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Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
The Girl in the Woods: on Fairy Stories and the Virgin Horror
Journal of Tolkien Research Volume 10 Issue 1 J.R.R. Tolkien and the works of Joss Article 3 Whedon 2020 The Girl in the Woods: On Fairy Stories and the Virgin Horror Brendan Anderson University of Vermont, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Recommended Citation Anderson, Brendan (2020) "The Girl in the Woods: On Fairy Stories and the Virgin Horror," Journal of Tolkien Research: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol10/iss1/3 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Anderson: The Girl in the Woods THE GIRL IN THE WOODS: ON FAIRY STORIES AND THE VIRGIN HORROR INTRODUCTION The story is an old one: the maiden, venturing out her door, ignores her guardian’s prohibitions and leaves the chosen path. Fancy draws her on. She picks the flow- ers. She revels in her freedom, in the joy of being young. Then peril appears—a wolf, a monster, something with teeth for gobbling little girls—and she learns, too late, there is more to life than flowers. The girl is destroyed, but then—if she is lucky—she returns a woman. According to Maria Tatar (while quoting Catherine Orenstein): “the girl in the woods embodies ‘complex and fundamental human concerns’” (146), a state- ment at least partly supported by its appearance in the works of both Joss Whedon and J.R.R. -
Vision for Change: Acceptance Without Exception for Trans People
A VISION FOR CHANGE Acceptance without exception for trans people 2017-2022 A VISION FOR CHANGE Acceptance without exception for trans people Produced by Stonewall Trans Advisory Group Published by Stonewall [email protected] www.stonewall.org.uk/trans A VISION FOR CHANGE Acceptance without exception for trans people 2017-2022 CONTENTS PAGE 5 INTRODUCTION FROM STONEWALL’S TRANS ADVISORY GROUP PAGE 6 INTRODUCTION FROM RUTH HUNT, CHIEF EXECUTIVE, STONEWALL PAGE 7 HOW TO READ THIS DOCUMENT PAGE 8 A NOTE ON LANGUAGE PAGE 9 EMPOWERING INDIVIDUALS: enabling full participation in everyday and public life by empowering trans people, changing hearts and minds, and creating a network of allies PAGE 9 −−THE CURRENT LANDSCAPE: o Role models o Representation of trans people in public life o Representation of trans people in media o Diversity of experiences o LGBT communities o Role of allies PAGE 11 −−VISION FOR CHANGE PAGE 12 −−STONEWALL’S RESPONSE PAGE 14 −−WHAT OTHERS CAN DO PAGE 16 TRANSFORMING INSTITUTIONS: improving services and workplaces for trans people PAGE 16 −−THE CURRENT LANDSCAPE: o Children, young people and education o Employment o Faith o Hate crime, the Criminal Justice System and support services o Health and social care o Sport PAGE 20 −−VISION FOR CHANGE PAGE 21 −−WHAT SERVICE PROVIDERS CAN DO PAGE 26 −−STONEWALL’S RESPONSE PAGE 28 −−WHAT OTHERS CAN DO PAGE 30 CHANGING LAWS: ensuring equal rights, responsibilities and legal protections for trans people PAGE 30 −−THE CURRENT LANDSCAPE: o The Gender Recognition Act o The Equality Act o Families and marriage o Sex by deception o Recording gender o Asylum PAGE 32 −−VISION FOR CHANGE PAGE 33 −−STONEWALL’S RESPONSE PAGE 34 −−WHAT OTHERS CAN DO PAGE 36 GETTING INVOLVED PAGE 38 GLOSSARY INTRODUCTION FROM STONEWALL’S TRANS ADVISORY GROUP The UK has played an While many of us benefited from the work to give a voice to all parts of trans successes of this time, many more communities, and we are determined important role in the did not. -
GARRET DONNELLY EDITOR TELEVISION PAINKILLER (Limited Series) Netflix Prod: Eric Newman, Micah Fitzerman-Blue Dir: Peter Berg Noah Harpster
GARRET DONNELLY EDITOR TELEVISION PAINKILLER (Limited Series) Netflix Prod: Eric Newman, Micah Fitzerman-Blue Dir: Peter Berg Noah Harpster NARCOS: MEXICO (Season 1-3) Netflix Prod: Eric Newman, Tim King Dir: Josef Kubota Wladyka Amat Escalante Andres Baiz NOS4A2 (Season 2) AMC Prod: Jami O’Brien Dir: Craig William MacNeill KNIGHTFALL (Season 2) The History Channel Prod: Aaron Helbing, Josh Appelbaum Dir: Rick Jacobson Andre Nemic, Jeff Pickner David Wellington Scott Rosenberg HEATHERS (Season 1) Paramount Network Prod: Jason Micallef, Tom Rosenberg Dir: Adam Silver Gary Lucchesi, Annie Mebane Jessica Lowrey Keith Raskin THE NIGHT SHIFT (Season 4) Sony TV/NBC Prod: Jeff Judah, Gabe Sachs, Tom Garrigus Dir: Various 24: LEGACY (Season 1) 20th Century Fox/FOX Prod: Evan Katz, Manny Coto, Jon Cassar Dir: Nelson McCormick Howard Gordon, Stephen Hopkins Jon Cassar TYRANT (Seasons 2-3) 20th Century Fox/FX Prod: Chris Keyser, Howard Gordon Dir: Various Glenn Gordon Caron, David Fury SECOND CHANCE (Season 1) 20th Century Fox/FOX Prod: Rand Ravich, Donald Todd Dir: Various Howard Gordon, Brad Turner HOMELAND (Episodes 401, 412) Fox 21/Showtime Prod: Alex Gansa, Howard Gordon Dir: Lesli Linka Glatter RAY DONOVAN (Episode 204) Showtime Prod: Ann Biderman Dir: Tucker Gates ASSISTANT EDITOR (TELEVISION) PROOF (Season 1) TNT Productions/TNT Prod: Rob Bragin, Jessica Grasi, Rose Lam Dir: Allison Anders HOMELAND (Seasons 1-4) Fox 21/Showtime Prod: Alex Gansa, Howard Gordon Dir: Various RAY DONOVAN (Pilot, Seasons 1-2) Showtime Prod: Ann Biderman Dir: Allen Coulter (P) Various THE KILLING (Season 2) Fox 21/AMC Prod: Veena Sud Dir: Various CHAOS (Season 1) 20th Century Fox/CBS Prod: Tom Spezialy Dir: Various MEDIUM (Seasons 3-7) CBS Studios/NBC Prod: Glenn Gordon Caron Dir: Various FEATURES BROKEN BOY SOLDIER (Short) Burnside Entertainment Prod: Seth William Meier Dir: Travis Donnelly 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com . -
Dining with Anna and Friends
Dining with Anna and Friends This list of restaurants, bars, delis, and food stores are related in one way or another to The Tales of the City (books and/or films) as well as to The Night Listener. They are grouped by neighborhoods or areas in San Francisco. Some have already been included in existing walking tours. More will be included in future tours. Many establishments – particularly bars and clubs – featured in Armistead Maupin’s books have since closed. The buildings were either vacant or have been converted into other types of businesses altogether (for example, one has been turned into a service for individuals who are homeless) at the time this list was created. For these reasons, those establishments have not been included in this list. As with the rest of the content of the Tours of the Tales website, this list will be periodically updated. If you have updates, please forward them to me. I appreciate your help. NOTE: Please do not consider this list an exhaustive list of eating/drinking establishments in San Francisco. For example, although there are several restaurants listed in “North Beach” below, there are many more excellent places in North Beach in addition to those listed. Also, do not consider this list an endorsement of any place included in the list. The Google map for this list of eating establishments: Dining with Anna and Friends. Aquatic Park/Fisherman’s Wharf/and the Embarcadero The Buena Vista Bar, 2765 Hyde Street (southwest corner of Hyde and Beach; across the street from the Powell-Hyde cable car turntable): Mary Ann Singleton was twenty-five years old when she saw San Francisco for the first time. -
The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Praise for Onjali Q. Rauf's Books from Children `
PRAISE FOR ONJALI Q. RAUF'S` BOOKS FROM CHILDREN ‘I could not put it down once I had got it because it was so fantastic! It is all about bravery and determination’ Dorie, age 10 ‘It made my dad and me laugh and cry and made us want to help more’ Carey, age 7 ‘What! Oh no! I can’t believe it has finished! I wanted to read more!’ Ariana, age 8 ‘I don’t usually like reading. But this made me want to read lots more stories just like it’ Robert, age 8 ‘Your book was so good it made me stop fighting with my sister’ Adam, age 8 ‘We read it at school and everyone agreed it’s the best book ever. We never agree on anything so that was nice’ Ibrahim, age 8 ‘I used to think kids like me couldn’t be in stories. But now I feel like they can and that it’s OK’ Heliana, age 10 PRAISE FOR ONJALI Q. RAUF'S` BOOKS FROM ADULTS ‘A celebration of courage and friendship’ Guardian ‘Utterly delightful’ Mail on Sunday ‘Tearjerking and chuckle-inducing’ Sunday Post ‘A book that everyone should read in this day and age’ Bookseller ‘Fans of Wonder will love this inspiring story’ Week Junior ‘This is a beautiful, open-hearted debut that should help children . realise the power of kindness’ Booktrust AWARDS FOR ONJALI Q. RAUF'S` BOOKS Winner of the Blue Peter Book Award for Best Story 2019 Winner of the Waterstones Children’s Book Prize 2019 Shortlisted for the Branford Boase Award Shortlisted for the Independent Bookshop Week Award for Children’s Book 2019 Shortlisted for the Jhalak Prize Book of the Year 2019 CILIP Carnegie Medal 2019 Nominee Shortlisted for Children’s Fiction Book of the Year 2020 at the British Book Awards ORION CHILDREN’S BOOKS First published in Great Britain in 2020 by Hodder and Stoughton 1 3 5 7 9 10 8 6 4 2 Text copyright © Onjali Q. -
The Corrosive Impact of Transgender Ideology
The Corrosive Impact of Transgender Ideology Joanna Williams The Corrosive Impact of Transgender Ideology The Corrosive Impact of Transgender Ideology Joanna Williams First published June 2020 © Civitas 2020 55 Tufton Street London SW1P 3QL email: [email protected] All rights reserved ISBN 978-1-912581-08-5 Independence: Civitas: Institute for the Study of Civil Society is a registered educational charity (No. 1085494) and a company limited by guarantee (No. 04023541). Civitas is financed from a variety of private sources to avoid over-reliance on any single or small group of donors. All the Institute’s publications seek to further its objective of promoting the advancement of learning. The views expressed are those of the authors, not of the Institute. Typeset by Typetechnique Printed in Great Britain by 4edge Limited, Essex iv Contents Author vi Summary vii Introduction 1 1. Changing attitudes towards sex and gender 3 2. The impact of transgender ideology 17 3. Ideological capture 64 Conclusions 86 Recommendations 88 Bibliography 89 Notes 97 v Author Joanna Williams is director of the Freedom, Democracy and Victimhood Project at Civitas. Previously she taught at the University of Kent where she was Director of the Centre for the Study of Higher Education. Joanna is the author of Women vs Feminism (2017), Academic Freedom in an Age of Conformity (2016) and Consuming Higher Education, Why Learning Can’t Be Bought (2012). She co-edited Why Academic Freedom Matters (2017) and has written numerous academic journal articles and book chapters exploring the marketization of higher education, the student as consumer and education as a public good. -
Sex and Difference in the Jewish American Family: Incest Narratives in 1990S Literary and Pop Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2018 Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture Eli W. Bromberg University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Studies Commons Recommended Citation Bromberg, Eli W., "Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture" (2018). Doctoral Dissertations. 1156. https://doi.org/10.7275/11176350.0 https://scholarworks.umass.edu/dissertations_2/1156 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented by ELI WOLF BROMBERG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2018 Department of English Concentration: American Studies © Copyright by Eli Bromberg 2018 All Rights Reserved SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented By ELI W. BROMBERG -
LM Matriculation 2021: Go Forth to Serve
2 June 8, 2021 Matriculation The Merionite Moments that matter Character counts Sydney Zelinger ’21 Dhaval Sharma ’21 Editor-in-Chief Editor-in-Chief One of my favorite moments from found relationship with someone Recently, someone told me that their journey. No one sympathizes or each school day is walking through the who entered my life with great inten- everything happens for a reason. They enjoys a character who was perfect halls and being greeted by someone tions and changed it for the better. said that no matter how bad something from the beginning! If you had the who is not typically on my daily radar. An They taught me that life is more than may seem, it was always meant to be. chance to redo your time at LM and do enhancer to these moments is being all of the exterior stresses that come Initially, and even now, I’m skepti- everything perfectly, would you really? complimented by that person or having with being a teenager, and that it cal about the idea of a preordained I think the answer for most people them stop their rush to class to engage in is okay to lean on someone in a time destiny, but the underlying message should be no; each failure has even- a short conversation. When I let myself of need. I think this is quite remi- has stuck with me since. I believe that tually led to who you are right now, sit with and value these interactions, they niscent of a prudent lesson that a anyone can put a positive spin on the someone who is hopefully a better can make a bad day turn around. -
Queer Tastes: an Exploration of Food and Sexuality in Southern Lesbian Literature Jacqueline Kristine Lawrence University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature Jacqueline Kristine Lawrence University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Literature in English, North America Commons Recommended Citation Lawrence, Jacqueline Kristine, "Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature" (2014). Theses and Dissertations. 1021. http://scholarworks.uark.edu/etd/1021 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts in English By Jacqueline Kristine Lawrence University of Arkansas Bachelor of Arts in English, 2010 May 2014 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _________________________ Dr. Lisa Hinrichsen Thesis Director _________________________ _________________________ Dr. Susan Marren Dr. Robert Cochran Committee Member Committee Member ABSTRACT Southern identities are undoubtedly influenced by the region’s foodways. However, the South tends to neglect and even to negate certain peoples and their identities. Women, especially lesbians, are often silenced within southern literature. Where Tennessee Williams and James Baldwin used literature to bridge gaps between gay men and the South, southern lesbian literature severely lacks a traceable history of such connections. -
THE MYSTERY of IRMA VEP Welcome
per ormances f at the OLD GLOBE ARENA STAGE AT THE JAMES S. COPLEY AUDITORIUM, SAN DIEGO MUSEUM OF ART AUGUST 2009 THE MYSTERY OF IRMA VEP Welcome UPCOMING Dear Friends, THE FIRST WIVES CLUB July 17 - Aug. 23, 2009 Welcome to an outrageous Old Globe Theatre evening of murder and mayhem on the moors! The Mystery of Irma Vep is a loving tribute to ❖❖❖ Victorian and gothic mystery, and a tour-de-force for our out- rageously talented actors, Jeffrey SAMMY M. Bender and John Cariani. Sep. 19 - Nov. 1, 2009 Charles Ludlam's enduring Old Globe Theatre masterpiece has had audiences rolling in the aisles for nearly three decades and I know this will be no exception. ❖❖❖ It is certainly the busiest time of the year for The Old Globe. We are presenting a total of five plays on our three stages. The Broadway- bound world premiere of The First Wives Club is currently playing in T H E SAVA N N A H the Old Globe Theatre. Music legends Brian Holland, Lamont Dozier DISPUTATION and Eddie Holland (Stop! In The Name of Love) have fashioned an Sep. 26 - Nov. 1, 2009 infectious score for this musical based on the popular film and book. The Old Globe Arena Stage at Get your tickets soon so you can say, “I saw it here first!” the James S. Copley Auditorium, The centerpiece of our summer season, as it has been for 75 years, is San Diego Museum of Art our Shakespeare Festival — currently in full swing with Twelfth Night, Cyrano de Bergerac and Coriolanus in repertory in the outdoor Festival Theatre.