DOCSLIB.ORG

Colour Chart Guides

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Colour Chart Guides Colour Chart Guides The following colour charts are intended as a guide to the ranges available to you. The colours depicted on the following charts are for guidance only. The displayed colour will depend on your monitor and browser type. We do not advise printing these colours to show an exact depiction. Pearl or metallic colours cannot be shown adequately and the type of powder coating (wet or dry) will also have an effect on the finish. The finished colour, therefore, may not be exactly as shown here. RAL Classic Colour Scheme Page 2 BS4800 Colour Chart Page 6 BS381 Colour Chart Page 8 - 1 - RAL 1000 RAL 1001 RAL 1002 RAL 1003 RAL 1004 RAL 1005 Green beige Beige Sand yellow Signal yellow Golden yellow Honey yellow RAL 1006 RAL 1007 RAL 1011 RAL 1012 RAL 1013 RAL 1014 Maize yellow Daffodil yellow Brown beige Lemon yellow Oyster white Ivory RAL 1015 RAL 1016 RAL 1017 RAL 1018 RAL 1019 RAL 1020 Light ivory Sulphur yellow Saffron yellow Zinc yellow Grey beige Olive yellow RAL 1021 RAL 1023 RAL 1024 RAL 1026 RAL 1027 RAL 1028 Rape yellow Traffic yellow Ochre yellow Luminous yellow Curry Melon yellow RAL 1032 RAL 1033 RAL 1034 RAL 1035 RAL 1036 RAL 1037 Broom yellow Dahlia yellow Pastel yellow Pearl beige Pearl gold Sun yellow RAL 2000 RAL 2001 RAL 2002 RAL 2003 RAL 2004 RAL 2005 Yellow orange Red orange Vermilion Pastel orange Pure orange Pure orange RAL 2009 RAL 2010 RAL 2011 RAL 2012 RAL 2007 RAL 2008 Traffic orange Signal orange Deep orange Salmon orange Luminous bright orange Bright red orange RAL 3000 RAL 3001 RAL 3002 RAL 3003 RAL 3004 RAL 2013 Flame red Signal red Carmine red Ruby red Purple red Pearl orange RAL 3005 RAL 3007 RAL 3009 RAL 3011 RAL 3012 RAL 3013 Wine red Black red Oxide red Brown red Beige red Tomato red RAL 3014 RAL 3015 RAL 3016 RAL 3017 RAL 3018 RAL 3020 Antique pink Light pink Coral red Rose Strawberry red Traffic red RAL 3022 RAL 3024 RAL 3027 RAL 3031 RAL 3032 RAL 3026 Salmon pink Luminous red Raspberry red Orient red Pearl ruby red Luminous bright red - 2 - RAL 3033 RAL 4001 RAL 4002 RAL 4003 RAL 4004 RAL 4005 Pearl pink Red lilac Red violet Heather violet Claret violet Blue lilac RAL 4006 RAL 4007 RAL 4008 RAL 4009 RAL 4010 RAL 4011 Traffic purple Purple violet Signal violet Pastel violet Telemagenta Pearl violet RAL 4012 RAL 5000 RAL 5001 RAL 5002 RAL 5003 RAL 5004 Pearl blackberry Violet blue Green blue Ultramarine blue Sapphire blue Black blue RAL 5005 RAL 5007 RAL 5008 RAL 5009 RAL 5010 RAL 5011 Signal blue Brilliant blue Grey blue Azure blue Gentian blue Steel blue RAL 5012 RAL 5013 RAL 5014 RAL 5015 RAL 5017 RAL 5018 Light blue Cobalt blue Pigeon blue Sky blue Traffic blue Turquoise blue RAL 5019 RAL 5020 RAL 5021 RAL 5022 RAL 5023 RAL 5024 Capri blue Ocean blue Water blue Night blue Distant blue Pastel blue RAL 5026 RAL 6000 RAL 6001 RAL 6002 RAL 6003 RAL 5025 Pearl night blue Patina green Emerald green Leaf green Olive green Pearl gentian blue RAL 6004 RAL 6005 RAL 6006 RAL 6007 RAL 6008 RAL 6009 Blue green Moss green Grey olive Bottle green Brown green Fir green RAL 6010 RAL 6011 RAL 6012 RAL 6013 RAL 6015 RAL 6016 Grass green Reseda green Black green Reed green Black green Turquoise green RAL 6017 RAL 6018 RAL 6019 RAL 6020 RAL 6021 RAL 6022 May green Yellow green Pastel green Chrome green Pale green Olive drab RAL 6024 RAL 6025 RAL 6026 RAL 6027 RAL 6028 RAL 6029 Traffic green Fern green Opal green Light green Pine green Mint green - 3 - RAL 6032 RAL 6033 RAL 6034 RAL 6035 RAL 7000 RAL 7001 Signal green Mint turquoise Pastel turquoise Pearl green Squirrel grey Silver grey RAL 7002 RAL 7003 RAL 7004 RAL 7005 RAL 7006 RAL 7008 Olive grey Moss grey Signal grey Mouse grey Beige grey Khaki grey RAL 7009 RAL 7010 RAL 7011 RAL 7012 RAL 7013 RAL 7015 Green grey Tarpaulin grey Iron grey Basalt grey Brown grey Slate grey RAL 7016 RAL 7021 RAL 7022 RAL 7023 RAL 7024 RAL 7026 Anthracite grey Black grey Umbra grey Concrete grey Graphite grey Granite grey RAL 7030 RAL 7031 RAL 7032 RAL 7033 RAL 7034 RAL 7035 Stone grey Blue grey Pebble grey Cement grey Yellow grey Light grey RAL 7036 RAL 7037 RAL 7038 RAL 7039 RAL 7040 RAL 7042 Platinum grey Dusty grey Agate grey Quartz grey Window grey Traffic grey A RAL 7043 RAL 7044 RAL 7045 RAL 7046 RAL 7047 RAL 7048 Traffic grey B Silk grey Telegrey 1 Telegrey 2 Telegrey 4 Pearl mouse grey RAL 8000 RAL 8001 RAL 8002 RAL 8003 RAL 8004 RAL 8007 Green brown Ochre brown Signal brown Clay brown Copper brown Fawn brown RAL 8008 RAL 8011 RAL 8012 RAL 8014 RAL 8015 RAL 8016 Olive brown Nut brown Red brown Sepia brown Chestnut brown Mahogany brown RAL 8019 RAL 8022 RAL 8023 RAL 8024 RAL 8025 RAL 8017 Grey brown Black brown Orange brown Beige brown Pale brown Chocolate brown RAL 8028 RAL 8029 RAL 9001 RAL 9002 RAL 9003 RAL 9004 Terra brown Pearl copper Cream Grey white Signal white Signal black - 4 - RAL 9005 RAL 9006 RAL 9007 RAL 9010 RAL 9011 RAL 9016 Jet black White aluminium Grey aluminium Pure white Graphite black Traffic white RAL 9017 RAL 9018 RAL 9022 RAL 9023 Traffic black Papyrus white Pearl light grey Pearl dark grey - 5 - 00 A 01 00 A 05 00 A 09 00 A 13 02 C 33 02 C 37 Ash grey Goose grey Flint grey Storm grey Lupin pink Clover pink 02 C 39 02 C 40 04 B 15 04 B 17 04 B 21 04 C 33 Victoria plum Deep plum Pastel pink Dusty pink Sable Orchid pink 04 C 37 04 C 39 04 D 44 04 D 45 04 E 49 04 E 51 Autumn brown Brick red Misty red Dark cherry Rose pink Salmon red 04 E 53 06 C 33 06 C 37 06 C 39 06 D 43 06 D 45 Poppy Peach Leather brown Saddle brown Mid tan Teak 06 E 50 06 E 51 06 E 56 08 B 15 08 B 17 08 B 21 Mellow apricot Mandarin orange Maori brown Magnolia Honey beige Antelope 08 B 25 08 B 29 08 C 35 08 C 37 08 C 39 08 C 31 Beaver brown Bitter chocolate Fudge Caramel Coffee Honeysuckle cream 08 E 51 10 A 03 10 A 07 10 A 11 10 B 15 10 B 17 Golden yellow Dawn grey Nimbus grey Charcoal grey Creamy white Oatmeal 10 B 21 10 B 25 10 B 29 10 C 31 10 C 33 10 C 35 Lizard grey Turtle green Vandyke brown Ivory Vanilla Wheat 10 C 39 10 D 43 10 D 45 10 E 49 10 E 50 10 E 53 Dark olive Golden maize French mustard Pale primrose Light grapefruit Sunflower yellow 12 B 15 12 B 17 12 B 21 12 B 25 12 B 29 12 C 33 Sea foam Green Mist Mineral green Spruce green Midnight green Green haze 12 C 39 12 D 43 12 D 45 12 E 51 12 E 53 14 C 31 Ivy green Greengage Dark laurel Pale lime Linden green Glacial green - 6 - 14 C 35 14 C 39 14 C 40 14 E 51 14 E 53 16 C 33 Iceplant green Holly green Moss green Bright green Irish green Duck egg blue 16 C 37 16 D 45 16 E 53 18 B 17 18 B 21 18 B 25 Reef green Dark jade Aquamarine Blue mink Squirrel grey Dark admiralty grey 18 B 29 18 C 31 18 C 35 18 C 39 18 D 43 18 E 49 Raven Ice blue Corvette blue Fathom blue Dresden blue Crystal blue 18 E 50 18 E 51 18 E 53 20 C 33 20 C 37 20 C 40 Ribbon blue Delphinium Blue Tartan blue Porcelain blue Larkspur blue Duchess blue 20 D 45 20 E 51 22 B 15 22 B 17 22 C 37 22 D 45 Sapphire blue Cornflower blue Pearl grey Pale lavender Purple heather Deep purple 24 C 33 24 C 39 Pale lilac Regal violet - 7 - BS381 101 BS381 102 BS381 103 BS381 104 BS381 105 BS381 106 Sky blue Turquoise blue Peacock blue Azure blue Oxford blue Royal blue BS381 107 BS381 108 BS381 109 BS381 110 BS381 111 BS381 112 Strong blue Aircraft blue Middle blue Roundle blue Pale blue Arctic blue BS381 113 BS381 114 BS381 115 BS381 166 BS381 172 BS381 175 Deep saxe blue Rail blue Cobalt blue French blue Pale roundle blue Light French blue BS381 216 BS381 217 BS381 218 BS381 220 BS381 221 BS381 222 Eau de Nil Sea green Grass green Olive green Brilliant green Light bronze green BS381 223 BS381 224 BS381 225 BS381 226 BS381 227 BS381 228 Middle bronze green Deep bronze green Light Brunswick green Mid Brunswick green Deep Brunswick green Emerald green BS381 241 BS381 262 BS381 275 BS381 278 BS381 267 BS381 280 Dark green Bold green Opaline green Light olive green Deep chrome green Verdigris green BS381 282 BS381 284 BS381 285 BS381 298 BS381 309 BS381 283 Forest green Spruce green NATO green Olive drab Canary yellow Aircraft grey green BS381 310 BS381 315 BS381 320 BS381 337 BS381 350 BS381 352 Primrose Grapefruit Light brown Very dark drab Dark earth Pale cream BS381 353 BS381 355 BS381 356 BS381 358 BS381 359 BS381 361 Deep cream Lemon Golden yellow Light buff Middle buff Light stone BS381 363 BS381 365 BS381 366 BS381 367 BS381 369 BS381 380 Bold yellow Vellum Light beige Manilla Biscuit Camouflage desert sand BS381 384 BS381 388 BS381 411 BS381 412 BS381 414 BS381 389 Light straw Beige Middle brown Dark brown Golden brown Camouflage beige - 8 - BS381 435 BS381 444 BS381 445 BS381 446 BS381 420 BS381 436 Camouflage red Terracotta Venetian red Red oxide Dk cam'flage desert sand Dark camouflage brown BS381 447 BS381 448 BS381 452 BS381 453 BS381 454 BS381 449 Salmon pink Deep Indian red Dark crimson Shell pink Pale roundel red Light purple brown BS381 460 BS381 473 BS381 489 BS381 499 BS381 537 BS381 538 Deep Buff Gulf red Leaf brown Service brown Signal red Cherry BS381 539 BS381 540 BS381 541 BS381 542 BS381 557 BS381 564 Currant red Crimson Maroon Ruby Light orange Bold red BS381 568 BS381 593 BS381 626 BS381 592 BS381 627 BS381 629 Apricot Rail red Camouflage grey International orange Light aircraft grey Dark camouflage grey BS381 630 BS381 631 BS381 633 BS381 634 BS381 635 BS381 632 French grey Light grey RAF blue-grey Slate Lead Dark admiralty grey BS381 636 BS381 638 BS381 639 BS381 642 BS381 637 BS381 640 PRU blue Dark sea grey Light slate grey Night Medium sea grey Extra dark sea grey BS381 671 BS381 692 BS381 693 BS381 694 BS381 676 BS381 677 Middle graphite Smoke grey Aircraft grey Dove grey Lt weatherwork grey Dk weatherwork grey BS381 796 BS381 797 BS381 697 Dark violet Light violet Light admiralty grey - 9 - .
Load more

Recommended publications
  • Federal Standard 595 Paint Spec
    Federal Standard 595 Paint Spec The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: . 1 = gloss . 2 = semi gloss . 3 = matt The second figure of the code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system, and this has the following implications: . The existence of a color chip 1xxxx in the FS Fan Deck doesn't imply that there is a color chip for 3xxxx. However, references to such "virtual" chips built on the principle "same color, but different sheen" is a widespread practice. The FS in not extensible, i.e. it does not allow to derive new colors form the existing ones. Thus, if you compare i.e. RLM colors to FS codes, you can only refer to the nearest existing FS color, which most often isn't a perfect match. In practice, the FS set is extensive enough to find a good-enough match for almost any color. The following chart is a reference guide only to give you an idea as to the approximate color.
    [Show full text]
  • Safety Color Guide
    SAFETY COLOR GUIDE Safety Color Codes For Physical Hazards And Pipe Identification Conforms to OSHA and ANSI Standards Safety Colors SAFETY RED SAFETY GREEN Fire protection equipment Safety Containers of flammable liquids First aid equipment Lights at barricades and obstructions Safety bulletin boards Stop bars and switches on machinery Gas masks Fire alarm boxes Stretchers Fire exit signs Safety deluge showers Sprinkler piping BLACK & WHITE SAFETY ORANGE Traffic and housekeeping markings Dangerous parts of machinery Dead ends of aisles or passageways Inside of movable guards Stairways Safety starting buttons Directional signs Exposed parts Refuse cans SAFETY YELLOW Caution, physical hazard Construction equipment SAFETY PURPLE Handrails, Guardrails Designates radiation hazards. Often used Material Handling Equipment in combination with yellow on tags, labels, Piping systems containing dangerous materials signs, and floor markers. Waste containers Exposed, unguarded edges SAFETY BLUE For more information please reference: Caution, equipment under repair OSHA 29 CFR 1910.144, Warnings should be located at the starting point or power source of Safety Color Code for Marking Physical Hazards machinery. ANSI Z535.1, Safety Color Code Recommended Standards for Color Coding SERVICE SCHEDULE SYSTEM 4000 COLOR BANDS WATER LINES Raw Water Olive Green 4070 Generator Green Settled or Clarified Water Aqua 4068 Alloy Aqua Finished or Potable Water Dark Blue 4086 Safety Blue Sprinklers Dark Red 4081 Safety Red Suction Line (Pump Stations) Mid Blue 4063
    [Show full text]
  • Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
    Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold
    [Show full text]
  • 1 = Gloss 2 = Semi Gloss 3 = Matt 0 = Brown 5 = Blue 1 = Red 6 = Grey
    Federal Standard 595 Paint Spec Information The following information is made available to our customers as a reference point only. See below for how to request the 595 specification from the US Government. Contact your paint manufacturer such as Sherwin Williams for paint or additional information. The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: 1 = gloss 2 = semi gloss 3 = matt The second figure of FS code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system. How To Request the Spec, Fan Deck, or Paint Chips You can request a copy of the 595 spec, Fan Deck or Paint Chips by contacting the GSA Federal Supply Service Bureau Specification Section at 202-619-8925. These can also be ordered from http://assist.daps.dla.mil. Search on Fed-Std-595. This chart is a reference guide only to give you an idea as to the approximate color. Colors on computer screens may vary based on the graphics card and monitor used in your system.
    [Show full text]
  • PIGMENTS Pigments Can Be Used for Colouring and Tinting Paints, Glazes, Clays and Plasters
    PIGMENTS Pigments can be used for colouring and tinting paints, glazes, clays and plasters. About Pigments About Earthborn Pigments Get creative with Earthborn Pigments. These natural earth and mineral powders provide a source of concentrated colour for paint blending and special effects. With 48 pigments to choose from, they can be blended into any Earthborn interior or exterior paint to create your own unique shade of eco friendly paint. Mixed with Earthborn Wall Glaze, the pigments are perfect for decorative effects such as colour washes, dragging, sponging and stencilling. Some even contain naturally occurring metallic flakes to add extra dazzle to your design. Earthborn Pigments are fade resistant and can be mixed with Earthborn Claypaint and Casein Paint. Many can also be mixed with lime washes, mortars and our Ecopro Silicate Masonry Paint. We have created this booklet to show pigments in their true form. Colour may vary dependant on the medium it is mixed with. Standard sizes 75g, 500g Special sizes 50g and 400g (Mica Gold, Mangan Purple, Salmon Red and Rhine Gold only) Ingredients Earth pigments, mineral pigments, metal pigments, trisodium citrate. How to use Earthborn Pigments The pigments must be made into a paste before use as follows: For Silicate paint soak pigment in a small amount of Silicate primer and use straightaway. For Earthborn Wall Glaze, Casein or Claypaint soak pigment in enough water to cover the powder, preferably overnight, and stir to create a free-flowing liquid paste. When mixing pigments into any medium, always make a note of the amounts used. Avoid contact with clothing as pigments may permanently stain fabrics.
    [Show full text]
  • Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
    AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.
    [Show full text]
  • RAL Colour Chart
    RAL COLOURS RAL 1000 Green beige RAL 1001 Beige RAL 1002 Sand yellow RAL 1003 Signal yellow RAL 1004 Golden yellow RAL 1005 Honey yellow RAL 1006 Maize yellow RAL 1007 Daffodil yellow RAL 1011 Brown beige RAL 1012 Lemon yellow RAL 1013 Oyster white RAL 1014 Dark Ivory RAL 1015 Light Ivory RAL 1016 Sulfur yellow RAL 1017 Saffron yellow RAL 1018 Zinc yellow RAL 1019 Grey beige RAL 1020 Olive yellow RAL 1021 Rape yellow RAL 1023 Traffic yellow RAL 1024 Ochre yellow RAL 1027 Curry RAL 1028 Melon yellow RAL 1032 Broom yellow RAL 1033 Dahlia yellow RAL 1034 Pastel yellow RAL 2000 Yellow orange RAL 2001 Red orange RAL 2002 Vermilion RAL 2003 Pastel orange RAL 2004 Pure orange RAL 2008 Bright red orange RAL 2009 Traffic orange RAL 2010 Signal orange RAL 2011 Deep orange RAL 2012 Salmon orange RAL 3000 Flame red RAL 3001 Signal red RAL 3002 Carmine red RAL 3003 Ruby red RAL 3004 Purple red RAL 3005 Wine red RAL 3007 Black red RAL 3009 Oxide red RAL 3011 Brown red RAL 3012 Beige red RAL 3013 Tomato red RAL 3014 Antique pink RAL 3015 Light pink RAL 3016 Coral red RAL 3017 Rose RAL 3018 Strawberry red RAL 3020 Traffic red RAL 3022 Salmon pink RAL 3027 Rasberry red RAL 3031 Orient red RAL 4001 Red lilac RAL 4002 Red violet RAL 4003 Heather violet RAL 4004 Claret violet RAL 4005 Blue lilac RAL 4006 Traffic purple RAL 4007 Purple violet RAL 4008 Signal violet RAL 4009 Pastel violet RAL 4010 Tele magenta RAL 5000 Violet blue RAL 5001 Green blue RAL 5002 Ultramarine RAL 5003 Sapphire blue RAL 5004 Black blue RAL 5005 Signal blue RAL 5007 Brilliant blue
    [Show full text]
  • Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth
    GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE
    [Show full text]
  • Significant Visual Properties of Some Fluorescent Pigments
    Significant Visual Properties of Some Fluorescent Pigments D. R. HANSON and A. D. DICKSON Minnesota Mining & Manufacturing Company, St. Paul High objed visibility is a necessary characteristic of traffic control devices and a significant factor in highway safety. Flu­ orescent pigments possess unique physical properties that pro­ vide high visibility characteristics not provided by conventional pigments. As a result, fluorescent colors are now used for safety markings and to a limited extent in the traffic field. This study compares the daylight visibility properties of fluorescent and conventional pigments. Fluorescent and conventional pigments have substantially different spectral energy radiation patterns. Fluorescent pig­ ments absorb energy from the near visible ultraviolet blue and green region of the electromagnetic spectrum and reemit this energy in a very narrow band of the spectrum. Conventional pigments simply absorb and reflect incident light. The prop­ erties of a selected group of fluorescent and conventional pig­ ments are shown, as well as the spectral response of the human eye and various source illumination distributions. The field study considered variations of daylight energy dis­ tribution under clear and overcast sky conditions, representa­ tive solar altitudes, and the cardinal directions. Two fluores­ cent and four conventional high visibility pigments we·re viewed against representative backgrounds. Detection and identifica­ tion of fluorescent pigments are comparable to conventional high visibility pigments under optimum viewing conditions; how­ ever, fluorescent pigments show a substantial improvement as illumination levels decrease or when the target situation is least advantageous. •NUMEROUS STUDIES by Armed Forces research groups and others have established that, under natural illumination, objects marked with fluorescent pigments have greater average conspicuity than those marked with conventional pigments.
    [Show full text]
  • Sample of a Balanced Palette of 11 Colors Plus White and Black
    Sample of a Balanced Palette of 11 Colors plus White and Black - Titanium White - The most brilliant, opaque and whitest white offering maximum coverage and mixing strength. Containing only Titanium pigment. Faster drying than Zinc White, a pure Titanium White has a dense, heavy consistency. Non-poisonous. 1. Cadmium Lemon (CL) - More sweet than sour, Lemon Yellow is extra strong and opaque, and is even brighter than Cadmium Yellow Light. Natural, as it tints and mixes into cool tones without any harshness. 2. Cadmium Yellow (CY) - Warm and of a medium value, yet very bright. Rich, extra strong and opaque. 3. Cadmium Orange (CO) - Cool, bright and strong in a medium value. Opaque and clean mixing. Like painting with fire! 4. Yellow Ochre (YO)- A totally golden, natural yellow earth with intense pigmentation. Radiant undertone rivals a Cadmium in warmth. Great for mixing with other mineral pigments for naturalistic greens or subtle warming of flesh tints. (Some omit Yellow Ochre.) 5. Cadmium Red (CR) - This rich and opaque Cadmium is really red, and is warm and deep in tone. With a strong enough white, it tints to make a range of coral pinks. 6. Terra Rosa (TR) - Warmest of the natural red earths, this earthy rose is richly red yet natural in tint and tone as it easily mixes into a nice range of earthy pinks. Often used for making facial tints, Terra Rosa is redder than Venetian Red. (Some will omit Terra Rosa.) 7. Alizarin Permanent (A) - A deep transparent, cool bluish red. Genuine, pure Alizarin Crimson ensures the highest color strength and permanence.
    [Show full text]
  • Awlgrip Color Chart
    742 PAINT Sea Foam Boston Whaler Blue Island Turquoise Teal Brightside Teal Atlantic Blue H4256 ⁄ F4101 H5462 ⁄ F5323 H5723 ⁄ F5624 H5328 ⁄ F5252 H4264 ⁄ F4281 H5566 ⁄ F5623 Light Blue Sky Blue Bahama Blue Pigeon Blue Stars and Stripes Petrol Blue H5570 ⁄ F5516 G5014 ⁄ F5256 G5036 ⁄ F5418 H5511 ⁄ F5538 Blue H5627 ⁄ F5476 H5161 ⁄ F5194 Empress Blue Marlin Blue Ocean Blue Largo Blue Lauderdale Blue Navy Blue G5041 ⁄ F5264 G5011 ⁄ F5015 H5545 ⁄ F5622 H5732 ⁄ F5625 H5543 ⁄ F5566 G5001 ⁄ F5028 PAINT Royal Blue Aristo Blue Carinthia Blue Flag Blue Dark Blue Mauritius Blue G5007 ⁄ F5011 G5003 ⁄ F5010 H5342 ⁄ F5359 G5002 ⁄ F5014 H5524 ⁄ F5385 H5615 ⁄ F5422 Jade Mist Green Donegal Green Dark Green Timeless Green Majestic Blue Midnight Blue H4089 ⁄ F4114 H4492 ⁄ F4279 H4024 ⁄ F4121 H4413 ⁄ F4168 H5409 ⁄ F5275 H5346 ⁄ F5381 PLEASE CHECK PRICING AND AVAILABILITY OF YOUR CHOSEN COLOR WITH YOUR LOCAL SUPPLIER Item# www.awlgrip.com facebook.com/awlgripfinishfirst twitter.com/awlgrip List AwlGrip_Color Cards_1 NaN Awlcraft, Awlgrip, and the AkzoNobel logo are trademarks of AkzoNobel. © AkzoNobel 2014. ITEM NUMBERS IN RED "3&)";"3%064t*5&.4*/BLUE "3&/&8t*5&.4"3&450$,&%*/0638"3&)064&4#"4&%0/3&(*0/"-%&."/%*'"/*5&.*4/05*/450$,"5"-0$"-8"3&)064& "%%*5*0/"-$)"3(&4.":"11-: PAINT 743 AWLGRIP / AWLCRAFT 2000: COLOR INSPIRATIONS Bertram White Sand White Chalky White Morrinsville Double Cream Lunar White H8464 ⁄ F8510 H8428 ⁄ F8286 H8337 ⁄ F8183 H8647 ⁄ F8445 H8002 ⁄ F8016 H8413 ⁄ F8281 Hatteras Off-White Hatteras Off-White 4208 Biscuit Bristol Beige Grand Banks
    [Show full text]
  • International Orange: 15 Artists Respond to the Golden Gate Bridge by Alyson Kuhn July 30, 2012
    International Orange: 15 artists respond to the Golden Gate Bridge By Alyson Kuhn July 30, 2012 The Golden Gate Bridge opened to traffic on May 27, 1937. The International Orange exhibition — named after the bridge’s original paint color — opened 75 years later, on May 25, 2012. International Orange is inside Fort Point, a Civil War-era fort literally in the shadow of the San Francisco side of the bridge. Sixty thousand visitors enjoyed the show in its first nine weeks, including me. In a minute, I will rave about the projects of three artists whose primary material is … paper: life-sized paper gowns, a boutique where everything is International Orange and nothing is for sale, and a fact-packed magazine called Average. All extraordinary. Fort Point is gigantic, historic and not climate-controlled. It is usually windy and frequently foggy at this edge of the continent. The ambiance is intense — and this is part of what thrilled project curator Cheryl Haines about developing the exhibition here. Haines is the founding executive director of the FOR-SITE Foundation, whose tagline is “Art about place.” We chatted with Haines and Marnie Burke de Guzman, managing project director, about this massive undertaking. Can we start by talking about this location, location, location? Marnie Burke de Guzman: Many people who have lived in San Francisco forever have never been inside Fort Point. FOR-SITE’s goal is to have the art really underscore the history of any place we do an installation. The fort has been open on the weekend for many years, but most people have no idea what’s inside.
    [Show full text]