Wmohspio 2/12/10 1:32 PM Page I SPRING 2010

Total Page:16

File Type:pdf, Size:1020Kb

Wmohspio 2/12/10 1:32 PM Page I SPRING 2010 WMoHspIO 2/12/10 1:32 PM Page i -^ SPRING 2010 WMoHspIO 2/12/10 1:43 PM Page ii -^ ^miilp^ Remember the Stories of Vietnam m i^ Join the Welcome Home Mmtm TM Celebration! LAMBEAU WELCOME HOME MAY2010 Lambeau Field May 21-23,2010 Welcoming Home Wisconsin's Vietnam Veterans Learn more and sign up for e-mail updates at LZLambeau.org WISCONSIN WISCONSIN DKl'ARTMENT 01- VETER/\NS AFFAIRS HISTORICAL Wisconsin Public Television ^'^S^^ SOCIETY WMoHspIO 2/12/10 1:33PM Page 1 -^ WISCONSIN HISTORICAL SOCIETY Division Administrator & State Historic Preservation Officer Michael E. Stevens Editorial Director Kathryn L. Borkowski Editor Jane M. de Broux IVIanaging Editor Diane T.Drexler Research and Editorial Assistants Jesse J. Gant, Joel Heiman, Mike Nemer, John Nondorf, Andrea Rottman, John Zimm 2 "When will this horrid war end!" Designer r :^i Lancaster's CalhariiK- Eaton on the Zucker Design Civil War Home Front THE WISCONSIN MAGAZINE OF HISTORY (ISSN 0043-6534), PUNTAVICTODT published quarterly, is a benefit of full membership in the by James B. Hihhard Wisconsin Historical Society. Full membership levels start at $45 for individuals and $65 for 16 Food Will Win the War institutions. To join or for more information, visit our Web site at Food Conservation in World War I wisconsinhistory.org/membership or contact the Membership Office at 888-748-7479 or e-mail [email protected]. Wisconsin by Eiiknjnuik The Wisconsin Magazine of History has been published quarterly i^ since 1917 by the Wisconsin Historical Society. Copyright © 2009 by the State Historical Society of Wisconsin. 28 More Groovy Than Woodstock ISSN 0043-6534 (print) The Sound Storm Fcslixal of'Aijril ISSN 1943-7366 (online) 1970 For permission to reuse text from the Wisconsin Magazine of His­ by Michael Edmonds tory, (ISSN 0043-6534), please access www.copyright.com or con­ tact the Copyright Clearance Center, Inc. (CCC), 222 Rosewood Drive, Danvers, MA, 01923,978-750-8400. CCC is a not-for-profit organiza­ 42 A Pictorial Class Prophecy tion that provides licenses and registration for a variety of users. Re\isiiino- the Menomonie High For permission to reuse photographs from the Wisconsin Magazine School Class of 1905 of History, identified with WHi or WHS contact: Visual Materials Archivist, 816 State Street, Madison,Wl, 53706. by Andrea Rottmann The Wisconsin Magazine of History, welcomes the submission of articles and image essays. Contributor guidelines can be found on 50 BOOK EXCERPT the Wisconsin Historical Society website at wisconsinhistory.org/ wmh/contribute.asp. Wisconsin Vietnam War Stories Our Veterans Remember The Wisconsin Historical Society does not assume responsibility for statements made by contributors. by Sill ah A. Lavseu and Jennifer M. Miller Periodicals postage paid at Madison, Wl 53706-1417. Back issues, if available, are $8.95 plus postage (888-999-1669). 54 Letters Microfilmed copies are available through UMI Periodicals in Microfilm, part of National Archive Publishing, 300 N. Zeeb Road, Ann Arbor, Ml 48106, www.napubco.com. 56 Curio On the front cover: Blues guitarist Luther Allison performing at Sound Storm WHI IMAGE ID6623d VOLUME 93, NUMBER 3 / SPRING 2010 -^ WMoHspIO 2/9/10 11:29AM Page2 -^ LANCASTER'S CATHARINE EATON /^^^Z (Xt^G. tu>l^ ' /1_.^ yJ^-^ a II tftr-i^ tr?^~^ WMoHspIO 2/9/10 11:45AM Page3 -^ OPO//^ ^mnk ON THE CIVIL WAR HOME FRONT BY JAMES B.HIBBARD he blast of the engine's whistle could be heard across the village of Bosco- bel, Wisconsin, as the train pulled into town. Among the people waiting at the depot were Catharine and Samuel Eaton and their four children. Samuel, a Congregational minister, had accepted the chaplaincy of the Seventh Wisconsin infantry regiment and on this "pleasant" summer's day, July 29, 1862, his family had gathered at the depot to say goodbye as he left to join his regiment. Catharine Eaton was photographed by Alexander Hesler in August 1863. On facing page: In 1864, Union General Ulysses S. Grant led the Army of the Potomac into the hardest fighting of the Civil War. That May, as casualty reports streamed in, Catharine Eaton of Lancaster, Wisconsin, wrote, "I watch with trembling our country's destiny. I see among the thousands marching on, only one man; one precious, brave one who is all the world to me." i^ WMoHspIO 2/9/10 11:29 AM Page 5 -^ WISCONSIN MAGAZINE OF HISTORY For Catharine, their parting could "calls" on parishioners, entertain not haw been easy. Slie supj^orted guests, or attend a [)rayer meeting. A Samuel's decision to become a chap­ serious ])erson, she also had a wry lain, but, as she would later write, his sense of humor. After hearing a minis­ army "ex];)erienee distresses me." On ter's sermon at another church, she this particular morning, however, she remarked to Samuel that "I soon made took comfort in the little details, recall­ up my mind that we had nothing to ing later that the room where he gave fear from his eloquence." Neat in her "that last kiss, seems very sacred to appearance, her soft eyes gave her me now." After heartfelt goodbyes, countenance a natural serenity. David Samuel boarded the ])assenger train to McKee, a family friend, called her a Madison, Wisconsin, the first leg of a "most estimable lady."' journey that would carry him to the By the eve of the Civil \\'ar, the seat of the war in the east, Virginia. Eatons with their four boys, James Arri\-ing home the next da\- in Lan­ fourteen, Eddie eleven, Samuel nine, caster-, twenty-five miles south of Bosco- and Charlie seven, lived on a forty- bel, Catharine kept her emotions in acre farm on the southern edge of check mitil sujipcr, when, ])iobably see­ Lancaster, within walking distance to ing his empty chair, the enormity of town. They had not only become well- sending her "precious Samuel" off to established members of Lancaster soci­ war finally dawned on her. "I could not ety, but Samuel, with assistance from keep the tears back," she would confide Catharine, had made Lancaster's in a letter to Samuel, "and they will Congregational Church one of the keep coming now'." more innuential churches in soiiihwesl Steeling herself a few days later, Wisconsin. The church, a small frame Catharine reassured Samuel that she building, was located two blocks east of Samuel Eaton, 1864 i^ would "take good care of the children Lancaster's courthouse scjuare. and of the church during your Lancaster itself was not much more absence." Little did she know that his than a sleepy village of about eight absence, expected to last only a few hundred peo]ile. Established in 1837, its months, would turn into a three year ordeal, and that she would courihou.se was surrounded by law firms, shops, a jail, and dirt face alone the trials of raising children, managing a household, streets. Though Lancaster was located in the center of the and kee]iing her church's doors open without a full-time rector." county, it was relatively isolated, lacking railroad or telegraph Catharine Demarest Eaton was born on November 11, service. Being the county seat, however, ensured that it became 1824, in New York City. The daughter of Re\erendJames and the site of many wartime activities. Mary Demarest, she grew up in the city, but also s|5ent time in From the moment President Abraham Lincoln called for Napanoch, a small town on the edge of the Catskill Mountains. seventy-fi\'e thousand \olunteers to put down the rebellion in She met Samuel Eaton while he was attending Yale Divinity A])ril 1861, Grant County res])onded enthusiastically. The vol­ School, and on May 20, 1847, they were married in Napanoch's unteers, organized into companies, assembled at the court­ Reformed Church. .After their wedding, they made their way to house and were gi\en a patriotic send-off by local dignitaries. southwest Wisconsin, more s]3ecifically Lancaster, county seal One of the companies, the Lanca.sler Union (Juards, was com­ of Grant County, where Samuel had begun a ministry the pre­ manded by the Eatons' good friend, Captain John Callis. At its vious January. cle])arture, Catharine and two other ladies |)resented Callis and Grant County was originally settled by miners who had come his men with a banner The company e\entually became Com­ up the Mississippi River from Kentucky and Tennessee during a pany F of the Seventh Wisconsin infantry. One year later, it lead mining boom of the 1820s and 1830s. By the last half of the was this regiment that Samuel joined as chaplain. The Sev­ 1840s lead production declined, and the sculemem pattern enth was part of the soon-to-be famous Iron Brigade, consist­ shifted to farmers and other artisans moxdng in from the north­ ing of the Second, Sixth, and Seventh Wisconsin, Nineteenth eastern stales. The Ealons were jjarl of the latter migration.^ Indiana, and Twenty-fourth Michigan infantry regiments. Catharine was a ]3erfect match for Samuel. Raised in a min­ Samuel's cha])lain work would range Irom assisting in hosjiitals ister's house, she had been imbued with a strong work ethic. As and holding religious services to reading hymns and admon­ the wife of a minister', rare was the day that she did not conduct ishing the men about playing cards.' SPRING 2010 -^ WMoHspIO 2/9/10 11:29AM Page6 -^ WISCONSIN MAGAZINE OF HISTORY Samuel's departure left Catharine little time for reOection. Though it was not recorded in church records, it is ob\ious by her actions that she was expected to take a leading role in managing the Con­ gregational Church and in proxiding ]iastoral care to its parishioners.
Recommended publications
  • Pandoras Box CD-List 06-2006 Short
    Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Grateful Dead Shakedown Street Mp3, Flac, Wma
    Grateful Dead Shakedown Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Shakedown Street Country: Australia Released: 1978 Style: Folk Rock, Country Rock, Funk, Disco MP3 version RAR size: 1920 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1484 mb Rating: 4.1 Votes: 873 Other Formats: VQF MP3 MP2 AAC AIFF AUD MP4 Tracklist Hide Credits Good Lovin' A1 4:51 Written-By – A. Resnick*, R. Clark* France A2 4:03 Written By – Hart/Weir/HunterWritten-By – Bob Weir, Mickey Hart, Robert Hunter Shakedown Street A3 4:59 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Serengetti A4 1:59 Written By – Hart/KreutzmannWritten-By – Bill Kreutzmann, Mickey Hart Fire On The Mountain A5 3:46 Written By – Hart/HunterWritten-By – Mickey Hart, Robert Hunter I Need A Miracle B1 3:36 Written By – Weir/BarlowWritten-By – Bob Weir, John Perry Barlow From The Heart Of Me B2 3:23 Horns – Steve SchusterWritten-By – D. Godchaux* Stagger Lee B3 3:25 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter B4 All New Minglewood Blues 4:12 If I Had The World To Give B5 4:50 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Companies, etc. Manufactured By – EMI (Australia) Limited Credits Artwork By – Gilbert Shelton Co-producer – Dan Healy Engineer – Bob Matthews Harp – Matthew Kelly Mastered By – George Horn Percussion – Jordan Amarantha Producer – Lowell George Barcode and Other Identifiers Matrix / Runout (Runout Side A): AB.4198A Matrix / Runout (Runout Side B): AB.4198B-2 Other
    [Show full text]
  • OBSERVER Vol
    OBSERVER Vol. 12 No. 14 September 24, 1969 Front Page Deserted Village Suit Marion Swerdlow Page 2 America In The 60s Geoff Cahoon Article Joan Tollifson and Bruce Warshavsky Mr. Black Page 3 Bombs Quote From Pablo Picasso Chicks Kidnapped Seale Budget Page 4 Photograph LNS/MVN Tunes Mark Barnett Page 5 Cat Of Nine Tails Welcome To The Zoo John Katzenbach Quote From Woodrow Wilson Page 6 Editorial Quote From Louis Blanc Cartoon Feiffer Letters [Questions regarding Bruce Warshavsky's and Joan Tollifson's article . .] Anita Schnee Page 7 Skiff SDS Marion Swerdlow DESERTED VILLAGESUIT jail. The legal limit for punishment for brutally harassed by a ·matron .. At I three Bard students and their Last May such an offence is actually 15 days. They least one was placed in a solitary at the college were convicted visitor were told they might make phone calls confinement cell. In the early hours of on the Central Hudson Gas of trespass only after they had entered a plea. the morning, they were taken to the and Electric Corporation property Martin allegedly advised them to plead prison's cellar and subjected to which lies directly behind Ward Manor. fingerprinting and mugshots. It is known to Bard students as the guilty, telling them that if they pleaded not guilty and were found guilty, it 'Deserted Village.' told that a copy of his face and would result in a $500 fine. On the Each was would be sent to the FBI. They basis of this, all four pleaded guilty and prints Each of these four have filed a released at seven o'clock in were given $100 fines.
    [Show full text]
  • Grateful Dead American Beauty Mp3, Flac, Wma
    Grateful Dead American Beauty mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: American Beauty Country: US Released: 1970 Style: Folk Rock MP3 version RAR size: 1874 mb FLAC version RAR size: 1608 mb WMA version RAR size: 1104 mb Rating: 4.4 Votes: 786 Other Formats: MP1 AIFF DMF MPC DXD AC3 WMA Tracklist Hide Credits Box Of Rain A1 5:16 Bass – Dave TorbertGuitar – David NelsonWritten-By – Lesh*, Hunter* Friend Of The Devil A2 3:20 Mandolin – David GrismanWritten-By – Garcia*, Dawson*, Hunter* Sugar Magnolia A3 3:15 Written-By – Weir*, Hunter* Operator A4 2:21 Written-By – McKernan* Candyman A5 6:12 Organ – Howard WalesPiano – Ned Lagin Ripple B1 4:10 Mandolin – David Grisman Brokedown Palace B2 4:18 Piano – Howard Wales B3 Till The Morning Comes 3:13 B4 Attics Of My Life 5:09 Truckin B5 5:09 Organ – Howard WalesWritten-By – Weir*, Garcia*, Lesh*, Hunter* Companies, etc. Pressed By – Capitol Records Pressing Plant, Los Angeles Credits Artwork – Kelly*, Mouse Studios Bass, Guitar, Piano, Vocals – Phil Lesh Co-producer [Audio] – Steve Barncard* Drums – Bill Kreutzmann Guitar, Guitar [Pedal Steel], Piano, Vocals – Jerry Garcia Guitar, Vocals – Bob Weir Harmonica, Vocals – Ron "Pigpen" McKernan Percussion – Mickey Hart Photography By [Back] – George Conger Producer – The Grateful Dead Songwriter – Robert Hunter Written-By – Garcia* (tracks: A5 to B4), Hunter* (tracks: A5 to B4) Notes Capitol, Los Angeles pressing denoted by "LW" in runouts. Barcode and Other Identifiers Barcode: 0 7599-27190-1 Matrix / Runout (A): WS-1-1893 LW4 2 Matrix / Runout (B): WS-2-1893 LW6 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros.
    [Show full text]
  • Cash Box, N Y
    iood Idea: Making Light Of Classical Music ^rial ) . at o Auto Tape Thefts Put At $40 Million 1 Irammy Nominees For 1969 BMI Anti-Trust Suit against ASCAP, February 14, 1970 BS, NBC Nets, ohn Rook To rake . WB's Ostin: 'No Major Changes'. An Ipsurge In Canadian Disk Sounds Despite isappointments . Rennie Tops DGG London rs SPROUT FROM GRASS ROOTS INT’L SECTION BEGINS ON PAGE 65 Columbia KStereoJI Rrst Hymn From GrarxJ Terr^e Leaving on a Jet Rane Something The Name of My Sorrow Miss America Man From Houston Love s Been Good to Me Sunday Mornin' Cornin’ Down Small Town Woman I II Never Fall in Love Again * Arizona i 'Arizona'.’ Mark Lindsay's single that has sold over 500,000 copies. Arizona’.’ Now the title song of his first solo album. Arizona. On Columbia Records s A .so nvniinbifi on 8-tmrk .stomo tnno rnrtritdoo 3 VOL XXXI - Number 29/February 14, 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Good Idea: Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood Light HARDING Making WOODY Art Director COIN MACHINE & VENDING ED ADLUM General Manager Of Classical Music BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif.
    [Show full text]
  • Light-Into-Ashes-Grateful-Dead-Music-Emotions
    Nicholas Dauphinais 8/6/2016 Globe Institute Summer Intensive Light Into Ashes What was it about the vibration of the Grateful Dead that drew beings together from all walks of life together in unity? Were they potentially the greatest sound healers in rock and roll? Some came for freedom, inspiration, drugs, spiritual experiences; others came to spin in circles. The one thing that made Grateful Dead concerts so unique was not just the band but the fans. Most fans would agree it was a place they felt safe to be themselves and that the music healed some part of their consciousness they needed. Without the fans the Grateful Dead would not have been able to pull off what they did musically. Often times they were feeding off the crowd energetically, like one big mirror. Jerry Garcia once said “We still feel that our function is as a dance band. We like to play with dancers….nothing improves your time like having somebody dance. It pulls the whole thing together, and is also a nice little feedback thing”. By creating this environment for the fans to feel freedom they were able to advance in their musical explorations themselves and feel freedom on a stage. This was revolutionary time period to be alive. During their birth of a band they were one of the least popular San Francisco bands getting zero media attention. Immerging from the scene were bands like Jefferson Airplane and Quicksilver Messenger Service, this was a beautiful time period to be a band, it was almost impossible not to have inspiration everywhere you looked.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 16-Aug-2010 I, John Lane , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Percussion It is entitled: Abstracted Resonances: A Study of Performance Practices Reflecting the Influence of Indigenous American Percussive Traditions in the Music of Peter Garland Student Signature: John Lane This work and its defense approved by: Committee Chair: Allen Otte, MM Allen Otte, MM 8/18/2010 1,060 Abstracted Resonances: A Study of Performance Practices Reflecting the Influence of Indigenous American Percussive Traditions in the Music of Peter Garland A doctoral document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music by John Lane March 22, 2010 B.M., Stephen F. Austin State University, 2002 M.M., University of North Texas, 2004 Project Advisor: Allen Otte Abstract The history of purely American musical traditions—those not influenced by European ideals—has been largely unexplored by composers. One of the few composers to have created a new music in the search for a uniquely American identity is Peter Garland. Unlike the Euro- centric approach of George Gershwin, Aaron Copland, or William Grant Still, Garland attempts to create an American identity in music by utilizing the actual resonances—both physical and psychological—of indigenous cultures. The intent of this document is to shed light on Native American influences in the percussion music of Peter Garland and their realization through the most conscientious and sympathetic of performance practices.
    [Show full text]
  • College Debaters Take High Honors
    VOLUME 96, NUMBERCAMPUS 33 ALLEGHENY COLLEGE, MEADVILLE, PENNSYLVANIA FRIDAY, JANUARY 12, 1973 Sunday afternoon Touring company to perform As You Like It The Oxford and Cambridge Shakespeare Company, in their fifth season of American university touring, will present As You Like It by William Shakespeare, at Allegheny on Sunday, January 14. The popular romantic comedy will be staged in the Campus Center auditorium at 2:30 p.m. Writing As You Like It around 1599 to please his large and diversified audience, Shakespeare developed the fashionable myths that rural living is superior to city dwelling, and lovers always fall in love at first sight and become miraculously eloquent about it. Taking the plot from the novel Rosaly-nde by Thomas Lodge, published in 1590 Shakespeare's story is much swifter and clearer for he takes it much less seriously than Lodge did. As the play opens, Duke Frederick has usurped the dukedom of his elder brother, Duke Senior, who is living in exile in the Forest of Arden. Frederick's daughter, Celia, and his brother's daughter, Rosalind, childhood friends, are living at Frederick's court along with Sir Rowland de Boys' sons, Oliver and Orlando. Following a quarrel between Oliver and Orlando, Orlando, who has fallen in love with Rosalind, has to flee for his life. Rosalind is also banished by Duke Frederick, Celia follows her, and all join Duke Senior in the Forest Arden. It is in the Forest that the main business of Rosie Kerslake as Rosalind, Andrew Whiffin as Jaques de Bols, Peter Wight as Oliver, and Sophie Cox as Celia are members of the Oxford the play, flirtations and mocking Cambridge Shakespeare Company that will present "As You Like It" in the Campus Center Auditorium at 2:30 on January 14.
    [Show full text]
  • Modernism, Postmodernism, and the Grateful Dead: the Evolution of the Psychedelic Avant-Garde Jason Robert Noe Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1996 Modernism, postmodernism, and the Grateful Dead: the evolution of the psychedelic avant-garde Jason Robert Noe Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Noe, Jason Robert, "Modernism, postmodernism, and the Grateful Dead: the evolution of the psychedelic avant-garde" (1996). Retrospective Theses and Dissertations. 16133. https://lib.dr.iastate.edu/rtd/16133 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Modernism, postmodernism, and the Grateful Dead: the evolution of the psychedelic avant-garde by Jason Robert Noe A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department: English Major: English (Literature) Major Professor: Nina Miller Iowa State University Ames, Iowa 1996 Copyright © Jason Robert Noe, 1996. All rights reserved. ii Graduate College Iowa State University This is to certify that the Master's thesis of Jason Robert Noe has met the requirements of Iowa State University Signatures have been redacted for privacy
    [Show full text]
  • Wavebid > Buyers Guide
    Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:37 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges holding family pod of 3 Orcas/ killer 1 whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - 2 Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful 3 rimmed plate. 5.095 ozt {in house shipping available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & 4 Mushroom Dancer Fantasia. {in house shipping available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal 5 Super Bowl 37 Buccaneers football #1691/2003 & Murano with copper fleck (both in great condition) {in house shipping available} Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville 6 Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded 8 by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road in bright retro style, included is 9 folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et 10 Jeanne Aubert 17 Mai 1887, electrified.
    [Show full text]
  • Brand New Cd & Dvd Releases 2004 5,000+ Top Sellers
    BRAND NEW CD & DVD RELEASES 2004 5,000+ TOP SELLERS COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, Videos, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2004 5,000+ titles listing are all of U.K. manufactured (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. 695 10,000 MANIACS campfire songs Double B9 14.00 713 ALARM in the poppy fields X4 12.00 793 ASHER D. street sibling X2 12.80 866 10,000 MANIACS time capsule DVD X1 13.70 859 ALARM live in the poppy fields CD/DVD X1 13.70 803 ASIA aqua *** A5 7.50 874 12 STONES potters field B2 10.50 707 ALARM raw E8 7.50 776 ASIA arena *** A5 7.50 891 13 SENSES the invitation B2 10.50 706 ALARM standards E8 7.50 819 ASIA aria A5 7.50 795 13 th FLOOR ELEVATORS bull of the woods A5 7.50 731 ALARM, THE eye of the hurricane *** E8 7.50 809 ASIA silent nation R4 13.40 932 13 TH FLOOR ELEVATORS going up-very best of A5 7.50 750 ALARM, THE in the poppyfields X3
    [Show full text]