April 29, 1948 Arkansas Baptist State Convention
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Dead Alive, Dead Outside, Alive Inside” “
24683_U01.qxd 11/15/04 12:53 PM Page 1 Introduction “Dead alive, dead outside, alive inside” “In my thinking, I see that people forgot me.” Catarina said this to me as she sat peddling an old exercise bicycle and holding a doll. This woman of kind manners, with a piercing gaze, was in her early thirties; her speech was lightly slurred. I first met Catarina in March 1997, in southern Brazil at a place called Vita. I remember asking myself: where on earth does she think she is going on this bicycle? Vita is the end- point. Like many others, Catarina had been left there to die. Vita, which means “life” in Latin, is an asylum in Porto Alegre, a com- paratively well-off city of some two million people. Vita was founded in 1987 by Zé das Drogas, a former street kid and drug dealer. After his conversion to Pentecostalism, Zé had a vision in which the Spirit told him to open an institution where people like him could find God and regenerate their lives. Zé and his religious friends squatted on private property near downtown, where they began a makeshift rehabilitation center for drug addicts and al- coholics. Soon, however, the scope of Vita’s mission began to widen. An in- creasing number of people who had been cut off from family life—the men- tally ill and the sick, the unemployed and the homeless—were left there by relatives, neighbors, hospitals, and the police. Vita’s team then opened an in- firmary, where the abandoned waited with death. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
The X-Files "Flight 180" by Jeffrey Reddick
X-FILES "Flight 180" by Jeffrey Reddick Based The X-Files by Chris Carter Copyright - 1994 TEASER EXT. NEWARK AIRPORT - NIGHT A faint rains falls as PLANES take off and land. We move in towards a large 747 sitting at the gate. This is Flight 180. INT. FLIGHT 180 - NIGHT The plane is filled-to-capacity. We slowly move down the aisle. As we do several passengers catch our eye: JOSH and MONICA. Early twenties. Matching GAP outfits. JOSH I told you, after the party she needed a place to crash. MONICA So you let her crash with you? In your bed? And nothing happened? Do you think I'm a complete idiot? A few rows back is NIKKI, late teens, jams to a loud tune on her headphones. AARON - 32. A preppy man with striking red hair, taps Nikki on the shoulder. AARON Excuse me...you mind turning that down? I've got a killer headache. Nikki flashes a flirty smile and obliges. Across the aisle we see ELIZABETH and TREVOR CARYLE...AN ELDERLY COUPLE. Elizabeth is trying to finish a crossword puzzle. ELIZABETH Nine letters. Starts with an E. Capable of mass destruction. TREVOR Oh, I've got it....Elizabeth. (beat. Laughing) Explosion. We stop on A MAN. (*Sharp viewers will recognize him as CHARLES SCULLY - Dana Scully's younger brother from "Beyond The Sea.") ON CHARLES Late-twenties. Handsome. Dressed in a wrinkled suit. Charles looks nervous. Sweat glistens on his face. 2. His eyes dart around the cabin. Charles takes a deep breath, trying to relax. -
Past and Present Portrayals of China's Alien “Legal System”
Washington University Global Studies Law Review Volume 2 Issue 1 Festschrift in Honor of Professor William C. Jones January 2003 The X-Files: Past and Present Portrayals of China's Alien “Legal System” Randall Peerenboom UCLA School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_globalstudies Part of the Comparative and Foreign Law Commons Recommended Citation Randall Peerenboom, The X-Files: Past and Present Portrayals of China's Alien “Legal System”, 2 WASH. U. GLOBAL STUD. L. REV. 037 (2003), https://openscholarship.wustl.edu/law_globalstudies/vol2/iss1/3 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Global Studies Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE X-FILES: PAST AND PRESENT PORTRAYALS OF CHINA’S ALIEN “LEGAL SYSTEM” RANDALL PEERENBOOM∗ The celebration of the seventy-fifth birthday of Professor William Jones, long one of the leading China-law scholars and educators in the United States, provides an appropriate occasion to reflect on developments in teaching and researching Chinese law in recent years and to look forward to the future. Critical self-reflection is especially important at this time because China’s legal system has undergone significant changes in the last two and a half decades, creating unique challenges and opportunities for China legal specialists and comparative law scholars. Limited access to China during much of the Mao era and particularly during the Cultural Revolution greatly impaired the ability of legal scholars to do research and understand legal developments. -
Typologies of Evil in the X-Files
TYPOLOGIES OF EVIL IN THE X-FILES BY MAGNE HÅLAND SUPERVISOR: PAUL LEER SALVESEN AND SOLVEIG AASEN UNIVERSITY OF AGDER 2019 FACULTY OF HUMANITIES AND EDUCATION DEPARTEMENT OF RELIGION, PHILOSOPHY AND HISTORY 0 ACKNOWLEDGEMENTS I would like to express great appreciation to my supervisors, Professor Paul Leer-Salvesen (University of Agder) and Solveig Aasen, PhD in philosophy (University of Oslo), for their valuable and constructive suggestions during the development of this research work. I would also like to express my deep gratitude to my colleagues at Arendal Upper Secondary School, Steinar Tvedt, Inger Johanne Hermansen, Ane Kristine Bruland and Ida Wullum for their patient guidance and useful critique of my writing in English. Finally, I wish to thank my father, a proud working-class man, for his support and encouragement throughout my whole life. Throughout his life, he was never able to read English. Therefore, he “forced” me to translate my work for him. The Nazi-form of evil with Himmler, Mengele and Eichmann concerned him. Often, he asked me, how could a man (Eichmann) be that blinded? Without my father giving me motivation, I would never have come this far in my studies. 1 CONTENTS ABSTRACT …..5 CHAPTER 1, INTRODUCTION 1.1) General introduction of evil in movies …..6-7 1.2) My Research Question ……7 1.3) A short overview on the typologies of evil …..7-9 1.4) Defining evil …..9-10 1.5) A critique and defense of evil ….10-12 1.6) What is The X-files about? ….12-14 1.7) Why explore The X-Files? …..14-15 CHAPTER 2, METHODS 2.1) Theory and applied ethics …..16-18 2.2) Specific evil episodes as subjects for research and constructing analysis chapters ..18-19 2.3) The importance of using scientific work related to movies and evil …..19-21 2.4) Methodological inspiration for my thesis, work done by Dean A. -
Descartes' Meditations - Trilingual Edition
Wright State University CORE Scholar Philosophy Faculty Publications Religion, Philosophy, and Classics 1996 Descartes' Meditations - Trilingual Edition David B. Manley [email protected] Charles S. Taylor Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/philosophy Part of the Philosophy Commons Repository Citation Manley, D. B., & Taylor, C. S. (1996). Descartes' Meditations - Trilingual Edition. https://corescholar.libraries.wright.edu/philosophy/8 This Book is brought to you for free and open access by the Religion, Philosophy, and Classics at CORE Scholar. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Descartes' Meditations Introduction to the HTML Edition John Veitch Translation of 1901 Original Latin Text of 1641 Duc de Luynes French Translation of 1647 A Trilingual HTML Edition Edited by David B. Manley and Charles S. Taylor Web design by Jane Blakelock and Nicole Podach Philosopher in Meditation Rembrandt [1632] Image Courtesy WebMuseum, Paris Comments about this HTML Edition are encouraged. Please send them to: Charles S. Taylor. ©1996 by David B. Manley and Charles S. Taylor July 18, 2013 Descartes' Meditations Introduction to the HTML Edition John Veitch Translation of 1901 Original Latin Text of 1641 Duc de Luynes French Translation of 1647 Introduction to the HTML Edition The publication of this English-Latin-French HTML edition of DesCartes' Meditations on First Philosophy is quite simply an experiment in electronic scholarship. We decided to make this edition available and to encourage its free distribution for scholarly purposes. -
Jung, the Shadow, and the X-Files
JUNG, THE SHADOW, AND THE X-FILES By JENIFER JENSEN A capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Greg Salyer And approved by ______________________________ Greg Salyer Camden, New Jersey May 2019 CAPSTONE ABSTRACT Jung, The Shadow, and The X-Files by Jenifer Jensen Capstone Director: Greg Salyer This capstone explores Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. When television show The X- Files premiered on September 10, 1993, no one anticipated its impact on a generation of television viewers. The X-Files is an American pop cultural mainstay. The paradoxical brilliance of the show is that it both influenced and interpreted popular American culture. Something vital about our time in history speaks through the stories it tells. It is not the only science fiction television show to create legions of fans, spawn movies, books, comics, and general obsession in American geekdom. But it is the only television show which began in 1993, ran for almost a decade, and then returned, fourteen years later with episodes seeking transcendent answers about what it means to be human, and the possibility of knowledge, truth, and power in the era of Trump, fake news and social media. ii 1 Jung, the Shadow, and The X-Files Introduction – The X-Files I am interested in exploring Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. -
"Gillian Anderson Made Me Gay:" the Case of the X-Files Lesbians
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 5-8-2020 "Gillian Anderson Made Me Gay:" The Case of the X-Files Lesbians Samantha Howat Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Howat, Samantha, ""Gillian Anderson Made Me Gay:" The Case of the X-Files Lesbians." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/sociology_theses/89 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “GILLIAN ANDERSON MADE ME GAY:” THE CASE OF THE X-FILES LESBIANS by SAMANTHA HOWAT Under the Direction of Wendy Simonds PhD ABSTRACT The “X-Files” lesbians are an online community of lesbian, bisexual, pansexual, and queer (LBPQ) women who attribute the science fiction show and its lead actress, Gillian Anderson, with the discovery of their sexual orientation. Despite her character Dana Scully’s heterosexuality and that the show features no LGBT+ characters, the claim that “Gillian Anderson made me gay” has been a consistent argument made by women in the broader X-Files fan community since the show began airing in the 1990s. I have examined this phenomenon to demonstrate how much television can influence and aid with the construction of female sexuality. Additionally, I have studied the role media plays in identity formation. I collected data via a survey distributed to LBPQ X-Files fans on the blogging website tumblr. -
Legendary Encounters Rules
® ENCOUNTERS RULE BOOK AGES 17+ DECK BUILDING GAME “Sorry, nobody down here but the FBI’s overcome the End Game, you win the game. most unwanted.” – Fox Mulder, meeting But the conspiracy isn’t a passive participant Dana Scully for the first time. in this game. Its End Game will have a wicked assortment of abilities and the conspiracy uses Game Summary all kinds of The X-Files™ to distract your team Welcome to Legendary ® Encounters: The X-Files™ and keep the pressure on you. Deck Building Game. In this fully cooperative At the end of each turn, if there are any Enemies game for 1-5 players, you’ll play a team of remaining in the Field, they will Strike you. If a agents — choosing from among Mulder, Scully, player takes damage equal to or greater than Skinner, Doggett, and Reyes — as you investigate their health, they’re defeated and the team The X-Files™ and work to unravel the greater loses the game -- they can’t bear the practical conspiracy behind them. During the game, your and emotional loss of their colleague. However, team will play cards from their own decks — if “The End” has begun (if the End Game card recruiting other agents, uncovering evidence, and has been revealed), the players will soldier on fighting enemies. If you do well enough, you will without their teammate. Once “The End” has face the final challenge – the conspiracy’s vicious begun, either the conspiracy will succeed, or a “End Game”! few brave agents just might save the world. How to Play and, Maybe, Win What’s New in This Legendary® During each game, you’ll play through three “seasons” of The X-Files™ show (the game Encounters Game? covers the first nine seasons). -
Cities Without Citizens Edited by Eduardo Cadava and Aaron Levy
Cities Without Citizens Edited by Eduardo Cadava and Aaron Levy Contributions by: Giorgio Agamben, Arakawa + Gins, Branka Arsic, Eduardo Cadava, Joan Dayan, Gans & Jelacic Architecture, Thomas Keenan, Gregg Lambert, Aaron Levy, David Lloyd, Rafi Segal Eyal Weizman Architects, Gayatri Chakravorty Spivak. Slought Books, Philadelphia with the Rosenbach Museum & Library Theory Series, No. 1 Copyright © 2003 by Aaron Levy and Eduardo Cadava, Slought Foundation. All rights reserved, including the right to reproduce this book, or parts thereof, in any form, without written permission from Slought Books, a division of Slought Foundation. No part may be stored in a retrieval system, or transmitted, in any form or by any means electronic, mechanical, photocopying, recording, or otherwise, without prior written permission, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. This project was made possible through the Vanguard Group Foundation and the 5-County Arts Fund, a Pennsylvania Partners in the Arts program of the Pennsylvania Council on the Arts, a state agency. It is funded by the citizens of Pennsylvania through an annual legislative appropriation, and administered locally by the Greater Philadelphia Cultural Alliance. The Pennsylvania Council on the Arts is supported by the National Endowment for the Arts, a federal agency. Additional support for the 5-County Arts Fund is provided by the Delaware River Port Authority and PECO energy. We also acknowledge the financial support of the Memorial Foundation for Jewish Culture, NY for Aaron Levy’s Kloster Indersdorf series, and the International Artists’ Studio Program in Sweden (IASPIS) for Lars Wallsten’s Crimescape series. -
“SCULLY, WHAT ARE YOU WEARING?”: the PROBLEM of FEMINISM, SUBVERSION, and HETERONORMATIVITY in the X-FILES by LACY HODGES A
“SCULLY, WHAT ARE YOU WEARING?”: THE PROBLEM OF FEMINISM, SUBVERSION, AND HETERONORMATIVITY IN THE X-FILES By LACY HODGES A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Lacy Hodges ACKNOWLEDGMENTS I would like to thank the English Department at the University of Florida for allowing me this opportunity. Thanks especially go to Dr. Andrew Gordon for his guidance, support, and encouragement, as well Dr. Brandon Kershner for his additional support throughout this project. I would also like to thank my parents for their continued support, even after I abandoned a possibly lucrative career for a much more personally fulfilling one. My sincerest gratitude also goes out to Erin, for laughter, honest criticism, and, while always encouraging me, never letting me take myself too seriously. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ............................................................................................. iii ABSTRACT....................................................................................................................v CHAPTER 1 INTRODUCTION....................................................................................................1 2 “THE FBI’S MOST UNWANTED”: MULDER AND SCULLY AS LONE HERO.......................................................................................................................6 3 “I DO NOT GAZE AT SCULLY”: SCULLY, SEXUALITY, AND VISUAL -
The X Files: Entries on Meaning AXEL KRUSE
Sydney Studies The X Files: Entries on Meaning AXEL KRUSE ‘There’s a starman waiting in the sky’ (David Bowie, Starman) View metadata, citation and similar papers at core.ac.uk The X Files brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The success of The X Files (1993- ) makes it one of the defining programs of a period of transition in which television moves towards a new range of commercial mega-media provided by global communication enterprises. As so many viewers are aware, the narrative basis for the series is that Special Agents Fox Mulder and Dana Scully work in the Violent Crimes section of the Federal Bureau of Investigation with the X Files, a set of fictional files about violent crimes which involve elements of the unknown and unexplainable. Strange mutations, madness, the paranormal, and aliens are linked under the general category of X, the unknown, with the effect that The X Files brings the unknown and the inhuman into the domestic site of prime time television. In addition, Mulder and Scully become increasingly involved with evidence that the world is threatened both by alien invasion and an international government conspiracy to keep people ignorant about what is happening. In that way The X Files defines itself in terms of news about millennial, end-of-the-world crisis at the same time as it contributes to a new stage of global authority for television as a medium for the definition and communication of meaning. Seeing the series in perspective involves questions about its appeal to millennial horror and its basis in American mainstream television and international corporate culture.