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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr. -
Social Discourse in the Savoy Theatre's
SOCIAL DISCOURSE IN THE SAVOY THEATRE’S PRODUCTIONS OF THE NAUTCH GIRL (1891) AND UTOPIA LIMITED (1893): EXOTICISM AND VICTORIAN SELF-REFLECTION William L. Hicks, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS August 2003 APPROVED: John Michael Cooper, Major Professor Margaret Notley, Committee Member Mark McKnight, Committee Member James C. Scott, Dean of the College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Hicks, William L, Social Discourse in the Savoy Theatre’s Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection. Master of Music (Musicology), August 2003, 107 pp., 4 illustrations, 12 musical examples, references, 91 titles. As a consequence to Gilbert and Sullivan’s famed Carpet Quarrel, two operettas with decidedly “exotic” themes, The Nautch Girl; or, The Rajah of Chutneypore, and Utopia Limited; or, The Flowers of Progress were presented to London audiences. Neither has been accepted as part of the larger Savoy canon. This thesis considers the conspicuous business atmosphere of their originally performed contexts to understand why this situation arose. Critical social theory makes it possible to read the two documents as overt reflections on British imperialism. Examined more closely, however, the operettas reveal a great deal more about the highly introverted nature of exotic representation and the ambiguous dialogue between race and class hierarchies in late nineteenth-century British society. Copyright, 2003 by William L. Hicks ii ACKNOWLEDGEMENTS Because of the obscurity of The Nautch Girl and Utopia Limited, I am greatly indebted to the booksellers Christopher Browne and Wilfred M. -
The Farces of John Maddison Morton
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The aF rces of John Maddison Morton. Billy Dean Parsons Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Parsons, Billy Dean, "The aF rces of John Maddison Morton." (1971). LSU Historical Dissertations and Theses. 1940. https://digitalcommons.lsu.edu/gradschool_disstheses/1940 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. PARSONS, Billy Dean, 1930- THE FARCES OF JOHN MADDISON MORTON. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Speech-Theater University Microfilms, A XEROX Company, Ann Arbor, Michigan © 1971 BILLY DEAN PARSONS ALL RIGHTS RESERVED THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE FAECES OF JOHN MADDISON MORTON A DISSERTATION Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech / by Billy Dean Parsons B.A., Georgetown College, 1955 M.A., Louisiana State University, 1958 January, 1971 ACKNOWLEDGMENTS The writer wishes to express his deep appreciation to Dr•Claude L« Shaver for his guidance and encourage ment in the writing of this dissertation and through years of graduate study• He would also like to express his gratitude to Dr. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
Plimpton Collection of Dramas 1675-1920 (Bulk 1850-1900)
AMHERST COLLEGE ARCHIVES AND SPECIAL COLLECTIONS Plimpton Collection of Dramas 1675-1920 (bulk 1850-1900) Summary: A collection of 1429 plays, largely from nineteenth century American and Brisish popular theater. Quantity: 14 linear feet Listed by: Neha Wadia, AC 2013, Student Assistant Note: These plays are cataloged in the Amherst College online catalog. To find the complete listing in the catalog, do a basic keyword search for “Plimpton collection of dramas”. Individual plays can be searched by title and author. The call number for the collection is PN6111.P5 © 2013 Amherst College Archives and Special Collections Page 1 Plimpton Collection of Dramas INTRODUCTION THE PLIMPTON COLLECTION OF PLAYS by Curtis Canfield Originally published in the Amherst Graduates’ Quarterly, May 1932 Mr. George A. Plimpton, ’76, recently presented to the college a large collection of material relating to the English and American theatre of the nineteenth century. More than 1200 plays are represented in the collection in addition to numerous playbills, programs, libretti, histories, and after-pieces, as well as an autographed photograph of Edwin Booth as Richelieu. The collection seems to have been a part of the extensive theatrical library of Mr. Edward Boltwood of Pittsfield, whose father was born in Amherst in 1839 and moved to Pittsfield in 1870. Mr. Boltwood, although an active member of the Berkshire bar, made the theatre his avocation and found time to write a number of small pieces for the stage, one of which is included in the present collection. He was also instrumental in establishing the William Parke Stock Company in Pittsfield, and continued his connection with this company by writing reviews of its plays. -
Musicale 17-03-04-05 Cox and Box.Indd
Upcoming Events Gilbert & Sullivan Austin presents The Pirates of Penzance Preview Musicale Sunday, May 21, 3 pm Summer 2017 Grand Production cox and box Artistic & Stage Director: Ralph MacPhail, Jr. Music Director: Jeffrey Jones-Ragona 9 Performances Worley Barton Theater at Brentwood Christian School June 15–25 Austin, Texas For more information on these and other GSA activities, please visit www.gilbertsullivan.org March 4 and 5, 2017 ank You! e Cast We are particularly grateful to the following for their valued assistance with this production of Cox and Box: (Cox) (Box) Russell Barr and Crestview United Gary Hallock for helping to move and haul Andy is delighted to Methodist Church for providing Julius joined GSA in heavy objects return for his 14th season rehearsal space Bill Hatcher and Libby Weed for helping 2014 as the Bo’s’n in Ron Bell and the Church of Christ in with Gilbert and Sullivan to gather props H.M.S. Pinafore and Austin! After climbing Hyde Park for providing rehearsal Ralph MacPhail, Jr., for providing unique space played Dr. Daly the following year out of a pit as Æsculapius Carboy ( e props from his personal collection Amy Chidester for lending the antique hall in e Sorcerer. He was introduced Zoo), he was recently seen climbing R. B. Rudy for lending a car to our Artistic tree to G&S with the role of the Judge in back in to conduct a performance of e Director Diff erent Stages for lending chairs Southwestern University’s performance Gondoliers. Andy has performed roles Russell and Kay Gregory for providing e Vortex eatre for their support with of Trial by Jury. -
Social Studies: Timeline
Social Studies: Timeline Students Will Read Our Composer: Sir Arthur Seymour Sullivan. Read the information sheets containing historical facts included with the lesson. Select and combine information to create a timeline containing events from the composer’s life, the life of Queen Victoria, and events from U.S. History from the same century. Before the Lesson Print/provide copies for each student of the article Our Composer: Sir Arthur Seymour Sullivan and the information sheets included with the lesson. Decide what materials students will use to create their timeline. It is possible to use regular paper, sentence strips, butcher paper, or electronic media. Prepare internet access for additional research as needed. Gather pens, pencils, scissors, glue, tape, and timeline paper as needed for your group. Introduction Have your students read Our Composer: Sir Arthur Seymour Sullivan and the information sheets included with the lesson. Discuss how you would like students to build their timeline. They can be written onto selected paper or students may cut the information statements apart and glue or tape them to their project. Electronic timelines may also be an option for your classroom. Guided/Independent Practice Depending on your grade level, the ability of your students, and time constraints, you may choose to have students work as a whole class, in small groups, with a partner, or individually. Discuss your expectations for student products. Direct the students on how many items from each information list you expect them to include in their timeline. If students are working with a partner or in small groups, give them time to discuss their choices. -
H.M.S. Pinafore
H.M.S. PINAFORE or, The Lass that loved a Sailor An entirely Original Nautical Comic Opera Written by W.S. Gilbert Composed by Arthur Sullivan Rescued from Obscurity A Reprint series of Definitive Libretti of the „Savoy‟ and related operas. Edited by Ian C. Bond. Other Libretti in this Series AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. COX AND BOX - F.C. Burnand and Arthur Sullivan CREATURES OF IMPULSE - W.S. Gilbert and Alberto Randegger THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German FALLEN FAIRIES - W.S. Gilbert and Edward German THE GONDOLIERS - W.S. Gilbert and Arthur Sullivan “HASTE TO THE WEDDING” - W.S. Gilbert and George Grossmith JANE ANNIE - J.M. Barrie, Arthur Conan Doyle and Ernest Ford NO CARDS - W.S. Gilbert and Thomas German Reed THE PIRATES OF PENZANCE - W.S. Gilbert and Arthur Sullivan PRINCESS TOTO - W.S. Gilbert and Frederic Clay THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan RUDDYGORE - W.S. Gilbert and Arthur Sullivan UTOPIA (LIMITED) - W.S. Gilbert and Arthur Sullivan THE VICAR OF BRAY - Sydney Grundy and Edward Solomon THE ZOO - B.C. Stephenson and Arthur Sullivan Vocal Scores AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan (facsimile of a cued conductors score) In Preparation THE BEAUTY STONE - Arthur Wing Pinero, J. Comyns Carr and Arthur Sullivan THE BRIGANDS - H. -
Midwestern Gilbert and Sullivan Society
NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY September 1990 -- Issue 27 But the night has been long, Ditto, Ditto my song, And thank goodness they're both of 'em over! It isn't so much that the night was long, but that the Summer was (or wasn't, as the case may be). This was not one of S/A Cole's better seasons: in June, her family moved to Central Illinois; in July, the computer had a head crash that took until August to fix, and in that month, she was tired and sick from all the summer excitement. But, tush, I am puling. Now that Autumn is nearly here, things are getting back to normal (such as that is). Since there was no summer Nonsense, there is all kinds of stuff in this issue, including the answers to the Big Quiz, an extended "Where Can it Be?/The G&S Shopper", reports on the Sullivan Festival and MGS Annual Outing, and an analysis of Thomas Stone's The Savoyards' Patience. Let's see what's new. First of all, we owe the Savoy-Aires an apology. Oh, Members, How Say You, S/A Cole had sincerely believed that an issue of the What is it You've Done? Nonsense would be out in time to promote their summer production of Yeomen. As we know now, Member David Michaels appeared as the "First no Nonsense came out, and the May one didn't even Yeomen" in the Savoy-Aires' recent production of mention their address. Well, we're going to start to The Yeomen of the Guard. -
Cox and Box/Trial by Jury Program 2014
The Dairyville Players Under the direction of Dennis Britten and musical direction of Bernd R. Kuehn, conductor of the Oregon Chorale Present With 3 Performances August 22-24 at The Alpenrose Opera House 6149 SW Shattuck Road, Portland 97221 Friday, Saturday and Sunday at 7:30 PM And 1 Performance September 5 Multnomah Arts Center in Multnomah Village – Friday 7:30 Suggested donation from $8 – Tickets Available at the door of the Opera House on the day of performance only We Wish to Thank the Following for Their Help with This Production Our photographer was a big help to us And she is available through FaceBook: https://www.facebook.com/erica.grogg.3 YOUR DONATION Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this fledgling theatre company begin to bring you more of the fun of treasured theatre works in the future. Thank you for your help. Proudly Presents Cox and Box or, The Long-Lost Brothers, with a libretto by F. C. Burnand and music by Arthur Sullivan Directed by Dennis Britten a one-act comic opera based on the 1847 farce by John Maddison Morton Fifteen Minute Intermission & Trial by Jury with music by Arthur Sullivan and libretto by W. S. Gilbert Directed by Dennis Britten and Musical Direction by Bernd R. Kuehn a comic opera in one act first produced in 1875 Cast (In Order of Appearance) Cox and Box Mr. Cox…………………………………………………………Robert Patrick Sergeant Bouncer………………………………………...Steve Pitzel Mr. Box……………………………………………………..….Owen Hofmann-Smith -
Princess Ida
Princess Ida LET’S STUDY A PLAY TOGETHER Summer 2012 Princess Ida CONTENT PLANNED FOR TODAY’S CLASS: • William Schenk Gilbert • Arthur Sullivan • G&S Collaboration • D’Oyly Carte’s role • Savoy Theater • G&S – output 2 Princess Ida TODAY’S CLASS CONTENT (cont.) • Topsy Turvy trailer • Class discussion • Update on where our characters are now (Act II, start of Scene 4) • Read Act II, III to end 3 Princess Ida William Schwenk Gilbert (1836 -1911 ): • Gifted writer and librettist • Came from a nautical family • Educated as a lawyer, but unsuccessful in that field • Wrote satires, short stories, humorous poetry before meeting Sullivan • Wrote an earlier “Princess Ida” 4 Princess Ida • Gilbert (1879) 5 Princess Ida Sir W. Schwenk Gilbert 6 Princess Ida Arthur Sullivan (1842 -1900): • Gifted musician • Classically trained • Studied in Germany and Austria and held a Doctorate in Music • Was a well-regarded conductor • Wrote oratorios, operas, ballads, hymns, ballets, songs • Wrote the music for “Onward, Christian Soldiers” and “The Lost Chord” • A well-known Sullivan grand opera is “Ivanhoe” • Considered possibly “the best English composer of the 19th century” 7 Princess Ida • Sullivan (1870) 8 Princess Ida Sir Arthur Sullivan 9 Princess Ida Richard D’Oyle Carte (1844 – 1901): • Musician, ran a theatrical management company • Desired to start a light opera company in London • Had produced Sullivan’s “Cox and Box” • Introduced Gilbert to Sullivan – result “Trial by Jury” and twelve more 10 Princess Ida Richard D’Oyly Carte (Cont.) • Opened the