Matthew E
The Histories Volume 4 | Issue 2 Article 2 2019 Perspectives of Red Guards during the Cultural Revolution: A Historiographic Survey Matthew E. Kowalski La Salle University Follow this and additional works at: https://digitalcommons.lasalle.edu/the_histories Part of the History Commons Recommended Citation Kowalski, Matthew E. (2019) "Perspectives of Red Guards during the Cultural Revolution: A Historiographic Survey," The Histories: Vol. 4 : Iss. 2 , Article 2. Available at: https://digitalcommons.lasalle.edu/the_histories/vol4/iss2/2 This Paper is brought to you for free and open access by the Scholarship at La Salle University Digital Commons. It has been accepted for inclusion in The iH stories by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. The Histories, Volume 4, Number 2 2 Articles I Perspectives o f the Red Guards during the Cultural Revolution: A Historiographic Survey By Matthew E. Kowalski Between the years 1966-69, Communist China experienced one of the greatest periods of social and political upheaval in its history. In assessing the meaning of Mao’s Great Proletarian Cultural Revolution, historians and political scientists have argued from several different viewpoints. One facet of the Cultural Revolution that has proved particularly controversial is the role of the Red Guard movement in the shaping of political events. During the late sixties and early seventies, many ‘China Watchers’ and academics saw the Red Guard movement as a shining example of ‘people power’ and student agency. These scholars tended to regard the events in China as being linked to the global student protest movement of the Vietnam-war era. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).