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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Star Channels, May 3-9, 2020
MAY 3 - 9, 2020 staradvertiser.com MONEY PROBLEMS Showtime’s most provocative corporate drama, Billions, returns for its fi fth season and fans of the show can’t wait to see more of their favorite fi ctional billionaires as they scheme and slither their way to the top of the Wall Street food chain. Paul Giamatti and Damian Lewis star, while Julianna Margulies and Corey Stoll join the cast. Airing Sunday, May 3, on Showtime. A SPECIAL COVID-19 PRESENTATION Join host, Lyla Berg as she speaks with community experts about COVID-19. Tune in Wednesday, May 6 and May 20 at 6:30pm on Channel 53 WEDNESDAYW at 6:30pm - - olelo.org Also available on Olelonet and Olelo YouTube. Channel 53 ¶ ¶ 590126_IslandFocus_Ad_COVID19_2in_R.indd 1 4/30/20 9:29 AM ON THE COVER | BILLIONS A few billion more Wall Street gets a new Prince by the coronavirus pandemic. The first seven disappearance in Season 1 to the two men episodes will air starting this week, and the going head to head in court in Season 3, it ap- in Season 5 of ‘Billions’ show will take a break mid-June at a natural pears the billionaires will squabble over just point in the story arc. At this stage, there is about anything from money and business to By Dana Simpson no way to know when the second part of the women and politics. TV Media season will air, but the much-anticipated re- Just when it seemed they would band maining episodes will be filmed and released together to form an alliance — especially asten your seatbelts for another year of as soon as the production process is safe to with Axe’s focus now more clearly aimed dollars and deceit. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Training Calendar
Training Calendar ~ August - December 2019 Orange & Osceola County Register by emailing: Date, Time & Location [email protected] Orange County Please be sure to indicate which training All trainings will be held at PRESENTATION you are registering for Nova Southeastern University, 4850 Millenia Blvd, Orlando Friday, August 23rd BROKEN PLACES ~ Screening & Discussion 9:30 – 12:00 BROKEN PLACES documentary explores why some children are severely damaged by early adversity while others are able to thrive. To help answer this question, we updated a few of the stories of children growing up in difficult circumstances that we filmed decades ago. It turns out that some of these children were so scarred by abuse and neglect that they are now in mental institutions, correctional facilities, or drug rehabilitation centers. A few died prematurely. However, there are others who managed to overcome comparable childhood stress and are now healthy, self-sufficient Ann Pimentel-Kerr adults. Viewers are given a unique time-lapse perspective, witnessing how a few of these The Children’s Advocacy Center CAC Specialist troubled children evolved into the adults they are today. By revisiting some of the abused and neglected children we profiled decades ago, we’re able to dramatically illustrate how early trauma shaped their lives as adults. BROKEN PLACES interweaves these longitudinal narratives with commentary from a few nationally renowned experts to help viewers better understand the devastating impact of childhood adversity as well as the inspiring characteristics of resilience. Wednesday, September 11th CRACKED UP ~ Screening & Discussion 9:30 – 12:00 In Cracked Up we witness the effects adverse childhood experiences can have across a lifetime through the incredible story of actor, comedian, master impressionist and Saturday Night Live veteran, Darrell Hammond. -
Sol W. Rawls, Jr. '40 to Receive New Market Medal President Carter To
In this edition. Sol W. Rawls, Jr. '40 to Receive New Market Medal The Virginia Military Institute Board of Visitors has selected Sol Waite Rawls, Jr., VMI Class of 1940, to receive its prestigious New Market Medal. The Award will be presented in Lexington on Hutchings named Commandant .......... 2 May 15, 2000. Established by the Board in 1962, the impetus for the award Tucker's tenth book published ............ 2 came from the VMI Civil War Committee, comprised of formar faculty members Colonel Kenneth S. Purdie, Colonel Stanton F. Author Tim O'Brien Speaks at VM1 ...... 3 Blain, and Major Chester Goolrick. The medal was conceived as a tribute to the cadets who fought at the 1864 Civil War Battle of Oversight of Assimilation May End ...... 3 New Market and honors an American citizen, not necessarily associated with VMI, whose life and career have displayed virtues Alumni and Finals Schedule ............... 4 shown by the 1864 cadets: leadership, duty, honor, devotion. Mr. Rawls will be only the tenth I recipient of the Award. Marshall ROTC Award Seminar ........... 5 Mr. Rawls, a native of Franklin, Va., has served his nation, state, community, and alma mater with distinction since his graduation from VMI with a bachelor of science degree in chemistry, Economics/Business Advisory Board .... 5 has served his nation, state, community and alma mater with distinction. He began his service in 1941 as an officer in the United States Army, attaining the rank of major before his discharge in Tucker on With Good Reason ............... 5 1946. He then returned to his hometown to begin his career starting at S.W. -
'Live from New York'
Thursday, October 11, 2018 • APG News B5 5 2 0 part of the cast for _______ years. 9. He served as the original anchor for the “Weekend Update” segment of “Saturday - + ( 19. She was the first woman to host Night Live.” % “Saturday Night Live.” 11. Colin Jost and _________ currently serve as 20. “The Unfrozen Caveman __________,” was a co-anchors on the recurring “SNL” sketch # recurring character created by Jack Handey “Weekend Update.” " 5! and played by Phil Hartman on “Saturday 55 Night Live” from 1991 through 1996. 13. Actor Alec Baldwin has hosted “Saturday Night Live” more than anyone else, _________ 52 50 21. This original “SNL” cast member played a times between 1990 and 2017. 5- samurai in several sketches. 16. “Saturday TV________” was the title of a 5+ 23. Enid Strict, better known as “The recurring skit on “Saturday Night Live” 5( 5% _________Lady”, is a recurring character from featuring cartoons created by “SNL” writer aseries of sketches on “Saturday Night Live,” Robert Smigel. that was created and played by cast 5# 5" member Dana Carvey. 17. This comedian was the first to host 2! “Saturday Night Live,” in the debut October 25 24. An “SNL” episode normally begins with a 1975 episode. ________ open sketch that ends with 22 20 someone breaking character and 18. This co-creator and writer of the hit NBC 2- proclaiming, “Live from New Yo rk, it’s show “Seinfeld” briefly wrote for “SNL.” Saturday Night!” 2+ 19. This current “SNL” cast member has 2( 25. “The Boston __________” are fictional impersonated celebrities like Roseanne Barr, characters featured on “Saturday Night Live,” Meghan Trainor, Rebel Wilson and Adele. -
Student Profile 2018-2019
VISITMUSICCITY.COM NASHVILLE WAS NAMED ONE OF THE TOP TEN STUDENT DESTINATIONS IN 2018 BY SYTA. LEARN (Student Youth and Travel Organization, April 2018) Adventure Science Center Experience Nashville Tours The Parthenon adventuresci.org experiencenashvilletours.com parthenon.org Andrew Jackson’s Hermitage Echoes of Nashville Walking Tours The Upper Room Chapel & Museum thehermitage.com echoesofnashville.com upperroom.org Belle Meade Plantation Frist Art Museum United Street Tours bellemeadeplantation.com fristartmuseum.org unitedstreettours.com Belmont Mansion Hatch Show Print belmontmansion.com hatchshowprint.org Group recording with Meghan Linsey on Nashville Studio Tour Bicentennial Capitol Mall State Park Historic Travellers Rest tnstateparks.com travellersrestplantation.org Chaffin’s Barn Theatre Lane Motor Museum dinnertheatre.com lanemotormuseum.org Cheekwood Estate and Gardens Plaza Mariachi Music City cheekwood.org plazamariachi.com NEW Frist Art Museum Chocolate classes at the Goo Goo Cluster Shop and Dessert Bar googoo.com Student group recordings at historic Sound Stage Studios with Imagine Recordings PLAY imaginerecordings.com Adventureworks Live variety show featuring 60 years of Nashville music at The Music of Nashville adventureworks.com themusicofnashville.com Amazing Scavenger Hunt Adventure Interactive workshop with The Voice runner-up Meghan Linsey on the new Nashville Studio Tour urbanadventurequest.com nashvillestudiotour.com Dave & Buster’s daveandbusters.com/Nashville New two-floor, 137,000 square foot Tennessee -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
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www .lhenewsenlerprise.com EWS- E "', Let darkness fall on 'Dark Shadows' New face by the Kristina Co~ngtnn named Central Hardin girls' basketball coach Read tl1e re~ew PUlSE, 110 Sporl., B1 MAY 11, 2012 • SERVING MARDI N COUNTY SINCE 1974 • REACH SUBSCRIBE R SE RYI CES AT (210) 5D5-177G 56 Iintl Ban jettisons branches Less The sale of four Jefferson announced sate of its Indiana agreements close laler this year, First Federal sells CoUllty branches will help First branches, the deals provide $44 the company will retain 1310ca SEEK, Fedeml Savings Bank's parent million in equity for the tions in five adjacent counties. four Jefferson company meet financial assur Elizabethtown-based bank, The hank still will have $875 • which has failed to record an allces required by its consent million in total assets ilnd de decree with the Federal Deposit annual profit since 2008. County locations posits of more than $761 mil nOratSeS Insurance Corp., the corporate The sales also renlm First By BEN SHEROAN president said. Federal's concentration to its lion. b!.htro;[email protected] .......nleTpn.. .cum Coupled with a previously historic core markets. When the Tum La BANK. All inHCS Radcliff's CLOSING MULORAUCH ElEMENTARY SCHOOL budget Dawley Park School system's vandalized tentative expense twotnnes• plan shows depleted general fund Windows broken at By KEUY CANTRAU, home on property, k<anlRll @th<~ ..rpri " .<Dm Hardin County Schools faces soccer nets slashed less money in ill general fund as administrators complete the sec By MARTY FINLEY ond phase of the budgeting mflnley@the".....,nterpri"'.com proc:ess. -
CH 6 the Impaired Client Final Copy
REPRESENTING THE IMPAIRED CLIENT KATHRYN L. CIESLA JENNIFER CUNNINGHAM BEELER THE IMPAIRED CLIENT 1. Diminished Mental Capacity Such as: Dementia, Alzheimer’s 2. Addiction 3. Mental Health Such as: Bipolar Disorder, Anxiety Disorder, Chronic Depression 2018 Family Law Conference CH. 6 Pg. 1 Diminished Capacity CODE OF ETHICS RULE 1.14 CLIENT WITH DIMINISHED CAPACITY Rule 1.14 (a) When a client’s capacity to make adequately considered decisions in connection with a representation is diminished, whether because of minority, mental impairment or for some other reason, the lawyer shall, as far as reasonably possible, maintain a normal client-lawyer relationship with the client. 2018 Family Law Conference CH. 6 Pg. 2 CODE OF ETHICS RULE 1.14 CLIENT WITH DIMINISHED CAPACITY Rule 1.14 (b) When the lawyer reasonably believes that the client has diminished capacity, is at risk of substantial physical, financial or other harm unless action is taken and cannot adequately act in the client’s own interest, the lawyer may take reasonably necessary protective action, including consulting with individuals or entities that have the ability to take action to protect the client and, in appropriate cases, seeking the appointment of a guardian ad litem, conservator or guardian. CODE OF ETHICS RULE 1.14 CLIENT WITH DIMINISHED CAPACITY Rule 1.14 (c) Information relating to the representation of a client with diminished capacity is protected by Rule 1.6. When taking protective action pursuant to paragraph (b), the lawyer is impliedly authorized under Rule 1.6(a) to reveal information about the client, but only to the extent reasonably necessary to protect the client’s interests. -
Situational Comedies and the Changing Narrative
1 Lailah White Professor Penner Word Count: 2091 ENG 1121 English Composition 2 Unit 2 Writing Assignment 5 April 2020 Situational Comedies and The Changing Narrative Part 1: General Analysis History and Social Impact A sitcom, situational comedy, is a genre of comedy on television or a streaming service centered on a fixed amount of characters who carry over from episode to episode. The impact of this particular genre mainly contributes to the reflection of the current standards of society. Although not all sitcoms show every aspect of society, these shows allow their audience to relate to the characters as if they are people that they know personally. Humor is the main reason why people tune into sitcoms. The audience wants to see life’s difficulties in an enjoyable way, which may be a contrast to their own realities in the physical world. The sitcom genre actually started on the radio before it rose to fame on television. Situational comedies began appearing on American television around the 1950s. Sitcoms soon became a staple genre of American TV because it was different from other shows at the time. This is because the character stayed the same, as well as the setting of each episode. The debut of shows like “I Love Lucy” (CBS, 1951–57), was the start of a revolution in American television. The show was setting up new standards. This show was shot on film instead of live broadcasting. 2 Another difference was the location being somewhere other than Hollywood. It followed a style of a consistent series rather than that of a variety show.