MCA's Maitland Reveals in UA Reorganization
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
And Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group
Yahoo! and Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group SANTA CLARA, NEW YORK and PARIS -- April 5, 2001 -- Today, Yahoo! Inc. (Nasdaq: YHOO), a leading global Internet communications, commerce and media company, and Duet, the online digital music subscription service created by the world's two largest music companies, Universal Music Group and Sony Music Entertainment, announced an alliance to present and market Duet's U.S. service to visitors to the Yahoo! network and Yahoo!® Music (http://music.yahoo.com). The Duet subscription service is expected to launch this summer. The on-demand Duet subscription service will offer consumers the opportunity to access a broad range of quality music online with speed, ease of use, and reliability while respecting artists' rights. The service will provide music enthusiasts with the ability to compile personalized playlists and to share them with other Duet members, among other features. The Duet service is expected to launch with streaming music and plans to add downloads shortly thereafter. The Duet subscription service will offer music from Sony Music and Universal Music on a non-exclusive basis. Duet also expects to offer music from other companies, in order to provide consumers with the best experience and access to the most compelling selection of music available. "Yahoo! is pleased to join Sony Music and Universal Music, the world's two largest music companies, to promote the Duet subscription service to U.S. music fans," said Jeff Mallett, president and chief operating officer, Yahoo! Inc. -
Cbs Corporation
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): March 13, 2007 CBS CORPORATION (Exact name of registrant as specified in its charter) Delaware 001-09553 04-2949533 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification incorporation) Number) 51 West 52nd Street, New York, New York 10019 (Address of principal executive offices) (zip code) Registrant’s telephone number, including area code: (212) 975-4321 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2.): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d- 2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e- 4(c)) Item 5.02. Departure of Directors or Certain Officers; Election of Directors; Appointment of Certain Officers; Compensatory Arrangements of Certain Officers. (e) On March 13, 2007, CBS Corporation (the “Company”) announced the entering into of an amendment to the employment agreement between the Company and Sumner M. Redstone, the Company’s Executive Chairman of the Board of Directors and Founder (the “Redstone Amendment”). -
Lennie Petze Profile
LENNIE PETZE A SENIOR LEVEL, RECORD COMPANY EXECUTIVE WITH OVER 50 YEARS EXPERIENCE IN THE MUSIC INDUSTRY. SPECIALIZING IN THE ARTIST & REPERTOIRE FIELD WITH OVER 100 GOLD, PLATINUM AND MULTI-PLATINUM AWARDS FOR RECORDING ARTISTS SIGNED AND RECORDS PRODUCED WITH SALES OF OVER 150 MILLION UNITS. SOLELY RESPONSIBLE FOR THE DISCOVERY OF CYNDI LAUPER AND BOSTON. The Early Years: It's a Friday night in early 1957. Fourteen year old Lennie Petze was excited to be at what was his first high school dance, "A Record Hop." A Disc Jockey was playing the hit 45's of the day. The sound was loud and bouncing off the wooden walls in the Weymouth Massachusetts High School gymnasium. A new sound of guitars, drums, pumping bass and vocals bred energy for all the teenagers anxious to dance, to a sound created by "Rock and Roll" The DJ replayed "Party Doll" by Buddy Knox five times in three hours! He also played "Poor Butterfly" by Charlie Gracie, "Roll Over Beethoven" by Chuck Berry, "Eddie My Love" by The Teen Queens and "I'm Sticking With You" by Jimmy Bowen. Lennie had heard all these songs on Boston radio, but this environment added another dimension of excitement. One that left him longing to create that environment for himself and become a bigger part of it. It was this experience that lead to experimenting with the formation of bands. Teens from the suburbs of Boston, Massachusetts; Weymouth, Quincy and Braintree that called themselves "The Rhythm Rockers", "The Rainbows"", and The Reveleers" kicking off a hugely successful music career lasting over 50 years. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
Cbs Corporation Reports First Quarter 2007 Results
CBS CORPORATION REPORTS FIRST QUARTER 2007 RESULTS Revenues Up 2% to $3.7 Billion with Increases at Television, Publishing and Outdoor Net Earnings From Continuing Operations Up 8% to $254 Million and EPS of $.33 Per Diluted Share, Each Adjusted For Radio Station Divestitures Free Cash Flow Up 17% to $753 Million New York, New York, May 3, 2007 – CBS Corporation (NYSE: CBS.A and CBS) today reported results for the first quarter ended March 31, 2007. "I'm very pleased with CBS Corporation's first quarter performance," said Sumner Redstone, Executive Chairman, CBS Corporation. "Strong free cash flow growth and an increase in adjusted earnings per share reflect the strength and vitality of our businesses. CBS creates some of the most popular content in the world, and we're beginning to monetize it effectively with new distribution platforms. I am very confident that Leslie and his team will continue to create value for shareholders by building our core operations while capitalizing upon interactive opportunities." "This first quarter showcased CBS’s ability to leverage our broad, mass audiences into solid financial results," said Leslie Moonves, President and Chief Executive Officer, CBS Corporation. "The success of the Super Bowl, Final Four, Grammys as well as our overall schedule proved that our core broadcasting business is strong, a position that is strengthening as interactive technologies become mainstream. To this end, we created the CBS Interactive Audience Network to greatly increase the reach of our core content, and to secure new platforms that can help us create next-generation content as well. What’s more, we continue to invest in online and interactive companies that complement our core businesses. -
Marketing in the Music Industry
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction .................................................................................................... -
Preserve Local Radio. Fight the Performance Tax
In honor of Valentine’s Day, we recognize the love affair between the recording industry and free, local radio: “I have to thank... every DJ, every radio guy, every “That’s the most important thing for a label, getting promotions guy, everybody who ever put up a poster for your records played.” me and spread the word.” – Eddie Daye, recording artist, 2003 – Alicia Keys, recording artist, 2008 “Radio helped me a lot. That’s the audience. I can’t see “I have yet to see the big reaction you want to see to them, but I know they’re there. I can’t reach out and a hit until it goes on the radio. I’m a big, big fan touch them with my hand, but I know they’re there.” of radio.” – B.B. King, recording artist, 2002 – Richard Palmese, Executive Vice President of Promotion, RCA, 2007 “If a song’s not on the radio, it’ll never sell.” “Radio has proven itself time and time again to be the – Mark Wright, Senior Vice President, MCA Records, 2001 biggest vehicle to expose new music.” – Ken Lane, Senior Vice President for Promotion, Island Def Jam “Air play is king. They play the record, it sells. If they Music Group, 2005 don’t, it’s dead in the water.” – Jim Mazza, President, Dreamcatcher Entertainment, 1999 “It is clearly the number one way that we’re getting our music exposed. Nothing else affects retail sales the way “I am so grateful to radio. Their support has truly terrestrial radio does.” changed my life, and I hope they know how – Tom Biery, Senior Vice President for Promotion, appreciative I am for that.” Warner Bros. -
Biographical Description for the Historymakers® Video Oral History with Martha Reeves
Biographical Description for The HistoryMakers® Video Oral History with Martha Reeves PERSON Reeves, Martha Alternative Names: Martha Reeves; Life Dates: July 18, 1941- Place of Birth: Eufaula, Alabama, USA Residence: Detroit, MI Work: New York, NY Occupations: Motown Singer Biographical Note Martha Reeves, the earthy alto voice of Martha and the Vandellas, was born July 18, 1941, in Eufaula, Alabama. The eldest of eleven children, Reeves moved with her parents to Detroit, Michigan, before she was a year old. Reeves attended Russell Elementary School where Emily Wagstaff taught her vocals. A cheerleader who loved composition and music, Reeves studied voice with Abraham Silver at Northeastern High School. She was chosen to sing Bach’s Aria and she competed in talent shows. After graduating in 1959, Reeves worked in sales while performing with Rosalind Ashford and Annette Sterling as the Del-Phis and solo as Martha LaVille. In 1961, William “Mickey” Stevenson, head of the Artists and Repertoire department for Motown Records, noticed Reeves at Detroit’s Twenty Grand Club. Reeves, along with Ashford and Sterling, sang back up for Marvin Gaye’s hits, “Stubborn Kind of Fellow” and “Hitch Hike” in 1962. In 1963, Berry Gordy signed the three to a recording contract as Martha and the Vandellas. Named by Reeves for Van Dyke Street and Della Reese, her favorite singer, the group’s first hit was “Come and Get These Memories”. The million selling “(Love Is Like A) Heat Wave” led a string of hits, including 1964’s “Dancing in the Streets”, “Nowhere to Run”, “Quicksand”, “My Baby Loves Me”, “I’m Ready for Love” and 1967’s “Jimmy Mack” and “Honey Chile”. -
Finding a Partner Model with Broadcasters at Tunein.Com.” Stanford Casepublisher 204-2011-1
S TANFORD U NIVERSITY 2 0 1 1 - 2 0 4 - 1 S CHOOL OF E NGINEERING C ASEP UBLISHER DRAFT Rev. May 17, 2011 DRAFT COPY DO NOT CITE: R. Chen et al. “Finding a Partner Model with Broadcasters at Tunein.com.” Stanford CasePublisher 204-2011-1. 17 May 2010. DRAFT COPY DO NOT CITE FINDING A PARTNER MODEL WITH BROADCASTERS AT TUNEIN.COM T ABLE OF C ONTENTS Introduction 1. Overview of Online Broadcast Industry 1.1. Industry Trends 1.2. Industry Participants 2. TuneIn Background 2.1. RadioTime 2.2. Tunein Radio 3. Business Model 3.1. Metrics 3.2. Market Reaction 4. Conclusions 5. Discussion 6. Questions 7. Exhibits 8. References 9. Authors Professors Micah Siegel (Stanford University) and Fred Gibbons (Stanford University) guided the de- velopment of this case using the CasePublisher service as the basis for class discussion rather than to il- lustrate either effective or ineffective handling of a business situation. S TANFORD 204-2011-01 Finding a Partner Model at TuneIn.com Introduction !Founded in 2002, TuneIn delivers free Internet radio from all over the world. The application streams radio stations from 50,000 local, international, and Internet stations spanning 140 countries and 55 di"erent languages in over 150 products.1) It provides users with access to live radio content through a variety of media including websites, smart- phones, home entertainment devices, and auto in-dash receivers. 2) The application also al- lows users to pause, rewind, and record live radio programs. Although there are numerous online applications that o"er music streaming, TuneIn di"erentiates itself by focusing on radio programming. -
Phil Guerini Joins Jonas Group Entertainment As
May 21, 2021 The MusicRow Weekly Friday, May 21, 2021 Phil Guerini Joins Jonas Group SIGN UP HERE (FREE!) Entertainment As CEO If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Phil Guerini Joins Jonas Group Entertainment RCA Records Partners With Sony Music Nashville On Elle King Blake Shelton To Hit The Road In August Kelsea Ballerini To Join Jonas Brothers On Tour Jonas Group Entertainment has announced that music industry power player Phil Guerini has joined the team as CEO, effective immediately. James Barker Band Signs To Villa 40/Sony Music Nashville Based in Nashville, Guerini will be at the helm of Jonas Group Entertainment. The company was founded in 2005 by Kevin Jonas, Sr., Logan Turner Inks With who was managing his sons, Grammy-nominated, multi-Platinum selling UMPG Nashville group Jonas Brothers. Jonas Group Entertainment now houses entertainment, publishing, and marketing divisions, with offices in Nashville Jason Aldean Announces and Charlotte, North Carolina. Back In The Saddle Tour Guerini last oversaw music strategy for Disney Channels Worldwide Lady A To Launch What A networks, alongside all aspects of Radio Disney and Radio Disney Country. He played a vital role within three divisions and five businesses of Song Can Do Tour The Walt Disney Company with highlights that include spearheading the development and launch of the annual Radio Disney Music Awards in Jacob Durrett Inks With Big 2013, and reimagining Radio Disney’s highly-acclaimed artist development Loud And Warner Chappell program Next Big Thing (NBT). Prior to that he spent time in roles at radio stations in Miami and Atlanta, in addition to record labels like MCA More Tour Announcements Records, A&M Records, Chrysalis Records, and East West Records. -
Journal of the Music & Entertainment Industry Educators Association
Journal of the Music & Entertainment Industry Educators Association Volume 7, Number 1 (2007) Bruce Ronkin, Editor Northeastern University Published with Support from The Revolution in Licensing Music for Television Has Arrived: Confronting the Challenges and Profiting From the Opportunities Ava Lawrence Northeastern University One might think copyright holders would be willing to negotiate lower synchronization fees with television production companies in return for increased exposure from broadcasts and extensive marketing of the music on television show web sites. Conversely, one might presume that televi- sion production companies would seek lower synchronization fees for the same reasons. However, quite the opposite is happening. According to Gay DiFusco, Vice President of Music Clearance at Warner Bros. Television, copyright holders are responding to requests for broader rights with higher licensing fees. Negotiating the proper fee is tricky in the current market. Copyright holders are charging increasingly higher fees while the licensees are generally not questioning whether those higher fees are justified. Radio was once the premier way to introduce new music to the con- sumer. Prior to the most recent payola settlements, it was very difficult and very expensive to get new music added to a radio station’s playlist. Accord- ing to Jacob Slichter, drummer from the band Semisonic and author of the book So You Wanna Be A Rock & Roll Star, it cost over $700,000 to get the band’s hit song Closing Time on the radio. One has yet to see how the recent payola settlements will affect the ability to get a song played on the radio; changes are happening.