Student Showcase Proceedings
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Commencement 2006-2011
2009 OMMENCEMENT / Conferring of Degrees at the Close of the 1 33rd Academic Year Johns Hopkins University May 21, 2009 9:15 a.m. Contents Order of Procession 1 Order of Events 2 Divisional Ceremonies Information 6 Johns Hopkins Society of Scholars 7 Honorary Degree Citations 12 Academic Regalia 15 Awards 17 Honor Societies 25 Student Honors 28 Candidates for Degrees 33 Please note that while all degrees are conferred, only doctoral graduates process across the stage. Though taking photos from vour seats during the ceremony is not prohibited, we request that guests respect each other's comfort and enjoyment by not standing and blocking other people's views. Photos ol graduates can he purchased from 1 lomcwood Imaging and Photographic Services (410-516-5332, [email protected]). videotapes and I )\ I )s can he purchased from Northeast Photo Network (410 789-6001 ). /!(• appreciate your cooperation! Graduates Seating c 3 / Homewood Field A/ Order of Seating Facing Stage (Left) Order of Seating Facing Stage (Right) Doctors of Philosophy and Doctors of Medicine - Medicine Doctors of Philosophy - Arts & Sciences Doctors of Philosophy - Advanced International Studies Doctors of Philosophy - Engineering Doctors of Philosophy, Doctors of Public Health, and Doctors of Masters and Certificates -Arts & Sciences Science - Public Health Masters and Certificates - Engineering Doctors of Philosophy - Nursing Bachelors - Engineering Doctors of Musical Arts and Artist Diplomas - Peabody Bachelors - Arts & Sciences Doctors of Education - Education Masters -
Teen Titans Von George Pérez Bruderschaft Des Bösen
™ MARV WOLFMAN GEORGE BRUDERSCHAFT PÉREZ ROMEO DES BÖSEN TANGHAL TEEN TITANS VON GEORGE PÉREZ BRUDERSCHAFT DES BÖSEN TEEN TITANS VON GEORGE PÉREZ BRUDERSCHAFT DES BÖSEN Geschrieben von MARV WOLFMAN Gezeichnet von GEORGE PÉREZ und ROMEO TANGHAL Farben von ADRIENNE ROY Original-Cover von GEORGE PÉREZ Übersetzung von JÖRG FASSBENDER Lettering von ASTARTE DESIGN Batman geschaffen von Bob Kane mit Bill Finger. Alle Storys von MARV WOLFMAN, 36 alle Cover und Zeichnungen von ENTFESSELTES PROMETHIUM! GEORGE PÉREZ und Tusche von Promethium Unbound! ROMEO TANGHAL, wenn nicht The New Teen Titans 10 anders vermerkt. August 1981 62 6 TREFFEN DER TITANEN! Vorwort When Titans Clash! von Marv Wolfman The New Teen Titans 11 September 1981 10 WIE MARIONETTEN! 88 Like Puppets on a String! SCHLACHT DER TITANEN! The New Teen Titans 9 Clash of the Titans! Juli 1981 The New Teen Titans 12 Oktober 1981 Tusche von FRANK CHIARAMONTE 116 173 FREUND UND FEIND! DIE BRUDERSCHAFT DES Friends and Foes Alike! BÖSEN KEHRT ZURÜCK! The New Teen Titans 13 The Brotherhood of Evil Lives Again! November 1981 The New Teen Titans 15 Tusche auf Cover von Januar 1982 ROMEO TANGHAL Tusche auf Cover von ROMEO TANGHAL 144 REVOLUTION! 202 Revolution! STARFIRE ENTFESSELT! The New Teen Titans 14 Starfire Unleashed! Dezember 1981 The New Teen Titans 16 Tusche auf Cover von Februar 1982 DICK GIORDANO Tusche auf Cover von ROMEO TANGHAL TEEN TITANS VON GEORGE PÉREZ: BRUDERSCHAFT DES BÖSEN erscheint bei PANINI COMICS, Schloßstraße 76, D-70176 Stuttgart. Geschäftsführer Hermann Paul, Publishing -
News and Notes From
News and Notes From The PRINCE GEORGE’S COUNTY HISTORICAL SOCIETY JANUARY 1974 Vol. II, No. 1 VOLUME II With this, the January issue of News and Notes, we begin our second year of publication. When the first issue appeared last March we were uncertain as to whether a second one would see the light of day. However an enthusiastic response from our readers brought encouragement for further effort. Although the production of News and Notes has been largely a singular effort, your editor desires to take note of efforts put forth by individual members. Regular contributions by Paul Lanham and Ted Bissell have added greatly to the general scope of this publication. In addition, the general knowledge and contacts of Susanna Cristofane, Orva Heissenbuttel, John Brennan, James Shreve and James Wilfong have provided information on current happenings on the local scene. These and many others have, hopefully, made News and Notes more interesting for our readers. Also, we are indebted to our Corresponding Secretary, Edith Bagot. The added burden of circularizing the membership 12 times per year, instead of the usual eight times, has been cheerfully accepted. We are indeed thankful. In our effort to build a staff to produce News and Notes in the future, we have asked for volunteers. We are pleased to announce that Mrs. Leslie (Betty) Tichnor of District Heights will be contributing to the publication on a regular basis in the future. We hope that others will join us to help improve the quality and scope of our efforts. As always, we solicit the contributions and comments of all of our readers. -
White Liberalism in Black Comics: Metaphorical Marginalization And
WHITE LIBERALISM IN BLACK COMICS: METAPHORICAL MARGINALIZATION AND THE DISPLACEMENT OF AMERICA By Alex Jay Stucky Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________________ Chairperson Ruben Flores ________________________________ Giselle Anatol ________________________________ Ben Chappell ________________________________ Joo Ok Kim ________________________________ David Roediger Date Defended: December 12, 2019 The Dissertation Committee for Alex Jay Stucky certifies that this is the approved version of the following dissertation: WHITE LIBERALISM IN BLACK COMICS: METAPHORICAL MARGINALIZATION AND THE DISPLACEMENT OF AMERICA ________________________________ Chairperson Ruben Flores Date Approved: December 12, 2019 ii Abstract In the wake of the 1960s Civil Rights Movement, Marvel and DC Comics introduced black superheroes into their comic book series. While the comic book editors wanted to reach black audiences, they scrupulously avoided mentioning the Civil Rights Movement. To avoid the perceived controversy that accompanied movements for equal rights, they removed their new black characters from any connection to racial liberation movements. American literature has long constructed the black body as the opposite of white autonomy, authority, and power. Yet, the American superhero also embodies these same qualities. Rather than explore these contradictory identities