Dentro Del Mundo De Taylor Guitars
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Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Luna Guitars 2014 Collection, Version
2014 MANY HANDS collectionONE TRIBE ACOUSTIC GUITARS Heartsong series ............................................ 1-4 Vista series.......................................................5-8 Artist series ....................................................9-12 Americana series .........................................13-14 Table of Contents Henna series ................................................15-17 Vicki Genfan signature guitar .........................18 Oracle series ............................................... 19-23 Trinity series ......................................................24 Celtic series .................................................25-26 Nylon series................................................. 27-28 Flora & Fauna series ..................................29-34 Eclipse series.....................................................35 Woodland series ............................................. 36 Safari series .................................................37-40 Gypsy series ................................................ 41-42 UKULELES ................................................43-55 FOLK INSTRUMENTS ..........................56-58 ELECTRIC GUITARS ..............................59-64 BASS GUITARS .......................................65-66 AMPS ................................................................67 CASES ............................................................. 68 © 2014 Luna Guitar s v1.0 product photography ................ Sean Vennett lifestyle photography ......... Aydelette -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
2016 Washburn Catalog
With roots going back before the Civil War, Washburn began as a partnership between George Washburn Lyon and Patrick Healy. Formed in Chicago, Illinois, Washburn has been building stringed instruments since 1883. An American institution, Washburn has built guitars, mandolins, banjos, ukuleles, and more throughout the years. Many of the biggest names in folk, rock, and blues have played Washburn and some of the most significant trendsetting music has been played on a Washburn. From early blues, to the inspiration behind the MTV Unplugged revival, to the modern day, Washburn has been a choice amongst the songsmiths of the day. 130 years of history is at the root of our strong foundation building high quality instruments. It is this background that inspires us to create instruments for you and we hope you experience the exceptional value, playability and voice that is Washburn. In this brochure we encourage you to explore the Washburn line of fine instruments. We are sure you can find a musical partner in a Washburn, be it the quintessential acoustic-electric Festival, the legendary Heritage, the luthier inspired Comfort, or our extensive variety of Americana models. WASHBURN ™ ACOUSTICS 2 3 A great little travel companion, Washburn’s Rover is the ultimate travel guitar! A solid soundboard contributes to its clear and robust sound for its size. Play it any time or any place. Bring it with you when you’re on a plane, a boat, a car, the beach, ROVER camping, hiking -anywhere. Comes complete with case, instructional DVD, strap and SERIES 3 picks. Fits in an airline overhead and is the perfect guitar travel companion. -
Gibson Acoustic Serialization Taken from the 11
Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory. -
Charvel® R&D Guitar Specification Sheet
Charvel® R&D Guitar Specification Summary Model: San Dimas™ Style 1 - 2H Series: U.S.A. Production Model Neck-thru or Bolt-on Bolt-on Description San Dimas™™ Style 1 Body Wood Alder (no veneer) Body Binding No BODY Scallop Heel No Scallop Horn No Other Charvel USA San Neck Description Dimas™ Reg./Reverse Headstock Regular 1 pc Maple - Neck/Centerblock Wood Quartersawn Fingerboard Wood n/a Inlay Dots 42.86 mm [1 11/16 Nut Width inch] Butt Width 57.15 mm [2 ¼ inch] NECK Scale Length 25.5" # of Frets 22 Dunlop® Jumbo 6100 Fret Wire (or SBB equivalent) Fret Scallop No Neck Binding No Head Binding No Charvel USA San 12”-16” Compound Neck Backshape Dimas™ Other Radius Bridge Floyd Rose® Recessed/Pullback No Nut Floyd Rose R3 Strap Button Dunlop Jack Location Side Jack Type Oval Grover® Mini Tuners Rotomatic Parts Color Black PARTS Knobs Black (knurled) Pickguard No Rear Control Yes – San Dimas™ Battery Cavity No Other Pickup Route 2H Active Electronics No Bezels Yes Covered Pickup No Bridge Pickup Seymour Duncan® TB4 Middle Pickup Neck Pickup Seymour Duncan SH1N Volume One Tone No Other Knobs Pickup Selector 3 Way Toggle Position 1 Bridge CONTROLS Position 2 Bridge & Neck Position 3 Neck Position 4 Position 5 Other Switches Placement Instructions Recessed back plates – (black) Standard Colors Black Rotation Colors Candy Apple Red (next TBA) Neck Finish Gunstock oil Painted Pickups No Artwork or Color Sample FINISH Natural – stain matte Headstock Color on front Logo Type Charvel Logo Color Black Other Case Charvel padded gig bag ©2008 JCMI, Inc. -
Gibson Headstock Template Actual Size
Gibson headstock template actual size Continue From Wikimedia Commons, the free media repository Jump to Navigation Jump to search file used on Commons File used on other wikis EnglishAdd a one-line explanation of what this file represents I, the copyright holder of this work, hereby publish it under the following licenses: Permission is granted to copy, distribute and/or change under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no invaded sections, no front page decks and no back page decks. A copy of the license is included in the section entitled GNU Free Documentation License. Free Documentation Licensetrue This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License. You are free: to share - to copy, distribute and transfer the work to remix – to adjust the work under the following conditions: atmosting – you must give appropriate credit, provide a link to the license and indicate if changes have been made. You may do this in any reasonable manner, but not in any way that suggests that the licensee endorses you or your use. part alike – If you have remix, transform or build on the materials, you must distribute your contributions under the same or compatible license as the original. This license tag has been added to this file as part of the GFDL license-update. Common This file is licensed under the Creative Commons Attribution-Share Alike 2.5 Generic, 2.0 Generic and 1.0 Generic license. You are free: to share - to copy, distribute and transfer the work to remix – to adjust the work under the following conditions: atmosting – you must give appropriate credit, provide a link to the license and indicate if changes have been made. -
Gibson Serial Number Decoder Acoustic
Gibson serial number decoder acoustic (Ver. ) The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories. For guitars made prior to use the extended search function. How to Date a Gibson Using Serial Numbers, FONs and Logos. Published Sep . Serial Number. Acoustics and Electric Archtops Factory Order Numbers (FON) to track batches of instruments being produced at the time. serial numbers started with number for acoustics, around Information about serial numbers and production year Gibson guitars, with In , the orange labels in the body of acoustic guitars were replaced by white. Knowing how to identify correct serial numbers still remains one of the best Gibson Acoustic Guitar Descriptions from the Blue Book of Guitars. Here's a link to Gibson's serial number ID info. When acoustic production began in Bozeman (in ) the numbers were reorganized. Guitars Info's Gibson Vintage Guitar General Info, Specs, and Serial Numbers. Specific Model Info: Gibson Vintage Acoustic Archtop Model Information. Gibson serial numbers are usually on the back of the guitars headstock; either stamped, inked or as a decal. Instruments with f-holes often have the serial. Gibson Guitar, serial numbers and dates. Since all the instruments using this serial number pattern were acoustic or semi- hollow the labels were located. Since , all Gibson acoustics are built in Bozeman, MT and all Gibson electrics are built in Nashville or Memphis. Ranking numbers for Bozeman start each. Prior to serial numbers, the different instruments were identified by the Martin brand .. Thus, the older Gibson guitars may have a serial number and a Factory to : Bar frets. -
A C O U S T I C & C L a S S I C
P L A Y E R S | L U T H I E R S | C O L L E C T O R S GA C O U US T I C & IC L TA S S I AC A L RBENCIssue 1H 2012 Interviews with: Steve Baughman Laurent Brondel Aaron Green Discover: Ryan guitars Vintage Martins Monkeypod Reviews And much more... G U I T A R B E N C H E D I T O R S N O T E EDITOR: Terence Tan Thank you for looking over the first issue of CO-EDITOR: Nena Ganesan Guitarbench magazine! SALES/MARKETING: Jessica Pau Contributors: Anton Emery, Kevin Ryan, Jessica Pau Over the past 5 years, our website has grown WEBSITES: guitarbench.com into a significant information store with over Our Online Magazine: guitarbench.com 590 published posts and numerous features. This magazine is conceived to break the digital coding barrier to allow us to develop better stories and an unlimited canvas upon which we can deliver the articles we love to produce. The information and advertising set forth herein has We will still be producing articles on guitar been obtained from sources believed to be accurate. The profiles, construction and tonewoods - In this publisher, however, does not warrant complete accuracy of such information and assumes no responsibility for any issue, you’ll find interviews with prominent consequences arising from the use thereof or reliance steel string and classical luthiers- Laurent thereon. Publisher reserves the right to reject or cancel any Brondel and Aaron Green, a slew of great advertisement or space reservation at any time without notice. -
Contents BCGS Staff
Vol21 2_4p Cover R3 Final.qxp:NL 9/24/14 9:34 AM Page 1 BOSTON CLASSICAL GUITAR SOCIETY Volume21,No.2 newsletter Contents Letter to Members........................................2 BGO Follows Young Segovia........................3 Young Guitarists’ Workshop ........................4 Elephant in the Room ..................................5 Performance Parties ..................................6 The BGO in Madrid......................................7 Calendar ....................................................9 Classifieds ..................................................9 BCGS Staff Director [email protected] Treasurer GeorgeWard [email protected] Newsletter WillRiley,Editor [email protected] GeorgeWard,Production [email protected] BCGSBostonGuitarOrchestra ScottBorg,Director [email protected] PerformancePartyCoordinator J.OscarAzaret [email protected] Vol21 2_4p Cover R3 Final.qxp:NL 9/24/14 9:34 AM Page 2 BCGSNewsletter Volume21,Number2 Letter to Members 14th.Heisbyfaroneofthegreatestguitaristsofhis DearBCGSMembers, generation,andbothhisartistryandtechnicalwizardryhave impressedaudiencesworldwide.Finally,oursocietywillagain Ihopeyouareenjoyingthe hosttheNewEnglandGuitarEnsemblesFestival.NEGEFis beautyoftheNewEngland growingbyleapsandboundsandwehavethegreathonorof autumnseason!Weareonthe hostingCarloDomeniconi,agiantamongcontemporaryguitar cuspofbeginningatruly composers.RenounedforhisTurkish-inspiredcomposition