"(Silence)" Scripting [It], Staging [It] on the Page, for the Stage
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2008-09 an Eclectic Collection of Words
A Burnaby School District Publication, An Eclectic Collection of Words represents the best in student writing from Burnaby’s WORDS Writing Project for 2008/09. An Eclectic Cover art by Burnaby South Secondary grade 12 student Min Kyong Song. Collection of Words Thank you to our sponsors for their continued support: 2008/09 ANTHOLOGY Burnaby’s WORDS Writing Project includes creative writing submissions from K-12 students throughout the district. With no theme provided, the topics are endless – from stories of adventure to journeys of introspection, from lighthearted poetry to verse that is poignant in its insight. Their submissions are reviewed by a panel of judges with a background in writing and communications. They are grouped according to age or grade, while the students name and school remain anonymous. Submissions from the following students were selected for publication in the 2008/09 WORDS Anthology, An Eclectic Collection of Words , to showcase the talent of Burnaby’s aspiring young writers. Ages 5-7 ______________________________________________ Poetry Olivia Hu Clinton Elementary My Secret Friend Eric Lee Buckingham Elementary Winter Matthew Chin Clinton Elementary Before Time Marlon Buchanan Clinton Elementary Cookie Matthew Chiang Buckingham Winter Poetry – French Ryan Jinks Aubrey Elementary La Neige Sophia Moreira Sperling Elementary Les Fleurs Prose Ella White Parkcrest Elementary Hearts Isabelle Cosacescu Clinton Elementary The Missing Cat Carymnn Skalnik Clinton Elementary The Adventure in the Snow Prose - French Henry -
The Silent Cry : There Is Little Kim Can Do As Her Mothers Mental Health Spirals out of Control
THE SILENT CRY : THERE IS LITTLE KIM CAN DO AS HER MOTHERS MENTAL HEALTH SPIRALS OUT OF CONTROL Author: Cathy Glass Number of Pages: 320 pages Published Date: 22 Mar 2016 Publisher: HarperCollins Publishers Publication Country: London, United Kingdom Language: English ISBN: 9780008163563 DOWNLOAD: THE SILENT CRY : THERE IS LITTLE KIM CAN DO AS HER MOTHERS MENTAL HEALTH SPIRALS OUT OF CONTROL The Silent Cry : There is Little Kim Can Do as Her Mothers Mental Health Spirals out of Control PDF Book The clinical appli- cation of these microsurgical techniques is nowadays called "recon- structive microvascular surgery". Assessment support directly from the IB includes practice questions and worked examples in each topic, along with focused support for the Internal Assessment. Great stuff!"-New Scientist "In this exceptional book, James Harford pieces together a most compelling and well-written tale. The Complete Probate Kit, the most comprehensive book of its kind, provides you with the basic knowledge of the probate process so that you and your beneficiaries can gain greater control of the financial fate of your estate. Too many money management books are written by millionaires or seminar promoters, who may mean well, but do they really know what it's like to stretch a dollar. Casper Sim for the Mind: 24 High-Yield Word-Based Scenarios AnswersThe first guide written exclusively for the CASPer situation judgment test. Once you've done the initial reading, these notes will allow you to do your brush-up anytime and anywhere. The strengths of this approach are contrasted with that of the major schools of socio-legal theory by application to core issues in this area. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Saying Yes: Collaboration and Scenography of Man Equals Man Degroot, Anton Degroot, A
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2016 Saying Yes: Collaboration and Scenography of Man Equals Man deGroot, Anton deGroot, A. (2016). Saying Yes: Collaboration and Scenography of Man Equals Man (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27708 http://hdl.handle.net/11023/3189 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Saying Yes: Collaboration and Scenography of Man Equals Man by Anton deGroot A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN DRAMA CALGARY, ALBERTA MAY 2016 © Anton deGroot 2016 Abstract The following artist’s statement discusses the early inspirations, development, execution of, and reflections upon the scenographic treatment of Bertolt Brecht’s Man Equals Man, directed by Tim Sutherland and produced by the University of Calgary in February of 2015. It details the processes of the set, lights, and properties design, with a focus on the director / scenographer relationship, and an examination of the outcomes. ii Preface It is critical that I mention something at the beginning of this artist’s statement to provide some important context for the reader. -
Angry, for the Way I Have Treated Myself
Meet Sam Literary Magazine Staff Members & Editorial/Advertising Policy Anabel Hjellen Editor-in-Chief Suben Hwang Associate Editors-in-Chief Natasha Britt Entertainment Editor Juan Gomez Chyanne Chambers Yaneli Cortes Paul Cummings Jada Jackson Shahed-Fatim Aisheh Staff Writers Kyle LoJacono Advisor Contents By Suben Hwang ........................................................................................................................................... 4 By Juan Gomez .............................................................................................................................................. 8 By Shahed-Fatim Aisheh ............................................................................................................................. 12 By Anabel Hjellen-Diaz ................................................................................................................................ 16 By Chyanne Chambers ................................................................................................................................ 22 By Jada Jackson ........................................................................................................................................... 29 By Paul Cummings ....................................................................................................................................... 38 By Natasha Britt .......................................................................................................................................... 48 By -
The Silent Cry Facilitator’S Guide
The Silent Cry Facilitator’s Guide Case Authors: Case Advisors: Celeste R. Wilson, MD Hoover Adger, MD John R. Knight, MD Johns Hopkins University Harvard Medical School School of Medicine Children’s Hospital, Boston Jennifer Smrstik, LICSW Richard Bourne, JD, PhD Children’s Hospital, Boston Acknowledgement: David Petrarca, DDS assisted with oral health issues. Topic: Neglect Abstract: Every child deserves to be raised in a nurturing environment. Such an environment provides the emotional, physical, educational, medical, and safety requirements that a child needs to thrive. Child neglect occurs when a parent is unable to adequately provide for any or all of these needs. Substance abuse is one factor that may seriously impair a parent's ability to properly care for a child. Primary care clinicians are in a special position to intervene and offer assistance when neglect or parental substance abuse is suspected. This case presents the story of a 2-year-old girl who shows signs of being neglected and whose mother appears to have an alcohol problem. Clinicians will discuss ways to protect the child and assist her mother in finding appropriate assessment and treatment. Goal: To provide clinicians with a basic understanding of how to manage child neglect and parental alcoholism. Objectives: As a result of this session, learners will be able to: 1. List signs and symptoms of child neglect. 2. Discuss how to communicate concerns to parents who are abusing alcohol (or drugs). 3. Describe a management plan for situations where child neglect is suspected. 4. List appropriate multidisciplinary services for families affected by substance abuse. -
A Gender Oriented Approach Toward Brecht
A GENDER-ORIENTED APPROACH TOWARDS BRECHTIAN THEATRE: FUNCTIONALITY, PERFORMATIVITY, AND AFFECT IN MOTHER COURAGE AND HER CHIDREN AND THE GOOD PERSON OF SZECHWAN by SAADET BİLGE COŞKUN Submitted to the Faculty of Arts and Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts Sabancı University August 2015 i ii © Saadet Bilge Coşkun All Rights Reserved iii ABSTRACT A GENDER-ORIENTED APPROACH TOWARDS BRECHTIAN THEATRE: FUNCTIONALITY, PERFORMATIVITY, AND AFFECT IN MOTHER COURAGE AND HER CHILDREN AND THE GOOD PERSON OF SZECHWAN Saadet Bilge Coşkun Conflict Analysis and Resolution, M.A. Thesis, 2015 Supervisor: Assist. Prof. Dr. Hülya Adak Keywords: Bertolt Brecht, epic theatre, performativity, gender, affect This thesis presents a gender-oriented critique of Bertolt Brecht’s theory of epic theatre and his two plays: Mother Courage and Her Children and, The Good Person of Szechwan. Feminist theatre scholars often criticize Brecht’s plays for not paying enough attention to gender issues and merely focusing on a class-based agenda. The main issues that these scholars highlight regarding Brecht’s plays and theory include the manipulation of female figures through functionalizing them in order to achieve certain political goals. Other criticisms focus on how female characters are desubjectified and/or desexualized through this instrumentalism. On the other hand, feminist critics also consider epic theater techniques to be useful in feminist performances. Considering all these earlier criticisms, this thesis aims to offer new perspectives for the gender- focused analysis of epic theatre and Brecht’s later plays. Similar to many other criticisms, I conclude that the embedded instrumentalism of epic theater techniques such as materializing and functionalizing the issues as well as the characters, in most cases leads to stereotyping the female characters. -
I Am Not a Gay: I Support Gayism" Bypratyush NATHUPRETI
iAUIC'I~~fH. • NEPAL INVESTMENT BANK LTD. 'Tru{y a :Nepa{i !Ban~ Editorial SPOTLIGHTFORTNIGHTLY Vol.: OS No.-18 Mar. 30-2012 (Chaitra 17,2068) [f recent StatementS of prime minister <tnd polltie<tl leadc r1> <trc any indication, they .'>cern to be h~:ading towan.ls an agrcunent to extend the tenure of Constituent Assembly throup;h the new amendment in the con~lituuon. A.., lc~c; than 4i days remam bel ore the tenure of ( \to end, poltucal parties, whteh arc yctlo scule the mo.~jnr issues related to peace prou..,.., and eonc,utution '' nung. katkrc, nl poiJUG.d p..lrtiC'> sc~:m to be heading LO extend the tenure .IS ,,n ca'Sy \vaynut \lcanwhdc,theSuprcmct ourl rdusnlto rc\11.:\\ ll'> c..1ri1Lr dct t'>tOn lor the cxten!>.ion of the ( \term \ stnglc: lxnc h nl SC J U'>t icc "amal Narayan [)as Cover Story: INTERNATIONAL MOUNTAIN CONFERENCE: An Uphill Task t'><;ucd Ll1l nrdcr Ln tht.'> dlc~:l ln'>Lead ol going lx:htnd an un<.~:nam pn lt tJeal cnur'>e, \\l have dcctded to take up the tnlcnution.ll mount.un conluen~:c <t'> a our nwcr SLOI) l)~:.,ptlc sc\ er,d eommnn.dtlles Jmong the mnuntai11 t•ount ncs around the world in LLnns nl ceo '>)''>Lcm and resource~. the\ ,m. \'t:llo com~.: doo,cr I rom \nde'> FACE TO FACE: Ntcole Menage 24 to lltndku'>h rcgwns and Africa, 2 mnu ntain countncs arc more vul nerable NEWSNOTES BUSINESS BRIEF 3 tndtm.llcchangc than mhcrwunLrtC.<; COMMENTARY : Yubaraj Ghimire 4 \l J llmL when rt'>tng lcmper..llure FACE TO FACE: Prachanda/ Kamal Thapa 6 eonLJnue'i lt1 all!.:ct Lhe overall ceo BOOKWORM: Blpln Adhikarl 7 '>)'Stem of the hill...,, inc:rcasing h•mJship ENCOUNTER: Krishna Gyawall 10 13 to the.: ltlc of Lhc pcnpk. -
1 UNIVERSITY of CENTRAL OKLAHOMA JOE C. JACKSON COLLEGE of GRADUATE STUDIES & RESEARCH Edmond, Oklahoma HATCH a THESIS SUBMI
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository UNIVERSITY OF CENTRAL OKLAHOMA JOE C. JACKSON COLLEGE OF GRADUATE STUDIES & RESEARCH Edmond, Oklahoma HATCH A THESIS SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of MASTER OF ARTS IN ENGLISH WITH CREATIVE WRITING EMPHASIS By MELONIE HAU Edmond, Oklahoma 2008 1 NAME: Melonie Hau TITLE OF THESIS: Hatch DIRECTOR OF THESIS: Dr. Constance Squires PAGES: 251 ABSTRACT: Hatch is a novel which examines the struggles of urbanization, drug addiction, alienation from community, and shame which threaten a rural Oklahoma family. The Metzers live on a farm in Hatch, a town formed in the 1890s from the enthusiasm and idealism of Land Run pioneers and German immigrants. The story juxtaposes traditional rural life with contemporary issues such as adultery, addiction, and race and illustrates how characters resist their insulated environment. Told alternately from the points of view of three characters, Gloria Metzer, Ben Metzer, and their son, Thomas Metzer, the work follows each character’s decisions as each is tested emotionally and spiritually. Gloria, Ben, and Thomas must learn to honor their own power in making choices for their lives. Issues of spirituality immerge as each character faces moral and ethical dilemmas based on their choices. Set in intense heat of a drought-ridden summer, the novel utilizes a sense of history and place in order to highlight the struggles of each character. 2 3 Introduction I set out to write a novel about Oklahoma that does not drip with homespun cliché and language. -
Voice4change England: a Year of Transition 2012-2013
Voice4Change England A Year of Transition SUMMARY 2012 -2013 V4CE Summary Report | 2012—2013 Voice4Change England Unit 4.3 4th Floor 356 Holloway Road London N7 6PA Trustees Tel: 0207 697 4240 Ms E Balgobin (Independent Chair) Email: [email protected] Mr M Juma (Treasurer) Web: www.voice4change-england.co.uk Twitter: @V4CE Ms Chandavarkar Mr R Daniel Mr K Oxford Ms N Samota Registered charity No. 1140624 Mr Kirit Mistry 2 Director’s Report n joining Voice4 Change as a staff member, one of the first questions you confront is to explain to friends and associates what it does. The short answer is… it’s an infrastructure support organisation for the BME volun- Otary and community organisations, the response to this assertion by those that reside outside the third sector, is usually the immediate reply ..….. ‘What does that mean?’ A perfectly reasonable re- sponse, to which this brief survey of some of the organisations highlights over last year seeks to answer visually, graphically and with a hopefully, a minimum of professional jargon. Hard times features in every aspect of the com- involved, I can say that the reasons for going munity and charitable sector. NCVO in May 2013 down this road have been debated in depth by relayed that future reductions in public spending the V4CE Board of Trustees and they in turn are are likely to happen primarily in areas which are clear that they will only conclude any agreement key sources of income for charities – with local on the basis that it will strengthen and BME infra- government expected to be particularly hard hit. -
Robert Ralston Mckay Department Of
THE LITERARY REPRESENTATION OF PRO-ANIMAL THOUGHT: READINGS IN CONTEMPORARY FICTION Robert Ralston McKay Department of English Literature Submitted for the degree of PhD The University of Sheffield, May 2003 THESIS ABSTRACT This thesis analyses the representation of pro-animal thought in literary fiction published over the last thirty years. Recently, critics have begun eclectically to trace animal rights arguments in past literature, attaching criticism to politics in a familiar way (considering the recent history of the literary academy). However, they have neither explained the holistic picture of human-animal relations in individual texts, nor how such questions relate to a specific literary context. This thesis, on the other hand, involves more a pinpointing of the particular value of literary works for extending the horizon of current ethical debates about animals than a partisan mobilisation of literary criticism in the service of animal rights. To that end, each chapter offers a thoroughgoing reading of an important text in the story of contemporary fiction's ethical encounter with the animal. I contextualise these extended readings with more succinct discussion of the wide range of contemporary authors who represent pro animal thought. This approach requires several theoretical methodologies, though all are within the realm of feminist post-structuralism. Butler's work on the discursive production of sex illuminates the ethical representation of species in Atwood's Surfacing. The representation of animals (both literary and political) in Walker's The Temple of My Familiar is explained by situating the animal within feminist debates about the relation of literary writing to the discursive formation of race. -
This Is Not My Body: Alienated Corporeality and Brechtian Critical Theatre Practices
This is Not My Body: Alienated Corporeality and Brechtian Critical Theatre Practices A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Ashley Majzels IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Michal Kobialka, Professor of Theatre Arts and Dance, Adviser December 2014 © Ashley Majzels, 2014 i Acknowledgments Writing my dissertation would not have been possible without the support and encouragement of many. For his patience and attention I would like to thank my adviser, Michal Kobialka. For their guidance and feedback, I would like to thank my outside examiner Keya Ganguly, as well as Sonja Kuftinec, Ananya Chatterjea, and Margaret Werry. Additionally, I have to thank Ginni Arons for her extensive help in navigating the Grad School's requirements while I was completing the dissertation in Canada. I would also like to thank Megan Lewis, Branislav Jakovljevic and Aleksandra Wolska for their advice and tutelage during my time at the University of Minnesota. A special thanks to Freya Olafson for her time as well as graciously providing access to her archival materials. For their personal support and feedback during the writing process, my thanks and apologies go out to Claudine Majzels, Eve Majzels, Praba Pilar, Per Brask, and Noah Decter-Jackson. ii Dedication My dissertation is dedicated to my family: C, E, F, and S. iii Abstract My dissertation advances a historical materialist understanding of alienated corporeality meant to inform Brechtian critical theatre practices. In the first half of my project, I draw on Marx's account of commodity fetishism and industrial labour to frame a discussion of Brecht's Mann ist Mann.