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Your Family's Guide to Explore NYC for FREE with Your Cool Culture Pass
coolculture.org FAMILY2019-2020 GUIDE Your family’s guide to explore NYC for FREE with your Cool Culture Pass. Cool Culture | 2019-2020 Family Guide | coolculture.org WELCOME TO COOL CULTURE! Whether you are a returning family or brand new to Cool Culture, we welcome you to a new year of family fun, cultural exploration and creativity. As the Executive Director of Cool Culture, I am excited to have your family become a part of ours. Founded in 1999, Cool Culture is a non-profit organization with a mission to amplify the voices of families and strengthen the power of historically marginalized communities through engagement with art and culture, both within cultural institutions and beyond. To that end, we have partnered with your child’s school to give your family FREE admission to almost 90 New York City museums, historic societies, gardens and zoos. As your child’s first teacher and advocate, we hope you find this guide useful in adding to the joy, community, and culture that are part of your family traditions! Candice Anderson Executive Director Cool Culture 2020 Cool Culture | 2019-2020 Family Guide | coolculture.org HOW TO USE YOUR COOL CULTURE FAMILY PASS You + 4 = FREE Extras Are Extra Up to 5 people, including you, will be The Family Pass covers general admission. granted free admission with a Cool Culture You may need to pay extra fees for special Family Pass to approximately 90 museums, exhibits and activities. Please call the $ $ zoos and historic sites. museum if you’re unsure. $ More than 5 people total? Be prepared to It’s For Families pay additional admission fees. -
Whose Art Is It? - the New Yorker 2/8/16, 11:06 AM
Whose Art Is It? - The New Yorker 2/8/16, 11:06 AM Save paper and follow @newyorker on Twitter In the South Bronx DECEMBER 21, 1992 ISSUE Whose Art Is It? BY JANE KRAMER t could be argued that the South Bronx John Ahearn PHOTOGRAPH BY DUANE bronzes fit right into the neighborhood MICHALS —that whatever a couple of people said about bad role models and negative Iimages and political incorrectness, there was something seemly and humane, and even, in a rueful, complicated way, “correct,” about casting Raymond and his pit bull, Daleesha and her roller skates, and Corey and his boom box and basketball in the metal of Ghiberti, Donatello, and Rodin and putting them up on pedestals, like patron saints of Jerome Avenue. John Ahearn, who made the statues, says that he thought of them more as guardians than as saints, because their job was ambiguous, standing, as they did for a couple of days last year, between the http://www.newyorker.com/magazine/1992/12/21/whose-art-is-it Page 1 of 47 Whose Art Is It? - The New Yorker 2/8/16, 11:06 AM drab new station house of the city’s 44th Police Precinct and what is arguably one of its poorest, saddest, shabbiest, most drug-infested, AIDS-infected, violent neighborhoods. John himself is ambiguous about “ambiguous.” He says that when the city asked him to “decorate” the precinct he thought of the Paseo de la Reforma, in Mexico City, with its bronze heroes—a mile of heroes. He thought that maybe it would be interesting—or at least accurate to life on a calamitous South Bronx street, a street of survivors—to commemorate a few of the people he knew who were having trouble surviving the street, even if they were trouble themselves. -
Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures. -
16 Annual Report
Queens Council on the Arts’ mission is to foster and develop the arts in Queens QUEENS COUNCIL County and to support individual artists and arts organizations in presenting their ON THE ARTS cultural diversity for the benefit of the community. 751Artists 80.. + QCA served artists & counting since 2009 PROFESSIONAL DEVELOPMENT career resource tools and skill building for artists ARTIST PEER CIRCLES “QCA's seminars have given our small, creative support & mentoring groups organization an excellent grounding 2016 in all aspects of the fundraising “Before, I would never have process.” called myself a writer. My success ANNUAL ~ Mark Buccheri, Associate Director, would not have been achieved Performing Arts Conservatory of New York without the support of QCA.” REPORT ~ Vaughn M. Watson, Author 99 Queens communities receiving resources artists sharing 32 for creative professionals LAB their work in monthly events where artists share emerging works ”The June lab was like 25 a 'salon' I read about grants to individual artists QUEENS ARTS FUND in history classes. I left enriched with funding for Queens artists & arts organizations inspiration.” ~Daniel Khan, Filmmaker “Thanks to QCA, I am able to create, and present new projects exploring new ideas that transcends 56 cultural boundaries and reaching out to [a] new, grants to arts multi-ethnic audience.” organizations ~ Nivedita ShivRav, Musician Seniors served 225 SU-CASA HIGH SCHOOL TO ART SCHOOL arts programs for seniors a portfolio development program for high school students 44 seeking acceptance -
Jack Whitten
HAUSER & WIRTH Press Release Jack Whitten Hauser & Wirth New York, 22nd Street 26 January – 8 April 2017 Opening reception: Thursday 26 January, 6 – 8 pm New York… Beginning 26 January 2017, Hauser & Wirth is pleased to present its first exhibition devoted to the work of American abstractionist Jack Whitten. The show will feature selections from the artist’s newest bodies of work from 2015 – 2017, including tessellated paintings from the series Quantum Walls, and Portals; a piece from Whitten’s ongoing Black Monolith project honoring African-American visionaries; and assorted lenticular works on evolon. Lushly material explorations of space and its apertures, these works celebrate the distinctive painterly language that Whitten has developed over the course of a five-decade career. ‘Jack Whitten’ will remain on view at Hauser & Wirth’s West 22nd Street space through 8 April 2017. Moving to New York City to study art at Cooper Union in the early 1960s, Whitten was exposed to a range of influences, from the vigorous paintings of fellow artists Willem de Kooning and Norman Lewis, to the rich complexity HAUSER & WIRTH of bebop. Within this cultural milieu he developed an experimental style that combined the expressive physicality of gestural abstraction with the conceptual rigor of systems art. A radical breakthrough in 1970 provided the basis for his mode of working today: lifting a thick slab of acrylic paint off its support, Whitten realized that paint could be coaxed into the form of an independent object, challenging preexisting ideas about dimensionality in visual art. He began to lay sliced acrylic ribbons in wet, uneven fields of paint, mimicking the setting of mosaic tessarae into wet masonry. -
New York City Comprehensive Waterfront Plan
NEW YORK CITY CoMPREHENSWE WATERFRONT PLAN Reclaiming the City's Edge For Public Discussion Summer 1992 DAVID N. DINKINS, Mayor City of New lVrk RICHARD L. SCHAFFER, Director Department of City Planning NYC DCP 92-27 NEW YORK CITY COMPREHENSIVE WATERFRONT PLAN CONTENTS EXECUTIVE SUMMA RY 1 INTRODUCTION: SETTING THE COURSE 1 2 PLANNING FRA MEWORK 5 HISTORICAL CONTEXT 5 LEGAL CONTEXT 7 REGULATORY CONTEXT 10 3 THE NATURAL WATERFRONT 17 WATERFRONT RESOURCES AND THEIR SIGNIFICANCE 17 Wetlands 18 Significant Coastal Habitats 21 Beaches and Coastal Erosion Areas 22 Water Quality 26 THE PLAN FOR THE NATURAL WATERFRONT 33 Citywide Strategy 33 Special Natural Waterfront Areas 35 4 THE PUBLIC WATERFRONT 51 THE EXISTING PUBLIC WATERFRONT 52 THE ACCESSIBLE WATERFRONT: ISSUES AND OPPORTUNITIES 63 THE PLAN FOR THE PUBLIC WATERFRONT 70 Regulatory Strategy 70 Public Access Opportunities 71 5 THE WORKING WATERFRONT 83 HISTORY 83 THE WORKING WATERFRONT TODAY 85 WORKING WATERFRONT ISSUES 101 THE PLAN FOR THE WORKING WATERFRONT 106 Designation Significant Maritime and Industrial Areas 107 JFK and LaGuardia Airport Areas 114 Citywide Strategy fo r the Wo rking Waterfront 115 6 THE REDEVELOPING WATER FRONT 119 THE REDEVELOPING WATERFRONT TODAY 119 THE IMPORTANCE OF REDEVELOPMENT 122 WATERFRONT DEVELOPMENT ISSUES 125 REDEVELOPMENT CRITERIA 127 THE PLAN FOR THE REDEVELOPING WATERFRONT 128 7 WATER FRONT ZONING PROPOSAL 145 WATERFRONT AREA 146 ZONING LOTS 147 CALCULATING FLOOR AREA ON WATERFRONTAGE loTS 148 DEFINITION OF WATER DEPENDENT & WATERFRONT ENHANCING USES -
My Life Has Been an Epic Adventure. —Jack Whitten Odyssey Tells The
My life has been an epic adventure. —Jack Whitten Odyssey tells the incredible story of Jack Whitten’s life. room features early works that Whitten made in New York He traveled across the world, from Alabama to Crete; and kept in his studio there. In the following galleries, we he traveled through time, from the present to the ancient see the works he made in Crete in the decades after 1969, past and into the future. Whitten’s sculptures describe when he began spending summers on the island. He found this journey, and although he is widely recognized for his inspiration and common ground in objects from diverse achievements as an experimental painter, the sculptures African traditions and those of ancient Aegean cultures; are shared for the first time here. Odyssey includes examples of these objects, chosen by At the height of the Civil Rights movement the artist Whitten. In the final room of the exhibition, a series of came to New York, where he visited museums exhibiting paintings unfolds the relation between his sculpture and African art. He began carving wood to understand what he his painting practice, in technique and in spirit. saw: aesthetically, to feed his paintings, and culturally, in Jack Whitten’s legacy is his specific worldview: a cosmic terms of his identity as a Black American. He wrote, “The vision seen from the intersection of the African diaspora, African pieces speak to me directly. I feel their presence + I New York painting, the American South, European art can see their use value for me today.” The exhibition’s first history, and the global technological present. -
2019 SEASON CALENDAR ART, EVENTS, EDUCATION 32-01 Vernon Boulevard at Broadway Long Island City, NY 11106
2019 SEASON CALENDAR ART, EVENTS, EDUCATION 32-01 Vernon Boulevard at Broadway Long Island City, NY 11106 718.956.1819 [email protected] Open daily from 9 AM until sunset Free Admission All programs are FREE. Programs may be changed; please consult our website and follow us for up-to-date information: → socratessculpturepark.org @ socratespark ART IN THE PARK John Giorno. EATING THE SKY, 2012. A past Broadway Billboard at Socrates Sculpture Park. Occasionally people have asked, and I myself have pondered: how does Socrates relate to our struggles and daily lives? Our staff, artists, volunteers, partners and board of trustees work very hard to activate this small part of the city, but what “real” impact does it have? An answer, I think, comes from a deeper understanding of what our fundamental necessities are. There is generally an accepted hierarchy of human needs that starts with survival concerns like food and shelter. This continues with another level of imperatives such as safety and health, and then a bit further with notions of freedom, esteem, and self-determination. Art in this comparative context can seem to be far down the priority list of what we consider essential. But before there were religions, governments, forms of commerce, or even written languages as we now know them, there was, and is, a deep-seated need for humans to create and surround ourselves with art (e.g., drawings and sculpture made 35,000 years ago.) Art is not, as I have heard described sometimes, an “amenity,” something secondary to a primary need. Safety, freedom, health, and education, along with a host of other needs, are critically essential, but art can be and often is on par with these. -
Vol. 21, No. 5 May 2017 You Can’T Buy It
ABSOLUTELY FREE Vol. 21, No. 5 May 2017 You Can’t Buy It Living the Cycle of the Garden by Amy Goldstein-Rice is part of the exhibit UP/STATE, a selection of recent works by the twelve members of Southern Exposure. UP/STATE will be on view in the UPSTATE Gallery on Main, in Spartanburg, SC, from May 9 - June 30, 2017. See the article on Page 18. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - UPSTATE Gallery on Main - Amy Goldstein-Rice Page 3 - North Charleston Arts Festival Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Ella Walton Richardson Fine Art Page 4 - Editorial Commentary & North Charleston Arts Fest Page 6 - Peter Scala Page 6 - North Charleston Arts Fest cont. Page 7 - Rhett Thurman, Anglin Smith Fine Art, Helena Fox Fine Art, Spencer Art Galleries, Page 8 - North Charleston Arts Fest cont. & Charleston County Public Library The Wells Gallery at the Sanctuary, McCallum-Halsey Studios, Corrigan Gallery, Page 9 - Charleston Artist Guild & Anglin Smith Fine Art Saul Alexander Foundation Gallery, City Gallery at Waterfront Park, City of North Page 10 - Anglin Smith Fine Art cont., Dog & Horse Fine Art & Portrait, Ella W. Richardson Fine Charleston Art Gallery, Redux Contemporary Art Center & Halsey Institute of Art, Piccolo Spoleto Crafts Shows, Meyer Vogl Gallery & Ann Long Fine Art Contemporary Art, and Gibbes Museum of Art Page 11 - Ann Long Fine Art cont., Corrigan Gallery & Ellis Nicholson Gallery Page 8 - Fabulon Art & Halsey-McCallum Studios Page 12 - Ellis Nicholson Gallery cont., 38th Piccolo Spoleto Outdoor Art Exhibition & Page 9 - Karen Burnette Garner & The Wells Gallery at the Sanctuary The Quench Project by Robert Maniscalco Page 11 - Whimsy Joy by Roz & Call for Lowcountry Ceramic Artists Page 14 - The Quench Project by Robert Maniscalco cont. -
Socrates Sculpture Park Presents Earthwork by Visionary Artist Agnes Denes
SOCRATES SCULPTURE PARK PRESENTS EARTHWORK BY VISIONARY ARTIST AGNES DENES Soaring 35 Feet High on the East River Waterfront, The Living Pyramid Will Be Agnes Denes’s First Major Public Installation in NYC Since 1982 FOR IMMEDIATE New York, NY – February 16, 2015 – This spring a major project by New York City- RELEASE based artist Agnes Denes will reshape the Manhattan skyline by creating a towering curving pyramid on Socrates Sculpture Park’s East River waterfront in Media Contact: Long Island City, Queens. Titled The Living Pyramid, Denes’s grand form will Katie Denny Horowitz span 40 feet at its four-sided base and ascend 35 feet high, created from several kd@socratessculpturepark,org tons of soil and planted grasses. 646.342.8225 Commissioned by Socrates Sculpture Park, The Living Pyramid is the artist’s first Exhibition Dates: major public artwork in New York City in three decades since her iconic May 17 – Aug 30, 2015 urban intervention, Wheatfield – A Confrontation in 1982. Very few artists can fulfill the moniker of “visionary” and fewer still can match Agnes Denes in breadth, scope, outrageousness, and perseverance. Her work is the product of a fiercely Press Viewing: intellectual and distinctive study of semiotics, epistemology, mathematics, history Saturday, May 16th 6 – 8pm and ecology, which are grounded in philosophical inquiry and social observation. The Living Pyramid at Socrates Sculpture Park will unite Agnes Denes’s powerful Public Opening: environmental interventions with her ongoing exploration and invention of pyramid Sunday, May 17th 3 – 6pm structures - a form that has been central to the artist’s practice throughout her long and distinguished career. -
Page 1 / 2 CV of the ARTIST Jack Whitten (1939-2018)
27.03.2019 Page 1 / 2 HAMBURGER BAHNHOF – CV OF THE ARTIST MUSEUM FÜR GEGENWART – BERLIN STAATLICHE MUSEEN ZU BERLIN Invalidenstraße 50-51 10557 Berlin Jack Whitten (1939-2018) PRESS CONFERENCE Wed 27.03.2019, 11 am 1939: Born on December 5 in Bessemer, Alabama. At this time, there is strict racial OPENING segregation in the southern states of the USA, a situation which Jack Whitten later Thu 28.03.2019, 7 pm described as "American apartheid". EXHIBITION 29.03. – 01.09.2019 1957: Enrols in Tuskegee Institute and majors in premedical studies, as well as be- ing an Air Force ROTC cadet. In the same year Whitten meets Dr Martin Luther King during the bus boycott in Montgomery. 1958: First trip to New York for summer work to finance his studies. 1959: Moves to Southern University in Baton Rouge, Louisiana, to study art. 1960: Organizes a major civil rights march through downtown Baton Rouge to pro- test at the lack of financial support for Black colleges. The demonstrators are met PRESS CONTACT with hatred and violence from White counter-demonstrators. Because of this ex- EXHIBITION Dr. Katharina von Chlebowski perience, Whitten leaves the south and moves to New York. There he continue s his Verena Mühlegger education at Cooper Union School of Art where he studies with White students and TEL +49 30 26 39 488 0 professors for the first time. FAX +49 30 26 39 488 11 [email protected] www.freunde-der-nationalgalerie.de 1960-1964: First studio on the Lower East Side. Whitten meets Joe Overstreet, Bob Thompson, LeRoi Jones [Amiri Baraka], Allen Ginsberg, Jack Kerouac, Willem de PRESS CONTACT Kooning, Franz Kline and other figures from the art scene. -
Black Art History: Jacob Lawrence's Narrative Series About Black Perseverance and American Rebellion Inspired a Cache of Child
Welcome to Culture Type! ABOUT SEARCH Exploring art by and about people of African descent, BOOKSHOP primarily through the lens of books, magazines and catalogs, Culture Type features original research and DONATE reporting and shares invaluable interestingness culled from CONTACT the published record on black art. BOOKS & CATALOGS MAGAZINES EXHIBITIONS AUCTIONS BEST ART BOOKS YEAR IN BLACK ART NEWS CULTURE TALKS CONNECT Black Art History: Jacob Lawrence’s Narrative Series About Black Perseverance and American Rebellion Inspired a Cache of Children’s Books SUBSCRIBE by VICTORIA L. VALENTINE on Feb 28, 2019 • 11:58 pm No Comments Get Culture Type in your inbox. Submit your email address to be notified of new posts. Like 104 Tweet Email Address Subscribe RECENTLY PUBLISHED ‘Loophole of Retreat’: Simone Leigh’s Hugo Boss Prize Exhibition Opens at the Guggenheim April 19 Mar 15, 2019 Recently On View: ‘Glimmers Through Dark Matter’ – Greg Breda and Myra Greene at Patron Gallery, New York City Mar 14, 2019 Auction Debut: ‘Lilith,’ a Mixed-Media Figurative Painting, by Tschabalala Self Sells for Twice its Estimate at Phillips London Mar 13, 2019 “The Last Journey,” No. 17 from the series Harriet Tubman and the Promised Land (1967) by Jacob Lawrence Ursula Magazine: Hauser & Wirth Introduced a New Art Quarterly Featuring Linda Goode Bryant, Lorna OVER THE COURSE OF HIS CAREER, Jacob Lawrence (1917-2000) documented the African American Simpson, Amy Sherald, Senga Nengudi, and Jack Whitten experience and life in Harlem. He also tackled key moments in American history through multi-panel series. A Mar 13, 2019 sweeping look at the history of the United States, his series Struggle…From the History of the American People (1954-56), acknowledged all of the nation’s people.