ABC KIDS/COMEDY Program Guide: Week 27 Index
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Dormant Potential: Strategies for Advancing Human Development In
Dormant potential Strategies for advancing human development in Namibia Zachary Donnenfeld and Courtney Crookes Since gaining independence in 1990, Namibia has sustained rapid economic growth at an average of 4.5% a year, well above the average experienced by other upper-middle-income countries in Africa (2.8%) and nearly a percentage point higher than the continental average (3.7%). However, this economic growth has not been accompanied by proportional increases in service delivery. Namibia ranks at or near the bottom of its upper-middle-income peer group on a number of dimensions of human well-being, such as undernutrition, access to improved sanitation and average number of years of education. This report explores options for improving human development outcomes in Namibia to 2040 using the International Futures (IFs) forecasting system. SOUTHERN AFRICA REPORT 11 | SEPTEMBER 2017 After a bloody and protracted liberation struggle – and with significant Recommendations influence from the international community – Namibia declared its Invest in health extension independence on 21 March 1990.1 Since then the country has averaged programmes that address gross domestic product (GDP) growth of 4.5% a year, largely on the back communicable and non- of its extractive industries and budding tourism economy. The country’s communicable diseases. economy has grown about a percentage point faster than the average African country over the last 25 years and, despite a substantial downtick Improve the flow of students in 2016 (when its estimated yearly growth was 1.6%), the International through the education pipeline. Monetary Fund (IMF) expects Namibia’s growth to average roughly 4.5% Increase access to family from 2017 to 2021.2 planning. -
Whose History and by Whom: an Analysis of the History of Taiwan In
WHOSE HISTORY AND BY WHOM: AN ANALYSIS OF THE HISTORY OF TAIWAN IN CHILDREN’S LITERATURE PUBLISHED IN THE POSTWAR ERA by LIN-MIAO LU (Under the Direction of Joel Taxel) ABSTRACT Guided by the tenet of sociology of school knowledge, this study examines 38 Taiwanese children’s trade books that share an overarching theme of the history of Taiwan published after World War II to uncover whether the seemingly innocent texts for children convey particular messages, perspectives, and ideologies selected, preserved, and perpetuated by particular groups of people at specific historical time periods. By adopting the concept of selective tradition and theories of ideology and hegemony along with the analytic strategies of constant comparative analysis and iconography, the written texts and visual images of the children’s literature are relationally analyzed to determine what aspects of the history and whose ideologies and perspectives were selected (or neglected) and distributed in the literary format. Central to this analysis is the investigation and analysis of the interrelations between literary content and the issue of power. Closely related to the discussion of ideological peculiarities, historians’ research on the development of Taiwanese historiography also is considered in order to examine and analyze whether the literary products fall into two paradigms: the Chinese-centric paradigm (Chinese-centricism) and the Taiwanese-centric paradigm (Taiwanese-centricism). Analysis suggests a power-and-knowledge nexus that reflects contemporary ruling groups’ control in the domain of children’s narratives in which subordinate groups’ perspectives are minimalized, whereas powerful groups’ assumptions and beliefs prevail and are perpetuated as legitimized knowledge in society. -
Sorcerer Society" by Rob Cesternino
30 ROCK "Sorcerer Society" by Rob Cesternino Cell: (323)382-3083 [email protected] ACT ONE FADE IN: INT. STUDIO BACKSTAGE - MORNING LIZ walks through the hallways of 30 Rock. JENNA spots Liz and runs over. JENNA Today is the greatest day of my life. My IMDB star meter is up four percent! LIZ Are they finally airing your episode of "Competitive Eating with the Stars". JENNA No, that was last month. Last night I was a guest star on an episode of the new NBC series, “Sorcerer Society”! FLASHBACK TO: INT. SORCERY CLASSROOM - DAY Jenna is dressed as a sorceress standing before a classroom at Sorcery High School. JENNA I'm Mrs. Mongothsbeard, I’ll be substituting for your regular sorcery teacher, who was caught making a very bad potion called “crystal meth”. CUT BACK TO: INT. LIZ’S OFFICE - CONTINUOUS Liz and Jenna walk into Liz’s office. LIZ Jenna, that show sucks! It totally bastardizes the books. 2. JENNA "Sorcerer Society" was a book? Liz points to her shelf of thick “Sorcerer Society” books. LIZ Those books were my only friends in junior high school... besides the teachers. JACK bursts into Liz's office carrying one of the trades. JACK Everybody is buzzing about Jenna this morning and, for once, it’s not because of some compromising photos on “TMZ”. JENNA This is the best thing to happen to me since they dropped the class action lawsuit against my "Jenna Maroney Birth Control Powder"! JACK “Sorcerer Society” is a runaway hit. It’s like "Twilight" meets "Harry Potter" meets "Heroes", before it jumped the shark. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
PDF of Credits
ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir. -
BAM Announces Its Bamcafe Live November Music Programming Featuring Jazz, Middle Eastern, Chamber Pop, Baroque Cabaret, and Hip-Hop
Brooklyn 30 Lafayette Avenue Communications Department Academy Brooklyn NY 11217-1486 Sandy Sawotka of Telephone: 718.636.4111 Fatima Kafele Music Fax: 718.857.2021 Jennifer Lam 718.636.4129 [email protected] News Release BAM Announces its BAMcafe Live November Music Programming Featuring Jazz, Middle Eastern, Chamber Pop, Baroque Cabaret, and Hip-Hop Highlights include the NextNext music series showcase, modern jazz arrangements of Bjork's music, the Middle Eastern musical hybrid of Shusmo, chamber pop with Greta Gertler, the jazz fusion of Fred Ho and the Afro Asian Music Ensemble, pop-cabaret with Daniel Isengart, the ukulele/viola sounds of Songs from a Random House, and a Thanksgiving holiday weekend hip-hop extravaganza with Akim Funk Buddha No cover! $10 food/drink minimum, Friday-Saturday BROOKLYN, October 4, 2005-As part of BAM's 2005 Next Wave Festival, BAMcafe Live, the performance series curated by Limor Tomer, presents an eclectic mix of jazz, spoken word, rock, pop, and world beat Friday and Saturday nights. BAMcafe Live events have no cover charge ($1 0 food/drink minimum). For information and updates, call 718.636.4139 or visit www.bam.org. (For press reservations and photos, contact Fatima Kafele at 718.636.4129 x4 or [email protected]). BAMcafe kicks off a month of great music with Travis Sullivan's Bjorkestra (November 4), a group that crafts modem jazz arrangements of Bjork's visionary techno pop. The next night (November 5), Shusmo concludes the NextNext series of talented musicians in their 20s, with an eclectic, Middle Eastern blend of jazz and Latin Rhythms. -
Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon
Radio 4 Extra Listings for 2 – 8 June 2018 Page 1 of 10 SATURDAY 02 JUNE 2018 Mary Braddon ...... Hattie Morahan Kenneth Williams continues his autobiography. Lucy, Lady Audley ...... Charlotte Emmerson Abridged in ten-parts by David H Godfrey SAT 00:00 William Gibson - Burning Chrome (b007jqv3) Robert Audley ...... Alex Wyndham Producer: Pamela Howe Episode 2 Sir Michael Audley ...... Sam Dale First broadcast on BBC Radio 4 in September 1985. Bobby Quine and Automatic Jack set up the cyberspace burn on George Talboys ...... Joseph Kloska SAT 07:50 Leonard Rossiter - In a Nutshell (b00sj9yy) the House of Blue Lights - their last big score. Read by Adam Luke Marks ...... Benjamin Askew New York, New York Sims. Directed by Julie Beckett and Fiona Kelcher. "I got myself wedged on a train, and immediately it left the When not jacking into the matrix to hack corporate mainframes SAT 02:45 Book of the Week (b02x5qpx) station a knife-fight began, apparently to the death..." for shady clients, Bobby Quine and Automatic Jack are hanging Charles Timoney - An Englishman Aboard, Episode 5 A snapshot from the 1980s of the unique American city out in the Gentleman Loser trying to figure out a way of pulling Charles Timoney is an English writer, with a French wife, living recalled by Leonard Rossiter. off that one big score to make them rich. But industrial in France. Written by Barry Pilton. espionage is a dangerous business, especially after deciding to After showing a group of friends the rowing boat he has spent Producer: Louise Purslow rip off Chrome, the most ruthless figure in the local mob the last six months building, Charles - possibly unwisely - First broadcast on BBC Radio 3 in February 1981. -
TUESDAY 19TH FEBRUARY 06:00 Breakfast 09:15 Countryfile Winter
TUESDAY 19TH FEBRUARY All programme timings UK 06:00 Good Morning Britain All programme timings UK All programme timings UK 06:00 Breakfast 08:30 Lorraine 09:50 Combat Ships 06:00 Forces News Replay 09:15 Countryfile Winter Diaries 09:25 The Jeremy Kyle Show 10:40 The Yorkshire Vet Casebook 06:30 The Forces Sports Show 10:00 Homes Under the Hammer 10:30 This Morning 11:30 Nightmare Tenants, Slum Landlords 07:00 Battle of Britain 11:00 Wanted Down Under Revisited 12:30 Loose Women 12:20 Counting Cars 08:00 Battle of Britain 11:45 Claimed and Shamed 13:30 ITV Lunchtime News 12:45 The Mentalist 09:00 Never The Twain 12:15 Bargain Hunt 13:55 Regional News and Weather 13:30 The Middle 09:30 Never The Twain 13:00 BBC News at One 14:00 James Martin's Great British Adventure 13:50 The Fresh Prince of Bel Air 09:55 Hogan's Heroes 13:30 BBC London News 15:00 Tenable 14:15 Malcolm in the Middle 10:30 Hogan's Heroes 13:45 Doctors 14:40 Scrubs 11:00 Hogan's Heroes 14:10 A Place to Call Home 15:05 Shipwrecked 11:30 Hogan's Heroes 15:00 Escape to the Country 15:55 MacGyver 12:00 RATED: Games and Movies 15:45 The Best House in Town 16:45 NCIS: Los Angeles 12:30 Forces News 16:30 Flog It! 17:30 Forces News 13:00 Battle of Britain 17:15 Pointless 18:00 Hollyoaks 14:00 Battle of Britain 18:00 BBC News at Six 18:25 Last Man Standing 15:00 R Lee Ermey's Mail Call 18:30 BBC London News 18:50 How to Lose Weight Well 15:30 R Lee Ermey's Mail Call 19:00 The One Show 19:45 Police Interceptors 16:00 The Aviators 19:30 EastEnders 20:35 The Legend of Tarzan 16:30 The Aviators The residents of Walford pay their final 22:20 Mad Max Fury Road 17:00 RATED: Games and Movies respects to Doctor Legg. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
Ch038: the Physics of Shock Wave Lithotripsy
315-366_Smith_Ch38-41_Prt4 6/29/06 6:09 PM Page 317 38 The Physics of Shock Wave Lithotripsy Robin O. Cleveland, PhD James A. McAteer, PhD Shock wave lithotripsy (SWL) was introduced in • Characteristics of a lithotriptor shock wave pressure around –10 MPa. The amplitude of the the 1980s for the treatment of urinary stones and • The acoustics of SWL negative pressure is always much less than the earned near-instantaneous acceptance as a first- • Acoustics primer peak positive pressure, and the negative phase of line treatment option.1 Since then SWL has revo- • Acoustic cavitation the waveform generally does not have a shock in lutionized treatment in nephrolithiasis world- • The physics of clinical lithotriptors it—that is, there is no abrupt transition. The wide, and in the United States, it has been • Shock generation and shock focusing entire 5 µs pulse is generally referred to as a estimated that approximately 70% of kidney • Coupling the shock wave to the body shock wave, shock pulse or pressure pulse—tech- stones are treated using SWL.2 Over the years, • The focal zone of high acoustic pressure nically, however, it is only the sharp leading tran- lithotripsy has undergone several waves of tech- • Mechanisms of shock wave action sition that is formally a shock. nological advancement, but with little change in • How shock wave break stones Figure 38-1B shows the amplitude spectrum the fundamentals of shock wave generation and • Mechanisms of tissue damage of the shock pulse (that is, it displays the different delivery. That is, lithotriptors have changed in • The evolution of the lithotriptor frequency components in the pulse). -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere .