University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 The Transformation of Tusser Silk Brenda M. King Orchard House,
[email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons King, Brenda M., "The Transformation of Tusser Silk" (2004). Textile Society of America Symposium Proceedings. 459. https://digitalcommons.unl.edu/tsaconf/459 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Transformation of Tusser Silk Brenda M. King Orchard House, Bollington Cross Macclesfield, Cheshire, SK10 5EG, UK Tel: ++ (0)1625 573928
[email protected] At the Paris Exposition of 1878 there was a display of printed and dyed Indian tusser silk. This was a striking and important display in a prestigious section of this major international exhibition. The Prince of Wales had successfully appealed to the French organisers of the Exposition, for a prominent position for the India Court. He was granted the western half of the grand transept; the position of honour among the foreign departments. The Indian Court was a series of elaborate pavilions designed by architect Casper Purdon Clark. The displays of India’s goods in the court, were thought to be far superior to those of the Great Exhibition of 1851, and were awarded many honours. The English silk dyer and printer Thomas Wardle produced the Indian tusser silk display in the British India Section of the India Court.