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Russell Gulley Alabama Touring Artist Program
Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Still on the Road 1980 Saved Sessions
STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017. -
Dylan, Cash, and the Nashville Cats Exhibit to Feature Jon Langford Artwork Exhibit Opens March 27, 2015, for a Two-Year Run
Dylan, Cash, and the Nashville Cats exhibit to feature Jon Langford artwork Exhibit opens March 27, 2015, for a two-year run NASHVILLE, Tenn., December 9, 2014 – The Country Music Hall of Fame® and Museum has unveiled the artwork for its forthcoming exhibit Dylan, Cash, and the Nashville Cats: A New Music City. Created by renowned artist and punk rocker Jon Langford, the commissioned painting will serve as the exhibit motif and inspiration for other artistic elements in the exhibit design. Langford is a founding member of influential punk band the Mekons and of pioneering hard-country rockers the Waco Brothers. He was born in Newport, Wales, and studied fine art at Leeds University. Langford is known for his powerful portraits of country and rock icons, including Hank Williams, Johnny Cash, and Elvis Presley. His punk rock instincts and singular artistic eye converge in a painting style that is distinctive, demanding of engagement, and at times politically charged. For Langford, the line between Acuff-Rose and Strummer-Jones is a direct one. His preferred medium is acrylic/mixed media on “square-ish wooden objects.” The exhibit logo is intricately layered in Langford’s characteristic style. It features portraits of ’60s-era Dylan and Cash, the cityscape as seen on the back cover of Dylan’s 1969 album, Nashville Skyline, and a background of exhibit-related graffiti— including names of the featured musicians, song titles, lyrics and symbols of the era. The Country Music Hall of Fame and Museum, in addition to its broad scope of educational programs and archival focus, is widely known for its provocative mix of museum exhibits showcasing the evolving history of country music. -
Lulu New Routes Mp3, Flac, Wma
Lulu New Routes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: New Routes Country: US Released: 1970 Style: Pop Rock, Soul MP3 version RAR size: 1272 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1358 mb Rating: 4.7 Votes: 685 Other Formats: MIDI RA XM MPC AIFF MP1 AUD Tracklist Hide Credits Marley Purt Drive A1 3:21 Written-By – Barry, Robin & Maurice Gibb* In The Morning A2 3:30 Written-By – Barry Gibb People In Love A3 2:42 Written-By – Eddie Hinton, Grady Smith After All (I Live My Life) A4 3:12 Written-By – Frank Miller, Jim Doris Feelin' Alright A5 3:04 Written-By – Dave Mason Dirty Old Man B1 2:18 Written-By – Delaney Bramlett, Mac Davis Oh Me Oh My (I'm A Fool For You Baby) B2 2:45 Written-By – Jim Doris Is That You Love B3 2:40 Written-By – Jackie Avery, John Farris Mr. Bojangles B4 3:06 Written-By – Jerry Jeff Walker Where's Eddie B5 3:01 Written-By – Donnie Fritts, Eddie Hinton Sweep Around Your Own Back Door B6 2:40 Written-By – Fran Robins Companies, etc. Record Company – Atlantic Recording Corporation Manufactured By – Atlantic Recording Corporation Recorded At – Muscle Shoals Sound Studios Copyright (c) – Atlantic Recording Corporation Published By – Casserole Published By – Bramsdene Published By – Ruler Published By – Nootrac Published By – Irving Published By – Metric Published By – Redwal Published By – Cotillion Music Published By – Danel Music Published By – Blackwood Mastered At – Atlantic Studios Credits Bass – David Hood Design [Album] – Haig Adishian Drums – Roger Hawkins Engineer – Jimmy Johnson , Marlin Greene Guitar – Cornell Dupree, Duane Allman, Eddie Hinton, Jimmy Johnson Keyboards – Barry Beckett Lacquer Cut By – aB* Photography By – Stephen Paley Producer – Arif Mardin, Jerry Wexler, Tom Dowd Notes (C) 1970 Atlantic Recording Corporation Printed in U.S.A. -
FAULT LINES Ridgites: Sidewalks Are City’S Newest Cash Cow by Jotham Sederstrom the Past Two Months; 30 Since the Beginning of the Brooklyn Papers the Year
I N S BROOKLYN’S ONLY COMPLETE U W L • ‘Bollywood’ comes to BAM O P N • Reviewer gives Park Slope’s new Red Cafe the green light Nightlife Guide • Brooklyn’s essential gift guide CHOOSE FROM 40 VENUES — MORE THAN 140 EVENTS! 2003 NATIONAL AWARD WINNER Including The Bensonhurst Paper Published weekly by Brooklyn Paper Publications at 26 Court St., Brooklyn, NY 11242 Phone 718-834-9350 © Brooklyn Paper Publications • 14 pages including GO BROOKLYN • Vol.26, No. 49 BRZ • December 8, 2003 • FREE FAULT LINES Ridgites: Sidewalks are city’s newest cash cow By Jotham Sederstrom the past two months; 30 since the beginning of The Brooklyn Papers the year. If you didn’t know better, you’d think “To me, it seems like an extortion plot,” said that some of the homeowners along a par- Tom Healy, who lives on the block with his ticular stretch of 88th Street were a little wife, Antoinette. Healy received a notice of vio- strange. lation on Oct. 24. / Ramin Talaie “It’s like if I walked up to your house and For one, they don’t walk the sidewalks so said, ‘Hey, you got a crack, and if you don’t fix much as inspect them, as if each concrete slab between Third Avenue and Ridge Boulevard it were gonna do it ourselves, and we’re gonna bring our men over and charge you.’ If it was were a television screen broadcasting a particu- Associated Press larly puzzling rerun of “Unsolved Mysteries.” sent by anyone other than the city, it would’ve But the mystery they’re trying to solve isn’t been extortion,” he said. -
The Daily Egyptian, April 22, 1974
Southern Illinois University Carbondale OpenSIUC April 1974 4-22-1974 The aiD ly Egyptian, April 22, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_April1974 Volume 55, Issue 147 Recommended Citation , . "The aiD ly Egyptian, April 22, 1974." (Apr 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in April 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ~. .. 113gyptian The eclectic world of Darwin Payne 'Magazine Southern Illinois University Quiet ' Renaissance man' at work In SID theater By Julie TiloDe see is London , a place many find Staff Writer refreshingly " small-town." New York, despite Payne's a version to A university is often that proverbial it, still has Broadway to lure the young backyard where really important things stage designer. But Payne contends that are overlooked. Important things, and a newcomer's chances aren't very good important people. Tucked away into there, since the union is very exclusive each departmental nook of the campus and Broadway just doesn 't provide that are men and women whose outstanding much work .,. reputations aren't recognized by the The west coast. with its film and community outside, and sometimes television industries. offers more job inside, that department. opportunities for the designer. But Darwin Pa yne is a case in pOint. Payne is qwck to note the difference in Payne . an associate professor of the kind of work available in those theater. has an established national media. -
Elvis Presley's Graceland Announces Plans for Elvis Week 2021 In
FOR IMMEDIATE RELEASE Contact: David Beckwith [email protected] / 323-632-3277 Elvis Presley’s Graceland Announces Plans for Elvis Week 2021 in Memphis Seven-Day Event to Celebrate the Music, Life and Legacy of Elvis Presley Memphis, Tenn. – February 12, 2021 - Elvis Week™ 2021 will mark the 44th anniversary of Elvis’ passing and Graceland® is preparing for the gathering of thousands of Elvis fans and friends. Taking place August 11-17, Elvis Week is an annual, multi-day gathering celebrating Elvis’ life and legacy. It has become a pop-culture phenomenon and an annual pilgrimage for music lovers from around the world. Events include appearances by celebrities and musicians, live concerts, panel discussions, meet and greet opportunities, parties, fan events, the ULTIMATE ELVIS TRIBUTE ARTIST (ETA) CONTEST, special bus excursions around Memphis and to Tupelo, and much more. Events and special tours will be held at the Mansion, the entertainment and exhibit complex, Elvis Presley’s Memphis™, the AAA Four-Diamond Guest House at Graceland™ resort hotel, and the Graceland Exhibition Center, home to the Jungle Room Bar. Tickets for all Elvis Week events go on-sale for the public Friday, February 12, at 1:00 p.m. CST. Details and additional ticket information, including specifics on exclusive Elvis Week packages, is now available online at ElvisWeek.com. The cornerstone event, the CANDLELIGHT VIGIL, will begin on Sunday, August 15, at Graceland’s front gate. Elvis music sets the tone of the evening as fans walk up the driveway to the Meditation Garden. This event lasts throughout the night as thousands of participants gather on Elvis Presley Boulevard listening to music, remembering Elvis, and enjoying the memorials that are created by fans along the street. -
O'connor Steps out on Her Own from Festival, 5 Underground Right Now, He Says That This Is a Good by Joey Hood Work, Til the Dawn
page 9 MARCH 17, 2005 Music O'Connor steps out on her own From Festival, 5 underground right now, he says that this is a good By Joey Hood work, Til the Dawn. It's a documented stand-out track on 7/7 the Dawn, a record of scrappy tooth-and-nail life proud declaration of O'Connor's musi- thing because it provides loyal fan bases at shows, With her austere, simply stated tim- lessons, evocative of the campfire cal strengths. and there's a lot of vari- bre and wistfully nuanced ruminations story songs from O'Connor's cult-coun- "I feel like this album represents ety in what a ska band on the painful ebbs of Midwestern life, try heroes. who I am and where I come from," can do. Bloodshot Records' Nora O'Connor is Since the summer 2004 release of O'Connor said. "I would like to see finally gaining attention on her own Til the Dawn, O'Connor's star has con- Truthfully speaking, 7/7 the Dawn is ska exposed to wider terms. tinued to rise from in-demand session O'Connor's second album. In 1996, audiences through the O'Connor spent the past decade player to legitimate artist. Her hardy O'Connor debuted in the underground mainstream media, but languishing in indie-rock side projects alto and nasally growl has music crit- Chicago scene with Cerulean Blue, an only if the right people by providing crestfallen harmonies for ics falling over themselves, circling admittedly shaky album that under- get their hands on it," the glam-country outfit, The Blacks, O'Connor's name next to prolific label- scored O'Connor's naivete. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Bloodshot Records Announces 20Th Anniversary Compilation, While No One Was Looking
BLOODSHOT RECORDS ANNOUNCES 20TH ANNIVERSARY COMPILATION, WHILE NO ONE WAS LOOKING RELEASE DATE: NOVEMBER 18, 2014 ROLLING STONE COUNTRY PREMIERES BLITZEN TRAPPER’S COVER OF RYAN ADAMS’ “TO BE YOUNG (IS TO BE SAD, IS TO BE HIGH)” (album artwork, designed by Markus Greiner. Download for use HERE) While No One Was Looking: Toasting 20 Years of Bloodshot Records, a collection of 38 musical acts covering songs from the label’s catalog, will be released on November 18. The limited-edition double CD/triple LP/digital release (including a pre-order only blood- red vinyl) celebrates the 20th anniversary of the venerable independent Chicago alt- country/roots/punk label. The genre-spanning collection features artists such as Blitzen Trapper, Andrew Bird and Nora O’Connor, Ben Kweller, Mike Watt, Nicki Bluhm and the Gramblers, Shakey Graves, Chuck Ragan, Superchunk, and many others covering Bloodshot current and former roster acts such as Justin Townes Earle, Ryan Adams, Neko Case, Scott H. Biram, Ha Ha Tonka, Lydia Loveless, Old 97’s, Murder By Death, Robbie Fulks, Cory Branan, and more. The entire track listing – including original album titles – is included below. PRE-ORDER LINK: https://www.bloodshotrecords.com/album/while-no-one-was- looking-toasting-20-years-bloodshot-records On Wednesday, Rolling Stone Country announced the album details, artwork and pre- order link, and launched the album’s first track Blitzen Trapper’s take on Ryan Adams’ original “To Be Young (Is to be Sad, Is to be High)” from his seminal solo debut Heartbreaker. LINK: -
Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987.