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FOCUS! 2011 Polish Modern: New Directions in Polish Music since 1945 by JOEL SACHS Every January since 1985, Juilliard’s FOCUS! ghetto uprising, the Polish underground staged Festival has highlighted a different aspect of a second revolt, which also was brutally defeated 20th- and 21st-century music. This year’s after a long and heroic battle. The Nazis then spotlight shines on Poland after World War II. systematically demolished Warsaw as the Red The festival’s theme originated in a conversation Army watched from across the river. When between President Joseph Polisi, Dean Ara Guzeli- the Soviets finally drove out the Nazis, they mian, and me. While bouncing around various took control of the country, annexing eastern ideas, Dean Guzelimian proposed giving the lands that would become parts of Ukraine, masterful Witold Lutosławski broader exposure Belarus, and Lithuania. In “compensation,” here. The idea then evolved into a Lutosławski Poland received some western sections, from concert as the conclusion of a survey of Polish which all remaining ethnic Germans were composers since World War II. The concept expelled to make room for Poles given the was greeted with delight at the Polish Cultural opportunity to emigrate from what would Institute in New York, a mission of Poland’s become Soviet Ukraine. Over the following Ministry of Foreign affairs that promotes cul - years, the communists assumed control tural exchange between Poland and the through a series of brutal political maneuvers. United States. Thanks to the initiative of Anna In such an atmosphere, it is near miracu - Perzanowska, the PCI’s music curator, I was lous that music for the concert stage survived able to spend ten days in Poland, exploring at all. Countless talented musicians had been the repertory and meeting composers and arts killed; some others emigrated. The nascent administrators, three of whom, by coinci - blooming of composition from before the war dence, I had seen only weeks earlier in Beijing. looked for a while like it had also been mur - It was an extraordinary revelation. While a few dered. Yet some musicians had kept the tradi - earlier Polish composers—such as Chopin and tion alive, largely in secret, and in the turbu - Szymanowski—are known, more recent Polish lent postwar decade, it began to revive, led by . composers have generally been under the radar older composers such as Grazyna Bacewicz, in this country, with the conspicuous excep - Andrzej Panufnik, and Witold Lutosławski. tions of Górecki, Lutosławski, and Penderecki. Panufnik, however, fled to England during The few Polish composers known abroad the brutal repression that only began to ease are in fact the tip of the iceberg. The wealth of with Stalin’s death in 1953. During those late Polish concert music since World War II Stalin years, all the arts were compelled to be seems surprising, however, considering the “socialist realist,” that is, optimistic and easy steel boots of the 20th century that devastat - to understand. Mass songs, cantatas, and ed the country. After the German Blitzkrieg of socially-inspiring operas, which had no roots September 1, 1939, which launched that war, in the Polish tradition, were de rigeur . Art that and the Soviet invasion of September 17, the posed challenges was considered anti-commu - country was divided into Soviet and German nist since not everyone could appreciate it. spheres of influence. Conditions were appalling Fortunately, politically-unacceptable music everywhere. While the extermination of Poland’s was not crushed with the same ruthlessness as three million Jews is the Nazis’ best-known in the USSR, and the situation slowly crime, their treatment of Poles was not much improved. Paradoxically, the political turmoil better, and the Poles were to be next on the in Eastern Europe that followed Stalin’s list after the Jews and Gypsies were finished demise—1956 revolts in Poznan´, Poland, and off. Poland lost 5.5 million people in total by Hungary are only three of the most conspicu - the end of the war. The Jews were first herded ous landmarks—coincided with the debut of into ghettos and gradually liquidated by star - the Warsaw Autumn, one of the most aston - vation, shootings, and deportation to the ishing new-music festivals in the world. Its extermination camps. In Warsaw they staged a current director, composer and double-bass bloody, last-ditch revolt—amazing, consider - virtuoso Tade usz Wielecki, writes, ing their physical condition—that ended with the death of virtually everyone. Polish men, The Warsaw Autumn is a festival with a meanwhile, had been a limitless source of long history, an enormous tradition, and slave labor for Nazi industry. A year after the can be called a witness to history. It is the 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 2

PROGRAM only festival in Poland on an international going, and institutions like Warsaw Autumn, scale and with an international status, ded - some orchestras, chamber groups, and soloists con- icated to contemporary music. For many tinued to provide composers with opportunities. years, it was the only event of this kind in Ironically, when freedom really arrived, central and Eastern Europe. It is still, how - the situation for the arts, like everywhere else ever, a living organism: it develops and in Eastern Europe and the former USSR, thrives to the extent that the Polish cultura l became precarious. Mr. Wielecki writes, budget, … and the general state of music allow it to. The Festival is organized by the Only recently has the new economic and Polish Composers’ Union. The repertoire social situation of a country working its way committee, which is in turn appointed by to prosperity threatened the financial stabil - the Board of the Union, determines the ity of the Warsaw Autumn. The Festival still program of each particular festival. plays an essential role in shaping contempo - The Festival was created in 1956, dur - rary culture in Poland, but culture itself— ing the thaw that followed years of Stalinist even high culture—is given low priority. it dictatorship. Even though the government is wanted neither by society, easily swayed quickly left the democratization course, the by mass culture and mainly understanding Festival continued without interruption culture as entertainment, nor by the sub - (with two exceptions) during the entire jects that shape social life: politicians, the communist era; its finances were secured by media, or even the public patronage. These the state (up to this day, its main source of want, above all, to be seen and to be funding comes from public funds). … watched, and thus only need art as an Paradoxically, the communist era was a emblem and celebratory decoration for period in which the Warsaw Autumn various celebrations and anniversaries. thrived. It constituted an evident crack in Furthermore, they deem that for such a the Iron Curtain; it was an island of creative function, a work by Beethoven or Chopin freedom. Socialist realism was not obligatory will be better than a work by Spahlinger or here: the most varied forms of artistic Szalonek. It is necessary to remind people invention were possible. These created a in Poland about a more contemporary sense of freedom of expression in general, approach to culture. and were viewed as a form of political Today, one of the organizers’ main protest. The government tolerated this sit - goals—to familiarize the Polish listener uation, wanting to present itself as a liberal with the classic works of the 20th century patron of the arts. (i.e. with works that were seen as such already at the beginning of the Festival)— The Festival, especially in the earlier has been fulfilled, of course. At the same decades, not only brought Polish listeners the time, new gaping holes in terms of the clas - newest music by their countrymen and by for - sic works from the second half of the 20th eign composers and performers, but also filled century have appeared. … The two other them in on all that they had missed during the goals, however, remain timeless: to present terrible times in the 1930s, 1940s, and 1950s, new music from Poland and abroad. such as the music of Webern and Schoenberg. Contemporary music in Poland works Even Bartók and Stravinsky were little known on somewhat crazy terms; in general this until the Warsaw Autumn began to present kind of music is considered hermetic, made their music. Furthermore, for a few com - only for a narrow group of specialists, unre - posers from the Soviet Union who were able lated to reality. It is thus important to abol - to attend, the fairly tightly-locked window ish this stereotype and these efforts have was opened significantly. Throughout the been partially successful. For several years, communist years, Poland was spared much of new groups of listeners have been attend - the extreme anti-modernism of its Soviet ing the Warsaw Autumn concerts; the audi - neighbor, and Polish composers rose to the toriums are full, sometimes even overflow - occasion by “being fruitful and multiplying,” ing. And what is important—the majority musically speaking. When the oppressive con - of the listeners are young. It seems that ditions worsened under martial law, from after a long pause, the interest in more 1981 to 1983, musical life miraculously kept refined, complicated music is growing. An 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 3

elite group of young people is being (Polskie Wydawnictwo Muzyczne), which was formed—they are not afraid of “difficult” the official state music publisher during the things, they want to set themselves apart communist period, and is now a commercial from the consumers of popular culture that company, and Agencja Autorska, now part of is made for young people. These people are the composers’ rights agency analogous to looking for the “other,” for the “new,” for ASCAP, provided the immensely important the exotic in the broad sense of the word. outlet for their work. Now there are groups of But simultaneously they are looking for a younger composers, adventurous ensem - music that is enriching for the listener. This bles—some of them dating back to the com - was shown by [a recent performance of munist period—composers writing within Stockhausen’s] Gruppen —a sports hall was innumerable aesthetics, active explorations of filled to the brim, mainly by an audience of electro-acoustic music and installation-art—in young listeners; this was also visible at other short, all the components of a lively artistic concerts at the previous festivals. scene. Membership in the European Union Despite all of the resistance, and all of its has rewarded Polish artists with the freedom difficulties, the Festival is seen as a creative to travel and work throughout Europe, there - event, with an enormous amount of work by constantly refreshing their spiritual and to its credit, and great prestige. Traditionally, technical resources. numerous other Polish cultural institutions, Thanks to the efforts of the Polish Cultural such as the national Philharmonic, the Institute in New York and interested American Polish radio and Polish television cooperate performers, more and more of this music is with the Warsaw Autumn. being heard here. If the forces of commercial - ization can be kept at bay—the same “if” that The Warsaw Autumn was far from artistic communities worldwide have to keep the only source of musical stimulation. in mind—future music-history texts will have Composers need publishers, and PWM, a lot to say about Polish music since 1945. Acknowledgments

This year’s FOCUS! Festival has been pro - Knittel and Zygmunt Krauze, Tadeusz duced in collaboration with the Polish Cultural Wielecki, director of Warsaw Autumn, and Jerzy Institute in New York, whose music curator, Kornowicz, chairman of the Polish Composers’ Anna Perzanowska, provided invaluable advice Union, gave insights into today’s young com - and assistance, and arranged a study trip in posers, and Prof. Knittel, Lukasz Szalankiewicz, Warsaw and Krakow, without which the pro - and Marek Chołoniewski introduced me to gramming of this festival would have been the electro-acoustic and sound-installation next to impossible. Thanks also go to the scenes. Because the goal of this annual festival Polish Music Information Center (Polmic) in is to give Juilliard’s performers opportunities Warsaw and especially to Magdalena Dobro- to play non-traditional repertory, it was not wolska, who worked tirelessly to assemble possible to include more than a taste of the materials for study. Izabela Zymer of Polmic lively electronic worl, which deserves a thor - and Katarzyna Rola of the Warsaw Autumn ough exploration. Finally, the Polish Music office provided essential follow-up services. Center at the University of Southern Andrzej Kosowski, the director of PWM, California, and George Boziwick, chief of the Poland’s largest music publisher, generously Music Division of the New York Public provided staff to assist my exploration of Library, generously assisted the search for PWM composers. Composer-teachers Krzysztof some difficult-to-find scores.

FOCUS! 2011

Artistic and Administrative Director ...... Joel Sachs Program Book ...... Joel Sachs Program Book Editor ...... Heike Currie Additional Proofreaders ...... Anna Perzanowska, Janet Kessin, Gloria Gottschalk, Junetta Maxfield 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 4

ALICE TULLY HALL Home of The Chamber Music Society of Lincoln Center

The Juilliard School presents FOCUS! 2011: PROGRAM I Polish Modern: New Directions in Polish Music since 1945

Saturday Evening, January 22, 2011, at 8:00

NEW JUILLIARD ENSEMBLE JOEL SACHS , Founding Director and Conductor

ANDREW ARCECI , Viola da gamba DOUGLAS BALLIETT , Double bass SHEN YIWEN , Piano

. GRAZYNA BACEWICZ Contradizione (1966) (1909 –1969) In two movements

TADEUSZ WIELECKI The Time of Stones (2002)* (b. 1954) MR. B ALLIETT , double bass

WOJCIECH KILAR Choral Prelude (1988)* (b. 1932)

Intermission

ZYGMUNT KRAUZE Terra Incognita (1994)* (b. 1938 ) MR. S HEN , piano . ELZBIETA SIKORA Canzona (1995)* (b. 1943 ) MR. A RCECI , viola da gamba

*Western Hemisphere premiere

Focus! 2011 is produced in collaboration with the Polish Cultural Institute in New York.

Please make certain that the electronic signal on your watch, pager, or cell phone is turned off during the concert. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Further information regarding gifts to the School may be obtained from: The Juilliard School Development Office 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278; www.juilliard.edu/giving. 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 5

Meet the Artists JOEL SACHS , founder CD of music of the Americas with La and director of the New Camerata de las Americas (Mexico City) was Juilliard Ensemble, per - released by Dorian. He also directs concerts forms a vast range of tra - by Juilliard students at MoMA Summergarden. ditional and contempo - One of the most active presenters of new rary music as conductor music in New York, Dr. Sachs founded the O T I and pianist. As co-direc - New Juilliard Ensemble in 1993. He produces I K

U tor of the internationally and directs The Juilliard School’s annual Y O R I acclaimed new-music FOCUS! Festival, has been artistic director of H :

O ensemble Continuum, Juilliard’s concerts at New York’s Museum of T O H

P Dr. Sachs has appeared Modern Art since 1993, and also was a co- in hundreds of performances in New York, director of the former Sonic Boom Festival of nationally, and throughout Europe, Asia, and contemporary music, a project of a consor - Latin America. He has also conducted orches - tium of New York City’s most prestigious tras and ensembles in Austria, China, El new-music ensembles. Salvador, Germany, Iceland, Mexico, Switzer- A member of Juilliard’s music history fac - land, and Ukraine, and held new-music resi - ulty, Dr. Sachs has written a biography of the dencies in Berlin, London, Salzburg, Curitiba American composer Henry Cowell, to be (Brazil), Helsinki, and the Banff Centre published by Oxford University Press, and (Canadian Rockies). In 2006 he conducted appears on radio as a commentator on recent Continuum in Jakarta, Indonesia, where they music. He has been a regular delegate to presented Tony Prabowo’s opera The King’s Netherlands Music Days and other interna - Witch in full staging, his piano concerto tional music conferences. Psalm —both of which were composed for and premiered by the New Juilliard Ensemble— ANDREW ARCECI and music by American composers. In 2007 With dual interests in Historical Performance Dr. Sachs conducted a concert of American and contemporary music, Andrew Arceci per - music at the Shanghai Conservatory including forms regularly on viola da gamba, violone, the Chinese premiere of Ives’ Symphony No. 3. and bass throughout North America, Europe, The following October he conducted the and Asia. In the United States, he has Danube-Hudson Project, comprising works appeared with the Washington Bach Consort, by Juilliard and Liszt Academy composition Tempesta di Mare: Philadelphia Baroque students, at the Liszt Academy in Budapest as Orchestra, Pro Musica Rara, and L’Académie. part of the Budapest Autumn Festival and at He often performs the (viola da gamba) solos Juilliard. Keyboard appearances include in J.S. Bach’s St. John and St. Matthew numerous performances of John Cage’s mon - Passions , recently playing the St. Matthew umental Sonatas and Interludes for prepared Passion solos with Cambridge Concentus and piano. In August 2009 he gave a recital of the National Philharmonic. Solo/chamber American piano music in the festival at Céret, radio credits include WETA-District of Columbia, in the French Pyrenees. In June 2010 he was WLOY-Maryland, WBJC-Maryland, WQXR- guest pianist and conductor at the festival New York, Harmonia-Indiana Public Media, Oferenda Musical (Musical Offering) in São NPR: National Public Radio, DeutschlandRadio Paulo, Brazil, only two days after returning (Germany), and Taipei Broadcasting Station from a Continuum concert at the festival (Taiwan). Mr. Arceci graduated from the Beijing Modern. In October he conducted Peabody Conservatory with a bachelor of the Land’s End ensemble in a concert of new music degree in double bass, a bachelor of music in its home city, Calgary, Canada, and music degree in viola da gamba, and an aca - played with Continuum in the Musica Nova demic concentration in art history from The festival in São Paulo. Dr. Sachs will return to Johns Hopkins University. He currently is Banff as guest conductor in July, and to São pursuing a master of music degree in Historical Paulo in August to conduct the chamber Performance with full scholarship, at The orchestra Camerata Aberta. Dr. Sachs’ record - Juilliard School. ings appear on the Advance, CRI, Naxos, Mr. Arceci’s upcoming engagements New Albion, Nonesuch, and TNC labels. A include concerts with Juilli ard 415 , Opera 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 6

PROGRAM Vivente in March, a viola da gamba recital Symphony Orchestra, American Symphony through the Shandelee Music Festival in Orchestra, Da Capo Chamber Players, August, and a solo viola da gamba appearance Colorado String Quartet, Talea Ensemble, with L’Académie in November 2011. Mr. and the Music From China Ensemble, among Arceci recently won a double bass fellowship others. As one of the first graduates from The with England’s Orchestra of the Age of Bard College Conservatory of Music, he Enlightenment, and will perform with the earned both a bachelor of music degree in orchestra throughout 2011. composition under the tutelage of Joan Tower and George Tsontakis, and a bachelor of arts DOUG BALLIETT degree in German Studies from Bard College. Doug Balliett is a prolific artist whose career Mr. Shen has participated in Aspen Music has spanned classical performance, composi - Festival and School, Atlantic Music Festival, tion, rap, rock, spoken word and conducting. Beijing Modern Music Festival, Bowdoin As a double bassist he has performed with International Music Festival, the composition Ensemble Modern, the Ensemble Modern course at Freie Universität Berlin, Nevada Orchestra, the San Antonio Symphony, and Encounters of New Music, and Shanghai the Metropolis Ensemble, to name a few. He Spring Festival. A graduate student at has earned fellowships at Tanglewood, Aspen, Juilliard, Mr. Shen now studies composition NOI, NRO, and the Lucerne Academy. He with Samuel Adler as a recipient of the Henry also maintains an active life as a recitalist, Mancini Fellowship and the Jean and Louis including live radio recitals and recital tours Dreyfus Foundation Scholarship. As an active through Texas. Mr. Balliett’s compositions pianist, he plays frequently with the New have been heard in Boston, New York, Juilliard Ensemble and the AXIOM. Colorado, and all over Texas. Awards include prizes in the Frederick NEW JUILLIARD ENSEMBLE Delius Competition, the Kirkland House The New Juilliard Ensemble, led by founding Music Award, and Harvard’s first annual director Joel Sachs, celebrates the liveliness of Artist Development Grant. While at Harvard, today’s music, focusing primarily on repertory Mr. Balliett composed incidental music for of the last decade. Now in its 18th season, many theater productions and gave the pre - NJE presents music by a variety of interna - miere of Carson Cooman’s Foresight Spinning tional composers writing in the most diverse with the Fromm Players. Mr. Balliett is pas - styles. Its members are current students at sionate about recording at home and collabo - Juilliard, who are admitted to the Ensemble rating with a wide spectrum of artists. He is a by audition. Student interest in the Ensemble’s member of the hip-hop triad The Oracle work is so great that more than 100 students Hysterical, as well as the new-music groups participate every year, although the maximum Deviant Septet, AXIOM, and New Juilliard size of compositions is normally 15–20 players. Ensemble. He has toured Texas playing exclu - The Ensemble takes its name from an sively house concerts with the quartet unofficial student group of the 1960s that Gramercy Place. In 2010 Mr. Balliett com - specialized in the performance of new music. posed, produced, and conducted his first It is modeled on new-music chamber orches - popera seria, Lucretia . tras common in Europe, such as Frankfurt’s Mr. Balliett graduated magna cum laude Ensemble Modern, Ensemble Intercontemporain from Harvard in 2007 and currently is pursu - in Paris, and London Sinfonietta, which have ing a master of music degree at Juilliard in cultivated a repertory for chamber orchestra Baroque bass, violone, and viola da gamba, as that is all-too-rarely performed in the United well as performing in the New Juilliard States. The New Juilliard Ensemble brings Ensemble. He is studying at Juilliard with a full- many of these works to New York, presents tuition Historical Performance scholarship. American compositions for similar ensembles, and has commissioned many pieces from com - SHEN YIWEN posers around the world. Although its primary Winner of the Fourth Chinese Golden Bell goal is to train performers, the Ensemble offers Award for Music and 12th National opportunities for students in Juilliard’s com - Composition Competition Wen Hua Award, position program through an annual audition composer pianist SHEN Yiwen has enjoyed from which one or two composers are selected performances of his music by the Albany to write for the group. 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 7

The New Juilliard Ensemble has made its Boulez. In June 2009 the New Juilliard mark through tour performances. Abroad, it Ensemble gave a major concert in Tokyo’s has been ensemble-in-residence at the Suntory Hall and performances at two music International Seminars for Young Composers, colleges in the Tokyo region and at the held near Warsaw by the Polish Section of the American Center. In the U.S. the Ensemble International Society for Contemporary presented music from the South Caucasus as Music, and at the Moscow Conservatory, part of the dedication festivities for the new where it performed American music and com - arts center at the University of Maryland, and positions by students and faculty of that insti - gave the world premiere of Hearing Solutions , tution. In 1998 the Ensemble presented a a concerto for cello and chamber ensemble by concert in Jerusalem as part of an international Dmitri Yanov-Yanovsky. In December 2009 it symposium on teaching composition at the presented a concert of aleatory and related century’s end. In May 2001 it gave two con - music at the Freer Gallery in Washington, D.C., certs at the Leipzig Conservatory in a festival in connection with an exhibition of Persian marking the consecration of the school’s new and Turkish divining manuscripts. concert hall. November 2002 found the The NJE appears regularly in MoMA’s Ensemble in Dijon, France, at Festival Why Summergarden festival, and has been a fea - Note. In October 2004 a group of New Juilliard tured ensemble at the Lincoln Center Festival Ensemble players and their counterparts from four times. Its recording of Virko Baley’s Violin the Manson Ensemble of London’s Royal Concerto, with violinist Tom Chiu, can be Academy of Music joined to perform works by found on the TNC label (www.TNCmusic.net). three composition students from each school. ACD of pieces by composition students of the The concerts took place in New York and Royal Academy of Music and The Juilliard London. In 2008 members of the New Juilliard School was issued by the Royal Academy. A Ensemble performed with players from the live performance recording of Trame IV by Lucerne Festival Academy in the opening pro - Martin Matalon will appear on a commercial gram of the FOCUS! Festival, led by Pierre CD in the near future.

THE NEW JUILLIARD ENSEMBLE JOEL SACHS, Founding Director and Conductor (listed alphabetically)

VIOLIN CLARINET TUBA Karen Cueva Balázs Rumy Jonathan Hill James Garlick Hubert Tanguay-Labrosse Ken Hamao HARP Maria Im BASSOON Caroline Cole Justyna Jara Michael Mechanic Emily Hoile Jung Hee Lee R. Conrad Cornelison Lavinia Pavlish ELECTRIC GUITAR SOPRANO SAXOPHONE Colin Davin VIOLA Brandon Blankenship Emilie Grimes ELECTRIC BASS Jocelin Pan ALTO SAXOPHONE William McPeters Balázs Rumy CELLO PIANO Jay Campbell HORN David Aladashvili Khari Joyner Molly Norcross Hye-Won Kim Priscilla Rinehart PERCUSSION Nathanael Udell Andrew Funcheon DOUBLE BASS Charles Rosmarin Jonathan Davies TRUMPET Brian Shank Allison Job Eric Hennies Jingchen Sun

FLUTE TROMBONE MANAGER Daniel James Adarsh Kumar Luke Rinderknecht Fiona Kelly Joseph Peterson

OBOE Julia DeRosa 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 8

ALICE TULLY HALL Home of The Chamber Music Society of Lincoln Center

The Juilliard School presents FOCUS! 2011: PROGRAM VI Polish Modern: New Directions in Polish Music since 1945

Friday Evening, January 28, 2011, at 8:00

JUILLIARD ORCHESTRA JEFFREY MILARSKY , Conductor

ARIANNA WARSAW -F AN , Violin JAY CAMPBELL , Cello A Portrait of Witold Lutosławski

WITOLD LUTOSŁAWSKI Overture for Strings (1949) (1913 –1994) Concerto for Cello and Orchestra (1969 –70) MR. C AMPBELL , cello

Intermission

Partita for Violin and Orchestra (1988) Allegro giusto Ad libitum Largo Ad libitum Presto MS. W ARSAW -F AN , violin

Symphony No. 4 (1991 –92) In one movement

Focus! 2011 is produced in collaboration with the Polish Cultural Institute in New York.

Meet the Artists American conductor JEFF- franchir le seuil (U.S. premiere) with REY MILARSKY has lead Speculum Musicae. such renowned groups as A timpanist and percussionist, Mr. the American Composers Milarsky has performed and recorded with the Orchestra, MET chamber New York Philharmonic, The Philadelphia ensem ble, The Los Angeles Orchestra, the Pittsburgh Symphony, among Philharmonic, The Mil- other ensembles. He was named the principal waukee Symphony, Cham- timpanist for the Santa Fe Opera beginning in ber Music Society of the summer of 2005. As an active chamber Lincoln Center, New York and orchestral musician, Mr. Milarsky per - New Music ensemble, Manhattan Sinfonietta, forms and records with the New York Speculum Musicae, Cygnus Ensemble, Philharmonic, the Chamber Music Society of Fromm Players at Harvard University, and the Lincoln Center, and the American Composers New York Philharmonic Chamber Music Orchestra. He has recorded for Angel, Bridge, Series. In the United States and abroad, he has Telarc, CRI, MusicMasters, EMI, Koch, and premiered and recorded works by ground - London records. breaking contemporary composers. Mr. Milarsky received his bachelor and Mr. Milarsky is senior lecturer in music at master of music degrees from Juilliard. Upon Columbia University, where he is the music graduation, he was awarded the Peter Mennin director and conductor of the Columbia Prize for outstanding leadership and achieve - University Orchestra. Also at Columbia ment in the arts. He regularly conducts the University, Mr. Milarsky is the music director Juilliard Orchestra, with whom he has pre - and conductor of the Manhattan Sinfonietta, miered more than 150 works of Juilliard which focuses on 20th- and 21st-century student composers. scores. In addition, he is a faculty member of the Manhattan School of Music as artistic JAY CAMPBELL director and conductor of the Percussion Jay Campbell currently is pursuing his bache - Ensemble. In September of 2008 he was lor of music degree in cello at Juilliard, study - named to the conducting faculty of Juilliard. ing with Fred Sherry. Mr. Campbell is the Mr. Milarsky made his debut at the New recipient of the Eleanor Aller Slatkin Scholar- York City Opera during the 2008–09 season. ship, the Stephen E. Somers Scholarship, and In the fall of 2007 he led the New York pre - the Michael and Ethel Cohen Scholarship. A miere of Elliott Carter’s only opera What native of Berkeley, California, he has studied Next? . This season will include conducting with Richard Aaron, Peter Wyrick, and mem - dates in Los Angeles, Norway, Italy, and Paris. bers of the Kronos Quartet and Ensemble Mr. Milarsky appears regularly at Carnegie Hall InterContemporain. Mr. Campbell’s wide with the American Composers Orchestra. He spectrum of repertoire and eclectic musical also has recently performed at IRCAM in interests have led to performances around the Paris, conducting and recording compositions United States and Europe, ranging from stan - by Joshua Fineberg and Tristan Murail. dard to avant-garde repertoire to free improv - Mr. Milarsky made his Parisian debut con - isation and rock. His enthusiasm for contem - ducting the BIT20 ensemble at the Olivier porary music has manifested in frequent per - Messiaen Hall at Radio France, in a perform - formances with groups such as Argento ance of the prize-winning score of Lasse Ensemble, Second Instrumental Unit, AXIOM, Thoresen’s Lop, Lokk Og Linjar . Other recent and New Juilliard Ensemble, among others. highlights include conducting the Cygnus Mr. Campbell has collaborated with a vast Ensemble in the world premiere of Milton array of significant musicians and composers, Babbitt’s Swansong , conducting the world ranging from John Adams to members of premiere and recording Mario Davidovsky’s Radiohead and Einstürzende Neubauten. As Flashbacks , and several area premieres of a soloist, Mr. Campbell has appeared with the music of Gérard Grisey’s Les Espaces various orchestras in California, Aspen, and Acoustiques (New York premiere) for recently prepared Pierre Boulez’s cello Columbia University’s “Music for a New concertino Messagesquisse under the guidance Century” series and Quatre chants pour of the composer for performance and lecture 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 10

PROGRAM

at the Lucerne Festival, both of which a National Foundation for Advancement in were subsequently broadcast on Swiss and the Arts ARTS week winner, and has received German radio. such distinctions as New England Conser- vatory’s Zinaida Gilels Violin Prize. ARIANNA WARSAW-FAN As a concertmaster with the Juilliard and Violinist Arianna Warsaw-Fan is an active Pacific Music Festival Orchestras, Ms. soloist and chamber musician. Her recent per - Warsaw-Fan has worked with conductors formances include solo and chamber appear - John Adams, James Conlon, Tan Dun, ances in Alice Tully Hall, Carnegie’s Weill Bernard Haitink, James Levine, Jun Märkl, Hall, at the Ravinia, Verbier, and Aspen Music and Xian Zhang. She has participated in Festivals, and at the Bel-Air Rencontres de Ravinia’s Steans Institute, the Aspen Musique de Chambre à Chambéry, where she Music Festival, Verbier Festival Academy, gave her French debut recital. Music@Menlo, Pacific Music Festival, and Ms. Warsaw-Fan is a founding member of Yellow Barn Young Artists Program, and has the Nonamé String Quartet and frequently performed with pianists Frank Braley, Rohan collaborates with the Chamber Players of de Silva, and John O’Conor. Canada. She has also performed with such Ms. Warsaw-Fan received her bachelor of contemporary music ensembles as ICE music degree from Juilliard and currently is (International Contemporary Ensemble) and pursuing her master of music degree with FIRE (Future in Reverse). Masao Kawasaki and Cho-Liang Lin, also at Prizewinner in the Corpus Christi Juilliard. She is the recipient of the George International String Competition and winner Courtney Todd Memorial Scholarship in vio - of the American Opera Society String Prize, lin and the Mari Brown Scholarship. Her pre - Ms. Warsaw-Fan has performed as soloist with vious teachers have included Almita Vamos, various orchestras in the Boston area. She was Magdalena Richter, and Michèle Auclair. 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 11

THE JUILLIARD ORCHESTRA James DePreist, Director of Conducting and Orchestral Studies Jeffrey Milarsky , Guest Conductor

VIOLIN Elliot Mallard TRUMPET Doori Na, concertmaster Jinwook Nam Stuart Stephenson, principal Ken Hamao, principal second Bridget Pasker Casey Tamanaha, principal Niv Ashkenazi Justina Sullivan Eric Hennies Benjamin Bae Sang Yhee Stella Chen TROMBONE Yemi Gonzales DOUBLE BASS Carson King-Fournier, principal Jeong yeon Im Alex Jenkins, principal Adarsh Kumar Da young Kim Logan Brown Ji Eun Kim Yanni Burton BASS TROMBONE Jiwon Kim Corey Gerstenfeld Evan Conroy Joo Young Kim Harrison Joyce Hye Jin Koh Cecile-Laure Kouassi TUBA Oliver Kot Rui Li Lee Jarzembak Anne Ku William McPeters Clara Lee Mitchell Montealegre TIMPANI Jae Ook Lee Andrew Funcheon Jennifer Liu FLUTE AND PICCOLO Charlie Rosmarin Mariam Machaidze Fiona Kelly, principal Jeremy Smith Jonathan Miron Stephanie Kwak, principal Olivia Mok Jihye Min PERCUSSION Nikita Yermak Morozov George Nickson, principal Seung-Jung Oh OBOE Jeremy Smith, principal Sho Omagari Jennifer Christen, principal Samuel Budish Cordelia Paw Ivonne Perez, principal Andrew Funcheon Robyn Quinnett Hsuan-Fong Chen, English horn Charles Rosmarin Diomedes B. Saraza, Jr. David Rosenfeld Heawon Shin HARP Kei Sugiyama CLARINET Caroline Cole Mina Um Christopher Lee, principal Angelina Savoia Charles Yang Shuyue Zhao, principal Clara Yoon Weixiong Wang KEYBOARDS Jin Lee Youn Maiko Nishio E-FLAT CLARINET Renate Rohlfing VIOLA Shuyue Zhao Sang Hyun Yong, principal ORCHESTRA Daniel Arocha BASS CLARINET ADMINISTRATION Trevor Fowler Weixiong Wang Patrick Posey, Director of Anna Hoopes Orchestral Activities and Rachel Li BASSOON Planning Liyuan Liu Hyeung Won Oh, principal Joanna K. Trebelhorn, Director of Michael Resetar Midori Samson, principal Orchestral and Ensemble Hannah Ross Brandon Blankenship Operations Adiza Sanchez-Rahim George Stelluto, Resident Conductor Matthew Sinno CONTRABASSOON Justin Brown, Orchestra Manager Meredith Treaster Brandon Blankenship Russ Girsberger, Ensemble Royce Zah Librarian FRENCH HORN Lawrence Halverson, Assistant CELLO Kelly Csillam Misko, principal Ensemble Librarian Hirotaka Matsuo, principal Molly Norcross, principal Charles Asch Kyle Anderson Sam Bae Trevor Nuckols Grant Kot David Raschella Ken Kubota James Lee 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 12

BOARD OF TRUSTEES Bruce Kovner, Chairman Katheryn C. Patterson, Vice Chairman Andrew T. Bednar Keith R. Gollust June Noble Larkin Stephanie Palmer Julie Anne Choi Mary Graham Karen M. Levy McClelland Pamela Daley Mary Rodgers Guettel Laura Linney Elizabeth J. McCormack Kenneth S. Davidson Joan W. Harris Vincent A. Mai Lester S. Morse, Jr. Sanford B. Ehrenkranz Bradley H. Jack James S. Marcus Joseph W. Polisi Bernard T. Ferrari, M.D. Edward E. Johnson, Jr. Nancy A. Marks Susan W. Rose Barbara G. Fleischman Sidney R. Knafel Wynton Marsalis Arthur T. Shorin Judi S. Flom J. Christopher Kojima Joan S. Steinberg CHAIRMEN EMERITI Mary Rodgers Guettel June Noble Larkin TRUSTEES EMERITI Mary Ellin Barrett Lawrence P. Fraiberg Richard D. Spizzirri Anna E. Crouse John J. Roberts JUILLIARD COUNCIL Karen M. Levy, Chairman Younghee Kim-Wait Pamela J. Newman Barbara Brandt J. Christopher Kojima John G. Popp Harry Edelson Ute I. Krayenbuehl Grace E. Richardson Gordon D. Henderson Jean-Hugues J. Monier Deborah Shear Harold P. Hope III Leslie M. Nelson Jeremy T. Smith EXECUTIVE OFFICERS Joseph W. Polisi, President Ara Guzelimian, Provost and Dean Karen Wagner, Vice President and Dean of Academic Affairs Laurie A. Carter, Vice President and General Counsel, Executive Director of Jazz Studies Jon Rosenhein, Vice President and Chief Operating Officer Jane Gottlieb, Vice President for Library and Information Resources Riccardo Salmona, Vice President for Development and Public Affairs Joan D. Warren, Vice President for Enrollment Management Joseph Mastrangelo, Vice President for Facilities Management Christine Todd, Vice President for Finance and Controller

Lawrence Rhodes, Artistic Director of the Dance Division James Houghton, Richard Rodgers Director of the Drama Division Brian Zeger, Artistic Director of the Ellen and James S. Marcus Institute for Vocal Arts Carl Allen, Artistic Director of Jazz Studies Yoheved Kaplinsky, Artistic Director of the Pre-College Division Monica Huggett, Artistic Director of Historical Performance Christopher Mossey, Associate Vice President for Artistic and Strategic Initiatives Janet Kessin, Associate Vice President for Communications Alison Scott-Williams, Associate Vice President for Diversity and Campus Life Tricia Ross, Associate Vice President for Executive Projects Lee Cioppa, Associate Dean for Admissions Virginia Allen, Associate Dean for Administration Bärli Nugent, Assistant Dean, Director of Chamber Music Richard Feldman, Associate Director of the Drama Division Risa Steinberg, Associate Director of the Dance Division

Stephen Clapp, Dean Emeritus ADMINISTRATORS Sarah Adriance, Dance Division Patrick Posey, Orchestral Activities and Planning Jamée Ard, National Advancement and Alumni Relations Howard Rosenberg, Health Services Courtney Blackwell, Career Services Ira Rosenblum, Publications Donna Bost-White, Educational Outreach Robert Ross, Pre-College Division William Buse, Counseling Services Nicholas Saunders, Concert Operations Melissa Doherty, Special Events Jacqueline Schmidt, Marcus Institute for Vocal Arts Caryn G. Doktor, Human Resources Nona Shengelaia, International Advisement Katherine Gertson, Registrar Edward Sien, Foundation and Corporate Relations Donald Giordano, Creative Services Benjamin D. Sosland, Historical Performance Tunde Giwa, Information Technology Martha Sterner, Executive Assistant to the President Tina Gonzalez, Financial Aid Tina Swiek, Merchandising Carolyn Haas, Production Robert Taibbi, Recording Scott Adair Holden, Office Services Sabrina Tanbara, Student Affairs Katherine Hood, Drama Division Helen Taynton, Intern Program and Master Calendar Danielle La Senna, Evening Division Beth Techow, Health and Counseling Services Ekaterina Lawson, Pre-College Division Joanna K. Trebelhorn, Orchestral and Ensemble Operations David Marcus, Investments Masaru Tsumita, Chief Piano Technician Abigail Mohlin, Annual Giving Vanessa J. Wise, Development Lori Bierly Padua, Planned Giving 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 13

JUILLIARD LEADERSHIP GIFTS The Juilliard School is deeply grateful to the following individuals, foundations, organizations, and corporations for their generous leadership gifts received between July 1, 2009 and June 30, 2010: Over $1 Million William Petschek Philanthropic Marya Martin and Irene Diamond Fund Fund Kenneth S. Davidson Mary Rodgers and Henry Guettel/ Susan and Elihu Rose Foundation Milton & Libbey Davis Foundation Rodgers Family Foundation The Fan Fox and Leslie R. Samuels Ernst C. Stiefel Foundation Estate of Bart Howard Foundation Mr. Fred J. Eychaner International Foundation for Arts Arthur T. Shorin Ms. Mary L. Graham and Culture and its Chairman, Charles Simonyi Fund for Arts and Mr. H. Rodes Hart Dr. Haruhisa Handa Sciences Gordon D. Henderson Bradley H. Jack Estate of Elisabeth Smith Ms. Pamela Kohlberg Bruce and Suzie Kovner Anne and Bernard Spitzer LCU Foundation Lincoln Center for the Performing Mr. and Mrs. Eliot Spitzer Lecomte du Noüy Foundation Arts, Inc. Dorothy Richard Starling Estate of Gladys Loewenstein Ellen and James S. Marcus Foundation Trust of Lillian B. Madway The Peter Jay Sharp Foundation The Starr Foundation Vivian Milstein Estate of Stanley Tucker Mr. and Mrs. Robert E. Turner Ambrose Monell Foundation Mr. and Mrs. John T. Williams Kenneth and Anna Zankel Leslie and Mitchell Nelson Mrs. Meredith Willson┼ One Anonymous Donor High Rise Capital Management, LP Radio Drama Network Inc. $500,000 – $999,999 Raymond-Cryder Foundation of the In Memory of Milton E. Cassel, $50,000 – $99,999 Lehigh Valley Community Class of 1929 Mr. and Mrs. Sid R. Bass Foundation Mr. Richard Katzman Mr. Norton J. Cooper Lillian W. Rogers Trust Glorya Kaufman Pamela Daley and Randall L. Phelps Mr. Ernest Rubenstein Edward John Noble Foundation Linda Rodgers Emory Ms. Victoria Sanders and Nancy A. Marks Dr. and Mrs. Bernard T. Ferrari Ms. Diane Dickensheid The Stephanie and Carter Friends of Byron J. Gustafson Estate of Harold C. Schonberg McClelland Foundation Joan W. Harris/The Irving Harris Arline J. Smith Trust Stephanie and Carter McClelland/ Foundation Mr. Stanley R. Stangren The Stephanie and Carter Judith Harris and Tony Woolfson Michael and Joan Steinberg McClelland Foundation The Hearst Corporation Turner Construction Company Enid and Lester Morse Estate of Ruth Katzman Hans Wertheimer Estate of Elissa Nassy Sidney R. Knafel and Robin Williams-The Windfall Londa Weisman Foundation $250,000 – $499,999 J. Christopher Kojima Two Anonymous Donors Barbara G. Fleischman Cynthia and Dan Lufkin Maxwell H. Gluck Foundation Vincent and Anne Mai $10,000 – 24,999 Goldman Sachs Gives Elizabeth J. McCormack Edwin L. Artzt Barbara and Keith Gollust Estate of Clement Meadmore Mr. and Mrs. Seymour Askin, Jr. William Randolph Hearst Harriet Heyman and Michael Moritz Barker Welfare Foundation Foundation Ms. Susan A. Ollila Irving Berlin Charitable Fund, Inc. Karen and Paul Levy William Petschek Philanthropic Yvette and Maurice Bendahan Lincoln Center Corporate Fund Fund Mr. Michael J. Berman and Katheryn C. Patterson and Charles Prince and Peggy Wolff Ms. Victoria Hagan Thomas L. Kempner, Jr. Ms. Julia Raiskin Trust of Sonia Block Estate of Leo B. Ruiz Howard & Ethel Ross Trust Mr. and Mrs. James A. Block The Harold and Mimi Steinberg The George L. Shields Foundation Ms. Eliane Bukantz Charitable Trust The Shubert Foundation, Inc. Ms. Ann Burnett One Anonymous Donor Mel Silverman Mr. and Mrs. Latham C. Burns Sotheby's Inc. Dr. David E. and Estate of Evelyn Steinberg Heidi Castleman Klein $100,000 – $249,999 Estate of Maxine Swalin Mr. Lan Bo Chen and Ms. Lin Huey The Annenberg Foundation Mary H. Vinton Joyce and Barry Cohen Celia Ascher Vicki Cowen Mr. Eli Broad $25,000 – $49,999 Anna E. Crouse Mr. Himan Brown┼ In Memory of Lisa Arnhold Peter and Peg D'Angelo Choi and Burns, LLC Harold Alderman Trust Florence and Paul DeRosa Fima Fidelman Trust The Augustine Foundation Memorial Fund Sidney E. Frank Foundation Bellville Family Trust Dizzy Feet Foundation The Irving Harris Foundation Betty and Daniel Bloomfield Fund Kelley Drye & Warren LLP Mr. and Mrs. Gilbert Helman The Boys' Club of New York Jonelle and Harry Edelson Ms. Eija R. Malmivirta The Barbara and Gary Brandt Mr. and Mrs. Sanford B. Ehrenkranz Estate of Joseph F. McCrindle Family Foundation Estate of Alice Shaw Farber A.J. Ostriker Foundation Inc. Estate of Jesse A. Ceci Fundación Luis A. Ferré 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 14

Mr. and Mrs. Bernard Friedland Camille A. Zamora and T. Rowe Price Foundation, Inc. Kay Wong Ling Friml Trust Thomas F. Whayne Ann and John Pyne Google Inc. Darrell Zwerling Renaissance Technologies, LLC Mrs. Barbara Green Four Anonymous Donors Sabine Renard Mrs. Dorothy H. Greiner ┼ Grace E. Richardson Halfway Rock Foundation $5,000 – $9,999 Mrs. Frederick P. Rose Marilyn Hochberg Hammerman Mr. and Mrs. Alan B. Abramson Mr. and Mrs. Richard J. Schwartz William J. Henderson Memorial Garett J. Albert Dr. and Mrs. Thomas P. Sculco Fund Aramark Corporation Ms. Carolyn M. Serota Roger and Susan Hertog The Louis Armstrong Educational Janice Dana Spear Trust Robert S. Hines Foundation, Inc. Mr. Malcolm Thomson Harold P. Hope III Jody and John Arnhold Barbara and Donald Tober Mark Hsiao and Howard Koeppel Banfi Vintners Foundation Mary J. Wallach Trust of Edward Jabes Mr. and Mrs. Larry Bernstein Mr. Robert N. Wilson The Katzenberger Foundation, Inc. Jane and Arthur Brody Two Anonymous Donors Hamilton H. Kellogg and Mildred The Brydon Foundation H. Kellogg Charitable Trust Estate of John Dexter Bush $2,500 – $4,999 Younghee Michelle Kim-Wait Felix Calabrese Sanem Alkan The Jacques and Rondi Charleston and Estate of Harry Aronson Margot W. Kohn Foundation Steve Ruchefsky Emanuel and Yoko Ax Ute and Thomas Krayenbuehl Mr. and Mrs. Victor Elmaleh Bootsie Barth Mrs. William Brian Little Dr. and Mrs. Frank M. Figueroa Janet E. Baumgartner Mr. and Mrs. Thomas Lynch Peter and Brigid Flanigan Elizabeth Bell Estate of Joseph Machlis Dora L. Foster Trust Mrs. Adele Bergreen Mr. and Mrs. Peter L. Malkin Peter J. Frenkel Foundation, Inc. Mandell L. and Madeleine H. Mr. Robert Marx Gilbert Family Trust Berman Foundation Mercantil Commercebank Richard and Lois Gilder Ann and Paul Brandow Friends of Robert and Sarah & Seth Glickenhaus Estrellita and Daniel Brodsky Marion Merrill Mr. Leo Greenland Mr. Paul Browning Joan and Tom Moran Estate of Alexander Gretchaninoff Beverly and Herbert Chase Alma Moreton ┼ Jennifer and Bud Gruenberg Mr. and Mrs. Alan D. Cohn Michele Mosbacher Foundation The Harkness Foundation for Dance Ms. Sandra K. Deitch Mr. Steven W. Naifeh and Mrs. Noel J. Hefty and Jennie and Richard DeScherer Mr. Gregory White Smith Mr. Terrance W. Hefty Charles Dimston New York Yankees Foundation Ms. Billie Allen Henderson Mr. Terry M. Eddleman AON Foundation Frances B. Hoyland Trust Mary Lou Falcone and Nichols Foundation, Inc Marjorie Isaac Nicholas Zann Mr. Edward D. Peterson Elma and Howard Kanefield Charles T. Fee, Jr. Mr. Richard Pini Sheila Keats Candice and John Frawley Evelyn and John Popp Keller-Shatanoff Foundation Mr. and Mrs. Allen Freedman Pre-College Parents' Association Mr. and Mrs. William F. Kelly Mr. Robert Goldbray The Presser Foundation Kenneth Cole Productions, Inc. Mr. Erich L. Graf Princess Grace Foundation - USA Lynn and Jules Kroll Dorothy and Victor Han Helen Rehr Mr. Henry J. Krostich Dr. Daniel Haspert Mrs. Edmond J. Safra Learning Quest Ms. Betty Hsiao Samsung Electronics America, Inc. Mr. Guilford Lewis and Mr. and Mrs. Marc L. Iacona The Michael & Helen Ms. Rondi Erickson Japanese Chamber of Commerce Schaffer Foundation The Lucius N. Littauer Foundation and Industry of New York The Schuld Family Fund The Frederick Loewe Foundation Hiroyoshi Kita Mr. and Mrs. William A. Schwartz Estate of Alice J. Mahler Korean Cultural Service Ronald and Deborah Shear Mr. John Makin and Barbara and Paul Krieger Estate of Frederick I. Silver Ms. Gwendolyn van Paasschen Mr. H. Frederick Krimendahl Ms. Barbara J. Slifka Michael and Judith Margulies Jay H. Lefkowitch, M.D. Mr. Jeremy T. Smith Wynton Marsalis Norman J. Lewis Annaliese Soros Mr. and Mrs. Tom Marsh Dr. Lillian T. Li Marjorie Tallman Educational Sylvia and Leonard Marx, Jr. Mr. and Mrs. Michael I. Liechenstein Foundation Estate of Homer Mensch Cho-Liang Lin LoRaine Kent Vichey Memorial Marion Merrill┼ Catherine and Philip Lord Trust New York State Council on the Arts Prof. and Mrs. Jack McDonald Anthony Vine, MD Mrs. Nancy Offit Estate of Helen Marshall Woodward Stephen Wadsworth and Ms. Sita Ohanessian Celia Paul and Stephen Rosen Francesca Faridany Opus 3 Artists Mr. and Mrs. Howard Phipps Mr. Paul Waldron Dr. and Mrs. Nicholas R. Panaro Joseph and Elizabeth Polisi Bruno Walter Memorial Foundation Mr. Brad Parmenter Mary G. Roebling Musical Cecil M. Yarbrough and The Laura Pels Foundation Scholarship Fund, Inc. Ronald S. Csuha Ms. Anne M. Perillo and Alfred and Jane Ross Foundation, Inc. Mr. Leo A. Michuda Mr. Richard Rubinstein 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 15

Ms. Yukari Saegusa Mrs. Antoinette DeMarino Mr. and Mrs. Elliot Jaffe Nancy Schloss The Dooskin Family Fund of the Mr. and Mrs. Adrian H. Jones Mr. William Schneider Community Foundation of Dr. James F. Jones, Jr. Mr. Richard E. Schneyer New Jersey Hilary K. Josephs Mr. Louis C. Schroeder Alvin H. Einbender Lucille S. and Martin E. Kantor Mr. Ricardo Scofidio Mr. Jeffrey D. Enslin Mel and Elaine Kaplan Sandra Semel Mr. and Mrs. Anthony Evnin Dr. Yoheved Kaplinsky and Mr. and Mrs. Elliott K. Slade III Ms. Katherine G. Farley and Mr. Herbert Light Leila and Melville Straus Mr. Jerry I. Speyer Mr. and Mrs. Kimon Karas Ms. Carol C. Tanenbaum Mr. and Mrs. Philip Farley Priscilla F. Kauff The Tokyo Foundation Richard E. Feldman, Esq. Ms. Diane Kaufman Anthony and Elaine Viola Carr and Marian Ferguson Laurie D. Kefalidis Timothy N. Wallach and Dr. Sandra Field and Karen A. and Kevin W. Kennedy Fleur Fairman Mr. James S. Field Foundation Ms. Suzanne S. Weil Ms. Patricia Fila Jeffrey Khaner Mr. Andrew P. Willoughby Mr. and Mrs. Jonathan File John and Patricia Klingenstein Schulte Roth & Zabel LLP Mr. and Mrs. Nicholas Firth Dorothy Hill Klotzman Two Anonymous Donors Edith S. Fischer Mr. Carson Kohle Doucet and Stephen Fischer Mr. Bryan Koplin $1,000 – $2,499 Mrs. Avery Fisher Joan D. Kotzenberg Ms. Margot Adams Susan and Eugene Flamm Harvey and Connie Krueger Samuel H. Adler Mary A. Flannery Mrs. Lee Lamont Elizabeth Herries, Esq. and Mr. Gustave Fleury and Ms. Debra LaMorte Donald J. Aibel, Esq. Mr. Byron J. Gustafson Sarah and Eric Lane Kay Allaire Nancy S. Foldi, PhD Mr. and Mrs. Gerald A. LeBoff Mr. and Mrs. Robert Alvord Mr. David V. Foster and Ms. Adele Lerner Mr. and Mrs. Michael Nash Ambler Ms. Judith Kurz Mr. and Mrs. Jack Levins Mr. and Mrs. John M. Angelo The Romayne Leader Frank Mr. and Mrs. Edward R. Levitus Mr. Safi Bahcall Charitable Foundation, Inc. Mrs. John M. Lewis Mrs. Barbara R. Bailey Madeline Frank Mr. Peter Lewis Ms. Cynthia C. Bayles William and Jacqueline Friedewald Mr. and Mrs. George Lindemann Richard S. Becker Mrs. Paula D. Friedman John N. Loomis, M.D. Alan Bell Mr. and Mrs. Richard Gard Jerome N. Lowenthal Arnold M. Bengis Ms. Carol C. Gardner and Jonathan and Rachael Lynch Edward Fisher Bergman Mr. James G. Gardner Ms. Carol L. Dickey and Mr. and Mrs. Howard P. Berkowitz Dr. Peter Gart Mr. Earle I. Mack Bunty Bernstein Gideon and Sarah Gartner Ms. Marie Nugent-Head and Philip A. Biondo Alice Geller and Scott Levine Mr. James C. Marlas Nancy & Robert S. Blank Foundation Mr. Clive D. Gillinson Mr. and Mrs. James P. Martin Marjorie Bliss Mr. Dean Glick Mr. and Mrs. Hamish W. Maxwell Bohram Mr. and Mrs. Allen A. Gold Mr. and Mrs. James McClennen Mr. and Mrs. Matthew F. Bostock Mr. and Mrs. Harvey Golub Sandy Lape McCormick Mr. Patrick A. Bradford Mr. and Mrs. Leonard Goodman Bonnie P. McDonough Leslie and Harmar Brereton Mr. Willis D. Gradison, Jr. Linda B. McKean Mr. Eric S. Brewster Kathleen Harty Gray Estate of Milton Meltzer Mr. Jonathan A. Brill Judith Greene and Mr. and Mrs. Jay J. Meltzer Mr. and Mrs. Steven E. Brooks Seymour Schwartz Paula Michtom Trudy and Julius Brown Mr. Keith Griffin J. G. Milmoe, Esq. Sally and Thatcher Brown Mr. Charles F. Gross and Alan and Jacqueline Mitchell Mr. Clifton Bullard Ms. Jill H. Gross Alan and Alice Model Mr. William J. Burback Ms. Jane A. Gross Mr. and Mrs. John H. Morris, Jr. Ann and Peter Cannell Ms. Jane Guberman Diane Morrison Mr. Samuel R. Chapin Mrs. In Soo Ha Mr. and Mrs. Charles H. Mott Judith L. Chiara Charitable Fund Nancy and Bruce Hall Mr. and Mrs. M. Saleem Muqaddam Mr. Ernest Chung Nicole and Paul Harman Dr. Michael Musgrave and Theodore and Alice Cohn Mr. and Mrs. David Harris Ms. Liza Bailey Ms. Cathryn Collins Mrs. Kate C. Harris Mr. and Mrs. George Needham Judy and Roger Corwin Joyce and Ira Haupt II Dr. Shelley Neiderbach Jon and Carol Covlin Dr. Elisabeth Hefti Karen Kriendler Nelson Mr. and Mrs. Edgar M. Cullman, Sr. Elizabeth Ann Hilmar Alice Dreyfus Netter The Barbara Bell Cumming Judy and Lindley Hoffman Stanley Newman and Foundation Mr. Peter Hofmann Dr. Brian Rosenthal Ron Daniel and Lise Scott Mr. Mark Holden Mrs. Marjorie P. Ollila Ms. Christine Davey Helen and Frank Houghton Mr. and Mrs. Peter H. Oundjian Mrs. Vincent de Roulet Mr. Mark Hughes Anne Beale Parmelee Mr. and Mrs. Jonathan Deland Mr. and Mrs. Irwin Jacobs Itzhak and Toby Perlman 01-22 FOCUS:04 Julliard Template 1/13/11 2:24 PM Page 16

Ms. Sarah A. Pope Frederica Shick-Horochiloff Martin Lewis Verdrager The Honorable Frederick W. Charitable Trust Anita and Thomas Volpe Richmond Georgia Shreve Dr. Carol Ward and Cynthia C. Rogers Mr. and Mrs. Marc L. Silberberg Dr. Charles de Sieyes Rohm Music Foundation Flo and Warren Sinsheimer Mrs. Dorothy L. Watson Drs. Marilyn Pearl and Nannette Sloan Ms. Johanna Weber Norman Roland Mrs. Lea Yitshaki Soifer Gilda and Burt Weissberger Dr. Stanley Sackner Mira J. Spektor Ms. Jacqueline Weld and Mr. and Mrs. Martin Sanders Mr. Alec P. Stais Mr. Rodman Drake Mary Sano and Jonathan Taylor Estate of Larry Stock Ms. Donna S. Welensky Mr. and Mrs. Lawrence Saper Mr. and Mrs. John Stravinsky Saundra Whitney and Karen and George Satran Ms. Eugenia H. Sullivan Paul Wallace Ray and Kit Sawyer Nicki and Harold Tanner Mrs. Frederic H. Williams Phyllis Schefer Ms. Angel Taormina Frank and Lisa Wohl Hannah and Isidore Komanoff Jeff and Patsy Tarr Mr. Kuoming Wu Foundation Dr. Irena Tocino Mr. and Mrs. Leonard Yablon Ms. Carol Scherick Tomoko Mitsuhiro Hector Zaraspe Ms. Maureen Schild Mr. John A. Torson Brian D. Zeger Roberta and Irwin Schneiderman Beverly Benz Treuille and Dianne and Paul Zola Dr. Donald Schuman Philippe Treuille Seven Anonymous Donors Edith and Martin E. Segal Trinity College Family and friends of John Seregi Mr. and Mrs. Thomas Tuttle Natalie Shainess Annuity Trust Twin Chimney Inc. †= deceased Theodore P. Shen Universal Motown Records Paul Sherrington and Caroline Urvater Joanne Wuensch Jo Ann Vacchiano

For information about the many ways one may help further the education of young artists, please visit our website at www.juilliard.edu/giving.