Richard Billingham
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Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
Conrad Shawcross
CONRAD SHAWCROSS Born 1977 in London, UK Lives and works in London, UK Education 2001 MFA, Slade School of Art, University College, London, UK 1999 BA (Hons), Fine Art, Ruskin School of Art, Oxford, UK 1996 Foundation, Chelsea School of Art, London, UK Permanent Commissions 2022 Manifold 5:4, Crossrail Art Programme, Liverpool Street station, Elizabeth line, London, UK 2020 Schism Pavilion, Château la Coste, Le Puy-Sainte-Réparade, France Pioneering Places, Ramsgate Royal Harbour, Ramsgate, UK 2019 Bicameral, Chelsea Barracks, curated by Futurecity, London, UK 2018 Exploded Paradigm, Comcast Technology Centre, Philadelphia, USA 2017 Beijing Canopy, Guo Rui Square, Beijing, China 2016 The Optic Cloak, The Energy Centre Greenwich Peninsula, curated by Futurecity, London, UK Paradigm, Francis Crick Institute, curated by Artwise, London, UK 2015 Three Perpetual Chords, Dulwich Park, curated and managed by the Contemporary Art Society for Southwark Council, London, UK 2012 Canopy Study, 123 Victoria Street, London, UK 2010 Fraction (9:8), Sadler Building, Oxford Science Park, curated and managed by Modus Operandi, Oxford, UK 2009 Axiom (Tower), Ministry of Justice, London, UK 2007 Space Trumpet, Unilever House, London, UK Solo Exhibitions 2020 Conrad Shawcross, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK Escalations, Château la Coste, Le Puy-Sainte-Réparade, France Celebrating 800 years of Spirit and Endeavour, Salisbury Cathedral, Salisbury, -
Club Wembley • Saatchi Gallery • Imperial War Museum • Twickenham Stadium • the Mob Museum • Racecourse Catering
Club wembley • saatchi gallery • imperial war museum • twickenham stadium • the mob museum • racecourse catering NOV/DEC 2018 The national stadium introduces new F&B concepts on its hospitality level – Club Wembley NOV /DEC 2018 @SLCMAG SPORTANDLEISURECATERING.CO.UK FROM THE EDITOR 003 Publishing PUBLISHED BY: H2O Publishing, Joynes House, New Road, Gravesend, Kent DA11 0AJ TEL: 0345 500 6008 ONLINE: @SLCMag sportandleisurecatering.co.uk A change EDITOR: Joe Bill [email protected] EDITORIAL DIRECTOR: Tristan O’Hana of scene [email protected] With the much-anticipated launch of TIVOLI – the new-age cinema, drinking and dining concept – in the offing next year and Virgin Voyages releasing FEATURES WRITER: Esther Anyakwo images of its weird and wonderful F&B aboard the Scarlet Lady cruise liner, [email protected] there is an evolution upon us. The way classic hospitality spaces are being rethought and re-energised DIRECTOR: Dan Hillman is fuelling a change of mindset in how we view the unorthodox. Nowhere is [email protected] now off-limits. Unused, unusual spaces have become sought-after. TEL: 07833248788 A few years ago, would you have thought you’d be playing mini-golf DIRECTOR: indoors while sipping cocktails? Or having a private dinner on the London Marc Sumner Eye? The quest to utilise each space available to its full potential has seen [email protected] some of the UK’s most recognisable leisure and educational institutions do TEL: 07730217747 just that. DIVISIONAL DIRECTOR: In this issue we head to the Saatchi Gallery in west London to hear about Rob Molinari the lengths it goes in creating immersive culinary experiences for its clients [email protected] TEL: 07850797252 (page 18). -
November 2013 Free Entry Hurvin Anderson Reporting Back
Programme September – November 2013 www.ikon-gallery.co.uk Free entry Hurvin Anderson reporting back Exhibition 25 September – 10 November 2013 First and Second Floor Galleries Ikon presents the most comprehensive exhibition to as ‘slightly outside of things’. Later paintings of the date of paintings by Birmingham-born artist Hurvin Caribbean embody this kind of perception with Anderson (born 1965), evoking sensations of being verdant green colour glimpsed behind close-up caught between one place and another, drawn from details of the fences and security grilles found in personal experience. It surveys the artist’s career, residential areas, or an expanse of water or desolate including work made while at the Royal College of approach separating us, the viewer, from the point Art, London, in 1998, through the acclaimed Peter’s of interest in the centre ground. 1 series, inspired by his upbringing in Birmingham’s Afro-Caribbean community, and ongoing works Anderson’s method of composition signifies at arising out of time spent in Trinidad in 2002. Filling once a kind of social and political segregation, a 2 Ikon’s entire exhibition space, reporting back traces the smartness with respect to the business of picture development of Anderson’s distinct figurative style. making, amounting to a kind of semi-detached apprehension of what he encounters. Anderson arrived on the international art scene with Peter’s, an ongoing series of paintings depicting the A catalogue accompanies the exhibition priced interiors of barbers’ shops, in particular one (owned £20, special exhibition price £15. It includes an essay by Peter Brown) visited by Anderson with his father by Jennifer Higgie, writer and co-editor of Frieze. -
2019/20 Exhibitions
2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon -
Richard Billingham Writer/Director
Richard Billingham Writer/Director Richard is a Turner Prize-shortlisted artist and photographer who has also been working for many years on film and video, including the acclaimed BBC documentary FISHTANK and the art installation ZOO. Richard won the Douglas Hickox Award for best new director at the 2018 BIFAs for RAY & LIZ, his searing, brilliant portrayal of dysfunctional but deeply human working-class life and has been nominated for a National Film Award for best director and a BAFTA for Outstanding Debut. Film 2020 AT HAWTHORNE TIME Writer/Director Adaptation of the novel by Melissa Harrison in Development with the BFI 2018 RAY & LIZ Writer/Director Produced by Jacqui Davies in association with Severn Screen Starring Michelle Bonnard, Richard Ashton BAFTA Nomination, Ray & Liz, Best Debut by a British Writer, Director or Producer National Film Awards UK Nomination, Ray & Liz, Best Director Douglas Hickox Award, Best Debut Director, Ray & Liz, British Independent Film IWC Schaffhausen Filmmaker Bursary Award in association with the BFI Special Mention, Ray & Liz, Locarno Film Festival Silver Star Award for Narrative Film, Ray & Liz, El Gouna Film Festival, Egypt Golden Alexander Award, Best Film, Ray & Liz, Thessaloniki Film Festival Best Film & Best Actress, Ray & Liz, Batumi International Art House Film Festival Grand Jury Award, Ray & Liz, Seville Film Festival Grand Jury Award, Best Director, Ray & Liz, Lisbon and Sintra Film Festival Special Mention, Ray & Liz, Festival Du Nouveau Cinema, Montreal Wakelin Award, Glynn Vivian Gallery, Swansea Creative Wales Award Documentaries 1998 FISHTANK Commissioned by ArtAngel and Adam Curtis for BBC Television New York Video Festival Visions Du Reel - Festival international de cinema, Nyon, Switzerland 11th International Film Festival of Marseille Electric Cinema, Birmingham, UK Diagonale Festival of Austrian Film International Film Festival, Rotterdam Broadcast on Arte, France Selected Bibliography Patrick Gamble, ‘Ray & Liz, Richard Billingham’, Kinoscope, 28th Dec. -
Dexter Dalwood
DEXTER DALWOOD BIOGRAPHY Born 1960 in Bristol, England Lives and works in London, England EDUCATION 1985 BA, Central St Martin’s College of Art and Design, London, UK 1990 MA, Royal College of Art, London, UK FORTHCOMING EXHIBITIONS 2020 Museo Nacional de Arte, Mexico City, Mexico SELECTED SOLO EXHIBITIONS 2019 What Is Really Happening, Simon Lee Gallery, London, UK 2017 "Ein Brief“ – New Paintings by Dexter Dalwood, Hubert Winter Gallery, Vienna, Austria 2016 Propaganda Painting, Simon Lee Gallery, Hong Kong 2014 London Paintings, Simon Lee Gallery, London, UK 2013 Dexter Dalwood, Kunsthaus, Centre PasquArt, Biel, Switzerland 2012 Orientalism, David Risley Gallery, Copenhagen, Denmark 2011 Dichter Und Drogen, Nolan Judin Berlin, Germany 2010 Dexter Dalwood, CAC Málaga, Spain Dexter Dalwood FRAC Champagne-Ardennes, Reims, France Dexter Dalwood, Tate, St. Ives, UK 2009 Endless Night, Gagosian Gallery, Beverly Hills, CA There is No Darkness But Ignorance, David Risley Gallery, Copenhagen, Denmark 2006 Dexter Dalwood: Recent History, Gagosian Gallery, London, UK 2004 Dexter Dalwood: New Paintings,Gagosian Gallery, New York, NY 2002 Dexter Dalwood:New Paintings,Gagosian Gallery, Beverly Hills, CA 2000 DexterDalwood: New Paintings, Gagosian, London, UK 1995 Dexter Dalwood: GalerieUnwahr, Berlin, Germany 1992 Dexter Dalwood: Clove Building, London, UK SELECTED GROUP EXHIBITIONS 2020 Modern Media Networks: Painting and Mass Media, Tate Modern, London, UK 2018 Hello World. Revising a Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany A Murmur of History, DE LEÓN, Bath, UK The Elephant in the Room: Sculptures of the Marx Collection and of the Collection of the Nationalgalerie, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany Bacon to Doig, National Museum Cardiff, Cardiff, Wales History in the Making, Alan Cristea Gallery, London, UK Michael Jackson: On the Wall, National Portrait Gallery, London, UK Michael Jackson: The Birth of an Icon, Grand Palais, Paris, France. -
Foundations and Contemporary Art
Rebecca Coates, The curator/patron: Foundations and contemporary art REBECCA COATES The curator/patron: Foundations and contemporary art Abstract This article addresses the role of private foundations in commissioning site-specific ephemeral art works: contemporary art projects of a temporary nature that are realised outside of public institutions. Though small in number, I argue that the private individuals creating and managing private foundations of this nature demonstrate a new form of patronage, creating in the process a new role of ‘curator/patron’. Equally, this process of realisation reflects the changing needs of contemporary art practice. Work of this scale and ambition would increasingly not be possible without the vision, perseverance and funding of these kinds of foundation. In Australia, this trend is demonstrated by two foundations: Kaldor Art Projects, and their commissioning of works by artists such as Christo and Jeanne-Claude, Gilbert & George and Jeff Koons; and the more recently formed Sherman Contemporary Art Foundation, whose first project was with Chinese artist Ai Weiwei. In this article, these examples are placed within the broader international context of foundation models such as Artangel, UK, Fondazione Nicola Trussardi, Milan, and The Public Art Fund, New York. The birth of Kaldor Art Projects In 1969, collector, entrepreneur and art patron John Kaldor invited internationally acclaimed contemporary artists Christo and Jeanne-Claude to wrap a section of the New South Wales coast. Wrapped Coast – One Million Square Feet, Little Bay, Sydney, Australia, 1969, was the culmination of many hours of planning, organisation and work. Wrapped Coast was installed by the artists together with a daily workforce of around 120 people, including professional mountain climber, labourers, students from the University of Sydney and East Sydney Technical College, and a number of Australian artists and teachers. -
Jarman a Photo
Angela Jarman Curriculum Vitae Born 1971, London, England 1990-1993 West Surrey College of Art & Design, Farnham, BA (Hons) Glass 1993-1995 Assistant to Colin Reid, Gloucestershire 1995-2000 Assistant to Tessa Clegg and Diana Hobson, London 1999-2001 Royal College of Art, London, MA Glass Working in London Childhood influences permeate Angela Jarman’s work; influences such as nature trails and television programmes, garden ponds and the mini-ecosystems illuminated by the microscope in biology class. Her interest in Freud’s “uncanny” is also very evident as she explores “…ideas relating to feelings invoked in the viewer”…to…”create pieces which have a sense of beauty, but which also have a quality about them which makes them slightly strange and disturbing, a lurking sense of unease, something uncomfortably sinister.” Using the lost wax casting technique, Angela creates sculpture in mainly colourless glass, including black, which she views as the ultimate absence of colour. Having established her vocabulary of form, she now incorporates metal elements into her sculptures, which highlight their petrified organicness. Angela Jarman -2- Selected Exhibitions 2017 Adrian Sassoon, Salon of Art & Design, New York, USA Adrian Sassoon, Pavilion of Art & Design London, London Adrian Sassoon, Masterpiece London, The Royal Hospital Chelsea, London Adrian Sassoon, TEFAF Maastricht, The Netherlands 2016 Adrian Sassoon, Salon of Art & Design, New York, USA Adrian Sassoon, Pavilion of Art & Design London, London Adrian Sassoon, Masterpiece London, The -
Culture Whisper: Pangaea II: New Art from Africa and Latin America, Saatchi Gallery 25.03.15 12:12
Culture Whisper: Pangaea II: New Art from Africa and Latin America, Saatchi Gallery 25.03.15 12:12 Your bespoke planner for London life and arts How it works Who we are Membership Log in Visual Arts Pangaea II, Saatchi Gallery ★★★★★ SHOW ME MY LONDON A little more... Did you know? Armand Boua Foule D’Enfants 2014 Tar and acrylic on board 190 x 247 cm Image courtesy of the Saatchi Gallery, London Charles Saatchi, the dealer responsible for launching the YBA artists, was 26 when he bought his first work, a piece by the New Saatchi Gallery York minimalist Sol LeWitt. 11 Mar 2015 – 06 Sep 2015, 10:00 AM – 6:00 PM Share: REVIEW: Pangaea II exhibition at the Saatchi Gallery unites exciting contemporary talents from Africa and Latin America WE RECOMMEND NEARBY Pangaea II Saatchi review When the Saatchi Gallery, Duke of York Square, welcomed its exhibition of emerging African and GALLERY MESS Latin American art, Pangaea I last year, it was met with predictable nods from the contemporary art community. Everything art dealer Charles Saatchi touches turns to gold. The Saatchi's beautifully airy and comfortably chic onsite restaurant offers a Now it's time for a second instalment, Pangea II. Gone are the enormous crawling ants and instead, range of seasonal dishes from 10:00 - round two of the Pangaea spectacle begins with Jean-François Boclé's 97,000 blue plastic bags. 23:30 (Mon- Sat). Feeding into the fashion Everything Must Go! (2014) kicks off the Saatchi Pangaea II exhibition with an entertaining for reinventing British classics, we've had punch. -
Young British Artists: the Legendary Group
Young British Artists: The Legendary Group Given the current hype surrounding new British art, it is hard to imagine that the audience for contemporary art was relatively small until only two decades ago. Predominantly conservative tastes across the country had led to instances of open hostility towards contemporary art. For example, the public and the media were outraged in 1976 when they learned that the Tate Gallery had acquired Carl Andre’s Equivalent VIII (the bricks) . Lagging behind the international contemporary art scene, Britain was described as ‘a cultural backwater’ by art critic Sarah Kent. 1 A number of significant British artists, such as Tony Cragg, and Gilbert and George, had to build their reputation abroad before being taken seriously at home. Tomake matters worse, the 1980s saw severe cutbacks in public funding for the arts and for individual artists. Furthermore, the art market was hit by the economic recession in 1989. For the thousands of art school students completing their degrees around that time, career prospects did not look promising. Yet ironically, it was the worrying economic situation, and the relative indifference to contemporary art practice in Britain, that were to prove ideal conditions for the emergence of ‘Young British Art’. Emergence of YBAs In 1988, in the lead-up to the recession, a number of fine art students from Goldsmiths College, London, decided it was time to be proactive instead of waiting for the dealers to call. Seizing the initiative, these aspiring young artists started to curate their own shows, in vacant offices and industrial buildings. The most famous of these was Freeze ; and those who took part would, in retrospect, be recognised as the first group of Young British Artists, or YBAs. -
Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core Course) Spring 2016
Boston University Study Abroad London Modern British Art and Design CAS AH 320 (Core course) Spring 2016 Instructor Information A. Name Dr Caroline Donnellan B. Day & Time Wednesday & Thursdays, 9.00am–1.00pm commencing Thursday 14 January 2016 C. Contact Hours 40 + 2 hour exam on Monday 15 February 2016 D. Location Brompton Room, 43 Harrington Gardens & Field Trips E. BU Telephone 020 7244 6255 F. Email [email protected] G. Office hours By appointment Course Overview This is the Core Class for the Arts & Administration Track and is designed as an introduction to modern art and design in Britain. This course draws from London’s rich permanent collections and vibrant modern art scene which is constantly changing, the topics to be discussed are as follows: ‘Artist and Empire: Facing Britain’s Imperial Past’ at Tate Britain (Temporary Exhibition: 25 Nov 2015–10 Apr 2016); Early Modern Foreign Art in London at the National Gallery (Permanent Collection); British Collectors at the Courtauld Gallery (Permanent Collection); London Art Fair 28th edition (Temporary Exhibition 20 Jan–24 Jan 2016) Exhibiting War at the Imperial War Museum (Permanent Collection); ‘Painting the Modern Garden: Monet to Matisse’ at the Royal Academy of Arts (Temporary Exhibition: 30 Jan 2016–20 Apr 2016) ‘Alexander Calder: Performing Sculpture’ at Tate Modern (Temporary Exhibition: 11 Nov 2015–3 Apr 2016) Newport Street Gallery: ‘John Hoyland Power Stations Paintings 1964-1982’ (Temporary Exhibition: 8 Oct 2015-3 April 2016) London Art Market (II) at the Saatchi Gallery ‘Champagne Life’ (Temporary Exhibition: 13 Jan 2016–6 Mar 2016) + ‘Aidan Salakhova: Revelations’ (Temporary Exhibition: 13 Jan 2016–28 Feb 2016) Bermondsey White Cube London Art Market (I): ‘Gilbert & George The Banners’ (Temporary Exhibition: 25 Nov 2015–24 Jan 2016) Teaching Pattern Teaching Sessions will be divided between classroom lectures and field trips – where it is not possible to attend as a group these will be self-guided.