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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Announces: the SHADOW Composed and Conducted By
Announces: THE SHADOW Composed and Conducted by JERRY GOLDSMITH Intrada Special Collection Volume ISC 204 Universal Pictures' 1994 The Shadow allowed composer Jerry Goldsmith to put his imprimatur on the darkly gothic phase of the superhero genre that developed in the 1990s. Writing for a large orchestra, Goldsmith created a score that found the perfect mix between heroism and menace and resulted in one of his longest scores. Goldsmith’s main title music introduces many of the score’s core elements: an unnerving pitch bend, played by synthesizers; a grandly powerful brass melody for the Shadow; and a bouncing electronic figure that will become a key rhythmic device throughout the score. Goldsmith’s classic sounding Shadow theme and the score’s large scale orchestrations complemented the film’s period setting and lavish look, while the composer’s trademark electronics helped better position the film for a contemporary audience. When the original soundtrack for The Shadow was released in 1994, it presented only a fraction of Jerry Goldsmith’s hour-and-twenty-minute score, reducing the composer’s wealth of action material to two cues and barely hinting at the complete score’s range and scope. In particular, Goldsmith’s elegant and haunting love theme—one of his best of the ’90s—plays only briefly at the very end of the album. This premiere presentation of the complete score represents one of the most substantial restorations of a Goldsmith soundtrack, illuminated by the fact that just 30 minutes of the full 85-minute score appeared on the original 1994 soundtrack album. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
1 Living Beside the Shadow of Death by Grace Lukach It's Hard to Say
1 Living Beside The Shadow of Death By Grace Lukach It’s hard to say when my Grandpa really began to die. Complications from an elective back surgery in 2001 forced him to spend two hundred non-consecutive days of the next year institutionalized—either in the hospital, nursing home, or in-house rehabilitation center. On three separate occasions he was put on a ventilator and for nearly nineteen of those two hundred days he relied on this machine to live. It seemed as though he were dying, but somehow, after all those months of suffering, he recovered his strength and returned home. He had escaped the clutches of death. And though he never again walked independently and would dream of physical activities as simple as driving, he was able to share monthly meals with old co-workers, attend weekly mass, and watch his children—and their children—grow up for six more years. Because of modern medicine, my Grandpa experienced six more years of being alive. But then my Grandpa fell and broke his hip. Back in the hospital, he was intubated and extubated and intubated again. A permanent pacemaker was implanted as well as a dialysis port, a tracheotomy, and a feeding tube. He was on and off the ventilator. Death was the enemy and everyone was fighting with every bit of energy they could muster, but nothing could keep him alive this time. After four months in the hospital, my Grandpa finally died. My Grandma’s journey to death is much clearer. She was a fighter who had regained full mobility after suffering a debilitating stroke that paralyzed her right side at the age of fifty-four. -
GAME DEVELOPERS a One-Of-A-Kind Game Concept, an Instantly Recognizable Character, a Clever Phrase— These Are All a Game Developer’S Most Valuable Assets
HOLLYWOOD >> REVIEWS ALIAS MAYA 6 * RTZEN RT/SHADER ISSUE AUGUST 2004 THE LEADING GAME INDUSTRY MAGAZINE >>SIGGRAPH 2004 >>DEVELOPER DEFENSE >>FAST RADIOSITY SNEAK PEEK: LEGAL TOOLS TO SPEEDING UP LIGHTMAPS DISCREET 3DS MAX 7 PROTECT YOUR I.P. WITH PIXEL SHADERS POSTMORTEM: THE CINEMATIC EFFECT OF ZOMBIE STUDIOS’ SHADOW OPS: RED MERCURY []CONTENTS AUGUST 2004 VOLUME 11, NUMBER 7 FEATURES 14 COPYRIGHT: THE BIG GUN FOR GAME DEVELOPERS A one-of-a-kind game concept, an instantly recognizable character, a clever phrase— these are all a game developer’s most valuable assets. To protect such intangible properties from pirates, you’ll need to bring out the big gun—copyright. Here’s some free advice from a lawyer. By S. Gregory Boyd 20 FAST RADIOSITY: USING PIXEL SHADERS 14 With the latest advances in hardware, GPU, 34 and graphics technology, it’s time to take another look at lightmapping, the divine art of illuminating a digital environment. By Brian Ramage 20 POSTMORTEM 30 FROM BUNGIE TO WIDELOAD, SEROPIAN’S BEAT GOES ON 34 THE CINEMATIC EFFECT OF ZOMBIE STUDIOS’ A decade ago, Alexander Seropian founded a SHADOW OPS: RED MERCURY one-man company called Bungie, the studio that would eventually give us MYTH, ONI, and How do you give a player that vicarious presence in an imaginary HALO. Now, after his departure from Bungie, environment—that “you-are-there” feeling that a good movie often gives? he’s trying to repeat history by starting a new Zombie’s answer was to adopt many of the standard movie production studio: Wideload Games. -
THE COMIC THAT SAVED MARVEL” TURNS $9.95 in the USA
Roy Thomas’Star-Crossed LORDIE, LORDIE! Comics Fanzine “THE COMIC THAT SAVED MARVEL” TURNS $9.95 In the USA 40!40! No.145 March 2017 WHEN YOU WISH UPON A STAR BE CAREFUL YOU DON’T WIND UP WITH WARS NOW! 100 PAGES IN FULL COLOR! 1 82658 00092 9 "MAKIN' WOOKIEE" with CHAYKIN & THOMAS Vol. 3, No. 145 / March 2017 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Contents Proofreaders Writer/Editorial: Star Wars—The Comic Book—Turns 40! . 2 Rob Smentek Makin’ Wookiee. 3 William J. Dowlding Roy Thomas tells Richard Arndt about the origins and pitfalls of Marvel’s 1977 Star Wars Cover Artist comic. Howard Chaykin Howard Chaykin On Star Wars . 54 Cover Colorist The artist/co-adapter of Star Wars #1-10 takes a brief look backward. Unknown Rick Hoberg On Star Wars . 58 With Special Thanks to: From helping pencil Star Wars #6—to a career at Lucasfilm. Rob Allen Jim Kealy Heidi Amash Paul King Bill Wray On Star Wars. 63 Pedro Angosto Todd Klein Rick Hoberg dragged him into inking Star Wars #6—and Bill’s glad he did! Richard J. Arndt Michael Kogge Rodrigo Baeza Paul Kupperberg The 1978 Star Wars Comic Adaptation . 67 Bob Bailey Vicki Crites Lane Lee Harsfeld takes us on a tour of veteran comics artist Charles Nicholas’ version of Mike W. -
The Mask of Mephisto
THE MASK OF MEPHISTO Maxwell Grant THE MASK OF MEPHISTO Table of Contents THE MASK OF MEPHISTO............................................................................................................................1 Maxwell Grant.........................................................................................................................................1 CHAPTER I.............................................................................................................................................1 CHAPTER II............................................................................................................................................4 CHAPTER III..........................................................................................................................................8 CHAPTER IV........................................................................................................................................11 CHAPTER V.........................................................................................................................................14 CHAPTER VI........................................................................................................................................16 CHAPTER VII.......................................................................................................................................20 CHAPTER VIII.....................................................................................................................................24 -
Light & Shadows
BIG IDEAS LIGHT & SHADOWS • Shadows are created SHADOWS when light is blocked. Very young children think of shadows as actual objects. But by grade school, most kids will understand that a shadow is a • Shadows change shape phenomenon caused by blocking light. Most, however will not be and size, depending on able to articulate the relationship between the location of the light the location of the light and the size and shape of the shadow. This exploration will give and the object. them a chance to develop an intuitive sense of light and shadow. Set up each group of students with one Light Blox with the slit caps removed, and the worksheet for Activity 5: Shadows. Have WHAT YOU’LL NEED students complete the worksheets and then hold a classroom conversation that incorporates student’s findings and covers the • The Shadows worksheet main discussion points. • Light Blox • A piece of plain white You can extend the exploration by inviting students to make paper predictions about what they think will happen before they explore on their own. • A pencil or pen • A mirror stand MAIN DISCUSSION POINTS • A shadow “grows” in the same direction as the light travels. If you point the light from left to right, the shadow appears RELATED PRODUCTS Click the below to be taken right to the right of the object. If you point the light from right to to the product page. left, the shadow appears to the left of the object. Light Blox • A shadow gets bigger as the light moves further from the object - just like the light got “bigger” as it moved further from the wall in activity 1. -
What the Shadows Know 99
What the Shadows Know 99 What the Shadows Know: The Crime- Fighting Hero the Shadow and His Haunting of Late-1950s Literature Erik Mortenson During the Depression era of the 1930s and the war years of the 1940s, mil- lions of Americans sought escape from the tumultuous times in pulp magazines, comic books, and radio programs. In the face of mob violence, joblessness, war, and social upheaval, masked crusaders provided a much needed source of secu- rity where good triumphed over evil and wrongs were made right. Heroes such as Doc Savage, the Flash, Wonder Woman, Green Lantern, Captain America, and Superman were always there to save the day, making the world seem fair and in order. This imaginative world not only was an escape from less cheery realities but also ended up providing nostalgic memories of childhood for many writers of the early Cold War years. But not all crime fighters presented such an optimistic outlook. The Shad- ow, who began life in a 1931 pulp magazine but eventually crossed over into radio, was an ambiguous sort of crime fighter. Called “the Shadow” because he moved undetected in these dark spaces, his name provided a hint to his divided character. Although he clearly defended the interests of the average citizen, the Shadow also satisfied the demand for a vigilante justice. His diabolical laughter is perhaps the best sign of his ambiguity. One assumes that it is directed at his adversaries, but its vengeful and spiteful nature strikes fear into victims, as well as victimizers. He was a tour guide to the underworld, providing his fans with a taste of the shady, clandestine lives of the criminals he pursued. -
The Invincible Shiwan Khan
THE INVINCIBLE SHIWAN KHAN Maxwell Grant THE INVINCIBLE SHIWAN KHAN Table of Contents THE INVINCIBLE SHIWAN KHAN..............................................................................................................1 Maxwell Grant.........................................................................................................................................1 CHAPTER I. SPELL OF THE PAST.....................................................................................................1 CHAPTER II. DEATH'S CHOICE.........................................................................................................5 CHAPTER III. THE MASTER SPEAKS...............................................................................................9 CHAPTER IV. THREADS TO CRIME................................................................................................12 CHAPTER V. FROM SIX TO SEVEN................................................................................................16 CHAPTER VI. THE BRONZE KNIFE.................................................................................................21 CHAPTER VII. THE SECOND SUICIDE...........................................................................................24 CHAPTER VIII. QUEST OF MISSING MEN.....................................................................................27 CHAPTER IX. THE LONE TRAIL......................................................................................................31 CHAPTER X. PATH OF DARKNESS.................................................................................................35 -
The BG News July 13, 1994
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 7-13-1994 The BG News July 13, 1994 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News July 13, 1994" (1994). BG News (Student Newspaper). 5709. https://scholarworks.bgsu.edu/bg-news/5709 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. /t The BG News ^•» "4 Cnmmitment tn F.Yrt>Upnpp" Wednesday, July 13,1994 Bowling Green, Ohio Volume 78. Issue 152 BG names new hockey coach Former asst. coach Buddy Powers said he's glad to be back by Michael Zawackl The BC News the University] I came to under- be named the new head coach of come the head coach at Roches- stand why people always talk the Falcon hockey team. ter Insitute of Technology in It's good to be back in the about the Midwest and the quali- "I left Bowling Green six years New York where he led them to a Midwest. ty of people, the character of ago to become a head coach and second place finish in the 1989 That is what Francis "Buddy" people," he said. "I certainly it was with a sincere hope that Division III NCAA Tournament Powers said at the press confer- loved being here my first six one day, if things broke right, I He left KIT to become the head ence Tuesday morning announc- years as an assistant coach and would get a chance to return." coach at Rensselaer Institute in ing that he will be the new Falcon now I come back here again more Powers was an assistant coach Troy, New York where he led Hockey coach than happy to become a Mid- under Jerry York from 1982 - them last year to their third Being able to come back to the westerner again. -
In the USA Characters TM & © Marvel Characters, Inc. Cover Art by Gil
Characters TM & © Marvel Characters, Inc. 1 82658 00046 2 ™ Cover art byGilKane &KlausJanson $ in theUSA 8.95 A TwoMorrows A TwoMorrows Publication Winter 2016 • Voice of the Comics Medium • Number 11 TABLE OF CONTENTS Ye Ed’s Rant: ACE was not the place and Ye Ed’s upcoming projects ............................. 2 WOODY LANTERN COMICS CHATTER CBC mascot by J.D. KING An Enthusiastic Man: Talking to those who loved and cherished the gentleman, ©2015 J.D. King. we ask the family and friends of the late, lamented Herbert William Trimpe to About Our share their memories of and affections for the legendary comic book creator ......... 3 Cover Incoming: Roy Thomas talks about faked alien invasions, Evertson Zell enlightens Pencils by GI L KANE us about the fanzine Yandro, and reader complaints about our interview style ....... 8 Inks by KLAUS JANSON Hembeck’s Dateline: Our Man Fred talks about how the great comic book artist Colors by GLENN and celebrated raconteur Gilbert Eli Kane changed his life ..................................... 13 WHITMORE Eisner’s Enduring Esprit: A short interview with Paul Levitz, author of the new book Will Eisner: Champion of the Graphic Novel ........................................... 14 Comics in the Library: Explaining what libraries need from comic publishers ........... 19 THE MAIN EVENT The Invention of Gil Kane: CBC takes a comprehensive look at the life and times of the man born Eli Kacz. From a childhood growing up on the mean streets of Brooklyn and early entry into the nascent comics field, we chronicle his years as DC Comics’ stalwart and witness an epiphanous breakthrough that transforms his work and ambitions into becoming among the first graphic novelists.