[Of 4]-Digest-Retyped Marjor Ie T
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In 191^B Played His First Professional Job. He Bought a Sax on August 3/ and Played His First Job on September 3
PAUL BARNES 1 Reel I [of 2]--Digest-Retype June 16, 1969 Also present; Barry Martyn, Lars Edegran/ Richard B. Alien Paul Daniel Barnes, whose professional name is "Polo" Barnes/ was born November 22, 1903., in New Orleans/ Louisiana. When he was six years old, he started playing a ten cent [tin] fife. This kind of fife was popular in New Orleans. George Lewis, [Emil-e] Barnes and Sidney ^. Bechet and many others also started on the fife. In 191^B played his first professional job. He bought a sax on August 3/ and played his first job on September 3. He had a foundation from playing the fife. As a kid, he played Emile Barnes' clarinet. There were few Boehm system clarinetists then. 'PB now plays a Boehm. Around 1920 PB started playing a Boehm system clarinet, but he couldn't get the hang of it/ so he went back to the sax/ which he played until he got with big bands. He took solos on the soprano sax [and later alto sax], but not on the clarinet. He is largely self-taught. He tooT< three or four saxophone lessons from Lorenzo Tie [Jr.]. Tio was always high. PB learned clarinet from Emile Barnes. PB wanted to play like Sidney Bechet, but he couldn't get the tone. PB played tenor sax around New York/ baritone sa^( [and still occasionally alto]. [Today PB is still playing clarinet almost exclusively--RBA, June 7, 1971<] His first organized band was PB's and Lawrence Marrero's Original Diamond Orchestra. It had Bush Hall, tp/ replaced by Red Alien; Cie Frazier [d]; Lawrence [Marrero] / [bj?]. -
Whicl-I Band-Probably Sam; Cf
A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band. -
I [Of 3]-Digest- Retyped of a Bas$ [Violin]); His Mother Sang; His Uncle Played Comb and (Not Used in Bands Anymore) . Kazoo
1 JOSEPH THOMAS Also present; William Russell I [of 3]-Digest- Retyped Ralph Collins September 29, I960 Interview recorded at Joseph Thomas ' s home 2027 St. Ann Street New Orleans, Louisiana Joseph William Thomas was born December 3, 1902. His father ./ I s played broom (a resined broom stick is drawn across the thumb, which is supported by a table; the sound resulting is like that of a bas$ [violin]); his mother sang; his uncle played comb and tissue paper. WR has heard Blow Drag [Pavageau] play the broom. All JT's family, including a cousin sang. Lyrics of songs included "Mr. Moon/ you bright silvery moon, please shine your light on me." They also sang "Down By the Old Mill Stream 11 JT was born on Tonti Street, between Dumaine and St. Ann, acros s from the Tonti Social and Pleasure Club; he has lived most of his life in the same neighborhood. One of his brothers tried to learn C melody sax, but gave it up, as it was not-the right instrument (not used in bands anymore) . Kazoo was also used at the song sessions involving his parents and uncle. JT didn't follow any brass band parades when he was small; his parents were very strict and demanded that the children remain close to the home. He did get to see Carnival parades with his grandmother, and the Hobgoblins with his mother. JT thinks Louis Barbarin's daddy [Isidore Barbarin] played in tte band for the Hobgoblins. JT remembers hearing Kid Punch [Miller], Kid Rena, Buddy Petit and Chris Kelly; he says there was a vacant lot with a pavillion at Orleans and White where Punch's band played for dancing. -
Rudolph Beaulieu I
1 RUDOLPH BEAULIEU Also present: William Russell I [of 3]--Digest--Retyped Ralph Collins May 31, 1961 Rudolph Peter Beaulieu was born in New Orleans, on Derbigny ·. between Kerlerec and Columbus (about where Artisan Hall is), on July 23, 1899. RB had two brothers who also played music; Arnold Depass (actually, a half-brother) played drums. (George Guesnon, shown in a photograph, is mentioned.) Depass played with "some of the old aces." RB learned to play on Depass's drums, on the sly until Depass caught him; then Depass told him it was all right for him to play them, told him he should learn to play, and later began sending him on jobs. RB began getting work on his own, and he ( made up a band (he says he has made up four or five bands in his career). RB says he and Martin Gabriel (now away from here) "carried I ' on plenty•). [wofked together a lot?]. WR says a Gabriel married the \ bass player, [August] Lanoix; RB says that she is a sister of Martin; there were other Gabriels in that family; one, Clarence Gabriel, was a fine piano player •.•• [Restricted] RB says he and others, incluiling Clarence Gabriel, Charlie Armstead, and Maurice Durand, [trumpet,] had a band which played "back of Desire Street." He [owner of the place there?] died not long ago. The band worked there about three years. Talk of Durand, who lives [and died] in. California. RB also worked with various other bands, including that of Papa Celestin. RB began playing just about the time Louis Armstrong went to Chicago [1922]. -
Louis Hall Nelson, Sr. Lives at 1419 Touro Street, New Orleans/ in the House Where He Was Born (And Where Thifi Interview Was .I Conducted)
LOUIS NELSON Also present: William Russell I [of 2]-Digest-Retyped Ralph Collins April 18, 1960 Louis Hall Nelson, Sr. lives at 1419 Touro Street, New Orleans/ in the house where he was born (and where thifi interview was .I conducted). When LN was about two months old, his father/ a doctor, moved the family to Napoleonville, Louisiana, where he * practiced medicine; they returned to New Orleans about twenty-five years later. LN was born September 17, 1902. LN's mother/ a native of Springfield, Massachusetts/ was a pianist, and a graduate of the Boston Conservatory [of Music]. LN first studied wifh * Claiborne Willaims, of Donaldsonville, who traveled the twelve miles to N^poleonville for tl-ie lessons; LN's first instrument ^c -»- * * + 1,' ^ was also horn? he was around sixteen years old at the time. LN k admired the trombone playing of [^sT] "cousin"^ Lawrence [Johnson? \ r .i- t ./ / f ^- f » J T "^ *^ «. .\^. / / //-./ <. .? See Onward Brass Band, Reel'? » ] who went to Snreveport wi-cn ^'.\ Paul Jones (LN says there was a wonderful brass bard there); LN decided thai- he wanted to play trombone like Lawrence, so he had Professor Williams teach him that instrument; Williams taught LN what LN considers the most important part of playing- breathing-and LN decided he knew enough. LN joined the six - piece band of Joseph Nelson (no relation)/ a violinist who couldn't see at night and could see very poorly in the day; JN would bring sheet music to LN's house/ have the mother play it; he would learn the' new pieces in that way. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered. -
Download New Orleans Jazz Tour #1
NEW ORLEANS JAZZ TOUR (#1) RIDE THE CANAL STREET/ALGIERS POINT FERRY FROM THE FRENCH QUARTER ACROSS THE MIGHTY MISSISSPPI RIVER TO ALGIERS “OVER DA RIVER” - TO HISTORIC ALGIERS TAKE A FREE SELF-GUIDED WALKING TOUR, AND VISIT THE FORMER HOMES OF ALGIERS’ JAZZ MUSICIANS, THE VENUES THEY PLAYED IN, AND THE ROBERT E. NIMS JAZZ WALK OF FAME, AND GET THE BEST VIEW OF NEW ORLEANS’ SKYLINE COPYRIGHT © 2016, KEVIN HERRIDGE www.risingsunbnb.com Jazz musicians of the 1920s referred to Algiers as “over da river” or the “Brooklyn of the South,” the latter for its proximity to New Orleans as compared to New York and Brooklyn, both separated by a river. This tour concentrates on the Algiers Point neighborhood, that has a long, rich history of African American, French, Spanish, German, Irish, and Italian/Sicilian residents. Algiers, the second oldest neighborhood in New Orleans after the French Quarter, was the site of the slave holding areas, newly arrived from Africa, the powder magazine, and slaughterhouse of the early 18th century. John McDONOGH, the richest man, and largest landowner in New Orleans, lived here. Algiers was famous countrywide in the African American communities for its “Voodoo” and “Hoodoo” practitioners, and is celebrated in songs on this subject. The earliest bands containing Algiers’ musicians included the Pickwick Brass Band (1873-1900s), the Excelsior Brass Band (1880-1928), Jim DORSEY’s Band (1880s), Prof. MANETTA’s String Band (1880s), BROWN’s Brass Band of McDonoghville (1880s), and Prof. A. L. TIO’s String Band (aka the Big Four) (1880s), the Pacific Brass Band (1900-1912), and Henry ALLEN’s Brass Band (1907-1940s). -
Ernie Joseph Cagnolatti Was Born April 2, 1911^ in Madison
. ERNIE CAGNOLATTI 1 Reel I [of 3]-Digest-Retype April 5/ , 1961 / » .^. Interview conducted at EC'S home, 3651 Buchanan, 1, New Orleans. Also present: William Russell, Ralph Collins, Harold Dejan. Ernie Joseph Cagnolatti was born April 2, 1911^ in Madison- ville, Louisiana; his parents did not play music, tout were music- ally-inclined; his older brother, Klebert Cagnolatti, drummer, who died in 1941, played with Bunk Jotoson during World War I, at ship- yards in Madisonville? EC was inspired to play trumpet toy hearing Bunk, tlie first trumpet player he had ever heard. EC began playing drums at age 5, on his brother's extra set; when the brother was away playing, EC would play on the extra set at the Sons of Labor HaU in Madilsonville, where movies were shown; when the movies ^- ?>-» ^^n^? - -A.^ .^ were over, EC accompanied the pianist, Leona Behan [sp?], who ( ^f\ 1, -t \ p <^ \ b played only when the movies were not being shown; moviea were aceom-^cff .w % >^ *. ^' Tt y panied by pianola. EC moved to New Orleans with Klebert in 1919. » Klebert's wife has a picture of the band Bunk was in? personnel: *Tpe Fritz, leader and bass7 Earl Fritz, trombone; Isidore Fritz, clarinetist; [and teacher of George Lewis]; Leon Pyrone [sp?], guitar; Klebert Cagnolatti, drums? Bunk Johnson, trumpet. The "band would come back to Madisonville for each ship launching by Jahncke company, and would rehearse afterward, and play jobs near- by. EC knew Andy Anderson, cousin of Earl Foster, both of whom lived in Mandeville at the time; Anderson also heard Bunk then . -
A Researcher's View on New Orleans Jazz History
2 TABLE OF CONTENTS Introduction 6 Format 6 New Orleans Jazz 7 Brass & String Bands 8 Ragtime 11 Combining Influences 12 Party Atmosphere 12 Dance Music 13 History-Jazz Museum 15 Index of Jazz Museum 17 Instruments First Room 19 Mural - First Room 20 People and Places 21 Cigar maker, Fireman 21 Physician, Blacksmith 21 New Orleans City Map 22 The People Uptown, Downtown, 23 Lakefront, Carrollton 23 The Places: 24 Advertisement 25 Music on the Lake 26 Bandstand at Spanish Fort 26 Smokey Mary 26 Milneburg 27 Spanish Fort Amusement Park 28 Superior Orchestra 28 Rhythm Kings 28 "Sharkey" Bonano 30 Fate Marable's Orchestra 31 Louis Armstrong 31 Buddy Bolden 32 Jack Laine's Band 32 Jelly Roll Morton's Band 33 Music In The Streets 33 Black Influences 35 Congo Square 36 Spirituals 38 Spasm Bands 40 Minstrels 42 Dance Orchestras 49 Dance Halls 50 Dance and Jazz 51 3 Musical Melting Pot-Cotton CentennialExposition 53 Mexican Band 54 Louisiana Day-Exposition 55 Spanish American War 55 Edison Phonograph 57 Jazz Chart Text 58 Jazz Research 60 Jazz Chart (between 56-57) Gottschalk 61 Opera 63 French Opera House 64 Rag 68 Stomps 71 Marching Bands 72 Robichaux, John 77 Laine, "Papa" Jack 80 Storyville 82 Morton, Jelly Roll 86 Bolden, Buddy 88 What is Jazz? 91 Jazz Interpretation 92 Jazz Improvising 93 Syncopation 97 What is Jazz Chart 97 Keeping the Rhythm 99 Banjo 100 Violin 100 Time Keepers 101 String Bass 101 Heartbeat of the Band 102 Voice of Band (trb.,cornet) 104 Filling In Front Line (cl. -
Bands Updated: April 18, 2012
HOGAN JAZZ ARCHIVE 304 Joseph Merrick Jones Hall 6801 Freret Street Tulane University New Orleans, LA 70118‐5662 Vertical File: Bands Updated: April 18, 2012 ‐A‐ Alcorn, Alvin, Jazz Band Alexandria’s Ragtime Band Allegre (M) Allen Brass Band All Stars Brass Band All That Almerico’s, Tony, All Stars Ambrosia Brass Band American Indigenous Music Ensemble American Jazz Quintet American Legion Band (Post #125) AMP’D Brass Band Any and His Saints Apollo Brass Band Arcadian Serenaders Armstrong, Louis, and His All Stars Armstrong, Louis, and His Hot Five Art Ensemble of Chicago Astral Project ‐B‐ Backsliders Bad Oyster Band Bakay’s Swinsters Bald Face Liars Balliu’s, Rudy, Society Serenaders Band of Excellence Banjo Bums Banner Band Banner Orchestra Barber, Chris, Band Barfota, Jazzmen Barker’s (Danny) New Orleans Jazz Hounds (M) Barker, Danny, Trio Barnes—Bocage Big Five Barnes’ Royal Creolians Barrelhouse Jazz Band Barret’s, Sweet, Emma, Band Basie (Count) Orchestra Basin Street Six Batiste, Alvin, Trio Batiste Brothers’ Band Batiste, Milton, Band Bay City Jazz Band Bazley, Tony, Jazz Quartet Bazoon, Otis, Brass Band Bechet’s New Orleans Feetwarmers Behrman Bees Belletto (Al) Quartet Bellstadt Military Band Bennett’s Swamplanders 2 Benson Orchestra of Chicago Berg, Shelley, Trio Big Sam’s Funky Nation Big 25 Blackbottom Stompers (Dodd’s) Black Diamond Jazz Band Black Eagle New Orleans Jazz Band Black Eagles Brass Band Bleu Orleans Blount’s (Chris) New Orleans Jazz Band Blue Not Seven Blue Serenaders Bogalusa New Orleans Jazz Band, The Bogan’s -
Or Oi^Eipj-A"? , ^W the Olympic^Baridi Had Lib/I^Ewton on Bass (Lie Started BB on Bass, in A
BUDDY BURNS Also presents I [only] -Digest- Retyped William Russell .^ August 14, 1958 / 4 / [cf. Buddy'Burns' interview/ Sept. 23, 1968.] Nelson Buddy Burns was born August 28, 1900. [Where? R.B.A-] His first instrument was piano; there was one at his home, although ^ V \ ^ his parents weren't musical. The first Dixieland band BE heard (not < [or Oi^EipJ-a"? , ^W [i. e . - y3biiber ty ] the Olympic^Baridi had Lib/I^ewton^ on bass (lie started BB on bass, in A 1910) ; Nini was on drums; Tig Chambers played trumpet; Yank [JohnsonJ played trombone; Emmett played guitar; Freddy Keppard played comet; Ishman [spelling?] Tureaud played alto horn. -It was a dance band. The reason BB started playing music was that the band rehearsed at his house once a week; Lib Newton was the boy friend of BB's oldest ^ t * .f sister. J BB was Methodist in his youth, but became Catholic, his wife's religion, when he married. They came from around Seventh and Howard [now LaSalle] and moved downtown when they married. Bass players BB liked when he was young: Alee: [Scott? R.B-A.] (BB always wanted to play bass like him when he grew up); George "Pops" Foster [same comment as for Alec applies]. Starting with Newton, BB later "got hooked up" with Chester Zardis, who showed BB how to swing- Richard McLean taught BB "the music" [i.e., to read?], and Pinchback Tureaud also taught BB. Most of the bass players of that time, indluding BB, played mostly with a bow; they did very little picking.