Annual Report 2009 Fundació Es Baluard Museu D'art Modern I

Annual report 2009 Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma Board of Trustees of Fundació Es Baluard Museu d’Art Modern ANNUAL REPORT Es Baluard Museu d’Art Modern i Contemporani de Palma Edition i Contemporani de Palma Fundació Es Baluard Museu d’Art Modern Director i Contemporani de Palma Cristina Ros Salvà January 2009 Coordination Honorary President Secretary Cultural Diffusion Department His Majesty King Juan Carlos I Clara Llompart Founding President Texts Rt. Hon. Sr. Pere A. Serra Bauzà Administration Department Es Baluard staff members President Antoni Torres Rt. Hon. Ms. Aina Calvo Sastre Daniel Rebassa Images Members of Board of Trustees Gabriel Ferrer Es Baluard staff members Rt. Hon. Mr. Francesc Antich Oliver Francisco Medrano Joan Ramon Bonet/ David Bonet Hon. Ms. Bàrbara Galmés Chicón Andreu Verd Diego D’Intino Gregorio Daureo Anamarija K Rt. Hon. Mr. Miquel Nadal Buades Maria Gayà Rt. Hon. Ms. Francina Armengol Corinne Murre Translation and revision Hon. Ms. Joana Lluïsa Mascaró Melià Gabriel Rotger Es Baluard staff members Hon. Ms. Dolça Mulet Dezcallar Ana Huertas Language Assessment Service. Palma Municipal Council Rt. Hon. Ms. Aina Calvo Sastre Paz Montesinos Pedro Andreu Rt. Hon. Ms. Nanda M. Ramon Tous Mercia Barreto Judith Glueck Hon. Ms. Cristina Cerdó Capellà Núria Jover Rt. Hon. Mr. Pere A. Serra Bauzà Núria Maruny Ms. Carmen Serra Magraner Design Mr. Rogelio Araújo Gil Artistic Department hastalastantas Catalina Joy December 2009 Soad Houman Printing Rosa Espinosa Impresrapit – Global printers Honorary President Ana Gardlund His Majesty King Juan Carlos I Mª Victoria Palmer Founding President Rt. Hon. Mr. Pere A. Serra Bauzà Cultural Diffusion Department © of the current edition Fundació Es Baluard Museu d’Art President Aina Bauzà Modern i Contemporani de Palma Rt. Hon. Ms. Aina Calvo Sastre Eva Cifre © of the texts, the authors Members of Board of Trustees Irene Amengual © of the images, the authors Rt. Hon. Mr. Francesc Antich Oliver Maria del Mar Barceló Hon. Mr. Bartomeu Llinàs Ferrà Sebastià Mascaró National Book Catologue Number: Hon. Mr. Miquel Ferrer Viver PM 2670 – 2005 Marketing and Communication Department Rt. Hon. Ms. Francina Armengol Socias Malú Llompart Hon. Ms. Joan Font Massot Maria Antònia Reus Hon. Ms. Dolça Mulet Dezcallar Sofia Borràs Rt. Hon. Ms. Aina Calvo Sastre Dora Sánchez Rt. Hon. Ms. Nanda M. Ramon Tous Jesús Torné Hon. Ms. Cristina Cerdó Capellà Perico Gual de Torrella Rt. Hon. Mr. Pere A. Serra Bauzà Ms. Carmen Serra Magraner Mr. Rogelio Araújo Gil In 2009, Es Baluard Museu d’Art Modern i Contemporani de um housed an exhibition that needed a lot of space: «Anselm Palma, celebrated its fifth anniversary. The entire team made a Kiefer. Works from the Grothe Collection». It was the German special effort to offer the kind of quality exposition and activi- artist’s first individual exposition in the Balearic Islands, dis- ties programmes deserved by this important commemoration playing some works that are considered to be the most rep- and all those who awaited it. Now, in this report, we recall all resentative of his career. More than 43.000 people visited the the initiatives that took place in 2009: from the Anselm Kiefer exposition. At the same time, two other exhibitions opened: exhibition, whose opening marked the start of the fifth-anniver- «Power Food», a project by Antoni Miralda and the FoodCultura sary commemoration and drew more than 1700 attendees, to the Museum Foundation; and «Robert Mapplethorpe», which con- renewal of the permanent collection, including performances like sisted of portraits, self-portraits, bodies and flowers, with a those by Lydia Lunch, Christina Rosenvinge, Eduard Escoffet and selection of the most significant works by the photographer the Au Ments company, without forgetting the great project ac- from the United States. complished by the education department with the programme «Cartografiem-nos» and others for education and social inte- The three exhibitions, in three separate spaces at the mu- gration. As I was saying, now is the moment to reflect upon seum, generated great interest in Es Baluard—an interest that these efforts and recognize that they were not in vain. As such, was reflected on the pages of major national and internation- I would like these first lines to be ones of congratulations for al newspapers and journals. In addition, there were ten tem- the team at the museum because I sincerely believe that we porary exhibitions during 2009. In addition to those already achieved the quality that we aspired to. Moreover, I would like mentioned, we must add (in order) «Under the Snow», pain to extend my special thanks to the great support of the general tings by the great Russian artists Ilya and Emilia Kabakov; an public who demonstrated their interest in the museum. homage to the centennial of the birth of the painter Juli Ramis from Soller, for which an encounter was arranged with those At the beginning of 2009, a good portion of the museum’s col- artists with whom he maintained friendship and other those lection was removed from public exhibition for two purposes. who left their mark on his work, through the exposition «Juli On one hand, the artistic department (together with the writer Ramis visits Picasso, Marie Laurencin, Wifredo Lam, Archie of these words) needed time for a study of the works that Gittes, Wols, Miró, Nicolas de Staël, Poliakoff, Fautrier, Masson»; make up the Es Baluard art collection in light of proposed fu- «Joan Cortés. Memory of Water» was the light, white proposal ture expositions, temporary viewings or selections. Each one for the Es Baluard Aljub by the Pollenca artist; this was fol- will be different, in order to offer the dynamism and wealth of lowed by a garden of light, the immense «Garden of Eden#2», analysis that every art collection presents. On the other hand, by the Portuguese artist Joana Vasconcelos, also housed in the starting in January and for the next seven months, the muse- historical collection. In conjunction with the celebration of Art at Night, the major- Before 2009 began, Es Baluard proposed the enhancement of programming around «Power Food», for which, in addition munication with the public so that the museum can be un- ity of the exposition space at the museum featured the perma- of collaborations with museums and art centres from dif- to conferences on nutrition and rondalles, Gaspar Caballero derstood and appreciated as the public institution it is, in nent collection by way of «Crossing Landscapes: A Look at the ferent cities across the world, not only for the profitability came from Segovia to teach a course on organic horticulture; addition to promote an opening up to new horizons beyond Es Baluard Collection». The exposition joined together artists of its projects but also and mainly as a way to promote the and even the youngest tykes learned to prepare creative reci- the Balearic Islands through the collaboration with museums that spanned distant periods, diverse attitudes regarding their museum and establish and strengthen its national and in- pes with the help of the artist Neus Marroig. Moreover, the and art centres on the front lines of the international map». I own works, and different observations on individuality and ternational ties. Thus, we worked with the MKM museum annual «Llunes d’Es Baluard» programme brought together believe that in this short period of time, to the best of our abil- collectivity; its opening marked the beginning of a collection in Duisburg and the Stiftung für Kunst und Kultur in Bonn 3.000 people on Fridays in July on the museum’s terrace for ity and fully aware that everything can be improved, in the of publications that feature works from the Es Baluard col- (Germany) on the organization of the Anselm Kiefer exposition; great acts of sound poetry and performances whose common year 2009 we have created a social network for Es Baluard, lection and highlights (as evidenced in the nature of the se- we co-produced the Antoni Miralda exposition with Artium in theme was words. one that makes possible new participation by the public, new ries) the diverse views an art collection offers. The collection Vitoria; after its exhibition at Es Baluard, Robert Mapplethorpe’s collectionists, private companies and other institutions will- grew substantially in 2009, thanks to the acquisition of 40 work travelled to the TC3 Building in Slovenia and the CAC in To finish this undoubtedly limited review of the activities ing to collaborate on different projects. I can’t neglect to men- works—among them are paintings signed by Amador, Broto, Málaga; Ilya and Emilia Kabakov’s exhibition was made in con- undertaken this year, I would like to highlight the initiatives tion the generous support from Bancaja, Air Europa, Caja del Carbonero, Mònica Fuster, García Sevilla, Sicilia and Uslé; junction with the CAC in Málaga, the Sara Hildénin Taidemuseo aimed at visitors’ loyalty. With this in mind, we integrated the Mediterráneo (CAM), Obra Social Sa Nostra, Fundació IBIT, sculptures by José Bechara, Daniel Chust Peters, Pep Llambias, in Tampere (Finland) and the Museum am Ostwall in Dortmund, special «Tu decideixes» admission rate into «Llunes d’Es Balu- MENU, Secretary of Tourism of City Hall of Palma, Horrach David Nash and Jorge Mayet, an installation by Tim Noble while Joana Vasconcelos’ installation was subsequently shown ard» programme. Set at the end of 2008, the rate allows visi- Moyà Hotels and Poraxa, to whom Es Baluard owes a deep & Sue Webster and photographs by Rafael Agredano, Helena (2010) at the Centro Cultural de Belém, Museu Colecção Berardo tors on Friday to pay what they wish and enjoy Es Baluard for thanks for their contributions. Likewise, we hold in high es- Almeida, Per Barclay, Joan Ramon Bonet, Pepe Cañabate, Joan in Lisboa. As for educational programming, it is important to as little as 0,10 euro. We extended the museum’s hours to stay teem the involvement of museums and art centres that form Fontcuberta, Alberto García-Alix, Pierre Gonnord, Dionisio note the collaboration that Es Baluard established within the open until midnight every Friday in July and August. Like- an ever-growing and better-connected network, as well as the González, Alfredo Jaar, Joan Morey and Eulàlia Valldosera. Euroregion through Centre d’Art la Panera in Lleida, CDAN in wise, in order to promote more sustainable transportation in participation of media, newspapers and specialized journals Huesca and Le CRAC (Sète, France), as well as programmes the city and support the opening of the city’s new bike lanes, that have spread the word about the museum’s initiatives. That said, new acquisitions were not the only source of oriented towards special education and hospital environ- Es Baluard created bicycle parking in the central patio and So then, I would like to thank each and every one of you, new additions to Es Baluard. Collaborations with collection- ments wherein work was done with people with mental ill- established «Si véns en bici», a new 2 euro admission rate. because in 2009—the fifth anniversary of Es Baluard Museu ists from or related to the Balearic Islands and the trust they nesses. These experiences will continue throughout 2010 and d’Art Modern i Contemporani de Palma—we took one more placed in the museum led to an increase in the temporary into the future. Also in 2009, we worked on the design of a new, more inter- step, and a very important one, towards the excellence we loans from three private collections of such important works active and innovative website that will be ready in just a few strive for and towards the unification of a museum that is as three paintings and a sculpture by Anselm Kiefer (prop- The documentation following in this report attests to the weeks. Truly, the most important step towards promoting ties just starting out and that, together, we help to develop and erty of the Grothe collection), two paintings by Imi Knoebel, achievement of Es Baluard’s goal to connect expositions with between visitors and others interested in Es Baluard were the improve year after year. Jim Bird and Ramon Canet; one each by Luis Gordillo, Gunter a majority of the museum’s activities, from educational ac- efforts made to create a social network through the use of Forg, Helmut Dorner, Ciria, Peter Zimmermann, Rafa Forteza, tivities to all types of initiatives aimed at diverse audiences. platforms like Facebook, Tuenti and Twitter, the success of Horacio Sapere; a sculpture by Anthony Caro and 29 ink For this purpose, the Cultural Action department organised which has allowed for notably increased abilities to gather drawings by Antoni Marí Ribas Portmany. With these words, conference series and dialogues with important specialists people together, transmit information and exchange opinions. I can only extend my deepest thanks for the generous contri- on Anselm Kiefer’s work, a Neuer Deutscher Film series, and Cristina Ros Salvà butions by these collections, the majority of which choose to dance and theatre performances associated with the German I wrote in the 2008 annual review that we at Es Baluard needed Director remain anonymous. artist’s painting and philosophy. Also, there was a full range to promote «a new dynamic oriented towards increasing com- Es Baluard Museu d’Art Modern i Contemporani de Palma Table of contents

11 Art Department 12 Temporary exhibitions 42 Loans from the collection to other institutions

45 Cultural diffusion Department 46 Education programme 46 Workshops 52 Schools 55 Euroregion projects 63 Courses, conferences and seminars 72 Activities

91 Communication and marketing Department 92 Marketing 99 Communication

107 Administration Department Economic information 108 Auditor’s report on the Annual Accounts 110 2009 Annual Accounts Art Department

The Art Department’s main goals are to conserve, research and disseminate the permanent collection and develop a temporary exhibition programme that strikes a balance between disseminating the museum’s own collection, promoting Balearic artists by framing them within the international context and introducing the Balearic community to works by great modern and contemporary artists. 12 Annual report 2009 | Art Department | Temporary exhibitions 13 Annual report 2009 | Art Department | Temporary exhibitions

«Anselm Kiefer. Works from the Grothe Collection» «Anselm Kiefer. Works of the Grothe collection». Opening «Anselm Kiefer. Works of the Grothe collection». Press conference Curator: Walter Smerling, president of the Stiftung für Kunst und Kultur, Bonn Exhibition Dates: 31st January – 30th August 2009 Area: Floor 0 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma and Fundación Bancaja

With «Anselm Kiefer. Works from the Grothe collection», «Anselm Kiefer. Works from the Grothe collection» presented the first individual and retrospective exhibition of the artist a different view of the work of this German artist, who in the Balearic Islands, Es Baluard Museu d’Art Modern was born in 1945 in Donaueschingen and now resides in i Contemporani de Palma celebrated its fifth anniversary. France. He is interested in retrieving the historical memory The exhibition was co-organized with Bancaja and curated of his country -the dramas and consequences of the Second by Walter Smerling, president of the Stiftung für Kunst und World War-, as well as in Kabbalah, Judeo-Christianity and Kultur in Bonn, and presented carefully selected works mythology, among other subjects that allow him to enter into created by the artist between the beginning of the 1980s their inner world through metaphors, allegories and frequent and today. They were in immense format and were very literary references to Paul Celan, Ingeborg Bachmann, Goethe, significant works in Anselm Kiefer’s career, as well as being a Heidegger, etc. Kiefer’s works interrogate the observer, they worldwide reference point for the investigation and conquest make one question the past, present and also the future of new forms of expression for interpreting the world and an through the paintings, as the drama, the questions and the immersion in the sources of knowledge. provocation arise from the heart of the painting. In the words «Anselm Kiefer. Works of the Grothe collection». Opening of Walter Smerling, «Kiefer’s work is a continuous challenge to the senses and the spirit».

Anselm Kiefer. Obres de la col·lecció Grothe

Authors: Juan Manuel Bonet, Aina Calvo Sastre, Peter Iden, Anselm Kiefer, José Luis Olivas Martínez, Dieter Ronte, Cristina Ros Salvà and Walter Smerling ISBN: 978-83-936697-1-3 164 pages 28.5 x 28.5 cm Languages: Catalan, Spanish, English and German

Catalogue of Anselm Kiefer’s first solo retrospective exhibition in the Balearic Islands, which featured a selection of works from the Grothe Collection. The catalogue contains colour reproduction of the works on display, as well as texts by experts Juan Manuel Bonet, Peter Iden, Dieter Ronte and Walter Smerling, in addition to an essay by the artist. 14 Annual report 2009 | Art Department | Temporary exhibitions 15 Annual report 2009 | Art Department | Temporary exhibitions

22/01/09 | Mallorca Zeitung 30/01/09 | www.elcultural.es 31/01/09 | Última Hora

02/09 | Descubrir el arte 21/02/09 | El País, Babelia 21/05/09 | Mallorca Magazin

«Power Food». Miralda-FoodCulturaMuseum «Power Food». Opening Curator: Miralda-FoodCulturaMuseum Exhibition Dates: 21st February – 24th May 2009 Area: Floor -1 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma and Artium Centro-Museo Vasco de Arte contemporáneo

«Power Food» was the vigorous title of the Project created by The aphrodisiac values associated with armadillo meat have Miralda-FoodCulturaMuseum, which offered a very personal survived until the present day, now attached to viagra. Dr. view of food and nutrition culture. Since years ago the Jekyll and Mr. Hyde appeared side by side with witches FoodCultura team led by the artist has worked at developing and with Popeye’s spinach, which became a legend of child this poetic and powerful view of food in a universal nutrition thanks to a typographic error on the amount of anthropological environment. The exhibition proposed iron that it contained. All of these elements are paradigmatic a network of connections linking food to energy and to of many common customs, representations and beliefs in medicine, as well as to rituals, tradition, beliefs and popular contemporary culture. They were illustrated with projections, culture. It analyzed the relationships that are established posters, recipes, and advertising slogans, as well as a range between this basic need and the control, marketing, and of containers that formally represent the powers of the representations of power. It therefore offered a look at one of product that they contain: bottles and other recipients that are the main driving forces of our culture, our economy, and our anthropomorphic or include religious imagery, phallus shaped social relations. decanters, all representing a direct transformation of food into concepts within our culture. Lively colours, a popular kitsch Antoni Miralda aesthetic, and the deployment of codes of seduction, tie the object to health or to success in social relationships, while transported us from fascination, to recognition or surprise.

Powerfood. Lexicom

Authors: D.A. ISBN: 978-84-612-7214-3 586 pages 28 x 13.5 cm. Languages: Catalan, Spanish, English and German

This is more like a book on food culture than a conventional exhibition catalogue. Compiled by Antoni Miralda, the exhibition’s creator and artist, and FoodCulturaMuseum, the book introduces fifty concepts that spark reflection on the connections between food/culture and energy/ power, accompanied by images that are not intended to illustrate the texts, but rather provide a cross-sectional view. The catalogue also includes articles by 46 experts on these issues. 22 Annual report 2009 | Art Department | Temporary exhibitions 23 Annual report 2009 | Art Department | Temporary exhibitions

20/02/09 | Diario de Mallorca 05/03/09 | Mallorca Magazin

07/03/09 | El País, Babelia 10/03/09 | www.hoyesarte.com 05/09 | ABC Mallorca

05/09 | Casas Coté Sud

05/09 | Casas Coté Sud 26 Annual report 2009 | Art Department | Temporary exhibitions

«Studio: Mallorca and the renovation of landscape painting»

Curator: Cristina Ros Salvà Exhibition Dates: 2nd March 2009 – 6th September 2009 Area: Floor 1 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma Collection: Es Baluard Museu d’Art Modern i Contemporani de Palma

In the early twentieth century, Catalonia and the Balearic Within a few years, the torch was passed to Hermen Anglada- Islands prompted the renovation of the landscape genre in Camarasa and his disciples - one of whom was the Argentinian Spain. With the arrival of the new century, Mallorca became Tito Cittadini - who had all settled on the island, which they a destination for writers and artists who found a response to turned into a source of inspiration. In a brief, yet noteworthy their concerns on the island. stay, Valencian artist Joaquín Sorolla found peace and quiet in Mallorca and gave in to the North Coast’s bewitching beauty. In addition to Belgian William Degouve de Nuncques, Catalan painters Santiago Rusiñol and Joaquim Mir were the architects Key painters in the history of Spanish landscape painting were of the introduction of Modernism and Symbolism, currents on display at Es Baluard Museu d’Art Modern i Contemporani that embodied a reaction against academic painting by de Palma through its Collection, offering a genuine, innovative using Impressionist and post-Impressionist elements. After look in their day at Mallorcan landscape. settling in Mallorca, they forged friendships and shared experiences with island artists such as Antoni Gelabert, who was infected by their innovative spirit and developed a personal and synthetist perspective of landscape painting.

Joaquim Mir Puesta de sol C. 1903 Oil on canvas 280 x 190 cm Es Baluard Musseu d’Ar Modern i Contemporani de Palma 28 Annual report 2009 | Art Department | Temporary exhibitions 29 Annual report 2009 | Art Department | Temporary exhibitions

«Robert Mapplethorpe» Cristina Ros, Eric R. Johnson, Michael W. Staut, Jill Silverman «Robert Mapplethorpe». Opening General Coordination: Jill Silverman van Coenegrachts Curator: Cristina Ros Salvà Exhibition Dates: 13th March – 17th May 2009 Area: Floor 0 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma; Narodna galerija and TR3 Building, Ljubljana, Eslovenia; CAC Málaga, Centro de Arte Contemporáneo de Málaga

Through his photographs, Robert Mapplethorpe managed A photographer of classical subjects in search of perfection, to break through sexual, racial, gender and religious a revolutionary in the socio-political context in which he was prejudices and become a mythological figure in the destined to live, Mapplethorpe, through the way he looked at and American homosexual revolution of the 1970s and 80s. As interpreted the form and, among other aspects, also for making a mainly studio photographer, he was greatly concerned his body of work into a kind of diary of his own experiences with aesthetics. He was man whose steadfast objective and demands, is one of the great precursors of the artistic was the quest for emanating beauty or that which could be photography that dominates the contemporary proposal. discovered in animate and inanimate bodies. He controlled his compositions to the millimetre –the proportions, the To coincide with the twentieth anniversary of Robert balance, the focus, the black and white, the shade and light, Mapplethorpe’s death in New York on 9 March 1989, Es the body postures, the attitude, the skin textures- everything Baluard presented for the first time in the Balearic Islands a «Robert Mapplethorpe». Opening that had to be in the photograph and everything that had to wide-ranging retrospective exhibition of photographs created be left out. between 1975 and 1989, with a representation of the main themes of the artist’s work – self-portraits, male and female nudes, portraits of famous people (Andy Warhol, Louise Bourgeois, Patti Smith, Grace Jones, etc.) and photographs of flowers, statues and sex scenes.

Robert Mapplethorpe

Authors: Aina Calvo Sastre, Cristina Ros Salvà and Peter Weiermair ISBN : 978-84-935852-9-7 196 pages 27.3 x 25.1 cm Languages: Catalan, Spanish, English and German

Coinciding with the twentieth anniversary of Robert Mapplethorpe’s death, Es Baluard presented the first large-scale retrospective exhibition of his work from 1975 to 1989 in the Balearic Islands. The catalogue includes colour reproductions of the works on display and essays by curator Cristina Ros and Peter Weiermair. 30 Annual report 2009 | Art Department | Temporary exhibitions 31 Annual report 2009 | Art Department | Temporary exhibitions

12/03/09 | El Mundo 13/03/09 | http//w3art.es 05/09 | DP

Ilya & Emilia Kabakov. «Under the snow»

Curator: Cristina Ros Salvà Exhibition Dates: 12th June – 6th September 2009 Area: Floor -1 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma, CAC Málaga, Centro de Arte Contemporáneo de Málaga, Sara Hildén Art Museum, Tampere (Finland) and Museum am Ostwall, Dortmund (Germany)

Ilya Kabakov, born September 1933, and Emilia Kabakov, He lived in Russia until 1987. In 1992 he moved with his wife born December 1945, both in Dnepropetrovsk (Ukraine), are Emilia to New York. Today, he lives and works on Long Island. two of the most internationally important husband-and-wife artists to emerge from the former Soviet Union. Ilya Kabakov, This exhibition in Es Baluard was the first time work by considered the father of Russian conceptual art, trained at the the Kabakovs had been shown in the Balearic Islands. It Surikov Art Academy and worked in Moscow from the 1950s was made up of large-format paintings and drawings from until the end of the 80s. Emilia has worked since 1975 as an the Under the Snow series created between 2004 and 2006. exhibition organiser and art dealer, and has collaborated with Although he has mainly focused on installations since the Ilya since 1989. 1990s, Kabakov returned with vigour to painting, which he had never really left since he began in 1956. And he did Over more than four decades they have created a large body this with works that remind you of the small windows of of paintings, drawings, installations and theoretical texts, landscape that you can see between the clouds when you many of which evoke the visual culture of the Soviet Union. are travelling by plane, or those holes in the snow through Unlike other underground Russian artists, Ilya Kabakov which you can see fragments of the earth. Social analysis, joined the Union of Soviet Artists in 1959 and became a full incitement to reflection, Kabakov explains the birth and the member in 1965. Despite his position as an «official artist», he decline of the Soviet Union, while alluding to the «defrosting» also worked on his own projects, which became increasingly that occurred during the destalinisation or Khrushchev experimental in the 1960s and conceptual in the 70s. He period, as a mosaic of fragments and memories that bring became an important figure in the circle of dissident artists. together history, landscape painting and abstraction.

Ilya & Emilia Kabakov. Under the snow

Authors: Aina Calvo Sastre, Boris Groys, Ilya & Emilia Kabakov, Rod Mengham and Cristina Ros Salvà ISBN: 978-84-936697-2-0 61 pages 26 x 25.5 cm Languages: Catalan, Spanish, English and German

The catalogue from the first exhibition in the Balearic Islands of works by artists Ilya and Emilia Kabakov, considered the most outstanding examples of Russian Conceptualism. Focussing on the recent series Under the snow, this catalogue contains colour reproductions of the works on display, along with critical essays by experts.

Painting Number 4 Oil on canvas 249 x 185’5 cm, Private Collection, courtesy Galerie Thaddaeus Ropac, París/Salzburgo ©Ilya Kabakov,VEGAP,Palma,2009 36 Annual report 2009 | Art Department | Temporary exhibitions 37 Annual report 2009 | Art Department | Temporary exhibitions

«Juli Ramis visits Picasso, Marie Laurencin, Wifredo Lam, Wols, Archie Gittes, Joan Miró, André Masson, Nicolas de Staël, Poliakoff, Fautrier»

Curator: Marta Sierra Exhibition Dates: 21st June – 20th September 2009 Area: Floor 0 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma

On the centenary of the birth of Juli Ramis (Sóller 1909 – The objective of the exhibition, which was organised by Marta Palma 1990), Es Baluard Museu d’Art Modern i Contemporani Sierra, was to contextualise the figure of Ramis by visiting the de Palma payed homage to this artist who manifested a work of the ten mentioned artists, with whom he had a truly constant desire to investigate languages and search for the enriching personal relationship, above all from the artistic perspectives of modernity itself. «Juli Ramis visits Picasso, point of view, as, in one way or another, they left a more or Marie Laurencin, Wifredo Lam, Wols, Archie Gittes, Joan less profound mark on his work or they opened the doors Miró, André Masson, Nicolas de Staël, Poliakoff, Fautrier» to other relationships, to the knowledge of other languages, was an exhibition that aimed to reveal the restlessness that or to other paths to follow. «Juli Ramis visits Picasso, Marie motivated the painter from Sóller, the restlessness that led Laurencin, Wifredo Lam, Wols, Archie Gittes, Joan Miró, him to leave his island, to look far and high, the restlessness André Masson, Nicolas de Staël, Poliakoff, Fautrier» aimed «Juli Ramis visits Picasso, Marie Laurencin, Wifredo Lam, Wols, Archie Gittes, Joan Miró, André Masson, Nicolas de Stäel, Poliakoff, Fautrier». Opening that brought him into contact with the members of the avant- to be a reunion that allowed us, with the passing of time and garde movement and to study them in depth in order to forge through this expositive reading, to analyse the importance his own language. of Juli Ramis’ work in a context of a very distant modernity, although one that was advanced for the time and the society of the island on which he was born.

Juli Ramis visita Picasso, Marie Laurencin, Wifredo Lam, Wols, Archie Gittes, Joan Miró, André Masson, Nicolas de Staël, Poliakoff, Fautrier

Authors: Aina Calvo Sastre, Daniel Giralt-Miracle, Eduardo Jordà, Cristina Ros Salvà, Pere A. Serra Bauzà and Marta Sierra ISBN: 978-84-936697-3-7 176 pages 24 x 24 cm Languages: Catalan, Spanish, English and German

The catalogue of the exhibition on Mallorcan artist Juli Ramis, organised for the centenary of his birth, contextualises his artistic evolution in parallel to his life story and the relationships he shared with artists such as Picasso, Wifredo Lam and Marie Laurencin, among others. The catalogue includes colour reproductions of all the works on display, as well as critical essays by curator Marta Sierra and art critic Daniel Giralt-Miracle, among others. 40 Annual report 2009 | Art Department | Temporary exhibitions 41 Annual report 2009 | Art Department | Temporary exhibitions

20/06/09 | Diari de Balears 20/06/09 | El Mundo 13/07/09 | El País 09/09 | Arte y Parte

17/07/09 | El Temps 09/09 | Descubrir el arte

Joan Cortés. «Memory of Water» Joan Cortés Exhibition Dates: 10th July – 11th October 2009 Area: Aljub Production: Es Baluard Museu d’Art Modern i Contemporani de Palma Collaboration: PORAXA

Of the sculptors working in the Balearic Islands, Joan Cortés purification, the minimum amount of gestures, the essential (born in Pollença, Mallorca in 1964) is possibly the best elements. It is the diversity that repetition can offer when the known and also has one of the most distinctive sculptural artist has a command over the codes of composition, and languages. He returned to the historical origins of the Aljub the lightness of that which appears to be weightless, of that with «Memory of Water», a sculpture-installation specially which offers the sensation of separating itself from the earth created for this space in the Es Baluard Museu d’Art Modern and rising, as the things of the soul or the things that emerge i Contemporani de Palma. It prompted a dialogue between from the soul rise, and going directly to it. the antiquity of the ancient reservoir and a work of art that transpired absolute contemporaneity. Joan Cortés not abandoned any of the connotations of his sculpture. The white of practically all his works was also the «Memory of Water», the material, the colour, the form and the source of light in «Memory of Water»; a white landscape that, composition contributed to the description of the sculpture given the succession of straight and curved plains of great that Joan Cortés was working on for the past decades: the gentleness and great sensuality, created effects of light and delicateness that was manifested not only in the treatment of shade that naturally contributed to a final modelling of the «Memory of Water» the pieces that make up the work, but also in the way some forms. It was the artist’s own poetry, a white poetry, subtle of the forms had of embracing the others to create new forms and captivating, that, from its diaphanous spirit, proffered a and made us feel the combined vibration; the fragility, as a feeling of wellbeing, interior peace and a silence that never characteristic, not so much physical, but of feelings; it gave a disturbed. very particular feeling of accumulation, an accumulation that had nothing to do with Barroquism, but rather with maximum

Joan Cortés. Memòria de l’aigua

Authors: Aina Calvo Sastre, Santiago Olmo and Cristina Ros Salvà ISBN: 978-84-936697-4-4 120 pages 22 x 22 cm Languages: Catalan, Spanish, English and German

Mallorcan artist Joan Cortés recovered the historical origins of The Aljub with «Memòria de l’aigua», a sculpture-installation created specifically for Es Baluard Museu d’Art Modern i Contemporani de Palma. The catalogue includes images of the work in progress and its installation, accompanied by essays by Museum Director Cristina Ros, and art critic Santiago Olmo. 44 Annual report 2009 | Art Department | Temporary exhibitions 45 Annual report 2009 | Art Department | Temporary exhibitions

06/09 | Arte y Parte 09/07/09 | El Mundo 10/09 | Paisajes 18/07/09 | Suplement de cultura del Diari de Balears

«Crossed Landscapes. Looks at the Es Baluard Collection» «Crossed Landscapes. Looks at the Es Baluard Collection» Curator: Cristina Ros Salvà Exhibition Dates: 17th September 2009 – 10th January 2010 Areas: Floor 0 and Floor -1 Production: Es Baluard Museu d’Art Modern i Contemporani de Palma

«Crossed Landscapes» marked the start of «Looks at the Es The exhibition, which occupied a large part of the ground Baluard Collection», a series of reviews, tours or observations and first floors, encompassed some 65 works by 40 artists, from various perspectives of the collection of works in Es most of which belonged to Es Baluard’s own collection, in Baluard Museu d’Art Modern i Contemporani de Palma’s addition to works on temporary loan to the Museum from care. However, this show had a precedent between September institutions, companies and private collectors. Many of the 2008 and January 2009, the «80s and drifting» that signalled works in «Crossed Landscapes» had never been on display at back then the museum’s desire to offer partial studies of its Es Baluard before, either because they were among the works permanent collection in the form of temporary exhibitions, acquired by the Museum during the last months of 2008 views from experts on the museum’s own staff and external and in 2009 or because they were new loans from private experts who gave and will give in the future all its visitors collections. the chance to get to know the wealth and the capacity for multiple readings that the collection of a museum such as Divided into three different areas, «Crossed Landscapes. this encompasses. Looks at the Es Baluard Collection» included works by Marina Abramovic, Helena Almeida, Anglada Camarasa, Miquel With the breadth offered by the concept of landscape Barceló, Per Barclay, Boltanski, Joan Ramon Bonet, Broto, painting, understood as a space of observation from different Campano, Ramon Canet, Pepe Cañabate, Maria Carbonero, perspectives, «Crossed Landscapes. Looks at the Es Baluard Anthony Caro, Toni Catany, Ñaco Fabré, Alberto García-Alix, Collection» set aside linear knowledge and abstained from all Antoni Gelabert, Luis Gordillo, Rebecca Horn, Alfredo Jaar, chronology to present a new view of Es Baluard’s permanent Pierre Gonnord, Kiefer, Imi Knoebel, Jason Martin, Joaquim collection, a selection of which was divided into three areas Mir, Joan Morey, Santiago Rusiñol, Sicilia, Sorolla and Uslé, that highlighted the coexistence and dialogue between artistic among others. stances that at first were or might seem divergent. Comparisons between languages, styles and artists or between the past Furthermore, «Crossed Landscapes» brought with it the and present intersected at «Modernism and Postmodernism», launch of a series of publications called «Looks at the Es Paisatges creuats. Mirades a la Col·lecció d’Es Baluard «Poetics and Construction» and «The Individual and Baluard Collection», which bears witness to the multiple and Collectivity», three areas of crisscrossing lines, yet also full of diverse perspectives from which the works in the Es Baluard Authors: Aina Calvo Sastre and Cristina Ros Salvà points of convergence or meeting points at junctures. collection can be viewed. ISBN: 978-84-936697-5-1 192 pages 24.5 x 17.5 cm Languages: Catalan, Spanish, English and German

«Crossed Landscapes» marks the start of «Looks at the Es Baluard Collection», a series that reviews the collection of works Es Baluard Museu d’Art Modern i Contemporani de Palma is entrusted with from various perspectives. Curated by Cristina Ros Salvà, director of Es Baluard, the selection of works revolves around three areas: «Modernism and Postmodernism», «Poetics and Construction» and «The Individual and Collectivity». This catalogue contains an essay by the curator, together with reproductions of the works on display and the artists’ biographies. 48 Annual report 2009 | Art Department | Temporary exhibitions 49 Annual report 2009 | Art Department | Temporary exhibitions

«Crossed Landscapes. Looks at the Es Baluard Collection» «Crossed Landscapes. Looks at the Es Baluard Collection» 50 Annual report 2009 | Art Department | Temporary exhibitions 51 Annual report 2009 | Art Department | Temporary exhibitions

17/09/09 | www.hoyesarte.com 17/09/09 | Diari de Balears 18/09/09 | www.exitmail.net 10/09 | Scheweizer Illustrierte

29/10/09 | Diario de Mallora, Bellver

«Garden of Eden #2». Joana Vasconcelos Joana Vasconcelos «Garden of Eden #2» Exhibition Dates: 5th November 2009 – 7th February 2010 Area: Aljub Production: Es Baluard Museu d’Art Modern i Contemporani de Palma Sponsorship: CAM - Caja Mediterráneo

The installation «Garden of Eden #2», specially created for Es into something extraordinary, she appropriates things that Baluard’s Aljub by Joana Vasconcelos (b. Paris, 1971), presented live in everyday life to lead them to a magic world capable of itself as the «negative» of the classical idea of a garden. The generating illusions and creating dreams, and she appropriates obvious artificiality of the flowers, their powerful luminous that which is markedly banal to bestow it with a transcendence attraction on being shown in dark interior spaces and the in the field of conceptual as well as objectual artistic expression. need for a supply of electricity, transported the spectator to an illusory sensation highlighted by the movement and the noise For the first time in the Balearic Islands, Joana Vasconcelos, of the motors. It was a complete paradox that, on the other one of the most solid young artists with considerable strength hand, achieved the same level of seduction as a sun-soaked and recognition on the international stage, created a work natural garden at its maximum splendour. specifically for a historical setting. However, «Garden of Eden #2» transcended its installation in Es Baluard’s Aljub, as it was Joana Vasconcelos, conscious of the fact that a garden is a part of a large-scale project in the career of this Portuguese human construction, a manipulation of nature for a dream or artist. It was the second work in a series that began in 2007 for individual or collective enjoyment, built this garden with in the New Art Gallery Walsall (United Kingdom) and which, considerable irony. In a continuous transfer, the artist, who after being exhibited in Palma, become part of a major «Garden of Eden #2» was born in Paris but is to all intents and purposes Portuguese, retrospective exhibition that the Belém Cultural Centre in time after time appropriates common objects to turn them Lisbon dedicate to the work of Joana Vasconcelos.

Garden of Eden #2. Joana Vasconcelos

Authors: Aina Calvo Sastre, Jorge Lima Barreto and Cristina Ros Salvà ISBN: 978-84-936697-6-8 68 pages 25 x 20 cm Languages: Catalan, Spanish, English and German

Joana Vasconcelos, a Portuguese artist with a long-standing career, created a work specifically for The Aljub in Es Baluard: «Garden of Eden #2», a vast, colourful, light-filled garden that breaks with any idea of a natural garden. The catalogue contains essays by Jorge Lima Barreto and Cristina Ros, in addition to images from the installation taken by Agustin Torres. 54 Annual report 2009 | Art Department | Temporary exhibitions 55 Annual report 2009 | Art Department | Temporary exhibitions

13/11/09 | El Mundo, El Cultural

16/11/09 | Diario de Mallorca

05/11/09 | El Mundo 56 Annual report 2009 | Art Department | Loans

Loans from the Collection to other institutions

Artist: Joaquim Mir Works: 1 Exhibition: «Joaquim Mir 1873-1940» Organiser: Fundació La Caixa Places and dates: CaixaForum, Barcelona From 3rd February to 26th April 2009

Museo de Bellas Artes de Bilbao, Bilbao From 11th May to 26th July 2009 Cultural Diffusion Department

The Cultural Diffusion Department aims to bring the museum and contemporary creation closer to different audiences and make it a space for contemporary art and culture where the wide variety of proposals generated in our community can find a home. We wish to open up the museum to society and make it a place for enjoyment and reflection. Our work is based on two different strands: the education programme and cultural activities for all kinds of publics. 60 Annual Report 2009 | Cultural Difussion Department | Education programme | Workshops 61 Annual Report 2009 | Cultural Difussion Department | Education programme | Workshops

Education programme Workshops

«Família! El dissabte va d’art» From 11.30 a.m. to 1.30 p.m. on Saturday mornings, we offer We continue to run our workshops for children 6 to 12 years family workshops in which children and parents engage in old and encouraged by last season’s success, we are once creative work together. The activity is divided into two parts: again scheduling workshops for the family’s youngest mem- the first for observation and the second a hands-on part in bers: children 3 to 5 years old. Children must be accompanied the workshop. by an adult in all our workshops.

Family workshop, «L’animació per ordinador: un món màgic» Family workshop, «Feim receptes» Exhibition, «Família! El dissabte va d’art» Family workshop, «Ma, me, mi mo, mu, murada...!»

«L’animació per ordinador: un món màgic» «Feim receptes» «Família! El dissabte va d’art». The 2008-09 season «Ma, me, mi, mo, mu, murada...!» For children from 6 to 12 years old For children 6 to 12 years old From June 13 to 21, 2009 For children 3 to 5 years old Saturdays, January 10, 17 and 24, 2009 (this work- Saturdays, March 21 and 28, April 4, 18 and 25, and May 9, 16 Saturdays, October 17 and 24, and November 7, 2009 (the shop had previously been held on Saturdays, Novem- and 23, 2009 To close the season, we invited families to visit the museum’s workshop will be offered again on May 8, 15, 22 and 29, 2010) ber 15, 22 and 29, and December 13 and 20, 2008). Project: Neus Marroig educational space and the documentary exhibition from the Project: Txell Cisa Project: LADAT-UIB workshops held over the course of the season. The exhibition Ingredients and mixing procedures are the foundations for included a screening of the works created by young people Since time immemorial, humans have used architecture to de- The professionals from the LADAT-UIB and the «Animar.te, 20 creating a good recipe. Using Antoni Miralda’s «Power Food» during Carles Gispert’s «N-REGISTRA» workshop. fine the physical limits of materials and the vastness of space. years of computer animation at the UIB» exhibition gave us a exhibition as a springboard, this workshop proposed a tour of To protect themselves from pirates, the citizens of Palma chance to become creators of computer animations using the a range of different foods, as well as the rituals and relation- During the inauguration, the families of participants in the erected a sturdy wall during the Renaissance that can still be stop motion technique. ships that come with it: cooking, eating, abundance, scarcity «L’animació per ordinador: un món màgic» workshop re- seen, touched and felt surrounding the museum today. This and health. The recipes and preparations were the starting ceived a DVD containing the short film each of them had cre- workshop’s objective was to inform participants about the 145 participants point for creative reflection on the contemporary food and ated during the workshop. wall and its function through a number of different activities eating culture. and the construction a 5 m2 replica of this ancient structure. 63 participants 167 participants 85 participants in 2009 62 Annual Report 2009 | Cultural Difussion Department | Education programme | Workshops 63 Annual Report 2009 | Cultural Difussion Department | Education programme | Workshops

Young people workshop, «N-REGISTRA»

Family workshop, «Sembra el teu paradís» Family workshop, «Apunta’t a la festa»

«Sembra el teu paradís» «Apunta’t a la festa» Workshops for young people For children 6 to 12 years old For children 6 to 12 years old «N-REGISTRA» Saturdays, November 14, 21 and 28, December 12 and 19, 2009 Christmas workshop: December 29 and 30, 2009 Workshops for young people 13 to 16 years old (the workshop will continue on January 9, 16 and 23, 2010) Project: Es Baluard’s Education Team Saturdays, February 28 and March 7 and 14, 2009 Project: Es Baluard’s Education Team Project: Carles Gispert A festive morning together based on a fresh way of looking Rosemary, a pitchfork, silence, a cypress, mystery, aroma, at the works in the Es Baluard Collection. Afterwards, partici- After five years of offering the «Família, el dissabte va d’art!» The workshop’s objectives were: pot, soil, light bulb, orange tree, secret ... Through Joana Vas- pants personalised calendars for coming year in the museum programme for families with children 6 to 12 years old, we - To make use of consumption technologies in an aware and concelos’ work and participating in the workshop, families workshops. were aware that many of these children had grown and need- critical manner. discover all the things that can be found in a garden, while ed another kind of offer from the museum. These first work- - To work on observation, the critical eye, details, everyday imagining and creating their own family havens. 53 participants shops for young people were planned with this intention and things, the poetry of simple things. these children in mind. - To show work methods for finding stories or narratives. 197 participants in 2009 Artist Carles Gispert proposed taking risks with contemporary 14 participants (the workshop’s total capacity) art. The participants used the electronic devices on hand (MP3 player, video camera or mobile phone, camera, video camera, etc.) to join Gispert and enter the world of contemporary art through discussion and criticism, but especially through creative experimentation, enjoyment and a fun-filled spirit. 64 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools 65 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools Education programme Guided tours The purpose of these tours is to forge initial links with the mu- Schools seum and contemporary art on the basis of the collection and temporary exhibitions. Different tours with a variety of activities tailored to visiting students’ levels or cycles are offered.

Tour. «Power Food»

«Guaita! Hi ha un museu dins les murades» «Es Baluard, un gran racó de ciutat»

«Guaita! Hi ha un museu dins les murades» «Es Baluard, un gran racó de ciutat» A tour conceived and designed for pre-school children 3 to 5 This tour is for students in primary school, compulsory sec- Es Baluard’s school programme aims to use contemporary art (the adapted to each level or cycle and framed within the cor- years old. ondary school, the baccalaureate programme, vocational museum collection and temporary exhibitions) to engage students responding curriculum in each particular case. Our work is training or adult education, among others. in appealing, participative and critical work and help them reflect committed to inclusion and integration; thus, we place a spe- We approach contemporary art, the museum space and its on the world around us. Students’ and teachers’ voices are always cial emphasis on designing programmes in which students surroundings through the senses and the body while working It is a general tour that provides an introduction to the mu- heard and heeded as vehicles of content; the work is based on with special educational needs can participate. on shapes, colours and materials. seum, its surroundings, the collection and the different tem- visual culture and content from the arts education area and com- porary exhibitions held throughout the year and includes con- mitted to interdisciplinarity and cross-sectional content. These activities are part of the Palma Municipal Council’s The tour was redesigned to work on the different exhibitions tent, activities and materials tailored to each level. «Palma, ciutat educativa» programme and are free of charge. held during the year: «Animar.te, 20 years of computer ani- The museum, its collection and temporary exhibitions are the mation at the UIB», «Anselm Kiefer. Works from the Grothe 4,371 students springboard for the work; a specific programme is designed Our offer distinguishes between guided tours of the museum Collection», «Power Food» and «Crossed Landscapes». and offered for each exhibition. The offer is wide-ranging, and studio workshop tours. 2,070 students 66 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools 67 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools

Workshop tours Primary school workshop tour Primary school workshop tour These tours have a different dynamic than guided tours. There THE STOP MOTION TECHNIQUE WORKSHOP is one part for observation and reflection in front of works in In January, all the primary school cycles were offered a techni- the museum galleries and another part for hands-on plastic cal workshop on stop motion led by the professionals from the work in the studio workshops during which the students work LADAT-UIB, which was based on the «Animar.te, 20 years of on and reinforce the concepts introduced during the tour. computer animation at the UIB». Students learned how to make a brief animated work using this technique during the workshop. The springboard for these visits is a central point of interest that may be either an aspect of the museum’s permanent THE «KIEFER» WORKSHOP collection or a temporary exhibition, depending on the mu- The children based the workshop on a selection of works seum’s programme. from the temporary exhibition entitled «Anselm Kiefer. Works from the Grothe Collection», while studying the topic of indi- This type of tour is intended to go beyond the museum di- vidual and collective memory. The visit began with a studio mension and involves on-going work with schools before and workshop activity which was carried out using the children’s after the tour, which requires collaboration among participat- own objects in the museum, which later helped them deci- ing teachers and the museum’s Education Department. pher Kiefer’s works.

Primary school workshop tour «Diverteix-te amb l’art» THE «POWER FOOD» WORKSHOP Es Baluard arranges different kinds of workshops for each ex- Using objects and images from the exhibition, the children hibition, given the large differences between primary school reflected on the customs and rituals of eating at home, how The secondary school «Opina, no et tallis!» workshop tour cycles: there is one workshop for the first and second cycles of they eat, why, with whom, how visual culture shows food based on hands-on activities in the museum galleries and the primary education and another for the third cycle. and the importance it has in the international arena. context of visual culture, this workshop helps teenagers learn how to interpret, respect and evaluate both the museum as 1,301 students The children were engaged in working on themselves, their bod- well as contemporary art and the world that surrounds them ies, experiences and expertise throughout the entire workshop. in a critical spirit. The different workshop tours for primary school offered in 2009 were: The activities varied according to cycle, so while the first and This was a two-part activity involving a tour and a practical second cycle created a recipe for a magic potion and brewed workshop. it after visiting the exhibition, the third cycle divided in two groups, the first of which worked on imagery and popular During January, the workshops were based on the «Animar.te, mythology and the second of which worked on the everyday 20 years of computer animation at the UIB» exhibition and world on the basis of news in the media. led by professionals from the LADAT-UIB. Secondary school students learnt how to make a brief animated work using the THE «CROSSED LANDSCAPES» WORKSHOP stop camera technique. Later work was based on the «Power The starting point of this activity was the museum terraces Secondary school workshop tour Food» exhibition in which students toured the exhibition and and the «Crossed Landscapes» exhibition. From the vantage then used the concepts to design a new exhibition tour or a point of the children’s everyday world, we reflected on what visual or verbal intervention in the galleries. Work during the Primary school workshop tour they understood as landscape, which landscapes they are fa- first quarter of 2009-10 revolved around «The Individual and miliar with, which they would like to visit, where they would Collectivity» gallery of the «Crossed Landscapes » exhibition. like to live and how they can intervene or improve the landscape closest to them. 395 students

The workshop’s objective was to work on landscape in a TOTAL STUDENTS IN 2009: 8,137 broad sense, not only as a pictorial genre, but also as the environment around us, something that is somehow a part of us and defines and shapes us. The activities differed according to the participating primary school cycle. 68 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools 69 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools

«Cartografiem-nos». Exhibition at Es Baluard Project structure Hands-on work in the museum’s studio workshop space Previous work in school In the museum’s workshops, the work was based on reflec- The children engaged in research on their environment and tions stimulated by the galleries, examples of contemporary conducted interviews with people close to them who had artists and especially documentation on the neighbourhood long been familiar with the neighbourhood - grandparents, and work done previously at school that the students brought older teachers, shopkeepers – as well as with newcomers and with them. An outline of the project is created at this point new neighbours, etc.. In addition, they took photographs and that will be executed in school at a later date.

made drawings of what was significant to them about their «Cartografiem-nos». Visiting Es Baluard surroundings and compiled objects that established emotion- al bonds between them and their neighbourhood.

«Cartografiem-nos». Previous work at school

Creating the project in the classroom The final project is executed at school with the support and follow-up of the museum’s team of educators and the involvement of the schoolteachers. However, the project does not end until the work is exhibited in a space in the neighbourhood.

Tour of Es Baluard Exhibiting the work in the neighbourhood and at Es Baluard Using the museum’s terraces as a starting point, participants Exhibiting is indispensable in achieving the project’s objec- took advantage of Es Baluard de Sant Pere’s own history to re- tives and bringing it to a close. The finished work returns to flect on the concept of landscape, the subjectivity of the gaze, the neighbourhood; friends and neighbours see the finished the changes the landscape has undergone and the stakehold- results based on their contributions, the children infuse their ers in these transformations. work with meaning, and lastly, Es Baluard hosts an exhibition in which the pieces are treated with the same sensitivity as In the museum galleries, the participants worked on landscape that afforded to works of art and the entire process and docu- «Cartografiem-nos» as a cultural fact, its importance, how it changes and how these mentation generated are also on display. changes affect us. These reflections were documented by art- «Cartografiem-nos» is a long-term, interdisciplinary, cross-section- This research is embodied in a work executed in a fully works on the territory created by contemporary artists. The result of the entire work accomplished jointly by the mu- al project for third-cycle primary school students that reflects on contemporary language, a map that reflects on a neighbour- seum’s team of educators and the Lycée Français de Palma the territory using tools provided by contemporary art practices. hood’s other realities, the one children view as important, the «Cartografiem-nos». Visiting Es Baluard was displayed in an exhibition first held at the Casal del Barri things that have changed, the things they wish to denounce. del Terreno (June 5-12, 2009) and later at Es Baluard (June, This project aims to develop a critical view of the natural In short, the children, their educators and those who believe 23-28 2009). The students entitled the exhibition «Onerret. A or urban environment by working on the neighbourhood in in this new cartography are the protagonists. Together an different look at the el Terreno neighborhood». which schools are located without overlooking the people exhibition is created in the museum that displays the works who live there. Landscape is approached in a broad sense, not by the participating school after first being exhibited in the Project communications only as a pictorial genre, but also as the environment around neighbourhood where the school is located. The project was presented at: us that is somehow a part of us. We need to investigate neigh- - The Kalidoscopi Seminar, March 18, 2009. An art space belon bourhoods by emphasising change and difference: the oldest A total of approximately 55 4th-and 5th-grade primary students ging to Associació Experimentem amb l’Art in Barcelona (with the residents and newcomers as well, the past, the present and from the Lycée Français de Palma took part in the project participation of the videoconference entitled «Cartografiem-nos, the future. in 2008-2009. the school neighboorhood as a community». 70 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools 71 Annual Report 2009 | Cultural Difussion Department | Education programme | Schools Meetings for teachers We are in contact and arrange meetings with teachers from all the groups who tour the museum during the school year.

In these meetings, teachers are given the classroom material they need to prepare museum tours, while they engage in an exchange of views with the museum’s team of educators, which helps make tours successful experiences and achieve the established objectives. Agreement with the University of the Balearic Is- lands On May 26, 2009, a collaboration agreement was signed between Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma and the University of the Balearic Islands.

The collaboration was established between the museum’s Cultural Dissemination Department and the Faculty of Education’s Research Group on Diversity and Inclu- sion in Schools (GREID) in order to initiate joint work to make tours and workshops accessible to any visiting students with a disability or mental disorder.

Support by “SA NOSTRA” On August 20, 2009 a collaboration agreement was signed with Obra Social “SA NOSTRA” for its Foundation to work with Es Baluard by supporting all its Educational Activities Fair. Centre de Cultura “SA NOSTRA” education programme activities from the 2009-2010 academic year onward. 2009 Educational Activities Fair After the agreement was signed and as a first collaborative act, Es Baluard contributed to the Educational Activities Fair organised by Obra Social “SA NOSTRA” on September 4, 5 and 6, 2009 with a workshop entitled «Fes una mirada a la col·lecció d’Es Baluard». How to arrange a tour: Schools interested in arranging a tour of Es Baluard can do so by calling, faxing or e-mailing: ∙ The museum Education Department: Telephone: 971 90 82 01/ Fax: 971 90 82 03 [email protected] ∙ The Palma Town Council’s «Palma, ciutat educativa» programme 72 Annual Report 2009 | Cultural Difussion Department | Education programme | Euroregion projects 73 Annual Report 2009 | Cultural Difussion Department | Education programme | Euroregion projects Education programme Euroregion projects «Contemporary art and hospitals»

«Exchange network among special education programmes sponsored by contemporary art centres in the Pyrennees- Mediterranean Euroregion»

«Exchange network among special education program- Participants toured the following schools: Gaspar Hauser, the mes sponsored by contemporary art centres in the Pyre- Balearic Association of Parents of Autistic Children, AMADIP, nees-Mediterranean Euroregion» ESMENT and Gesma (Palma Psychiatric Hospital).

This project, which was launched in 2008 and developed in In addition to the tours, the following colloquies were held: 2009, is being promoted by Centre d’Art la Panera in Lleida - «Autism spectrum disorder: knowing, understanding and par- in order to establish an exchange network among the edu- ticipating through art». Members of the Gaspar Hauser school. cation departments of four museums belonging to the Pyr- enees-Mediterranean Euroregion programme: la Panera in - The Gira-sol Mallorcan Mental Health Association. Lleida, the Centre for Art and Nature (CDAN) of Huesca, Centre Regional d’Art Contemporain Languedoc-Roussillon in Sète - «Accessible museums for all». Joan Jordi Muntaner, professor (France) and Es Baluard Museu d’Art Modern i Contemporani in the UIB’s Department of Didactics and School Organisation de Palma. The topic of study was special education, specifi- and lead researcher of the UIB’s Research Group on Diversity cally groups with intellectual disabilities and serious mental and Inclusion in Schools (GREID). disorders, and the aim was to improve the quality of attention «Contemporary art and hospitals» to these groups by the education departments of participating A number of professionals in the special education field gath- Encouraged by the success of the first Euroregion project, the At the same time, the art centres set in motion the nego- institutions. ered for a round table discussion during a workshop to ex- team of educators from Centre d’Art la Panera in Lleida, CDAN tiations needed to hold the workshops with the respective change views, establish schools’ operational structures and in Huesca and Es Baluard continue to work on the network. health institutions. In order to train educators from the schools taking part in the discuss different issues as the springboard for their joint work. project to care for these groups, courses were organised at In October, we started a new project called «Contemporary Two workshops were organised at Es Baluard: each of the centres involved. In November 2008, courses were The training course at Le CRAC (Centre Regional d’Art Con- Art and Hospitals» in order to bring together contemporary held at la Panera and the CDAN. temporain Languedoc-Roussillon) took place on March 2, 3 works of art and art centres into the world of hospitals. - With «Lluerna», the Mid-Term Care Unit (UME) at Gesma and 4, 2009. (Psychiatric Hospital of Palma) under artist Isabel Castro Jung. The training course at Es Baluard took place on February 11, The first of two training courses was held in Aix-en-Provence 12 and 13, 2009. The workshops combined meetings with differ- The results of this research study conducted jointly by the from November 29 to December 1, 2009 as an introduction to - With Son Dureta University Hospital’s Semicritical Paediatric ent groups of special education professionals and school tours. four art centres were made public during a lecture at the Sec- the French «Culture in hospitals» model and the 3BisF Association Unit in Palma under Virgínia Vallés, Bachelor of Fine Arts and ond Contemporary Art and Special Education Seminar experience. The second training course took place on December art education teacher. This workshop was supported by the organised by the Centre d’Art la Panera in Lleida on June 12 14 and 15, 2009 at Centre d’Art la Panera in Lleida and was Faculty of Education’s Technological and Educational Inclu- and 13, 2009 to which experts in the field of contemporary attended by numerous professionals in the fields of contemporary sion within the Hospital Setting Research and Intervention culture currently working in special education were invited. art and health care who are working along these lines. Programme (IneDITHOS) at the UIB. 74 Annual Report 2009 | Cultural Difussion Department | Education programme 75 Annual Report 2009 | Cultural Difussion Department | Education programme

04/03/09 | Ultima Hora 05/06/09 | Diari de Balears 30/09/09 | Ultima Hora, Aula de premsa, suplement educatiu

05/10/09 | Mallorca Zeitung

«Contemporary art practices. Classroom-based approaches» Education programme February 24 to March 10, 2009

Courses, conferences and seminars A continuing teacher training course offered in collaboration with the CEP of Palma.

Conceptual framework: the problems of representation Courses for professional tour guides «Animar.te, 20 years of computer animation This conference took a cross-sectional approach to the concept of representation January 13, 2009 at the UIB» viewed from a contemporary perspective.

The members of the museum’s Cultural Diffusion Department Es Baluard Museu d’Art Modern i Contemporani de Palma Speakers organised a training course for the Professional Tour Guide sponsored a conference series related to the «Animar.te, 20 Col·lectiu Sinapsis: Lídia Dalmau and Cristian Añó Association to provide professional museum tour guides with years of computer animation at the UIB» exhibition, which Es Baluard’s Education Team the content, resources and tools for addressing contemporary afforded attendees a chance to meet prestigious experts. art in general and the museum’s collection, history and set- Objectives ting in particular. «Reflexions on computer animation» • To provide tools related to concepts and procedures for approaching contempo- Programme: rary art work in educational settings. 35 professional tour guides took part in the course January 22, 2009 • To help identify the pedagogical potential of certain artistic practices and their Carlos Grangel, Grangel Studio application in the classroom. «From the written script to the visual image» • To provide the basic knowledge needed to establish a field of critical reflection on contemporary art and visual culture. 50 people participated in this conference Contents Other conferences in the series had been offered in 2008 Focal point 1: A contemporary approach to contemporary art Changes in art practices during the past 40 years were addressed on the basis of

Contemporary art practices a look at the evolution of specific concepts that included the idea of genius and ranged from working in the studio to public art, from artwork as an object of value to copyleft, from the fine arts to multidisciplinarity and from the object to the idea, etc.. Art projects by different creators were presented to illustrate these concepts.

Focal point 2: An approach to projects that links contemporary art practices, pedagogy and educational settings This focal point shed light on practices based on diverse concepts and strategies that address the relationships between art praxis, pedagogical objectives and educational environments. Members of the museum’s Cultural Disseminations Department explained the «Cartografiem-nos» project it develops for island schools.

Focal point 3: A practical application. Classroom interventions Based on the workshop attendees’ real classroom situations, this focal point at- tempted to construct intervention proposals based on the course’s theoretical and practical contributions.

Methodology . A combination of theoretical and practical content. . Proposing spaces of active participation to help groups of students develop a classroom intervention proposal within the framework of the course.

25 teachers participated in the course, which could not cover all the demand for it; the course had a waiting list. 78 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars 79 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars

«Kiefer in context» «Power Food» «Power Food». Gaspar Caballero de Segovia’s workshop In connection with the «Anselm Kiefer. Works of Grothe Collection» exhibition, A number of different activities, conferences, courses and workshops were organised around the figure of this artist, his times and what he workshops on the topic of food were organised in connection meant within the context of Spanish art. The workshops’ objective was to expound with the «Power Food» exhibition. on the artistic and cultural times in which Kiefer’s work was created, thus contex- tualising it, and critically analyse the influence he had on the Spanish art world. «Alimentació i...Paraula!» The «Feim receptes» workshops for children 6 to 12 years old Programme: accompanied by adults. A project by Neus Marroig. March 21 and March 18, 2009 28, April 4, 18 and 25, May 9, 16 and 23 from 11.30 a.m. to 1.30 p.m.. Fernando Castro. «On aesthetics and art criticism» April 3 and 4, 2009. Course entitled «Introduction to eco- March 25, 2009 logical urban horticulture adapted to Gaspar Caballero de A discussion between Juan Manuel Bonet and Marcos Ricardo Barnatán Segovia’s method». (Marcos Ricardo Barnatán was not able to attend the event for health reasons) April 22, 2009. Conference entitled «Alimentació i paraula» April 17, 2009 featuring homeopathic physician Carles Amengual. A discussion among Walter Smerling, Dieter Ronte and Peter Iden April 29, 2009. Conference featuring Caterina Valriu, profes- 128 people attended the event sor and doctor at the University of the Balearic Islands entitled «From bread and cheese to the King’s table. Food «Kiefer in context». Peter Iden, Walter Smerliing, Cristina Ros and Dieter Ronte «Kiefer in context». Fernando Castro Flórez and Cristina Ros in Mallorcan folk tales» featuring Caterina Valriu, professor and doctor at the University of the Balearic Islands.

«Això era i no era, bon viatge faci la cadernera ...», a per- ceptive tour and sampling of local products, courtesy of the Ministry of Agriculture and Fisheries. 232 people attended the event

«Power Food». Caterina Valriu’s conference «Power Food». Gaspar Caballero de Segovia’s workshop

«Kiefer in context»

«Power Food». Carles Amengual’s conference «Power Food». «Feim receptes» workshop 80 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars 81 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars

Dialogical practices III Photography workshop featuring Bruce Gilden June 15 to 18, 2009

Bruce Gilden (Brooklyn, New York, 1946), prestigious member of Magnum Photos in New York, offered a course for professional photographers as part of the Photo Palma celebration. Over the course of the four-day workshop, Gilden helped each participant find his or her own style of taking photographs, highlighting each individual’s personal nature and guiding them through their pictures to make decisions during the editing process.

12 students attended the workshop (the workshop’s total capacity)

Bruce Gilden’s workshop Bruce Gilden

Dialogical practices III isolation, but rather are networking with other institutions Curators and pedagogies: hybridations and collabora- and organisations that can enrich the possibilities of produc- tions in the museum ing meaning in art through collaboration. Finally, the public is July 2, 3 and 4, 2009 opening itself up to new experiences that allow it to establish Seminar-workshop coordinated by Javier Rodrigo and Aida alternative ways of relating to museums all throughout their Sánchez de Serdio lives.

In recent years, the practice and theory of art curating has Therefore, this third edition of «Dialogical Practices» proposed been undergoing a slow, yet profound transformation that is to bring together a number of different local and international calling into question traditional models based on historiog- experts in order to share a debate with seminar participants. raphy and on aesthetic criteria. Without underestimating the This debate examined the possibilities and challenges being pertinence of these disciplines, the need for other, hybrid ap- posed by this intersection of curating and pedagogy on the proaches that thoroughly transform ways of interacting with basis of both theoretical reflection and debate over examples, art in museums is highlighted. as well as the development of practical workshops.

Instead of conveying traditional connotations, pedagogy is The third edition of «Dialogical Practices» aimed to reflect the beginning to acquire a creative and critical value within the spirit of the first and second editions by working on theory production of artistic discourse. Not only are cultural institu- and practice at the same time, without separating or dichot- tions changing their relationships with the public and society omising the two fields of action, but rather by focusing on in general, but contemporary artistic practices are also pos- their intersections. To achieve this, the proposed model coming challenges that make the active participation of all stake- bined conference presentations and discussions on the proj- holders involved in their interpretation indispensible; new ects with the speakers, as well as an experimental pedagogy curatorial practices view pedagogy as an integral part of the and curating lab in which a project was developed with the exhibition project. Furthermore, museums no longer exist in support of the course tutors. 82 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars 83 Annual Report 2009 | Cultural Difussion Department | Education programme | Courses, conferences and seminars

July 2, 2009 July 3, 2009 Workshop on teaching art in the Balearic Islands Negotiations and relationships between contemporary education Cultural proximity policies 5 November 2009 and curating production Jesús Carrillo. Doctor of philosophy from the University of Cambridge, head of public programmes, MNCARS A training course organised by the CEP for art teachers in secondary schools, vo- Lindsey Fryer. Director of Interpretation and Education,Tate «Between proximity practices and critical reflection: di- cational cycles, art schools and the Escola Superior de Disseny. The workshop’s Liverpool. lemmas in a national museum’s education polices» objective was to provide a space for art teachers to meet, share experiences and «The Fifth Floor: Ideas Taking Space» tackle the problems of the trade. Educational and curatorial practices Laboratory I: presentation of the curatorial proposal A total of 110 participants took part in the course Tutorial accompaniment Carles Guerra. Artist, art critic and independent curator, Pompeu Fabra University. Carmen Mörsch. Lead researcher at the Institute for Art Edu- «This is not an exhibition» cation IAE Zürcher Hochschule der Künste ZHdK (University Workshop on teaching art in the Baleric Islands. Alfons Sard, Josep Segarra and Pere Vicenç of the Arts in Zurich) and lead researcher and consultant for Laboratory II: development of negotiations and the curato- the Documenta XII Kassel’s education programme. rial proposal Tutorial accompaniment Montse Romaní. Independent curator, researcher and cultural producer. She has worked at Fundació Tàpies, the CASM, July 4, 2009 Aula Abierta and other cultural research and curatorial net- Laboratory III: implementation of the curatorial project works. Tutorial accompaniment

Oriol Fontdevila. Curator and cultural manager. Coordinator Development of the curatorial project under the tutelage of of the Catalan Government’s Sala d’Art Jove, Idensitat i Zona the team of coordinators and tutors Intrusa 07, 08 (Mataró, Manresa). Presentation of projects and debate Inauguration

The seminar-workshop was attended by 30 participants (the workshop’s total capacity) from different State universities and museums.

26/03/09 | Diario de Mallorca 08/05/09 | Última Hora 12/06/09 | Diari de Balears

15/04/09 | http//w3art.es

18/06/09 | Diario de Mallorca

Lady Vinyl «Kiefer in context». Exhibition tour by Dieter Ronte Activities «Kiefer in context» April 19, 2009 Exhibition tour by Dieter Ronte Es Baluard Museu d’Art Modern i Con- temporani de Palma’s 5th anniversary May 14, 2009 Aleph Gitarrenquartett in concert The museum celebrated its fifth anniversary with an activities programme for all kinds of publics and five open houses: on Musicians: Saturday, January 31 and Sundays February 1, 8, 15 and 22. Andrés Hernández Alba José Javier Navarro Programme: Wolfgang Sehringer

January 31, 2009 Mariantònia Oliver company Klara Tomljanovic «Kiefer in context». Aleph Gitarrenquartett concert Lady Vinyl in concert Programme: 1,740 people attended the event Ent-Fremdung Detlef Heusinger (Germany, 1956) January 31, 2009 Der entkommene Orpheus Companyia Mariantònia Oliver Nicolaus A. Huber (Germany, 1939) Various dialogues with content, the Museum’s architecture Mich. Stille and the performing arts as protagonists. Helmut Oehring (Germany, 1961) Quartett für vier Gitarren Companyia Auments Georg Friedrich Haas (Austria, 1953) Accions-Reaccions: dance, installation, performance

Vacabou in concert Vacabou in concert

2,179 people attended this event Neuer Deutscher Film series Neuer Deutscher Film series May 28, 2009 Werner Herzog’s Heart of Glass

June 4, 2009 Rainer Werner Fassbinder’s Gods of the Plague

June 11, 2009 Wim Wenders’ The Wrong Move 1st Mallorcan Saxophone Festival Mallorca Saxophone Festival April 4, 2009 June 18, 2009 Concert by the Balearic Music Conservatory. Volker Schöndorff’s The Tin Drum

June 25, 2009 52 people attended the concert Alexander Kluge, Volker Schöndorff, Stefan Aust and Axel Engstfeld’s War and Peace

A total of 147 people attended the film series

See the «Kiefer in context» conference series in the Courses, Conferences and Seminars section. 88 Annual Report 2009 | Cultural Difussion Department | Activities 89 Annual Report 2009 | Cultural Difussion Department | Activities Chamber music concerts by the Balearic Symphony Orchestra in 2009 «Palma amb la dansa» For yet another year, Es Baluard hosted the Balearic Public Music Foundation’s chamber music concert series, which consisted April 30, 2009 of four concerts featuring modern and contemporary works and composers, all performed by the City of Palma Balearic Sym- Sonia Gómez. Mi madre y yo phony Orchestra. Baluard joined the programme «Palma amb la dansa» which was staged at various venues around the city from April 29 to April 24, 2009 May 8, 2009 May 22, 2009 May 10, 2009to commemorate International Dance Day. The Passacaglia: Händel and Aslamazyan She’s Leaving Home: Lennon & McCart- Sud America: T. Florenzo event was sponsored by the Municipal Department of Culture, Meditation from Thais: Massenet ney Colombian Dances: M. Murcia Bedoya Heritage and Language Policy. Variations on a Theme by Paganini: Octubre 2001: A. Lorente Clarinete polka: T. Miranda Aslamazyan Ombre: Drouet Algaida mambo: T. Miranda «Mi madre y yo» Gianni Schicchi, O mio babbino caro: La vida que viene: A. Lorente All of me: G. Marks and T. Miranda Sonia Gómez Puccini Addenmun: C. Corea How insensitive: A.C. Jobin Performers: Rosa Vicente and Sonia Gómez Vicente Ària from the Suite in D: Bach See you at seven: T. Marrell Music: The Beach Boys, Tina Turner, Janette, Nag Nag Nag, Porgy and Bess, Suite: Gershwin, Koster Armando Lorente, percussion Cromazone: M. Stern and T. Miranda Kraftwerk and Plastikmen Czardas: Monti Texts: Sonia Gómez May 15, 2009 Eduardo Bernabeu, clarinet Video: Txalo Toloza and Paula Vazques Andrei Melkoumov, violin Intruss: P. Guillaume Juan José Pardo, requint/clarinet Production: M.O.M./El Vivero Gabriel Martí, violin Crepúsculo: Varela, R. Tomàs Colomina, clarinet 120 people attended this event Sonia Krasnova, viola Dita-Mans: J.C. Murgui Carlos Flores, bass clarinet Ibolya Rózsás, cello Sit Und Tabarro: U. Holan Toni Miranda, acoustic guitar 2009 International Museum Day Josef Szafrañski, contrabass Improvisation: D. Chien Pau Galiana, electric bass May 16 and 17, 2009. Open houses Eduardo Bernabeu, clarinet Cambi: A. Vazzana Juan Carlos Murgui, drums/percussion Performans: J.C. Murgui Es Baluard Museu d’Art Modern i Contemporani de Palma celebrat-

A total of 273 people attended the concert ed International Museum Day with a programme for the different Teatre Kadish. Cabaret Voltaire Juan Carlos Murgui, percussion series museum publics that addressed city and island and allowed the Patrick Guillaume, trombone topic of sustainable cultural tourism, as proposed by the ICOM, to Tobies Isern, tuba be considered on the basis of reflection, creativity and enjoyment.

Balearic Symphony Orchestra May 16, 2009 Cabaret Voltaire. A show by The Kaddish Theatre Company A Dadaist evening with texts by Hugo Bäll, Tristan Tzara and Kurt Schwitters.

«Feim receptes», a workshop with Neus Marroig based on the «Power Food» exhibition. For families with children 6 to 12 years old.

Dynamic guided tours of temporary exhibitions in Spanish and Catalan by members of the Cultural Diffusion Department: «Robert Mapplethorpe» «Power Food» «Anselm Kiefer. Works from the Grothe Collection» A total of 948 people attended

May 17, 2009 Guided tours of temporary exhibitions in English and Ger- man by the Official Balearic Tourist Guide Association. A total of 693 people took part in the tours 90 Annual Report 2009 | Cultural Difussion Department | Activities 91 Annual Report 2009 | Cultural Difussion Department | Activities «Jocs coreogràfics» «Llunes d’Es Baluard» June 3, 2009 July 10 to August 7, 2009 Es Baluard made a commitment to reinforce «Llunes d’Es Baluard», a summer per- The museum terraces hosted the «Jocs coreogràfics» year end celebration, an edu- forming arts series featuring outdoor performances that offer the chance to encounter cation/dance project led by dancer and creator Mariantònia Oliver, which is part of or discover artists who are exploring new avenues in contemporary dance, theatre, the Palma Town Council’s «Palma, ciutat educativa» offering. music, circus, sound poetry and other performing arts. The series showcases a variety of expressions and serves as a platform for well-known artists in the Balearic Islands, 120 students took part in the event Spain and the international scene. In this fourth edition, «Llunes d’Es Baluard», re- «Jocs coreogràfics» volved around the theme of words.

July 10, 2009. Theatre La impaciència. Radiografies La impaciència. Radiografies

Actors: Luca Bonadei, Rodo Gener, Salvador Oliva Director: Luca Bonadei Author: Albert Herranz Playwright: La impaciència Assessment: Miquel Àngel Llonovoy Lighting: Joan Borràs Graphic design: Rodo Gener Photography: Goro Salvà Video: Toni Nievas

July 17, 2009. Spoken word Eduard Escoffet & Bradien

Eduard Escoffet and Bradien

Dramatized reading of Sí, de tot cor by La Mala Cia. June 9, 2009

The museum auditorium was the scene of the dramatised reading of Sí, de tot cor, a play by Noé Denia.

The reading was performed by the cast below:

Director: Noé Denia Actresses: Lídia Sánchez, Margalida Grimalt and Mar Forteza Rey Actors: Sergi Baos, Biel Jordà, Àlex Tejedor, Enric Garcia and Santi Celaya Translation: Eva Egea Sangrà Organisation: Es Baluard and La Mala Cia

60 people attended to the play 92 Annual Report 2009 | Cultural Difussion Department | Activities 93 Annual Report 2009 | Cultural Difussion Department | Activities

Christina Rosenvinge July 24, 2009. Music Neotokyo Electronic and Videoart Music Festival Christina Rosenvinge. Tu labio superior October 1, 2 and 3, 2009 This was the first year Es Baluard Museu d’Art Modern i Contemporani de Palma Acoustic concert and presentation of her new DVD Tu labio hosted the Electronic and Video Art Music Festival organised by the Neotokyo superior. electronic rock band and cultural association. This festival aims to create a space for encounters and reflection on the state of electronic music in Mallorca. July 31, 2009. Contemporary dance Cia Mercedes Boronat. Butterfly October 1, 2009 Concept and direction: Mercedes Boronat HV1000VM vs. Felipe Montenegro and Ablab, and Colectivo Wakanegra Assistant director: Juan C. Lérida Performers: Juan C. Lérida, Mónica Cano, Elia Genís, Helga October 2, 2009 Gadafi, Ivan Góngora and Montse Roig Retoyon, Boltzmann Factor and Moizture Wardrobe: col·lectiu Moksha Performance by «Electronic Guy» de Benoit Maubrey and «Digital Memory» Video projections: Olga Matamala with the dancers Laura Weiss, Saskia Oidtmann and Resu Ragel. Lydia Lunch. Ghosts of Spain Production: Danilo Pioli, Palacete de la Boro Music: a selection of works by DJ Chop Suey and Mercedes Video Jockeys: Minimal Tv, Visualcortex and Pisuke Boronat October 3, 2009 The show was suspended because of the July 30th terrorist Disco Las Palmeras, Neotokyo and Alexander Hacke/ Danielle de Picciotto attacks. «Ships of Fools» Video Jockeys: ErrorVideo aka Calpurnio, Pisuke, Visualcortex and Minimal TV August 7, 2009. Spoken word Lydia Lunch. Ghosts of Spain 1,987 attended these concerts

A show created on the basis of the publication entitled Amnesia.

Around 3,375 spectators in all enjoyed the Lluna series

«Garden of Eden #2» Guided tour by Joana Vasconcelos to «Garden of Eden #2» November 6, 2009 Neotokyo Festival. H1000VM Neotokyo Festival. Alexander Hacke and Danielle Picciotto

Artist Joana Vasconcelos gave a guided tour of her installation «Garden of Eden # 2», located in the Aljub space of the museum.

35 people attended this tour 94 Annual Report 2009 | Cultural Difussion Department | Activities 95 Annual Report 2009 | Cultural Difussion Department | Activities

ArtFutura ArtFutura. «Art and Electronic Media» October 29 to December 11, 2009 For the first time, Es Baluard participated in the ArtFutura audiovisual competition, which celebrated its twentieth anniversary in 2009. Alongside La Casa Encendida in Madrid, La Laboral in Gijon and Arts Santa Mònica in Barcelona and others, Es Baluard was one of 14 art centres simultaneously hosting the show.

Since 1990, ArtFutura has been showcasing the most relevant ideas and projects that have emerged in the international worlds of new media, interactive design, videogames and digital animation.

The ArtFutura festival was held at Es Baluard thanks to the collaboration with Obra Social “SA NOSTRA”, which had hosted the art competition until 2008.

Programme: Audiovisual programme October 29, 30 and 31 and November 1, 7 and 14, 2009 Digital Kitchen Improv Everywhere

Reality Bytes ArtFutura. Schools The best of the rest 3DFutura show 3D en España Cibermedia Mente global Futura Graphics Chris Landreth PES

Schools at ArtFutura 2009 November and December, 2009

Presentation of the festival coordinated by Juan Montes de Oca and selection of the 2009 Audiovisual Programme. For baccalaureate and secondary schools, vocational cycles and the university.

Conference featuring Edward Shanken: «Art and electronic media. From kinetic art to interactive art» November 18, 2009 Edward Shanken, one of the first media art historians and author of Art and Elec- tronic Media, published by Phaidon, conducted a visual and theoretical tour of the history of art from kinetic art to digital art.

Presentation and round table coordinated by Pau Waelder, media art researcher, curator and critic.

473 people attended the ArtFutura events 96 Annual Report 2009 | Cultural Difussion Department | Activities 97 Annual Report 2009 | Cultural Difussion Department | Activities

02/07/09 | Diario de Mallorca 02/07/09 | Diari de Balears 25/07/09 | Diario de Mallorca 09/09 | Mondo Sonoro

10/09 | www.vamosmallorca365.com

29/09/09 | www.macrofono.es

07/07/09 | www.flayeronline.es

29/10/09 | Diario de Mallorca 11/09 | Youthing 14/11/09 | Diari de Balears, Suplement de Cultura

03/11/09 | www.actitudsanostra.com

Marketing and Communication Department The Marketing Department is responsible for obtaining funds for strengthening and vitalising the museum and its programmes. It is also responsible for defining Es Baluard’s corporate identity and ensuring a suitable use of the brand in terms of the museum’s promotion, particularly as part of the range of cultural and leisure events available to the business sector and in relation to the permanent collection, temporary exhibitions and cultural dissemination activities.

The Communication Department is responsible for preparing information about the museum and the internal and external dissemination of the different activities held there. For this purpose, the Communications Department maintains in- direct information distribution channels, those aimed at the media, as well as those aimed directly at the public, such as the museum’s own website and our presence on the social networking sites. Es Baluard’s audiovisual archive and the maintenance of the newspaper and periodical library and the photograph and video libraries are also part of the department’s functions. 104 Annual Report 2009 | Marketing and Communication Department 105 Annual Report 2009 | Marketing and Communication Department

Marketing Sales strategy Two sub-products are worked on in depth: ticket sales and spaces for hire: In 2009, the Marketing Department worked to promote the museum and integrate it into the Balearic Islands’ cultural and leisure offering, particularly in terms of Ticket sales the business sector and citizens. The following actions were organised to this end: - Annual negotiation of collaborations with travel agencies, such as TUI (creating informative direct marketing and online marketing campaigns, separate advertis- customised tours) Iberoservice, Travelplan, Come2mallorca.com, and Hotelbeds ing campaigns for each exhibition, workshops, conferences and other museum ac- Mundosenior. tivities (with a separate media plan: newspaper ads, opis circuits, etc.), brochures, invitations, posters, banners, leaflets and the mass distribution of pamphlets and - Agreements with corporate clubs, such as the FNAC, ACOVIS (Via Sindicat Mer- other types of material; attention to visitors, spaces on hire for private events, trade chants Association), Aliança (the insurance company) or consortia, such as the Balearic agreements signed and memberships in corporate loyalty programmes; inclusion Youth Institute (Carnet Jove Card) and the creation of a special rate for cardholders. in professional excursion programmes in the tourism sector (hotels, travel agencies specialising in meetings tourism and tour operators); research on sponsorships and - Agreements with hotel associations and companies that led to the creation of dis- patronage and improving the «Amics d’Es Baluard» programme. count cards («Advantage Special Card») customised for each hotel and aimed at the end client, which include museum tours in weekend city break packages. This objective was materialised through the following actions: - In July, the museum launched a new tour modality called «Si véns en bici», which of- -Sales Strategy fers the chance to purchase a €2 admission ticket to the museum any day of the year. -Visitors Service -«Amics d’Es Baluard» Spaces for hire -Advertising and marketing campaigns that control the corporate identity in - Agreements with catering forms, events planners and travel agencies. informative direct marketing campaigns and online marketing campaigns -Sponsorship programme - Acquisition of direct customers (companies) as consultants, official professional associations, cultural associations, etc.. Implementation of a loyalty policy with corporate discounts for repeat direct customers with the possibility of becoming sponsors or patrons.

- Photography and audiovisual shoots (producers such as Robbie Bellapart, Amaz- ing Spaces, The Production Factory, etc.).

- Agreements with associations, NGOs and institutions to organise special events with social and media impacts that promote the museum’s image and commit- Amics d’Es Baluard ments (FEAPS, Fundación Vicente Ferrer, IB3 Televisió, IBATUR, etc.).

- Member of IMTUR’s Meetings and Incentives Consortium (since 2006) and provision of promotional material at trade fairs (International Cultural Tourism Fair of Málaga). 106 Annual Report 2009 | Marketing and Communication Department 107 Annual Report 2009 | Marketing and Communication Department

Visitors service «Amics d’Es Baluard»

2009 saw the continuation of the programme of visitors booths at the reception «Llunàtics a Es Baluard» Launched in 2004, work continues on consolidating this loyalty programme, which desk and other points in the museum for attending to visitors. gives members preferential treatment in the museum and maintains an active direct online communication campaign. Advertising and marketing campaigns In collaboration with the museum’s direction, the Marketing Department controls Programme sponsorship and patronage the proper application of the museum’s corporate identity when promoting it within Since its inauguration, Es Baluard Museu d’Art Modern i Contemporani de Palma the cultural and leisure offer. Furthermore, the museum’s public goals are analysed has had a sponsorship programme for companies and organisations that wish to in relation to the different co-existing subproducts - permanent collection, tempo- link their images to the world of culture and art, in addition to reaffirming their rary exhibitions, cultural dissemination activities, private tours and spaces for hire commitments to a society in which culture is one of the main bastions. Companies - to decide the best way for goals to be achieved and the marketing and advertising and organisations that are part of the Es Baluard sponsorship programme are linked measures needed to achieve them, which are carried out in different formats: for a certain time to the museum, in addition to receiving preferential treatment and socio-cultural and honorific privileges according to category. The following compa- - Informative direct marketing, online marketing and advertising campaigns: nies collaborated with the museum in 2009:

The Department prepares specific graphic material (invitations, e-mail invitations, leaflets, banners and posters) for each temporary exhibition ¬-8 of which were held in 2009 - and for workshops, conferences and other museum activities and products, such as «Llunes d’Es Baluard», Art Night and International Museum Day (brochures, e-leaflets and programme hand-outs).

Advertising campaigns for each temporary exhibition, open houses, «Llunes d’Es Baluard» and Nit de l’Art in local newspapers and magazines and the specialised national press.

Marketing and public relations campaign: in 2009, the museum created a profile on the most popular social networks, including Facebook (with over two thousand friends), Tuenti and Twitter, and launched regular online promotions.

Magazine Inc&chic presentation Since its official launch in October 2008, the «Tu decideixes» events on Fridays have attracted over 70% more visitors than the other days of the week.

Nit 10 TV3 108 Annual Report 2009 | Marketing and Communication Department 109 Annual Report 2009 | Marketing and Communication Department

08/07/09 Última Hora 08/07/09 Última Hora 16/05/09 Diari de Balears

08/07/09 www.nouciutat.es

08/07/09 Diari de Balears 110 Annual Report 2009 | Marketing and Communication Department 111 Annual Report 2009 | Marketing and Communication Department Communication

The Communication Department’s objective is to disseminate information on the Museum. To this end, it divides its action lines into:

- Media coverage of the museum and raising its profile - Newspaper and media archives and documentation work - Reinforcement and expansion of virtual communication tools - Coverage of the museum’s own events

Press conference «Robert Mapplethorpe» Media coverage of the museum and raising its profile Reinforcement and expansion of virtual communication tools The basic focus of the Communication Department is to keep The Communication Department is in charge of maintaining the media and general public informed about the museum’s the website content up-to-date with the latest news on the mu- new offerings. In this sense, the Department maintains direct seum and its activities. Furthermore, the Department oversees relations with local, national and international journalists to the promotion of the museum website through the print media, ensure the widest dissemination of the museum’s activities since it is an immediate and vital portal to the museum. Dur- and publication of the most news articles. One ongoing task ing 2009, Es Baluard’s Communication Department worked on is updating and expanding the database on media of interest. the design and content of the new website to make it ready Other tasks are drafting communiqués, developing exhibition for posting in 2010. Given that Es Baluard’s new virtual com- press kits, taking photographs and videos that document the munication must comply with the characteristics of a Web 2.0, museum’s activities, organising and convening press confer- It should not be limited to reporting on the museum’s activities ences, managing recordings and interviews for the media, through the Internet, but should in turn, seek feedback from corresponding with journalists and providing them with users in order to understand their views on the activities tak- documentary material and sending bulk e-mails with infor- ing place. This has been achieved by establishing a structure mation on the museum’s activities. The Department’s direct that seeks a high profile in social networks such as Facebook, relationship with communication professionals also includes Tuenti, Youtube, Twitter and Flickr. These new communication attending them on the Internet, by telephone and/or person- channels are effective thanks to both their immediacy and in- ally during tours of the museum and providing them with teractivity, as well as to their stimulation of the public’s loyalty support material so that information can be written up. and their perception of the museum as a modern institution. ArtFutura Press conference

Newspaper and media archives and documentation work Coverage of the museum’s own events The Department compiles information to document the muse- The Communication Department is responsible for covering um’s public profile in the media and makes efforts to expand events organised by the museum in connection to exhibitions and maintain the newspaper and media archives. Some of as well as related activities coordinated by the Education and the most important work involves compiling daily clippings, Cultural Action Departments. In this area, the Communication rigorously reviewing the daily press and maintaining subse- Department files photographs and high definition audio and quent files that allow news of interest on exhibitions and oth- video files of museum events and makes them readily avail- er museum activities to be consulted. In addition, the Com- able to television and radio stations primarily in the Balearic munication Department was in charge of creating a video to Islands in addition to media on the Spanish mainland. commemorate Es Baluard’s 5th anniversary, which assembles and retells the most important moments and activities during these first five years of its history. The Department was also commissioned to create videos on the «Garden of Eden #2» installation for the audio-visual media and direct dissemination through Es Baluard’s various communication channels on the Internet. 112 Annual Report 2009 | Marketing and Communication Department 113 Annual Report 2009 | Marketing and Communication Department

12/01/09 | Diario de Mallorca 05/08/09 | Diario de Mallorca

01/03/09 | Última Hora 114 Annual Report 2009 | Marketing and Communication Department 115 Annual Report 2009 | Marketing and Communication Department

20/08/09 | Diario de Mallorca 17/09/09 | www.hoyesarte.com 31/12/09 | Última Hora

31/10/09 | Diario de Mallorca Administration Department – economical information

ANNUAL FINNANCIAL REPORT STATEMENT 2009 Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma

120 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 121 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma CLOSING BALANCE FOR YEAR 2009

ASSETS Review notes 2009 2008 ASSETS Review notes 2009 2008

A) NONCURRENT ASSETS 26.197.513,52 25.735.776,89 B) CURRENT ASSETS 1.519.437,95 1.784.804,94 I. Intangible Fixed Assets 5 20.576.814,01 20.827.379,14 I. Noncurrent Assets Held for Sale 1. Development II. Stock 8 342.951,45 302.806,31 2. Loans 20.549.559,23 20.786.847,78 1. Actively traded assets 342.951,45 302.806,31 3. Patents, licences, brands and related 23.686,99 35.079,97 2. Raw materials and other provisions 4. Source of sales 3. Products in progress 5. Information technology applications 3.567,79 5.451,39 4. Finished products 6. Other intangible assets 5. Subproducts, residues and recovered materials II. Historical Wealth Assets 6 5.273.153,03 4.547.980,62 6. Advancements to suppliers 1. Real estate III. Members and Other Debtors to Entity Activities 7 367.250,50 250.100,00 2. Archives IV. Commercial Creditors and Other Accounts Receivable 7 502.444,26 349.298,40 3. Libraries 1. Sales and Service Provider Clients 187.642,48 89.760,94 4. Museums 5.273.153,03 4.547.980,62 2. Clients, group & associated companies 5. Moveable property 3. Various debtors 6. Advancements for Historical Wealth Assets 4. Personnel III.Tangible Fixed Assets 5 340.953,82 353.824,47 5. Current tax assets 1. Properties and construction 105.120,89 108.577,90 6. Other public administration credits 314.801,78 259.537,46 2. Technical facilities and other fixed assets 235.832,93 245.246,57 7. Stock-holders (members) for required disbursement 3. Assets in progress and advancements V. Short-term Investments in Group and Associated Companies IV. Real Estate Investments 1. Asset management 1. Properties 2. Credits to companies 2. Constructions 3. Representative value of debt V. Long-term Investments in Group & Associated Companies 4. Derivatives 1. Asset management 5. Other financial assets 2. Credits to companies VI. Short-term Financial Investments 7 2.806,24 600,63 3. Representative value of debt 1. Asset management 4. Derivatives 2. Credits to companies 1,24 600,63 5. Other financial assets 3. Representative value of debt VI. Long-term Financial Investments 7 6.592,66 6.592,66 4. Derivatives 1. Asset management 5. Other financial assets 11 2.805,00 2. Credits to companies VII. Short-term periodifications 7 17.865,28 24.826,58 3. Representative value of debt VIII. Cash and Other Equivalent Liquid Assets 286.120,22 857.173,02 4. Derivatives 1. Treasury 286.120,22 857.173,02 5. Other financial assets 6.592,66 6.592,66 2. Other equivalent liquid assets VII. Deferred Tax Assets TOTAL ASSETS ( A + B ) 27.716.951,47 27.520.581,83 122 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 123 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma CLOSING BALANCE FOR YEAR 2009

NET ASSETS AND LIABILITIES Review notes 2009 2008 NET ASSETS AND LIABILITIES Review notes 2009 2008

A) NET ASSETS 27.041.495,56 26.475.559,03 CURRENT LIABILITIES 596.455,91 1.041.022,80 A-1) Entity Funds 7 2.117.517,85 1.898.775,01 I. Liabilities related to noncurrent assets held for sale I. Foundation Monies / Social Fund 1.530.280,12 1.530.280,12 II. Short-term provisions 1. Ear-marked funds 1.530.280,12 1.530.280,12 III. Short-term debt 2. Free-use monies 1. Obligations and other negotiable values II. Reserves 2. Debt with credit entities 1. Statuary funds 3. Leasing creditors 2. Other reserves 4. Derivatives III. Surplus from previous years 368.494,89 14.255,44 5. Other financial liability 1. Remaining 368.494,89 14.255,44 IV. Debt owed to group and associated companies 2. (Negative surplus from previous years) V. Beneficiaries-Creditors IV. Other trustee contributions VI. Commercial Creditors and Other Accounts Receivable 7 596.430,91 1.041.022,80 V. Yearly surplus 3 218.742,84 354.239,45 1. Suppliers 438.639,98 466.552,70 2. Suppliers, group and associated companies A-2) Adjustments for value exchanges 3. Various creditors 115.507,22 525.468,41 I. Financial assets to be sold 4. Personnel (payment pending) II. Hedge operations 5. Current taxable liability III. Others 6. Other public administration debt 42.283,71 48.025,50 7. Advancements to clients A-3) Subsidies, donations and bequeathals 10 24.923.977,71 24.576.784,02 VII. Short-term periodifications 7 25,00

B) NONCURRENT LIABILITY 79.000,00 4.000,00 TOTAL NET ASSETS AND LIABILITIES ( A + B + C ) 27.716.951,47 27.520.581,83 I. Long-term provisions 1. Obligations for long-term personnel services 2. Environmental activities 3. Provisions for restructuring 4. Other provisions II. Long-term debt. 7 79.000,00 4.000,00 1. Obligations and other negotiable values 2. Debt with credit entities 3. Leasing creditors 4. Derivatives 5. Other financial liability 79.000,00 4.000,00 III. Debt owed to group and associated companies IV. Tax-deferred liability V. Long-term periodifications 124 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 125 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma PROFIT AND LOSS ACCOUNT FOR YEAR ENDING 31 DEC 2009

(Debit) Side (Debit) Side Note 2009 2008 Note 2009 2008

A) ONGOING OPERATIONS A.1) PROFIT OUTCOMES (1+2+3+4+5+6+7+8+9+10+11+12+13) 220.853,30 343.993,13 1. Museum earning based on in-house activities 2.910.332,58 2.522.307,21 14. Financial Revenue 6.506,75 12.784,17 a) Fees from members and affiliates 14.100,28 4.659,29 a) From participation in asset management b) Revenue from promotions, sponsors and collaborators 2.896.232,30 2.517.647,92 a1)In group and associated companies c) Subsidies, donations and bequeathals imputed at year end a2) In third-party entities d) Withdrawal of subsidies, donations and bequeathals b) From negotiable values and other financial instruments 6.506,75 12.784,17 2. Monetary and Other Grants awarded b1)In group and associated companies a) Monetary awards b2) In third-party entities 6.506,75 12.784,17 b) Government expenses and for collaborations 15. Financial expenses -8.337,14 -2.022,46 c) Withdrawals of grants and allocated funds a) From debt to group and associated companies 3. Net amount from business operations 227.139,96 260.650,80 b) From debt to third-party entities -8.337,14 -2.022,46 a) Sales 227.139,96 260.650,80 c) From supply updates b) Services provided 16. Change in reasonable cost of financial instruments 4. Inventory exchange for products finished and in process of manufacture a) Trade portfolio and other 5. Work performed by the museum on its assets b) Year-end imputation for sellable financial assets 6. Supplies 13 -56.226,05 -101.643,68 17. Exchange differences -280,07 -515,39 a) Consumption of goods -56.226,05 -101.643,68 18. Write-down and outcome of alienation of financial instruments b) Consumption of raw materials and other consumer goods a) Write-down and losses c) Work performed by other companies b) Alienations and other outcomes d) Write-down on goods, raw materials and other supplies 7. Other profitable Revenue 136.891,71 154.340,39 A.2) FINANCIAL RESULT (14+15+16+17+18) -2.110,46 10.246,32 a) Ancillary and other customary Revenue 136.891,71 154.340,39 b) Year-end profit subsidies from commercial activity A.3) RESULT BEFORE TAXES (A.1 + A.2) 218.742,84 354.239,45 8. Personnel expenses 13 -836.796,56 -824.680,50 19. Tax on Revenue 12 a) Wages, salaries and pay -641.493,12 -645.932,75 b) Social welfare benefits -195.303,44 -178.747,75 A.4) YEAR-END RESULT FROM ONGOING OPERATIONS (A.3 + 19) 218.742,84 354.239,45 c) Supplies 9. Other Profit Expenses -2.145.330,81 -1.651.823,62 B) INTERRUPTED OPERATIONS a) External services 13 -2.138.826,01 -1.651.510,63 20. Year-end result from net interrupted operations b) Taxes -6.422,06 -14,45 c) Losses, write-down on supply change for commercial operations A.5) YEAR-END RESULT (A.4 + 20) 218.742,84 354.239,45 d) Other customary expenses -82,74 -298,54 10. Depreciation of Assets 5 -415.235,91 -425.584,84 11. Allocation of non-financial and other assets 10 400.078,38 410.427,37 12. Surplus Supplies 13. Write-down and Results from Alienation Assets a) Write-down and losses b) Alienations and other outcomes 126 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma STATE OF CHANGE IN NET ASSETS FOR YEAR ENDING 31 DECEMBER 2009

Ear-Marked Surplus from Period subsidies, donations foundation pervious surplus and bequeathals TOTAL funds periods eceived

A) BALANCE, END OF 2007 1.530.280,12 12.066,34 2.189,10 24.084.368,17 25.628.903,73

I. Adjustments for changes in 2007 and earlier criteria. II. Adjustments for 2007 and earlier errors.

B. ADJUSTED BALANCE, START OF 2008 1.530.280,12 12.066,34 2.189,10 24.084.368,17 25.628.903,73

I. Result of the profit and loss account. 354.239,45 354.239,45 II. Revenue and expenses reflected in net assets. 492.415,85 492.415,85 III. Trustee operations. 1. Increase in foundation monies. 2. (-) Reductions in foundation monies. 3. Other operation with trustees. IV. Other changes in net assets. 2.189,10 -2.189,10

C) BALANCE, END OF 2008 1.530.280,12 14.255,44 354.239,45 24.576.784,02 26.475.559,03 I. Adjustments for changes in 2008 criteria. II. Adjustments for 2008 errors.

D) ADJUSTED BALANCE, START OF 2009 1.530.280,12 14.255,44 354.239,45 24.576.784,02 26.475.559,03 I. Result of the profit and losses account. 218.742,84 218.742,84 II. Revenue and expenses reflected in net assets. 347.193,69 347.193,69 III. Trustee operations. 1. Increase in foundation monies. 2. (-) Reductions in foundation monies. 3. Other operation with trustees. IV. Other changes in net assets. 354.239,45 -354.239,45

E) FINAL BALANCE, 2009 1.530.280,12 368.494,89 218.742,84 24.923.977,71 27.041.495,56 128 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 129 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma LIQUIDATION OF EXPENSE BUDGET. 2009 ACTIVITY LIQUIDATION OF EARNINGSS BUDGET. FISCAL YEAR 2009

BUDGETARY EXPENSES BUDGETARY EARNINGS

EPIGRAPHS BUDGETED ACTUAL DIFFERENCE EPIGRAPHS BUDGETED ACTUAL DIFFERENCE

Functioning Operations Functioning Operations 1. Monetary and other awards: 1. Income from Entity’s activities 2.536.750,00 2.910.332,58 373.582,58 a) Monetary awards a) Fees from members and affiliates 10.000,00 14.100,28 4.100,28 b) Government and collaboration expenses b) Earnings from promotions, sponsors and collaborations 2.526.750,00 2.896.232,30 369.482,30 2. Profit consumption 177.600,00 56.226,05 -121.373,95 c) Subsidies, donations and bequeathals imputed at year end. 3. Personnel expenses 940.000,00 836.796,56 -103.203,44 2. Sales and other earnings from ordinary activities 342.720,00 227.139,96 -115.580,04 4. Monies for leasing of assets 427.000,00 415.235,91 -11.764,09 3. Other earnings 201.475,00 136.891,71 -64.583,29 5. Other expenses 1.932.845,00 2.145.330,81 212.485,81 4. Financial earnings 6.506,75 6.506,75 6. Change in activities’ supplies and losses in receivable credits 5. Non usual earnings 412.000,00 400.078,38 -11.921,62 7. Financial expenses and assumed expenses 12.000,00 8.617,21 -3.382,79 8. Non usual expenses TOTAL FUNCTIONING OPERATIONS EARNINGS 3.492.945,00 3.680.949,38 188.004,38 9. Association taxes

TOTAL EXPENSES FOR FUNCTIONING OPERATIONS 3.489.445,00 3.462.206,54 -27.238,46

Funds Operations Funds Operations 1. Decrease in subsidies, donations, bequeathals of capital and others 412.000,00 400.078,38 -11.921,62 1. Contributions from founders and associates 2. Increase in assets: 963.500,00 1.172.451,29 208.951,29 2. Increase in subsidies, donations, capital bequeathals and others. 945.000,00 747.272,07 -197.727,93 a) Expenses for origination and formalisation of debt 3. Decrease in assets 427.000,00 710.714,66 283.714,66 b) Historic Wealth Assets 850.000,00 725.172,41 -124.827,59 a) Expenses from establishing and formalizing debt c) Tangible fixed assets 43.500,00 33.065,56 -10.434,44 b) Historic Wealth Assets d) Intangible fixed assets 70.000,00 414.213,32 344.213,32 c) Tangible fixed assets 48.000,00 45.936,21 -2.063,79 e) Fixed financial assets d) Intangible fixed assets 379.000,00 664.778,45 285.778,45 3. Increase in stock 40.145,14 40.145,14 e) Fixed financial assets 4. Increase in financial investments 2.205,61 2.205,61 4. Decrease in stock 5. Increase in treasury 5. Decrease in financial investments 6. Increase in functioning capital 707.901,95 707.901,95 6. Decrease in treasury 571.052,80 571.052,80 7. Decrease in risk and expense supplies 7. Decrease in functioning capital 8. Decrease in debt 8. Increase in risk and expense supplies 9. Increase in debt 75.000,00 75.000,00 TOTAL FUNDS OPERATIONS EXPENSES 1.375.500,00 2.322.782,37 947.282,37 TOTAL BUDGETARY EXPENSES 4.864.945,00 5.784.988,91 920.043,91 TOTAL FUNDS OPERATIONS EARNING 1.372.000,00 2.104.039,53 732.039,53 TOTAL BUDGETARY EARNINGS 4.864.945,00 5.784.988,91 920.043,91 130 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma BUDGET DISTRIBUTION BY PROGRAMS. FISCAL YEAR 2009

BUDGETARY EXPENSES

Functioning operations Funds operations Total budgetary expenses

PROGRAMS BUDGETED ACTUAL BUDGETED ACTUAL BUDGETED ACTUAL Ordinary Activity 2.509.300,00 2.617.419,21 519.500,00 1.562.689,96 3.028.800,00 4.180.109,17 Permanent Collection 105.000,00 64.225,09 856.000,00 760.092,41 961.000,00 824.317,50 Expositions 730.845,00 664.114,60 730.845,00 664.114,60 Conferences 33.800,00 18.493,35 33.800,00 18.493,35 Workshops 40.600,00 23.316,38 40.600,00 23.316,38 Other Programs 57.900,00 66.020,70 57.900,00 66.020,70

TOTAL ACTIVITIES 3.477.445,00 3.453.589,33 1.375.500,00 2.322.782,37 4.852.945,00 5.776.371,70 Financial Operations 12.000,00 8.617,21 12.000,00 8.617,21

TOTAL OTHER ACTIVITIES 12.000,00 8.617,21 12.000,00 8.617,21 GENERAL TOTAL 3.489.445,00 3.462.206,54 1.375.500,00 2.322.782,37 4.864.945,00 5.784.988,91

INGRESSOS PRESSUPOSTARIS

Functioning operations Funds operations Total budgetary expenses

PROGRAMS BUDGETED ACTUAL BUDGETED ACTUAL BUDGETED ACTUAL Activities 3.492.945,00 3.674.442,63 1.372.000,00 2.104.039,53 4.864.945,00 5.778.482,16

TOTAL ACTIVITIES 3.492.945,00 3.674.442,63 1.372.000,00 2.104.039,53 4.864.945,00 5.778.482,16 Financial Operations 6.506,75 6.506,75

TOTAL OTHER ACTIVITIES 6.506,75 6.506,75

GENERAL TOTAL 3.492.945,00 3.680.949,38 1.372.000,00 2.104.039,53 4.864.945,00 5.784.988,91 132 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 133 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Annual report 2.009

Note 1. Activity of the entity The Foundation for Es Baluard Museu d’Art Modern i Contemporani de Palma was in order to facilitate a clear understanding of its financial situation, the following created as a non-profit cultural foundation in accordance with Law of Foundations 50/02 balance and detailed account results are hereby presented. of the 26th of December and the Decree 45/1998 on the creation and regulation of the exclusive register of foundations of the Autonomous Community of the Balearic Islands, b) The lack of outstanding reasons for which, in order to provide an accurate image, of the 14th of April, and the organisation of the execution of the Protectorate, of the 30th of certain legal accounting measures have not been applied. July of 2003, with authority to operate for an indefinite period of time. c) Complementary information: Lack of complementary information.

The museum is housed in the Bastion of Sant Pere in the city of Palma and its functional 2. Accounting principles: territory extends to include all the Balearic Islands. The principles and accounting criteria utilized in generating these annual financial statements are those outlined in Note 4. All the obligatory accounting principles that According to the regulatory Statutes, the Foundation’s objective is to sustain, conserve, apply to the assets, the financial situation and the results have been duly applied. exhibit and promote the Museum of Modern and Contemporary Art, Palma, and the works of art from the Serra Collection, the set of artwork given by other founders and those that 3. Aspects critical of the valuing and estimation of uncertainties: are acquired or by any agreement possessed by the Foundation. This care is to be exten- No known critical aspects. ded to new acquisitions that may be made at any time. Indeed, the foundational objective includes the acquisition and possession of any order of assets. 4. Comparison of information: a) The structure of the balance, the profit and loss account and state of change in In order to develop the foundational objective properly, the Foundation conducts the follo- net assets are identical to the previous year’s. wing activities, among others: b) No causes that prevent a comparison of this year’s annual financial statements a) The organisation of art work exhibitions and the production of special exposi- to last year’s. tions that complement the collection, the set and the other works of art that the c) The amounts from the previous year have not changed. Foundation might possess. b) All activities necessary or favourable to the sustainment, conservation, exhibition and 5. Elements collected in different items. public promotion of the museum and works of art in general. Throughout the year, works of art have been acquired on assignment and year-end c) The realisation of educational activities and cultural demonstrations, conferences, publi- balances are reported in the following epigraphs, according to their expiration: cations, and complementary activities or others similar to those mentioned. -Noncurrent liability – Long-term debt: Other financial liabilities = 75.000,00 €. d) The direct or contracted management of rooms, shop, library, restaurant, café and all “-Current liability –Commercial creditors and other accounts receivable: Various cre- other spaces pertaining to the museum. ditors = 75.000,00 €. “ The beneficiary of the activities mentioned is anyone who enjoys them. 6. Changes in accounting criteria. No changes to accounting criteria. Nota 2. Guidelines for the presentation of annual financial statements 1) Accurate Image: 7. Correction of errors. a) The annual financial statements have been prepared based on the accounting re- No correction of errors. gisters of the Foundation for Es Baluard Museum d’Art Modern i Contemporani de Palma, having been applied all current legal accounting measures in order to offer an accurate picture of the assets, the financial situation and the surpluses of the Entity.

As of the date of emission of the following financial statements, the new sector adaptation to the General Plan for Non-Profit Entities had not yet been approved. According to the current regulations, the information required in earlier years has been provided as well as the information newly required by the Royal Decree 1515/2007 by which the General Accounting Plan for Small and Medium-Sized Busi- nesses and the specific criteria for micro-companies were approved. Although the Entity is not obliged to provide normal annual financial statements, 134 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 135 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Note 3. Yearly surplus estimated useful life (yrs) The proposal for the use of the 2009 yearly surplus is as follows: Assignments 99 Industrial and intellectual property 5 Distribution base Information technology applications 3 Yearly surplus 218.742,84 Remaining 368.494,89 2) Assets integral to Historical Wealth Voluntary reserves Given that the social mission of the Foundation is inextricably linked to the muse- Reserves um of the same name, it has been deemed appropriate to use this item to reflect investments in the works that are property of the Foundation. Therefore, all infor- TOTAL 587.237,73 mation in the presentation of accounting status that makes reference to Historical Wealth Assets should be understood as Museum Works. Distribution The appraisal criteria are the same as for material fixed assets. Given that these as- To foundation monies / social fund sets are not depreciable, depreciation amounts are not applied. Neither have write- To remaining down losses been applied. To special reserves To voluntary reserves 587.237,73 3)Tangible fixed assets: To compensate negative surplus from previous years The different items that are tangible fixed assets are accounted for based on the price To negative surplus from previous years of their acquisition, construction, refurbishment or improvement. Acquisitions without consideration are appraised at their taxable value or sale value. TOTAL 587.237,73 The annual depreciation amount is calculated, for depreciable elements, with a lineal model representing estimated useful life of the different assets, which begins at the mo- Note 4. Rules for registry and valuation ment the assets begins to function and the beginning of its activity, which is as follows: The principal rules of valuation used by the Entity in the elaboration of the annual financial statements for the year 2009, according to those established by the Gene- estimated useful life (yrs) ral Accounting Plan, are the following: Constructions 33 Other facilities and installations 10 1) Immobilitzat intangible: Furnishings 10 The assets items contained herein are non-monetary assets that cannot be physically Information processing equipment 5 touched but that have a measureable economic value. They are initially recognized Other material assets 10 for their acquisition power. Eventual acquisitions without consideration become assets for their taxable value or sale value. Asset assignment operations, whether lifetime or 4) Real estate investments. temporary, are appraised at their measured taxable or sale value, according to the rules No real estate investments. established by the Estate Duty and Stamp Tax and Death Duty. They are later appraised at a lower price according to the accumulated depreciation, calculated as a function of their lifetime use and the eventual losses for write-down.

The grounds entitled «Baluard of Sant Pere» have been appraised according to the criteria applied by the City Hall of Palma. As for the museum building, ceded to the Foun- dation in 2004 by the Consortium Museum of Modern and Contemporary Art of Palma, has been registered for the value of its construction at 16.9 million euros. The intangible fixed assets with indefinite lifetime value do not depreciate. The annual amount for depreciation is calculated with a lineal model representing estimated useful life of the different depreciable assets from the beginning of its activity, which is as follows: Elements included as assignment items depreciate during the assignment period; however, if this period is greater than the useful life of the material elements, the estimated useful material life will be used. 136 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 137 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

5) Barter Specifically, at year-end close, objective evidence that the value of a credit (or a No barter. group of credits with similar risk factors that can be valued collectively) has been written-down as the result of one of more events that occurred after its initial as- 6) Financial assets and liabilities: sumption and that have caused a reduction or a delay in the estimated cash flows The financial instruments registered by the Entity at year-end closing always corres- to be received in the future and could be the source of insolvency on the part of the pond to items valued at the depreciated cost. debtor will be duly noted. The write-down loss will be the difference between the book value and real value Financial assets. of the future cash flows estimated to be received, subtracted from the rate of liqui- Financial assets are reflected in the current balance upon their acquisition and initial dity calculated upon its initial assumption. registration at reasonable cost, which generally includes costs of operation. Financial assets held by the Entity are classified as: Financial liabilities. - Loans and accounts receivable: These correspond to credits (commercial or non- Classified as: commercial) originated by the Entity in exchange for the management of assets or - Debt and accounts payable: Charges (commercial or non-commercial) accrued by the services, the payments for which are set at a fixed or fixable price and are not ne- Entity in exchange for the direct acquisition of assets or services, the payments for gotiated in an open market. Subsequently they are appraised at their depreciated which are set at a fixed or fixable price and are not negotiated in an open market. cost recognizing in the results sheet the accumulated interested according to the Subsequently they are appraised at their depreciated cost recognizing in the results effective interest rate. Credits transacted in foreign currency are converted to Euros sheet the accumulated interested according to the effective interest rate. at the closing exchange rate. The losses accrued through write-down are figured in - Credits transacted in foreign currency are converted to Euros at the closing exchange rate. regards to the risk presented by the possibility of insolvency. - Commercial charges do not generate interest explicitly and are registered as nominal. - Collateral down: Collateral offered for operational leases and service provision. - Collateral collected: Collateral for operational leases and service provision. The diffe- The difference between their reasonable cost and the disbursement amount is rence between their reasoned value and the disbursement amount is considered to considered to be payment ahead of time for the lease or service. be payment ahead of time for the lease or service. - Investments in the assets of the group, multi-group and associate companies: The- se investments are initially valued at cost, which is equivalent to the reasona- Criteria used in the release of financial assets and liabilities. ble cost of the consideration performed plus the directly attributable transaction The Entity applies the principles outlined in the General Accounting Plan to release costs. Subsequently, they are valued for their cost minus the amount accumulated financial assets and liabilities. by the valuation corrected for write-down. A financial asset is released when, due to an operation’s economic circumstances, - Financial assets available for sale: These values represent debt and other compani- there is a significant transfer or risks and benefits to owning the assets. In the cases in es’ asset instruments. They are initially valued at their reasonable cost, including which an asset is released, the difference between the net consideration received from an amount equivalent to the value of preferential subscriptions or similar consi- the costs attributable to the transaction and the measurable value of the asset will be derations that may be acquired. Later, they are valued at their reasonable vale recorded in the profit and loss account. without deducting transaction costs incurred through sale. Any changes produced Financial liabilities are released when the conditions that have created the liability in the reasonable cost are registered directly in the net assets until the financial expire. assets causes a drop in the balance or incurs a write-down, in which case the amount will figure in the profit and loss report. 7) Credits not derived from activities: No credits not derived from activities. Write-down correction values. Upon objective evidence at year-end close that an investment’s book value can no 8) Stock: longer be recovered, any necessary value corrections are made accordingly. Stock is valued at price of acquisition or cost of production. Corrective valuations have The corrective amount is the difference in the financial asset’s book value and the not been made. recoverable amount. The recoverable amount is understood to be the greater of the reasonable cost minus the sale costs and the current value of the future cash flow derived from the investment. Write-down correction values and, if follows, their reversion values, are registered accordingly as an expense or as earnings in the profit and loss account. The reversion is limited to the financial asset’s book value. 138 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 139 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

9) Transactions in foreign currency: Tangible and intangible fixed assets. The conversion to Euros is made by applying the Costs 2008 Balance Initial Additions Releases Balance Final exchange rate valid for the day the asset is incorporated to the price paid for its acquisition. Intangible fixed assets 22.679.947,82 34.716,10 54.375,78 22.660.288,14 The conversion to Euros for the payment of debt accrued in foreign currency is made Right to use Es Baluard de Sant Pere 1.494.280,12 0,00 0,00 1.494.280,12 by applying the exchange rate valid for the day the operation is effected, generating a Right to use Es Baluard museum 16.949.167,85 0,00 0,00 16.949.167,85 positive or negative change in the figure which is calculated accordingly as revenue or Temporary assignments of artwork 4.158.562,05 12.219,00 54.375,78 4.116.405,27 expenses. As of 31 December there is no debt in foreign currency. Other intangible fixed assets 77.937,80 22.497,10 0,00 100.434,90 Tangible fixed assets 460.309,74 96.116,75 0,00 556.426,49 10) Profit tax: Grounds and constructions 74.269,65 40.963,91 0,00 115.233,56 No deferred-tax assets or liabilities due to the special fiscal regulations for non- Other tangible fixed assets 386.040,09 55.152,84 0,00 441.192,93 profit entities. TOTALS 23.140.257,56 130.832,85 54.375,78 23.216.714,63

11) Revenue and expenses: The releases recorded in «Temporary assignments of artwork» reflect the return of The criteria for recording revenue and expenses follow the valuation rules establis- artwork upon expiration of the period for which they were ceded to the Foundation. hed within the conceptual framework of the General Accounting Plan approved by Royal Decree 1515/2007. Accumulated Depreciation 2009 Balance Initial Additions Releases Balance Final 12) Provisions and contingencies: Intangible fixed assets 1.832.909,00 369.299,70 0,00 2.202.208,70 No provisions and contingencies. Right to use Es Baluard de Sant Pere 75.787,65 15.157,53 0,00 90.945,18 Right to use Es Baluard museum 1.697.217,81 339.403,09 0,00 2.036.620,90 13) subsidies, donations and bequeathals: Temporary assignments of artwork 0,00 0,00 0,00 0,00 Assets received though subsidies, donations and bequeathals are appraised for their Other intangible fixed assets 59.903,54 14.739,08 0,00 74.642,62 taxable value or sale value, with the market value as the limit, as long as they are Tangible fixed assets 202.602,02 45.936,21 0,00 248.538,23 considered non-reintegrable. If there are assignments for use, in addition to the valu- Grounds and constructions 6.655,66 3.457,01 0,00 10.112,67 es mentioned, the corrections established by the fiscal regulation (ITPIAJD/ISID) are Other tangible fixed assets 195.946,36 42.479,20 0,00 238.425,56 applied. They are accounted for as «Net assets» and are recorded as results as per the TOTALS 2.035.511,02 415.235,91 0,00 2.450.746,93 depreciation of the asset received or the asset financed by the subsidies, donations or bequeathals. If an assignment is made for a concrete purpose, it is imputed as results as per the Accumulated purpose named, and in case there is no assignment made for a concrete purpose, it is Depreciation 2008 Balance Initial Additions Releases Balance Final recorded as revenues for the period in which it is made. Intangible fixed assets 1.455.881,48 377.027,52 0,00 1.832.909,00 Right to use Es Baluard de Sant Pere 60.630,12 15.157,53 0,00 75.787,65 Note 5. Tangible fixed assets, excluding historical wealth assets Right to use Es Baluard museum 1.351.085,48 346.132,33 0,00 1.697.217,81 The make-up of this epigraph and the movements in different accounts for this period Temporary assignments of artwork 0,00 0,00 0,00 0,00 are as follows: Other intangible fixed assets 44.165,88 15.737,66 0,00 59.903,54 Tangible fixed assets 154.044,70 48.557,32 0,00 202.602,02 Costs 2009 Balance Initial Additions Releases Balance Final Grounds and constructions 4.211,63 2.444,03 0,00 6.655,66 Intangible fixed assets 22.660.288,14 414.213,32 295.478,75 22.779.022,71 Other tangible fixed assets 149.833,07 46.113,29 0,00 195.946,36 Right to use Baluard de Sant Pere 1.494.280,12 0,00 0,00 1.494.280,12 TOTALS 1.609.926,18 425.584,84 0,00 2.035.511,02 Right to use Es Baluard Museum 16.949.167,85 0,00 0,00 16.949.167,85 Temporary assignments of artwork 4.116.405,27 412.750,82 295.478,75 4.233.677,34 Artwork on assignment is insured at all times. Other intangible fixed assets 100.434,90 1.462,50 0,00 101.897,40 Tangible fixed assets 556.426,49 33.065,56 0,00 589.492,05 Grounds and constructions 115.233,56 0,00 0,00 115.233,56 Other tangible fixed assets 441.192,93 33.065,56 0,00 474.258,49 TOTALS 23.216.714,63 447.278,88 295.478,75 23.368.514,76 140 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 141 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Note 6. Historic wealth assets Year 2008 Amount Expiration Detailing of the Museum works, property of the Foundation, as follows: Long-term debt Other financial liabilities 4.000,00 + 5 years Costs 2009 Balance Initial Additions Releases Balance Final Commercial creditors and other accounts payable Museum 4.547.980,62 725.172,41 0,00 5.273.153,03 Suppliers 466.552,70 1 year Other creditors 574.470,10 1 year Costs 2008 Balance Initial Additions Releases Balance Final Short-term periodifications 0,00 1 year Museum 4.184.473,36 363.507,26 0,00 4.547.980,62 2. Entity Funds These assets do not depreciate. No pending disbursements from the Social Fund. There are no specific restrictions on the availability of Reserves. See movements of Entity Funds in the State of Chance of Net Assets. Note 7. Financial instruments 1. Information about the relevancy of financial instruments to the company’s financial situation and results. Nota 8. Stock a) Categories of financial assets and liabilities. The book value for each category of Museum Shop assets. There are no steadfast agreements applicable to the stock, nor the financial assets and liabilities indicated in the registry rules and sixth valuation, limitations on its availability to the Foundation. according to the following structure: There are no items recorded at a fixed amount nor any type of seizures. a1) Financial assets, excepting investments in the group, multi-group and associated companies’ assets. See Annex 3. Note 9. Members and other debtors to entity activities No corrections for depreciation in value caused by credit risk. The breakdown of item D.III of the asset balance for the year is: a2) Financial liabilities. See Annex 3. Year 2009 Balance Initial Additions Releases Balance Final At year-end close, the Entity held a line of credit with the Mediterranean Savings & Public Sector 249.500,00 3.291.000,00 3.173.249,50 367.250,50 Loan (Caja de Ahorros del Mediterráneo) with a limit de 150,0 thousand Euros and Private Sector 600,00 32.600,00 33.200,00 0,00 another with the Caixa de Pensions de Barcelona with a limit of 200,0 thousand 250.100,00 3.323.600,00 3.206.449,50 367.250,50 Euros. As of 31 December 2009 neither was in use. Year 2008 Balance Initial Additions Releases Balance Final b) Classification of expirations Public Sector 0,00 3.291.500,00 3.042.000,00 249.500,00 The classifications for expiration of the Entity’s financial liabilities are detailed in Private Sector 0,00 32.700,00 32.100,00 600,00 the following chart: 0,00 3.324.200,00 3.074.100,00 250.100,00

Year 2009 Amount Expiration Long-term debt 75.000,00 1 year Other financial liabilities 4.000,00 + 5 years Commercial creditors and other accounts payable Suppliers 438.639,98 1 year Other creditors 157.790,93 1 year Short-term periodifications 25,00 1 year 142 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 143 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Note 10. Subsidies, donations and bequeathals Computation of the accountable result and the taxable base for Corporation Tax The subsidies, donations and bequeathals received by the Foundation have registe- Year surplus before taxes 218.742,84 red the following movement: Permanent differences 218.742,84 Balance Items Temporary differences 0,00 Relative to awards meant to subsidise asset items. Taxable base 0,00 Fee amount (integral) on taxable base before assessment 0,00 Year 2009 Balance Initial Additions Releases Balance Final Fiscal deductions applied 0,00 Public Sector 20.964.690,87 630.000,00 400.078,38 21.194.612,49 Fee amount (liquid) not subject to assessment (liquid) 0,00 Private Sector 3.612.093,15 412.750,82 295.478,75 3.729.365,22 Retentions and accounts on account 0,00 TOTALS 24.576.784,02 1.042.750,82 695.557,13 24.923.977,71 Public Treasury debtor/creditor for Corporation Tax 0,00

Year 2008 Balance Initial Additions Releases Balance Final Public Sector 20.421.679,24 953.439,00 410.427,37 20.964.690,87 Note 13. Revenue and expenses Private Sector 3.662.688,93 3.780,00 54.375,78 3.612.093,15 - Expenses for asset management (permanent collection): TOTALS 24.084.368,17 957.219,00 464.803,15 24.576.784,02 Ex. 2009 Ex. 2008 External services: 64.225,09 36.007,38 Almost the entire amount granted in subsidies from the Public Sector was awarded by 64.225,09 36.007,38 the Government of the Balearic Islands, the Council of the Island of Menorca and the - Breakdown of the Monetary Awards items: City Hall of Palma. The Foundation has complied with all the conditions stipulated by No monetary awards. the subsidies received from different entities. - Breakdown of the Supplies items: Yr. 2009 Yr. 2008 Items from the Results Sheet Purchases 96.371,19 139.857,38 Relative to items classified as revenues from the Entity’s activities and the imputa- Variation in stock -40.145,14 -38.213,70 tion of subsidies for non-financial tangible fixed assets. 56.226,05 101.643,68 - Breakdown in the social welfare benefits items: Revenue Revenue Yr. 2009 Yr. 2008 Entities Year 2009 Year 2008Sector Social security paid by the company 195.303,44 178.747,75 Public Sector (Subsidies transferred to results) 400.078,38 410.427,37 - Breakdown of the change in the activities’ supplies items: Total 400.078,38 410.427,37 No change in the activities’ supplies.

- The item for revenue from promotions, sponsors and collaborators, as well as Note 11. Operations with related parties derivatives from subsidies, donations and bequeathals from Entity activity have During this year a payment was made by the Consortium of the Museum of Modern been designated in their entirety to the sustainment, conservation, exposition and and Contemporary Art of Palma. The remaining balance as of 31 December 2009 promotion of the Museum. is 2.805,00 €. - Breakdown of revenue and expenses corresponding to ordinary commercial activity. Although the revenues derived from museum admission are classified in the profit and loss account as Sales and other revenue from commercial activity, given Foun- Note 12. Fiscal situation dation’s social mission, for these purposes they are considered to be a non-profit The Foundation properly communicated its petition for the option to apply the spe- activity. cial fiscal regulations for non-profit entities. The application of this special regulation stipulates compliance with the conditions Year 2009 Revenue Expenses Result and requirements outlined in article 3 of the Law 49/2002 for that year during every Store 105.157,63 94.728,50 10.429,13 period for which the status granted. Conferences and seminars 5.450,00 18.493,35 -13.043,35 100% of the income obtained is derived from exempt income (art.6 L.49/2002) and exempt economic operations (art.7 L.49/2002), as can be corroborated in the Economic Year 2008 Revenue Expenses Result Report (Note 21), thereby establishing a null taxable base as regards corporation tax. Store 91.590,75 89.241,60 2.349,15 Conferences and seminars 1.020,00 1.695,90 -675,90 144 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 145 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

- Average number of employees: No authorities granted by the Protectorate and/or solicited and pending approval as Year 2009 Year 2008 of year-end close. Category Women Men Women Men Management 1 0 2 0 - Loans and credits to members of the Board of Trustees: Administration 0 3 0 3 No loans or credits to members of the Board of Trustees. Other services 16 6 14 6 Total 17 9 16 9 - Obligations in the form of pensions and life insurance for members of the Board of Trustees: no obligations in the form of pensions and life insurance for members The honoraries paid for the 2009 yearly audit total 9.850,00 €, without tax. of the Board of Trustees.

- Over the course of 2009, the Foundation recorded 67 081.98 Euros in wages and sa- Note 14. Asset items affected by commercial activities laries and12 600.00 euros for external services rendered by government organisms. Asset items affected by commercial activities, taking into account what is explained in Note 13 above, include the following: Yr. 2009 Yr. 2008 Note 17. Environmental information Stock 342.951,45 302.806,31 The balance does not include significant net value in assets related to the protecti- on and improvement of the environment. Neither have significant expenses been incurred in this area, nor have any provisions for possible environmental risks been Note 15. Use of asset items for entity’s purposes recorded, nor is there any need to do so. The relationship of assets and rights by which the foundational monies are ma- terialized and those linked directly to the achievement of the foundation’s own purposes are the subject of the attached inventory. The only asset item not directly Note 18. Financing chart related to non-profit activity is the item addressed in Note 14. See Annex 2, as it forms an integral part of this note. The allocation of revenue and profits employed in the realisation of the foundati- The calculation of resources derived from / dedicated to operations and the year’s onal purposes is detailed in Annexes 1a, 1b and 1c, which form an integral part of reportable results is: this note. Year 2009 Year 2008 Yearly surplus 218.742,84 354.239,45 Note 16. Other information Depreciation amounts per depreciation 415.235,91 425.584,84 - Changes in the composition of the Board of Trustees: Capital subsidies transferred to results -400.078,38 -410.427,37 The members that compose the Board of Trustees as of 31 December 2009 are: Resources derived from operations 233.900,37 369.396,92 On behalf of the Government of the Balearic Islands: Resources dedicated to operations Rt. Hon. Mr. Francesc Antich Oliver Hon. Mr. Bartomeu Llinàs Ferrà Hon. Mr. Miquel Ferrer Viver On behalf of the Council of Majorca: Note 19. Guidelines for the presentation of budget liquidation Rt. Hon. Ms. Francina Armengol Socias The rules established in the Annex II of Royal Decree 776/1998, of the 30th of April, Hon. Ms. Joan Font Massot regarding budgetary information, and by which the rules of adaptation of the Gene- Hon. Ms. Dolça Mulet Dezcallar ral Accounting Plan for non-profit entities as well as the budgetary information rules On behalf of City Hall of Palma: for these entities are approved, have been duly applied. Rt. Hon. Ms. Aina Calvo Sastre As per article 9 of the Foundation Statutes, the budgetary model was generated in Rt. Hon. Ms. Nanda M. Ramon Tous accordance with the differentiation of ordinary revenue and expenses and other Hon. Ms. Cristina Cerdó Capellà revenue and expenses linked specifically to programs included in the Action Plan. On behalf of the Serra Art Foundation: This model allows for direct control of the museum’s ordinary and general expen- Rt. Hon. Mr. Pere A. Serra Bauzà ses (which include the permanent collection), that are not imputable in any specific Ms. Carmen Serra Magraner action plan, as well as those expenses that are created by programmed activities Mr. Rogelio Araújo Gil that are considered necessary to the best use of resources. 146 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 147 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

The budgeted revenue and expenses are imputed for each program in accordance Nota 21. Economic report (Art. 3 of Royal Decree 1270/2003 - Rules for applying fiscal regulations for non-profit with a direct assessment of each accountable aspect. organisations and fiscal incentives).

a) Income exempt and not exempt from corporation tax. Note 20. Information on budget liquidation Parameters for compliance with the Action Plan: The Foundation for Es Baluard Law 49/2002 Income Expenses Museum d’Art Modern i Contemporani de Palma, counted 325,239 visitors over the Art. 6. Income exempt: course of the year 2009. 1r. a) contributions and donations received upon collaboration with the Entity’s goals: In conjunction with the conservation and display of the collection, in 2009, 40 Amount of assets works of art were acquired. There was one loan from the collection, a piece by Collaborative business agreements (Law 49/2002 art. 25) 169.050,00 Joaquim Mir lent to Barcelona Caixa Forum and the Museo de Bellas Artes in Bilbao. Advertising sponsorship contracts ( Law 34/1998) 66.182,30 There were 8 temporary expositions during 2009. 1st. b) associates, collaborators and benefactors 2.675.100,28 The web page was visited 130,576 times. 1st. c) subsidies to finance exempt activities 400.078,38 400.078,38 In 2009, 8 museum publications were edited. Approximately 11,972 people participated in the cultural and education activities 2nd. As proceed from tangible and intangible assets: that took place. Dividends and participation in corporate earnings Interest 6.506,75 The following comments are generated from the chart representing the liquidation Rent 135.010,90 of the 2009 Yearly Budget: The difference in functional operating expenses was only -0,78%, whereas revenue 3rd. Derivative of acquisitions or transmissions, by any claim, of assets or rights. from operating functions was 5,38% greater than expected. Art. 7. Economic operations exempt: The difference in revenue and expenses for funds operations are the product of a 1st. Provision of services for the promotion and management of measures for social action, reclassification of the current epigraphs, a reduction in treasury due to a decrease assistance and inclusion. in creditors, and an increase in debtors. 2nd. Provision of services for hospitalisation or medical attention. 3rd. Scientific research and technology development. 4th. From assets declared as objects of cultural interest, museums, libraries, archives and centres for documentation. 116.532,33 2.948.906,31 5th. Organisation of performance, including music, choreography, theatre, cinema and circus. 6th. Parks and other protected natural areas. 7th. Education and professional training. 8th. Organisation of expositions, conferences, colloquia, courses and seminars. 5.450,00 18.493,35 9th. Production, edition, publication and sale of books, journals, bulletins, audiovisual material and multimedia material. 46.998,08 42.336,99 10th. Provision of athletic services to people that play sports or impart physical education. 11th. Auxiliary actions that complement those exempt (<= 20% total income) 58.159,55 52.391,51 12th. Of little relevance (<= 20.000 €) 1.880,81

Criteria used to determine the distribution of expenses between different income earned by the Entity: Direct application of expenses to commercial activities and of subsidies to finance activities; lastly the remainder is designated for foundational activity. 148 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 149 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement b) Income, Expenses and Investments of the Projects and Activities developed to complement statutory aims. d) Retributions realised by the Entity for its truestees, representatives or members of government organisms. Es Baluard Museu d’Art Modern i Contemporani de Palma Trustees Representatives Government Organism

Income Expenses Investments Monetary: 10. Capital Reimbursement for expenses generated through performing said roles 13. Subsidies, donations and bequeathal and other adjustments in Net assets 347.193,69 Services provided to the Entity different than those that pertain to the Entity’s functioning 20. Intangible fixed assets 118.734,57 Specified 21. Tangible fixed assets 33.065,56 27. Museum 725.172,41 e) Participation by the Entity in commercial corporations. 24. Long-term financial investments in related parties Commercial Corporation Percentage of participation 25. Other long-term financial investments Social Denomination N.I.F. 26. Long-term collateral and deposits The Foundaction for Es Baluard Museum d’Art Modern i Contemporani de Palma, does not participate in any commercial 60. Purchases 200.162,43 corporation. 61. Change in stock -143.936,38 62. External services 2.138.826,01 f) Retributions received by the administrators that represent the Entity in commercial corporations in 63. Taxes 6.422,06 which it participates. 64. Personnel expenses 836.796,56 Commercial Corporation Retributions received Amount refunded 65. Monetary awards to the Entity and other management expenses 82,74 Social Denomination N.I.F. 66. Financial expenses 8.617,21 The Foundation for Es Baluard Museum d’Art Modern i Contemporani de Palma, does not participate in any commercial corpo- 67. Losses due to noncurrent assets and exceptional expenses ration. 68. Depreciation amounts 415.235,91 69. Losses for write-down and other amounts g) Collaborative business agreements for activities of general interest signed by the Entity. 70. Sales of merchandise, internal production sales, sales of services, etc. 227.139,96 Collaborator Amount refunded 71. Change in stock Social Denomination N.I.F. 72. Entity’s own earnings 2.910.332,58 Bancaja Foundation G12232294 137.050,00 73. Work performed by the Entity realitzats per a l’entitat Caja de Ahorros del Mediterraneo G03046562 17.000,00 74. Subsidies, donations and bequeathals 400.078,38 Sa Nostra Foundation G57100141 15.000,00 75. Other management income 136.891,71 76. Financial incomes 6.506,75 169.050,00 77. Income from noncurrent assets and exceptional income 79. Excesses and application of supplies and losses for write-down h) Primary patronage activities performed by the Entity. No patronage activities are performed by the Entity. Totals 4.028.143,07 3.462.206,54 876.972,54 i) Designation of Entity’s assets in the event of its dissolution. “In accordance with article 31 of the Foundation Statutes, «... In the event of the Entity’s lioquidation, its assets will become prop- c) Specification and mode of calculation for the income and earnings referred to in article 3.2n of the Law erty of the City of Palma, as represented by its City Hall, along with the responsibility to maintain the cultural ends outlined in the 49/2002, as well as a description of the purpose and application given therein. Statutes. Assets that are not express property of the Foundation are of course excluded from this transfer of property and shall be The aforementioned article makes reference to the requirements for non-profit entities, wherein point 2n specifies the need to returned to their owners...» designate at least 70% of the following income and earnings to purposes of general interest: Income from economic operations. Income derived from the transmission of assets or rights held by the Entity. Earnings obtained by all other means, minus the expenses incurred by generating these earnings. The Foundation for Es Baluard Museum d’Art Modern i Contemporani de Palma, pursues objectives of general interest, specifically educational and cultural goals. During the economic period of 2009, all the income and earnings obtained have been designated to educational and cultural purposes that aim to achieve the social objective through the operation and diffusion of the Es Baluard Museum. 150 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 151 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma Annex 1a

Year Accounting Adjustments (+) to the accounting result Adjmnts (-) to the accounting Difference: Minimum resources dedicated to Result result BASIS FOR ARTICLE 27 achieve yearly goals

Depreciation and supply values Expenses for Entity activities TOTAL NON- Non-calculable income (Profit from TOTAL (tangible assets) (common + specific) DEDUCTIBLE sales, intan. assets, Ent. act.) EXPENSES Amount % 2003 N/A 2004 -268.089,77 486.085,23 3.464.753,00 3.950.838,23 3.682.748,46 2.577.923,92 70,00% 2005 277.535,92 411.231,47 2.594.699,47 3.005.930,94 3.283.466,86 2.298.426,80 70,00% 2006 2.620,19 418.104,47 2.427.879,57 2.845.984,04 2.848.604,23 1.994.022,96 70,00% 2007 2.189,10 420.029,06 2.740.291,24 3.160.320,30 3.162.509,40 2.213.756,58 70,00% 2008 354.239,45 425.584,84 2.580.685,65 3.006.270,49 3.360.509,94 2.352.356,96 70,00% 2009 218.742,84 415.235,91 3.046.970,63 3.462.206,54 3.680.949,38 2.576.664,57 70,00%

TOTAL 587.237,73 2.576.270,98 16.855.279,56 19.431.550,54 0,00 20.018.788,27 14.013.151,79 70,00%

Fundació Es Baluard, Museu d’Art Modern i Contemporani de Palma Annex 1b

Year BASIS FOR Minimum yearly Yearly resources dedicated to achieving goals DIFFERENCE: Resources employed for Total % ARTICLE 27 resources (art. 27 Yearly expenses Yearly TOTAL RESOURCES % Employed Resources used in activities liquidated in year liquidated (art 27 Law 50/2002). (see incurred for Entity investments EMPLOYED IN Resources/ excess (+) or deficit resources Law Annexe 1a) act. (inclues made in Ent. act. YEAR Basis for (-) s/70% minimum. 50/2002) common exp. For article 27 (to be compensated Ent. act. en 4 yrs) 2004 2005 2006 2007 2008 2009

2004 3.682.748,46 2.577.923,92 3.464.753,00 470.927,70 3.935.680,70 106,87% 1.357.756,78 2.577.923,92 2.577.923,92 70,00% 2005 3.283.466,86 2.298.426,80 2.594.699,47 396.073,95 2.990.773,42 91,09% 2.050.103,40 2.298.426,80 2.298.426,80 70,00% 2006 2.848.604,23 1.994.022,96 2.427.879,57 402.946,95 2.830.826,52 99,38% 2.886.906,96 1.994.022,96 1.994.022,96 70,00% 2007 3.162.509,40 2.213.756,58 2.740.291,24 404.436,35 3.144.727,59 99,44% 3.817.877,97 2.213.756,58 2.213.756,58 70,00% 2008 3.360.509,94 2.352.356,96 2.580.685,65 410.427,37 2.991.113,02 89,01% 4.456.634,03 2.352.356,96 2.352.356,96 70,00% 2009 3.680.949,38 2.576.664,57 3.046.970,63 400.078,38 3.447.049,01 93,65% 5.327.018,47 2.576.664,57 2.576.664,57 70,00%

Fundació Es Baluard, Museu d’Art Modern i Contemporani de Palma Annex 1c

Management expenses

Year Alternate limits Common Expenses Total yearly Exceeds (+). Does 5% of Entity 20 % of expenses compensated management not exceed (-) the funds income for asset by Trustees expenses est. maximum earned management incurred limit 2004 63.109,52 736.549,69 259.459,17 259.459,17 -477.090,52 2005 76.986,31 656.693,37 61.481,18 61.481,18 -595.212,19 2006 77.117,32 569.720,85 45.619,61 45.619,61 -524.101,24 2007 77.226,78 632.501,88 42.099,78 42.099,78 -590.402,10 2008 94.938,75 672.101,99 36.007,38 36.007,38 -636.094,61 2009 105.875,89 736.189,88 64.225,09 64.225,09 -671.964,79 152 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement 153 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard, Museu d’Art Modern i Contemporani de Palma. Financing Chart. Annex 2 Fundació Es Baluard, Museu d’Art Modern i Contemporani de Palma. Financing Chart. Annex 2

APPLICATIONS Year 2009 Year 2008 ORIGINS Year 2009 Year 2008 1. Resources for operations 1. Resources from operations 233.900,37 369.396,92 2. Expenses for debt origination and formalisation 2. Contributions 3. Asset acquisition 1.172.451,29 494.890,11 3. Subsidies, donations, capital bequeathals, and others 747.272,07 902.843,22 a) Intangibles fixed assets 414.213,32 34.716,10 4. Long-term debt 75.000,00 4.000,00 b) Historic Wealth Assets 725.172,41 363.507,26 a) Loans and other analogous liabilities c) Tangible fixed assets 33.065,56 96.116,75 b) From Group Entities d) Financial assets financeres 550,00 c) From Associated Entities d1) Group Entities d) From other debt d2) Associated Entities e) From asset providers and others 75.000,00 4.000,00 d3) Other Financial Investments 550,00 5. Alienation of assets 295.478,75 54.375,78 4. Reductions in social funds or foundational monies a) Intangibles fixed assets 295.478,75 54.375,78 5. Cancellation or transfer from short-term to long-term debt 144.480,00 b) Historic Wealth Assets a) Loans and other analogous liabilities c) Tangible fixed assets b) From Group Entities d) Financial assets c) From Associated Entities d1) Group Entities d) From other debt d2) Associated Entities e) From asset providers and others 144.480,00 d3) Other Financial Investments 6. Provisions for risks and expenses 6. Anticipated cancellation of financial assets or transfer to short-term a) Group entities Total applications 1.172.451,29 639.370,11 b) Associated entities c) Other financial investments Excés d’origens sobre aplicacions (augment del capital circulant) 179.199,90 691.245,81 Total origins 1.351.651,19 1.330.615,92

Excess Applications over origins (decrease in circulating capital)

Year 2009 Year 2009 CHANGE IN CIRCULATING CAPITAL Increase Decrease CHANGE IN CIRCULATING CAPITAL Increase Decrease 1. Founders and others for required disbursement 1. Founders and others for required disbursement 2. Stock 40.145,14 2. Stock 38.213,70 3. Debtors 270.296,36 3. Debtors 187.921,42 4. Creditors 444.591,89 4. Creditors 80.178,32 5. Temporary financial investments 2.205,61 5. Temporary financial investments 120,20 6. Treasury 571.052,80 6. Treasury 541.158,00 7. Adjustments for regular periodicity 6.986,30 7. Adjustments for regular periodicity 4.010,81

Total 757.239,00 578.039,10 Total 771.424,13 80.178,32

Change in circulating capital 179.199,9 Change in circulating capital 691.245,81 154 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma Annex 3

Financial Assets

CLASSES CLASSES Short-term financial instruments Long-term financial instruments TOTAL Asset instruments Values representative of debt Credits, Derivatives, Others Asset instruments Values representative of debt Credits, Derivatives, Others CATEGORIES 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 Financial assets held for trade Financial assets at depreciated cost 6.592,66 6.592,66 890.366,28 624.825,61 896.958,94 631.418,27 Financial assets at cost TOTAL 6.592,66 6.592,66 890.366,28 624.825,61 896.958,94 631.418,27

Financial Liabilities

CLASSES CLASSES Short-term financial instruments Long-term financial instruments TOTAL Debt with credit entities Obligations and other negotiable values Derivatives and Others Debt with credit entities Obligations and other negotiable values Derivatives and Others CATEGORIES 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 2009 2008 Financial liabilities at depreciated cost 79.000,00 4.000,00 596.455,91 1.041.022,80 675.455,91 1.045.022,80 Financial liabilities held for trade TOTAL 79.000,00 4.000,00 596.455,91 1.041.022,80 675.455,91 1.045.022,80 156 Economic memory 2009 | Administration Department - Economical information | 2009 annual financial report statement

Fundació Es Baluard Museu d’Art Modern i Contemporani de Palma Annex 4

INVENTARI IMMOBILITZAT 2009

Book book net book Value additions withdrawals amortisation calue value 31/12/2008 2009 2009 2009 31/12/2009 31/12/2009 Administrative assignments 22.559.853,24 412.750,82 295.478,75 354.560,62 22.677.125,31 20.549.559,23 Administrative Assignments 1.494.280,12 15.157,53 1.494.280,12 1.403.334,94 Consortium Assignments 16.949.167,85 339.403,09 16.949.167,85 14.912.546,95 Third-party Work Assignments 4.116.405,27 412.750,82 295.478,75 4.233.677,34 4.233.677,34 Patent rights 80.764,38 11.392,98 80.764,38 23.686,99 Patent rights 21.104,89 251,75 21.104,89 5.999,99 Website Design 38.765,00 7.586,25 38.765,00 21.048,78 General Museum Design 20.894,49 3.554,98 20.894,49 -3.361,78 It applications 19.670,52 1.462,50 3.346,10 21.133,02 3.567,79 Buildings 115.233,56 3.457,01 115.233,56 105.120,89 Other facilities 43.977,95 4.397,80 43.977,95 24.447,69 Furnishings 324.210,17 24.557,68 33.807,98 348.767,85 191.990,71 Furnishings 75.223,45 7.522,35 75.223,45 35.410,76 Artistic Furnishings 143.964,96 6.237,14 14.843,06 150.202,10 78.247,86 Office Furnishings / Museum Replacements 51.173,92 16.439,35 5.948,47 67.613,27 48.032,69 Educational Workshop Furnishings 12.981,36 1.881,19 1.407,45 14.862,55 12.423,49 E. Historic Furnishings 40.866,48 4.086,65 40.866,48 17.875,91 Equipment for information processes 62.500,81 8.507,88 3.223,02 71.008,69 11.869,97 Equipment for information processes 62.500,81 8.507,88 3.223,02 71.008,69 11.869,97 Other material fixed assets 10.504,00 1.050,40 10.504,00 7.524,56 Photographic Collection 10.504,00 1.050,40 10.504,00 7.524,56 Museums 4.547.980,62 725.172,41 5.273.153,03 5.273.153,03 Museums 3.790.137,47 725.172,41 4.515.309,88 4.515.309,88 Museums / Donations 757.843,15 757.843,15 757.843,15 Long-term deposits 6.592,66 6.592,66 6.592,66 27.771.287,91 1.172.451,29 295.478,75 415.235,91 28.648.260,45 26.197.513,52